Copied by Martín Pérez (NooneT). Copied in Toledo, for use by cathedral choir.
E-Tc Ms. 9
Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain
manuscript of polyphony: Mid 16th century
| Archive | Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc) |
|---|---|
| Shelfmark | Ms. 9 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 748 x 520 mm |
| Other Identifiers |
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| Notations |
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| Contents | Contains 7 compositions from 2 composers. |
General Description
Binding
Original covers of brown leather over wooden boards.
Notation
black void mensural
Foliation
Original ink folioage i-cxxvii beginning on fol. 3, last folio not numbered
Decoration
Illuminated miniatures, initials, and borders at beginning of first Mass include coat of arms of Juan Martínez Siliceo, Archbishop of Toledo 1546-57. Other pieces have painted initials and inked calligraphic initials with filigree work; attributions appear within decorative scroll designs. Most decoration is work of Francisco de Buitrago, but some initials are by different hand.
Index
Original index on f. [i'] lists all pieces in order of appearance
Surface
parchment
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
5 Masses, 2 motets = 7
Josquin-5, Quebedo-2
ii + 127 + i parchment folios, 748 x 520. Original ink foliation, i-cxxvii. Original covers of brown leather over wooden boards. Original index on f. [i'] lists all pieces in order of appearance. Copied by Martín Pérez (NooneT); see general index for other manuscripts copied by the same scribe. Illuminated miniatures, initials, and borders at beginning of first Mass include coat of arms of Juan Martínez Siliceo, Archbishop of Toledo 1546-57. Other pieces have painted initials and inked calligraphic initials with filigree work; attributions appear within decorative scroll designs. Most decoration is work of Francisco de Buitrago, but some initials are by different hand.
Mid 16th century. Copied in Toledo, for use by cathedral choir.
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‡ denotes primary source study
Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600. Paris/Turnhout.
Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: 1, 38, 44. Notes: mention of MS.
Stevenson, Robert. 1976. Josquin in the Music of Spain and Portugal. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 217-46. London, New York, and Toronto. Pages: 220, 222, 226. Notes: physical description (partial); contents list (partial).
Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: I, 161, 230, 233. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Lenaerts, René Bernard. 1952. Les Manuscrits Polyphoniques de la Bibliothèque Capitulaire de Tolède. International Musicological Society: Report of the 4th Congress, Utrech 1952, 276-81. Pages: 278. Notes: physical description (partial); contents list (partial).
Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos. Toledo. Pages: 25. Notes: physical description (partial); contents list.
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Cristina Urchueguía, 2010
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note; DIAMM Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description