E-Tc Ms. 10

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: 1544-5

Archive	Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark	Ms. 10
Image Availability	DIAMM does not have images of this source.
Surface	Parchment
Numbering System	Foliation
Measurements	728 x 520 mm
Other Identifiers	CCM: ToleBC 10
Notations	black void mensural
Copyists	Pérez, Martín Music
Relationships	Tavera, Juan (patron) Toledo Cathedral (copied at)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Toledo Cathedral , Toledo, Spain
Contents	19 pieces from 14 composers

General Description

Copied by Martín Pérez (NooneT). Copied in Toledo, for use by cathedral choir.

DIAMM, 2017

Physical Description

Three original folios now missing at end; some folios mutilated due to removal of decorative initials

DIAMM, 2017

Binding

Original covers of brown leather over wooden boards; metal clasps now missing

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1544-5 (NooneT)

DIAMM, 2017

Foliation

Original foliation in red ink, i-ci.

DIAMM, 2017

Decoration

Painted initials and inked initials, in blue, red, gold, green, violet, and pink, within rectangular borders; attributions and voice designations appear within decorative scroll patterns, some in red or blue. Some initials historiated; f. 1' has coat of arms of Juan Tavera, Archbishop of Toledo 1534-45. All decoration is work of Francisco de Buitrago (NooneT).

DIAMM, 2017

Index

Original index on f. 1 lists all pieces in order of appearance, with attributions; two pieces listed in index now missing due to lost folios at end.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

19 motets (1 incomplete)

Gombert-4, Jaquet of Mantua/(Lupus)-1, Josquin-3, Josquin/ (Brunet)-1, Lebrun/(Moulu)-1, Moulu/Verdelot*/(Josquin/Mouton)-1, L. Padovano [Laurus]-1, Richafort-1, Torrentes-2, Verdelot-1, Verdelot/(Josquin)-1, Verdelot/(Willaert)-1, anon-1

*Motet "Quam pulchra es" attributed to "Verdelot" over music, but to "Petrus Molu" in index.

iv + 101 + i parchment folios, 728 x 520. Three original folios now missing at end; some folios mutilated due to removal of decorative initials. Original foliation in red ink, i-ci. Original covers of brown leather over wooden boards; metal clasps now missing. Original index on f. 1 lists all pieces in order of appearance, with attributions; two pieces listed in index now missing due to lost folios at end.

Copied by Martín Pérez (NooneT); see general index for other manuscripts copied by the same scribe. Painted initials and inked initials, in blue, red, gold, green, violet, and pink, within rectangular borders; attributions and voice designations appear within decorative scroll patterns, some in red or blue. Some initials historiated; f. 1' has coat of arms of Juan Tavera, Archbishop of Toledo 1534-45. All decoration is work of Francisco de Buitrago (NooneT).

1544-5 (NooneT). Copied in Toledo, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–6	Sancta Maria virgo virginum 25.7	Verdelot/[Josquin]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?)
Sancta Maria virgo virginum 25.7 Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 1v–6 Genres: Motet Source Attribution: Verdelot/[Josquin] Voice: [no designation] Languages: Latin Voice Text: Sancta Maria virgo virginum 25.6
6v–11	Aspice Domine quia facta est desolata	Jaquet [of Mantua]/[Lupus]	Hellinck, Lupus (ca. 1494–1541) (?) Mantua, Jacquet de (1483–1559) (?)
Aspice Domine quia facta est desolata Hellinck, Lupus (ca. 1494–1541) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 6v–11 Genres: Motet Source Attribution: Jaquet [of Mantua]/[Lupus] Voice: [no designation] Languages: Latin Voice Text: Aspice domine quia facta est desolata
11v–21	Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire)	Iusquin	Despres, Josquin (ca. 1450–1521)
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) Despres, Josquin (ca. 1450–1521) Appears on: 11v–21 Genres: Motet, Stabat Mater Source Attribution: Iusquin Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa iuxta crucem 25.9 II: Eya mater fons amoris me sentire
21v–23	Tanto tempore vobiscum sum et non cognovistis	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532)
Tanto tempore vobiscum sum et non cognovistis Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 21v–23 Genres: Motet Source Attribution: Verdelot Voice: [no designation] Languages: Latin Voice Text: Tanto tempore vobiscum sum et non cognovistis
23v–28	Quam pulchra es 14.10 (2p. Labia tua distillantia)	Verdelot/Petrus Molu (index)/[Josquin/Mouton]	Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?)
Quam pulchra es 14.10 (2p. Labia tua distillantia) Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 23v–28 Genres: Motet Source Attribution: Verdelot/Petrus Molu (index)/[Josquin/Mouton] Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es amica mea et decora 14.10 II: Labia tua lilia distillantia
28v–31	Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram	Laurus [Padovano]	Padovano [Patavus], Laurus
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram Padovano [Patavus], Laurus Appears on: 28v–31 Genres: Motet Source Attribution: Laurus [Padovano] Voice: [no designation] Languages: Latin Voice Text: Tu es Petrus et super hanc petram
31v–34	Missus est Gabriel angelus ad Mariam 20.6	Iusquin	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 31v–34 Genres: Motet Source Attribution: Iusquin Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel angelus ad Mariam 20.6
34v–40	Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens)	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 34v–40 Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondens
40v–42	Asperges me Domine isopo et mundabor	Torrentes	Torrentes, Andres de
Asperges me Domine isopo et mundabor Torrentes, Andres de Appears on: 40v–42 Genres: Asperges me, Motet Source Attribution: Torrentes Voice: [no designation] Languages: Latin Voice Text: (Asperges me) Domine isopo e[t] mundabor
42v–47	Ave gloriosa Dei genitrix salve regina	Torrentes	Torrentes, Andres de
Ave gloriosa Dei genitrix salve regina Torrentes, Andres de Appears on: 42v–47 Genres: Motet Source Attribution: Torrentes Voice: [no designation] Languages: Latin Voice Text: Ave gloriosa dei genitrix salve regina
47v–53	Haec dies quam fecit Dominus exultemus II: Confitemini Domino quoniam bonus	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Haec dies quam fecit Dominus exultemus II: Confitemini Domino quoniam bonus Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 47v–53 Genres: Motet Source Attribution: Gombert Voice: [no designation] Languages: Latin Voice Text: Hec dies quam fecit dominus exultemus II: Confitemini domino quoniam bonus
53v–60	Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria)	Jusquin	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria) Despres, Josquin (ca. 1450–1521) Appears on: 53v–60 Genres: Motet Source Attribution: Jusquin Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria 24.4 II: Nostra ut pura pectora sint III: O benigna O regina O Maria
60v–71	Victime paschali laudes immolent 22.7 II: Sepulchrum Christi viventis et gloriam	Iusquin/[Brunet]	Despres, Josquin (ca. 1450–1521) Brunet, Johannes
Victime paschali laudes immolent 22.7 II: Sepulchrum Christi viventis et gloriam Despres, Josquin (ca. 1450–1521) Brunet, Johannes Appears on: 60v–71 Genres: Motet Source Attribution: Iusquin/[Brunet] Voice: [no designation] Languages: Latin Voice Text: Victime paschali laudes immolent 22.7 II: Sepulchrum Christi viventis et gloriam
71v–81	Emendemus in melius quae ignoranter II: Peccavimus domine cum patribus	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Emendemus in melius quae ignoranter II: Peccavimus domine cum patribus Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 71v–81 Genres: Motet Source Attribution: Gombert Voice: [no designation] Languages: Latin Voice Text: Emendemus in melius que ignoranter II: Peccavimus domine cum patribus
81v–85	Fiat ecclesia tua Deus sanctorum tuorum	Anon.	Anonymous
Fiat ecclesia tua Deus sanctorum tuorum Anonymous Appears on: 81v–85 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Fiat ecclesia tua deus sanctorum tuorum
85v–92	Ad te levavi oculos meos qui habitas in caelis	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Ad te levavi oculos meos qui habitas in caelis Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 85v–92 Genres: Motet Source Attribution: Gombert Voice: [no designation] Languages: Latin Voice Text: Ad te levavi oculos meos qui habitas
92v–97	O salutaris hostia que caeli pandis	Verdelot/[Willaert]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Willaert, Adrian (ca. 1490–1562) (?)
O salutaris hostia que caeli pandis Verdelot, Philippe (ca. 1480–ca. 1532) (?) Willaert, Adrian (ca. 1490–1562) (?) Appears on: 92v–97 Genres: Motet Source Attribution: Verdelot/[Willaert] Voice: [no designation] Languages: Latin Voice Text: O salutaris hostia que celi pandis
97v–99	Dulcis amica Dei rosa vernans atque decora	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Dulcis amica Dei rosa vernans atque decora Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 97v–99 Genres: Motet Source Attribution: Gombert Voice: [no designation] Languages: Latin Voice Text: Dulcis amica dei rosa vernans et decora
99v–101v	Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris)	Ioannes Lebrung/[Moulu]	le Brun, Jean (fl. early 16th century) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris) le Brun, Jean (fl. early 16th century) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 99v–101v Genres: Motet Source Attribution: Ioannes Lebrung/[Moulu] Voice: [no designation] Languages: Latin Voice Text: Saule Saule quid me persequeris qui dixit [incomplete due to lost folios]

Composer	Compositions
Anonymous	Fiat ecclesia tua Deus sanctorum tuorum – 81v–85
Brunet, Johannes	Victime paschali laudes immolent 22.7 II: Sepulchrum Christi viventis et gloriam – 60v–71
Despres, Josquin (ca. 1450–1521)	Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria) – 53v–60 Missus est Gabriel angelus ad Mariam 20.6 – 31v–34 (?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – 23v–28 (?) Sancta Maria virgo virginum 25.7 – 1v–6 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) – 11v–21 Victime paschali laudes immolent 22.7 II: Sepulchrum Christi viventis et gloriam – 60v–71
Gombert, Nicolas (ca. 1495–ca. 1560)	Ad te levavi oculos meos qui habitas in caelis – 85v–92 Dulcis amica Dei rosa vernans atque decora – 97v–99 Emendemus in melius quae ignoranter II: Peccavimus domine cum patribus – 71v–81 Haec dies quam fecit Dominus exultemus II: Confitemini Domino quoniam bonus – 47v–53
Hellinck, Lupus (ca. 1494–1541)	(?) Aspice Domine quia facta est desolata – 6v–11
Mantua, Jacquet de (1483–1559)	(?) Aspice Domine quia facta est desolata – 6v–11
Moulu, Pierre (ca. 1484–ca. 1550)	(?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – 23v–28 (?) Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris) – 99v–101v
Mouton, Jean (ca. 1459–1522)	(?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – 23v–28
Padovano [Patavus], Laurus	Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram – 28v–31
Richafort, Jean (ca. 1480–ca. 1550)	Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) – 34v–40
Torrentes, Andres de	Asperges me Domine isopo et mundabor – 40v–42 Ave gloriosa Dei genitrix salve regina – 42v–47
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) O salutaris hostia que caeli pandis – 92v–97 (?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – 23v–28 (?) Sancta Maria virgo virginum 25.7 – 1v–6 Tanto tempore vobiscum sum et non cognovistis – 21v–23
Willaert, Adrian (ca. 1490–1562)	(?) O salutaris hostia que caeli pandis – 92v–97
le Brun, Jean (fl. early 16th century)	(?) Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris) – 99v–101v

Composition	Composers (? Uncertain)	Folios / Pages
Ad te levavi oculos meos qui habitas in caelis	Gombert, Nicolas (ca. 1495–ca. 1560)	85v–92
Asperges me Domine isopo et mundabor	Torrentes, Andres de	40v–42
Aspice Domine quia facta est desolata	Hellinck, Lupus (ca. 1494–1541) (?) Mantua, Jacquet de (1483–1559) (?)	6v–11
Ave gloriosa Dei genitrix salve regina	Torrentes, Andres de	42v–47
Dulcis amica Dei rosa vernans atque decora	Gombert, Nicolas (ca. 1495–ca. 1560)	97v–99
Emendemus in melius quae ignoranter II: Peccavimus domine cum patribus	Gombert, Nicolas (ca. 1495–ca. 1560)	71v–81
Fiat ecclesia tua Deus sanctorum tuorum	Anonymous	81v–85
Haec dies quam fecit Dominus exultemus II: Confitemini Domino quoniam bonus	Gombert, Nicolas (ca. 1495–ca. 1560)	47v–53
Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria)	Despres, Josquin (ca. 1450–1521)	53v–60
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	31v–34
O salutaris hostia que caeli pandis	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Willaert, Adrian (ca. 1490–1562) (?)	92v–97
Quam pulchra es 14.10 (2p. Labia tua distillantia)	Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?)	23v–28
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens)	Richafort, Jean (ca. 1480–ca. 1550)	34v–40
Sancta Maria virgo virginum 25.7	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?)	1v–6
Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris)	le Brun, Jean (fl. early 16th century) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	99v–101v
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire)	Despres, Josquin (ca. 1450–1521)	11v–21
Tanto tempore vobiscum sum et non cognovistis	Verdelot, Philippe (ca. 1480–ca. 1532)	21v–23
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram	Padovano [Patavus], Laurus	28v–31
Victime paschali laudes immolent 22.7 II: Sepulchrum Christi viventis et gloriam	Despres, Josquin (ca. 1450–1521) Brunet, Johannes	60v–71

‡ denotes primary source study

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600. Paris/Turnhout.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I, 36-44, 67 II, #52-3 frontispiece of Vols. I and II. Notes: physical description; contents list; transcription (partial); facsimile (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 358-9, 369, 389,514-5, 517. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS. American Institute of Musicology. Pages: 131, 135, 166. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Pages: 96ff. Notes: contents list (partial); concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 302-5, 310-2, 318-9. Notes: contents list (partial); concordances (partial); incipits (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 17, 22, 27, 322-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos. Toledo. Pages: 26-7. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description