E-Tc Ms. 12

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: c. 1542

Archive Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark Ms. 12
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Measurements 695 x 480 mm
Other Identifiers
  • CCM: ToleBC 12
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents Contains 36 compositions from 4 composers.
General Description

Copied by Martín Pérez (NooneT). Pieces ordered by genre: (1) psalms; (2) hymns; (3) Magnificats; (4) canticles; (5) sequences. Copied in Toledo, for use by cathedral choir.

DIAMM, 2017
Binding

Original covers of brown leather over wooden boards, with metal corners and bosses; clasps missing

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1542, with corrections and additions in 1545 and 1555 (NooneT)

DIAMM, 2017
Foliation

Original ink foliation, 1-118

DIAMM, 2017
Decoration

Painted initials and inked initials in various colours; voice designations appear within decorative scroll designs. Most decoration is work of Francisco de Buitrago, but some initials added by a different hand (NooneT).

DIAMM, 2017
Index

Original index on ff. [ii-ii'] lists all pieces in order of appearance (with a few discrepancies), except for Mass Proper sections on ff. 111'-118'.

DIAMM, 2017
Surface

parchment

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Mass Proper sections (1 fragmentary), 8 Magnificats, 2 canticles, 13 psalms (6 with additional alternate doxologies), 9 hymns = 34

Bernal González-1, Boluda/Torrentes-1, * Quebedo-2, Torrentes-30

*Hymn "Jesu corona virginum" on ff. 54'-56 attributed to Boluda over music, but to Torrentes in index. See NooneT I, 65-6, for discussion.

ii + 118 + i parchment folios, 695 x 480. Original ink foliation, 1-118. Original covers of brown leather over wooden boards, with metal corners and bosses; clasps missing. Original index on ff. [ii-ii'] lists all pieces in order of appearance (with a few discrepancies), except for Mass Proper sections on ff. 111'-118'.

Copied by Martín Pérez (NooneT); see general index for other manuscripts copied by the same scribe. Painted initials and inked initials in various colors; voice designations appear within decorative scroll designs. Most decoration is work of Francisco de Buitrago, but some initials added by a different hand (NooneT). Pieces ordered by genre: (1) psalms; (2) hymns; (3) Magnificats; (4) canticles; (5) sequences.

Ca. 1542, with corrections and additions in 1545 and 1555 (NooneT). Copied in Toledo, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Noone, Michael John. 2011. A Sixteenth-Century Manuscript Choirbook of Polyphony for Vespers at Toledo Cathedral by Andrés de Torrentes (c. 1510-80). Pure Gold: Golden Age Sacred Music in the Iberial World. A Homage to Bruno Turner, 3-26. Kassel: Edition Reichenberger.

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600.  Paris/Turnhout.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I, 38, 62-7, plate I II, #3-10, 17-29, 34-40, 54-5, 57. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Pages: 94, 103, 105-6. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 167. Notes: contents list (partial); incipits (partial).

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos.  Toledo. Pages: 27-8. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description