E-Tc Ms. 28

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: 1553

Archive	Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark	Ms. 28
Image Availability	DIAMM does not have images of this source.
Surface	Parchment
Numbering System	Foliation
Measurements	745 x 510 mm
Other Identifiers	CCM: ToleBC 28
Notations	black void mensural
Copyists	Buitrago, Francisco de Illuminator Pérez, Martín Music
Relationships	Toledo Cathedral (copied at)
External Links	CMME online edition Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Toledo Cathedral , Toledo, Spain
Contents	25 pieces from 5 composers

General Description

Copied by Martín Pérez (NooneT) in Toledo, for use by cathedral choir.

Cristina Urchueguía, 2010

Physical Description

Some folios mutilated due to removal of decorative initials or miniatures

Cristina Urchueguía, 2010

Binding

Original covers of brown tooled leather over wooden boards, with brass bosses.

Cristina Urchueguía, 2010

Notation

black void mensural

Cristina Urchueguía, 2010

Foliation

Original foliation in ink i-cxxvii

Cristina Urchueguía, 2010

Decoration

Illuminated miniatures (some later cut out); painted initials and inked initials in various colours. Attributions and voice designations appear within decorative scroll designs. Decoration is work of Francisco de Buitrago (NooneT).

Cristina Urchueguía, 2010

Index

Original index on f. 1 lists Masses in order of appearance

Cristina Urchueguía, 2010

Surface

parchment

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses

Berchem-1, A. Févin-1, Morales-2, anon-1

127 parchment folios, 745 x 510. Some folios mutilated due to removal of decorative initials or miniatures. Original ink foliation, i-cxxvii. Original covers of brown tooled leather over wooden boards, with brass bosses. Original index on f. 1 lists Masses in order of appearance. Copied by Martín Pérez (NooneT); see general index for other manuscripts copied by the same scribe. Illuminated miniatures (some later cut out); painted initials and inked initials in various colors. Attributions and voice designations appear within decorative scroll designs. Decoration is work of Francisco de Buitrago (NooneT).

1553 (date in manuscript). Copied in Toledo, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–29	Missa Maria Magdalena / Missa la Magdalena: Kyrie	-	Champion, Nicolas (ca. 1475–1533)
Missa Maria Magdalena / Missa la Magdalena: Kyrie Champion, Nicolas (ca. 1475–1533) Appears on: 1v–29 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Missa supra Maria Magdalena/ Missa de la Magdalena: Kyrie. Gloria: 2 partes. Credo: 2 partes. Sanctus (with: Pleni: 4 voces, Osanna, Benedictus: 4 voces). Agnus.
1v–29	Missa Maria Magdalena / Missa la Magdalena: Gloria (2 partes)	-	Champion, Nicolas (ca. 1475–1533)
Missa Maria Magdalena / Missa la Magdalena: Gloria (2 partes) Champion, Nicolas (ca. 1475–1533) Appears on: 1v–29 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa supra Maria Magdalena/ Missa de la Magdalena: Gloria: 2 partes.
1v–29	Missa Maria Magdalena / Missa la Magdalena: Credo (2 partes)	-	Champion, Nicolas (ca. 1475–1533)
Missa Maria Magdalena / Missa la Magdalena: Credo (2 partes) Champion, Nicolas (ca. 1475–1533) Appears on: 1v–29 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa supra Maria Magdalena/ Missa de la Magdalena: Credo: 2 partes.
1v–29	Missa Maria Magdalena / Missa la Magdalena: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces	-	Champion, Nicolas (ca. 1475–1533)
Missa Maria Magdalena / Missa la Magdalena: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces Champion, Nicolas (ca. 1475–1533) Appears on: 1v–29 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa supra Maria Magdalena/ Missa de la Magdalena: Sanctus (with: Pleni: 4 voces, Osanna, Benedictus: 4 voces).
1v–29	Missa Maria Magdalena / Missa la Magdalena: Agnus	-	Champion, Nicolas (ca. 1475–1533)
Missa Maria Magdalena / Missa la Magdalena: Agnus Champion, Nicolas (ca. 1475–1533) Appears on: 1v–29 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa supra Maria Magdalena/ Missa de la Magdalena: Agnus.
29v–57	Missa Feria (5vv): Kyrie	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv): Kyrie Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 29v–57 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Missa de feria: Kyrie
29v–57	Missa Feria (5vv): Gloria: 2 partes.	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv): Gloria: 2 partes. Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 29v–57 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa de feria: Gloria: 2 partes.
29v–57	Missa Feria (5vv): Credo: 4 partes.	-	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Missa Feria (5vv): Credo: 4 partes. Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 29v–57 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa de feria: Credo: 4 partes.
29v–57	Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces).	-	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 29v–57 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa de feria: Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces).
29v–57	Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces.	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 29v–57 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa de feria: Agnus I. Agnus II: 2 voces. Agnus III: 6 voces.
57v–70	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 57v–70 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Missa cortilla [Missa Fa, re, ut, fa, sol, la]: Kyrie. Gloria: 2 partes. Credo: 3 partes. Sanctus (mit: Pleni, Osanna, Benedictus). Agnus I. Agnus II.
57v–70	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. Morales, Cristóbal de (ca. 1500–1553) Appears on: 57v–70 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa cortilla [Missa Fa, re, ut, fa, sol, la]: Gloria: 2 partes.
57v–70	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. Morales, Cristóbal de (ca. 1500–1553) Appears on: 57v–70 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa cortilla [Missa Fa, re, ut, fa, sol, la]: Credo: 3 partes.
57v–70	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. Morales, Cristóbal de (ca. 1500–1553) Appears on: 57v–70 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa cortilla [Missa Fa, re, ut, fa, sol, la]: Sanctus (mit: Pleni, Osanna, Benedictus).
57v–70	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. Morales, Cristóbal de (ca. 1500–1553) Appears on: 57v–70 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa cortilla [Missa Fa, re, ut, fa, sol, la]: Agnus I. Agnus II.
70v–98	Missa Mors et merci = Missa Lachet ber Chen: Kyrie, Gloria (2 partes), Credo (5 partes), Crucifixus (3 voces), Sanctus with Pleni (4 voces), Osanna I, Benedictus (3 voces), Agnus = Kyrie	-	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Kyrie, Gloria (2 partes), Credo (5 partes), Crucifixus (3 voces), Sanctus with Pleni (4 voces), Osanna I, Benedictus (3 voces), Agnus = Kyrie Berchem, Jacques (ca. 1505–1567) Appears on: 70v–98 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Mort & merci/ Missa Lachet ber Chenmor et merci [Missa Mort et merci]: Kyrie. Gloria: 2 partes. Credo: 5 partes (Crucifixus: 3 voces). Sanctus (with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces). Agnus = Kyrie.
70v–98	Missa Mors et merci = Missa Lachet ber Chen: Gloria: 2 partes	-	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Gloria: 2 partes Berchem, Jacques (ca. 1505–1567) Appears on: 70v–98 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa Mort & merci/ Missa Lachet ber Chenmor et merci [Missa Mort et merci]: Gloria: 2 partes.
70v–98	Missa Mors et merci = Missa Lachet ber Chen: Credo: 5 partes Crucifixus: 3 voces	-	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Credo: 5 partes Crucifixus: 3 voces Berchem, Jacques (ca. 1505–1567) Appears on: 70v–98 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa Mort & merci/ Missa Lachet ber Chenmor et merci [Missa Mort et merci]: Credo: 5 partes (Crucifixus: 3 voces).
70v–98	Missa Mors et merci = Missa Lachet ber Chen: Sanctus with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces	-	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Sanctus with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces Berchem, Jacques (ca. 1505–1567) Appears on: 70v–98 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa Mort & merci/ Missa Lachet ber Chenmor et merci [Missa Mort et merci]: Sanctus (with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces).
70v–98	Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie	-	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie Berchem, Jacques (ca. 1505–1567) Appears on: 70v–98 Genres: Agnus Dei, Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Mort & merci/ Missa Lachet ber Chenmor et merci [Missa Mort et merci]: Agnus = Kyrie.
98v–127	Missa Mille regrets	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets Morales, Cristóbal de (ca. 1500–1553) Appears on: 98v–127 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Mille regres [Missa Mille regretz]: Kyrie. Gloria: 2 partes. Credo: 5 partes (Et iterum: 3 voces). Sanctus (mit: Osanna, Benedictus: 3 voces). Agnus I. Agnus II: 3 voces. Agnus III. General Note Contradictory ascription in RISM B I,1: 1568-1: Thoma Creqvilone
98v–127	Missa Mille regrets: Gloria	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Gloria Morales, Cristóbal de (ca. 1500–1553) Appears on: 98v–127 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Mille regres [Missa Mille regretz]: Gloria: 2 partes.
98v–127	Missa Mille regrets: Credo	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Credo Morales, Cristóbal de (ca. 1500–1553) Appears on: 98v–127 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Mille regres [Missa Mille regretz]: Credo: 5 partes (Et iterum: 3 voces).
98v–127	Missa Mille regrets: Sanctus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 98v–127 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Mille regres [Missa Mille regretz]: Sanctus (mit: Osanna, Benedictus: 3 voces).
98v–127	Missa Mille regrets: Agnus Dei	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Agnus Dei Morales, Cristóbal de (ca. 1500–1553) Appears on: 98v–127 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Mille regres [Missa Mille regretz]: Agnus I. Agnus II: 3 voces. Agnus III.

Composer	Compositions
Berchem, Jacques (ca. 1505–1567)	Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie – 70v–98 Missa Mors et merci = Missa Lachet ber Chen: Credo: 5 partes Crucifixus: 3 voces – 70v–98 Missa Mors et merci = Missa Lachet ber Chen: Gloria: 2 partes – 70v–98 Missa Mors et merci = Missa Lachet ber Chen: Kyrie, Gloria (2 partes), Credo (5 partes), Crucifixus (3 voces), Sanctus with Pleni (4 voces), Osanna I, Benedictus (3 voces), Agnus = Kyrie – 70v–98 Missa Mors et merci = Missa Lachet ber Chen: Sanctus with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces – 70v–98
Champion, Nicolas (ca. 1475–1533)	Missa Maria Magdalena / Missa la Magdalena: Agnus – 1v–29 Missa Maria Magdalena / Missa la Magdalena: Credo (2 partes) – 1v–29 Missa Maria Magdalena / Missa la Magdalena: Gloria (2 partes) – 1v–29 Missa Maria Magdalena / Missa la Magdalena: Kyrie – 1v–29 Missa Maria Magdalena / Missa la Magdalena: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces – 1v–29
Fevin, Antoine de (ca. 1470–ca. 1512)	Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. – 29v–57 Missa Feria (5vv): Credo: 4 partes. – 29v–57 Missa Feria (5vv): Gloria: 2 partes. – 29v–57 Missa Feria (5vv): Kyrie – 29v–57 Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). – 29v–57
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	(?) Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. – 29v–57 (?) Missa Feria (5vv): Credo: 4 partes. – 29v–57 (?) Missa Feria (5vv): Gloria: 2 partes. – 29v–57 (?) Missa Feria (5vv): Kyrie – 29v–57 (?) Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). – 29v–57
Morales, Cristóbal de (ca. 1500–1553)	Missa Mille regrets – 98v–127 Missa Mille regrets: Agnus Dei – 98v–127 Missa Mille regrets: Credo – 98v–127 Missa Mille regrets: Gloria – 98v–127 Missa Mille regrets: Sanctus – 98v–127 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. – 57v–70 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. – 57v–70 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. – 57v–70 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie – 57v–70 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. – 57v–70

Composition	Composers (? Uncertain)	Folios / Pages
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II.	Morales, Cristóbal de (ca. 1500–1553)	57v–70
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes.	Morales, Cristóbal de (ca. 1500–1553)	57v–70
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes.	Morales, Cristóbal de (ca. 1500–1553)	57v–70
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie	Morales, Cristóbal de (ca. 1500–1553)	57v–70
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus.	Morales, Cristóbal de (ca. 1500–1553)	57v–70
Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces.	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	29v–57
Missa Feria (5vv): Credo: 4 partes.	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	29v–57
Missa Feria (5vv): Gloria: 2 partes.	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	29v–57
Missa Feria (5vv): Kyrie	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	29v–57
Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces).	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	29v–57
Missa Maria Magdalena / Missa la Magdalena: Agnus	Champion, Nicolas (ca. 1475–1533)	1v–29
Missa Maria Magdalena / Missa la Magdalena: Credo (2 partes)	Champion, Nicolas (ca. 1475–1533)	1v–29
Missa Maria Magdalena / Missa la Magdalena: Gloria (2 partes)	Champion, Nicolas (ca. 1475–1533)	1v–29
Missa Maria Magdalena / Missa la Magdalena: Kyrie	Champion, Nicolas (ca. 1475–1533)	1v–29
Missa Maria Magdalena / Missa la Magdalena: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces	Champion, Nicolas (ca. 1475–1533)	1v–29
Missa Mille regrets	Morales, Cristóbal de (ca. 1500–1553)	98v–127
Missa Mille regrets: Agnus Dei	Morales, Cristóbal de (ca. 1500–1553)	98v–127
Missa Mille regrets: Credo	Morales, Cristóbal de (ca. 1500–1553)	98v–127
Missa Mille regrets: Gloria	Morales, Cristóbal de (ca. 1500–1553)	98v–127
Missa Mille regrets: Sanctus	Morales, Cristóbal de (ca. 1500–1553)	98v–127
Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie	Berchem, Jacques (ca. 1505–1567)	70v–98
Missa Mors et merci = Missa Lachet ber Chen: Credo: 5 partes Crucifixus: 3 voces	Berchem, Jacques (ca. 1505–1567)	70v–98
Missa Mors et merci = Missa Lachet ber Chen: Gloria: 2 partes	Berchem, Jacques (ca. 1505–1567)	70v–98
Missa Mors et merci = Missa Lachet ber Chen: Kyrie, Gloria (2 partes), Credo (5 partes), Crucifixus (3 voces), Sanctus with Pleni (4 voces), Osanna I, Benedictus (3 voces), Agnus = Kyrie	Berchem, Jacques (ca. 1505–1567)	70v–98
Missa Mors et merci = Missa Lachet ber Chen: Sanctus with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces	Berchem, Jacques (ca. 1505–1567)	70v–98

‡ denotes primary source study

Diego Pacheco, Cristina. 2016. Cristóbal de Morales en Espagne: ses premières œuvres et le manuscrit de Valladolid. 304. Lyon: Symétrie Recherche.

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600. Paris/Turnhout.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I, 38. Notes: mention of MS.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 462, 810. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Pages: 94, 96, 101. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 70-1. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Trumff, Gustav Adolf. 1953. Die Messen des Cristobal de Morales. Anuário Musical, 93-152. Pages: 119-21. Notes: physical description; mention of MS; discussion.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XI, 59, 71 XXIV, 8ff. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos. Toledo. Pages: 53-4. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-Tc Ms. 28

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: 1553

General Description

Physical Description

Binding

Notation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017