Copied by Martín Pérez (NooneT). Copied in Toledo, for use by cathedral choir.
E-Tc Ms. 10
Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain
manuscript of polyphony: 1544-5
| Archive | Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc) |
|---|---|
| Shelfmark | Ms. 10 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 728 x 520 mm |
| Other Identifiers |
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| Notations |
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| Contents | Contains 19 compositions, 18 from 13 composers, 1 is anonymous. |
General Description
Physical Description
Three original folios now missing at end; some folios mutilated due to removal of decorative initials
Binding
Original covers of brown leather over wooden boards; metal clasps now missing
Notation
black void mensural
Date
1544-5 (NooneT)
Foliation
Original foliation in red ink, i-ci.
Decoration
Painted initials and inked initials, in blue, red, gold, green, violet, and pink, within rectangular borders; attributions and voice designations appear within decorative scroll patterns, some in red or blue. Some initials historiated; f. 1' has coat of arms of Juan Tavera, Archbishop of Toledo 1534-45. All decoration is work of Francisco de Buitrago (NooneT).
Index
Original index on f. 1 lists all pieces in order of appearance, with attributions; two pieces listed in index now missing due to lost folios at end.
Surface
parchment
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
19 motets (1 incomplete)
Gombert-4, Jaquet of Mantua/(Lupus)-1, Josquin-3, Josquin/ (Brunet)-1, Lebrun/(Moulu)-1, Moulu/Verdelot*/(Josquin/Mouton)-1, L. Padovano [Laurus]-1, Richafort-1, Torrentes-2, Verdelot-1, Verdelot/(Josquin)-1, Verdelot/(Willaert)-1, anon-1
*Motet "Quam pulchra es" attributed to "Verdelot" over music, but to "Petrus Molu" in index.
iv + 101 + i parchment folios, 728 x 520. Three original folios now missing at end; some folios mutilated due to removal of decorative initials. Original foliation in red ink, i-ci. Original covers of brown leather over wooden boards; metal clasps now missing. Original index on f. 1 lists all pieces in order of appearance, with attributions; two pieces listed in index now missing due to lost folios at end.
Copied by Martín Pérez (NooneT); see general index for other manuscripts copied by the same scribe. Painted initials and inked initials, in blue, red, gold, green, violet, and pink, within rectangular borders; attributions and voice designations appear within decorative scroll patterns, some in red or blue. Some initials historiated; f. 1' has coat of arms of Juan Tavera, Archbishop of Toledo 1534-45. All decoration is work of Francisco de Buitrago (NooneT).
1544-5 (NooneT). Copied in Toledo, for use by cathedral choir.
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‡ denotes primary source study
Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600. Paris/Turnhout.
Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I, 36-44, 67 II, #52-3 frontispiece of Vols. I and II. Notes: physical description; contents list; transcription (partial); facsimile (partial); mention of MS; discussion.
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 358-9, 369, 389,514-5, 517. Notes: contents list (partial); concordances (partial).
Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 131, 135, 166. Notes: contents list (partial); concordances (partial).
Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Pages: 96ff. Notes: contents list (partial); concordances (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 302-5, 310-2, 318-9. Notes: contents list (partial); concordances (partial); incipits (partial).
Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 17, 22, 27, 322-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos. Toledo. Pages: 26-7. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description