E-TZ Archivo Ms. 8

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: Second half of 16th century

Archive	Archivo Capitular de la Catedral, Tarazona, Spain (E-TZ)
Shelfmark	Archivo Ms. 8
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	559 x 424 mm
Other Identifiers	CCM: TarazC 8
Notations	black void mensural
Relationships	Tarazona Cathedral (copied at)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Tarazona Cathedral , Tarazona? Spain
Contents	51 pieces from 19 composers

General Description

Copied by a single scribe. Probably copied in Tarazona, for use by cathedral choir.

DIAMM, 2017

Physical Description

At least 11 original folios now missing at beginning.

DIAMM, 2017

Binding

Original covers of brown tooled leather over wooden boards; clasps now missing

DIAMM, 2017

Watermark

grape cluster

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 22

DIAMM, 2017

Foliation

Original ink foliation, xii-cxxxvii, on upper right rectos; modern pencil foliation, 1-126, on lower right rectos

DIAMM, 2017

Decoration

Inked initials in calligraphic, plain block, and Gothic styles.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 hymn, 31 motets (1 fragmentary) = 32

(Arnal)-1, (Bel)-1, (Cadéac)-2, (Clemens non Papa)-4, (Colin)-1, (Crecquillon)-3, (Goudimel)-1, (P. Guerrero)-1, (Jaquet of Mantua)-1, (Jaquet of Mantua/Lupus)-1, (Josquin)-2, Maillard-3, (Morales)-2, (Morel)-1, (Pierre)-1, (Robledo)-2, anon-5

126 paper folios of an original 137 or more, 559 x 424. At least 11 original folios now missing at beginning. Original ink foliation, xii-cxxxvii, on upper right rectos; modern pencil foliation, 1-126, on lower right rectos. Original covers of brown tooled leather over wooden boards; clasps now missing. No index. Copied by a single scribe. Staff height 22. Inked initials in calligraphic, plain block, and Gothic styles. Watermark: grape cluster.

Second half of 16th century. Probably copied in Tarazona, for use by cathedral choir.

Vol 4

Composers: Change "(Jaquet of Mantua)-1" to "(Jaquet of Mantua/Senfl)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Verbum caro factum est ... vidimus gloriam eius quasi unigeniti	Joannes Maillard	Meiland, Jacob (1542–1577) (?) Maillard, Jean (fl. c1538–1570) (?)
Verbum caro factum est ... vidimus gloriam eius quasi unigeniti Meiland, Jacob (1542–1577) (?) Maillard, Jean (fl. c1538–1570) (?) Appears on: 1 Genres: Motet Source Attribution: Joannes Maillard Voice: [no designation] Languages: Latin Voice Text: [Verbum caro factum est] ... vidimus gloriam eius quasi unigeniti [fragment] General Note incomplete: Altus & Bassus only
2v–5	Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	[Josquin]	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina Despres, Josquin (ca. 1450–1521) Appears on: 2v–5 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Benedicta es celorum regina et mundi 23.13 II: Per illud ave prolatum et tuum III: Nunc mater exora natum
5v–6	Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum	-	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum Despres, Josquin (ca. 1450–1521) Appears on: 5v–6 Genres: Motet
6v–7	Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	-	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum Despres, Josquin (ca. 1450–1521) Appears on: 6v–7 Genres: Motet
7v–12	Salve regina (6vv)	[Robledo]	Robledo, Melchor
Salve regina (6vv) Robledo, Melchor Appears on: 7v–12 Genres: Antiphon, Salve Regina Source Attribution: [Robledo] Voice: [no designation] Languages: Latin Voice Text: [Salve regina misericordie] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jhesum benedictum fructum ventris
12v–16	Beata es virgo Maria / Salve regina / Ave Maria - 1a pars (of 2): Beata es virgo Maria / Salve regina / Ave Maria	Anon.	Anonymous
Beata es virgo Maria / Salve regina / Ave Maria - 1a pars (of 2): Beata es virgo Maria / Salve regina / Ave Maria Anonymous Appears on: 12v–16 Genres: Ave Maria, Motet, Salve Regina Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Beata es virgo Maria/Salve regina/Ave Maria II: Ave Maria gratia plena/Salve regina
16v–20	Beata es virgo Maria / Salve regina / Ave Maria - 2a pars (of 2): Ave Maria gratia plena / Salve regina	-	Anonymous
Beata es virgo Maria / Salve regina / Ave Maria - 2a pars (of 2): Ave Maria gratia plena / Salve regina Anonymous Appears on: 16v–20 Genres: Ave Maria, Motet, Salve Regina
20v–25	Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum Morales, Cristóbal de (ca. 1500–1553) Appears on: 20v–25 Genres: Motet Source Attribution: [Morales] Voice: [no designation] Languages: Latin Voice Text: Verbum iniqu[u]m et dolosum longe fac a me II: Duo rogavi te ne deneges michi
20v–25	Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi	-	Morales, Cristóbal de (ca. 1500–1553)
Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi Morales, Cristóbal de (ca. 1500–1553) Appears on: 20v–25 Genres: Motet
25v–27	Hoc corpus quod pro vobis tradetur	Robledo	Robledo, Melchor
Hoc corpus quod pro vobis tradetur Robledo, Melchor Appears on: 25v–27 Genres: Motet Source Attribution: Robledo Voice: [no designation] Languages: Latin Voice Text: Hoc corpus quod pro vobis tradetur
27v–30	Aspice Domine quia facta est desolata	[Jaquet of Mantua/Lupus]	Mantua, Jacquet de (1483–1559) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Aspice Domine quia facta est desolata Mantua, Jacquet de (1483–1559) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 27v–30 Genres: Motet Source Attribution: [Jaquet of Mantua/Lupus] Voice: [no designation] Languages: Latin Voice Text: Aspice domine quia facta est desolata
30v–32	Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus Morales, Cristóbal de (ca. 1500–1553) Appears on: 30v–32 Genres: Antiphon Source Attribution: [Morales] Voice: [no designation] Languages: Latin Voice Text: Sancta et immaculata virginitas quibus II: Benedicta tu in mulieribus
32v–34	Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus	-	Morales, Cristóbal de (ca. 1500–1553)
Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus Morales, Cristóbal de (ca. 1500–1553) Appears on: 32v–34 Genres: Antiphon
34v–36	O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum	[P. Guerrero]	Guerrero, Pedro
O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum Guerrero, Pedro Appears on: 34v–36 Genres: Motet Source Attribution: [P. Guerrero]
36v–38	O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus	[P. Guerrero]	Guerrero, Pedro
O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus Guerrero, Pedro Appears on: 36v–38 Genres: Motet Source Attribution: [P. Guerrero] Voice: [no designation] Languages: Latin Voice Text: O beata Maria spes unica peccatorum
38v–39	O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	Anon.	Anonymous
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Anonymous Appears on: 38v–39 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium in quo Christus sumitur II: Mens impletur gratia et future glorie
39v–40	O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae	-	Anonymous
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae Anonymous Appears on: 39v–40 Genres: Motet
40v–45	Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 40v–45 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Pastores quidnam vidistis annunciate nobis II: Natum vidimus et choros angelorum
40v–45	Pastores quidnam vidistis - 2a pars (of 2): Natum vidimus et choros angelorum	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Pastores quidnam vidistis - 2a pars (of 2): Natum vidimus et choros angelorum Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 40v–45 Genres: Motet
45v–50	Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 45v–50 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Fremuit spiritus Jhesu et turbavit seipsum II: Videns dominus flentes sorores Lazari
45v–50	Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 45v–50 Genres: Motet
50v–53	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	[Josquin]	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 50v–53 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Preter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
53v–56	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	-	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: 53v–56 Genres: Motet
56v–59	Tota pulchra es amica mea et macula	[Morel]	Morel, Clement
Tota pulchra es amica mea et macula Morel, Clement Appears on: 56v–59 Genres: Motet Source Attribution: [Morel] Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula
59v–62	Domine quid multiplicati - 1a pars (of 2): Domine quid multiplicati sunt qui tribulant	[Goudimel]	Goudimel, Claude (ca. 1514–1572)
Domine quid multiplicati - 1a pars (of 2): Domine quid multiplicati sunt qui tribulant Goudimel, Claude (ca. 1514–1572) Appears on: 59v–62 Genres: Motet Source Attribution: [Goudimel] Voice: [no designation] Languages: Latin Voice Text: Domine quid multiplicati sunt qui tribulant II: Ego dormivi et soporatus sum
62v–65	Domine quid multiplicati - 2a pars (of 2): Ego dormivi et soporatus sum	-	Goudimel, Claude (ca. 1514–1572)
Domine quid multiplicati - 2a pars (of 2): Ego dormivi et soporatus sum Goudimel, Claude (ca. 1514–1572) Appears on: 62v–65 Genres: Motet
65v–67	Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 65v–67 Genres: Motet Source Attribution: [Crecquillon] Voice: [no designation] Languages: Latin Voice Text: Erravi sicut ovis que periit require II: Delicta iuventutis meae et ignorantias
67v–69	Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 67v–69 Genres: Motet
69v–71	Salvum me fac Deus quoniam intraverunt	[Colin]	Blamont, Francois Collin de
Salvum me fac Deus quoniam intraverunt Blamont, Francois Collin de Appears on: 69v–71 Genres: Motet Source Attribution: [Colin] Voice: [no designation] Languages: Latin Voice Text: Salvum me fac deus quoniam intraverunt
71v–73	Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 71v–73 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Angelus domini ad pastores ait annuntio II: Parvulus filius hodie natus est nobis
73v–75	Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 73v–75 Genres: Motet
75v–77	Deus qui sedes - 1a pars (of 2): Deus qui sedes super thronum	-	Cadeac, P(ierre?)
Deus qui sedes - 1a pars (of 2): Deus qui sedes super thronum Cadeac, P(ierre?) Appears on: 75v–77 Genres: Motet
77v–79	Deus qui sedes - 2a pars (of 2): Tibi enim derelictus est pauper	[Cadéac]	Cadeac, P(ierre?)
Deus qui sedes - 2a pars (of 2): Tibi enim derelictus est pauper Cadeac, P(ierre?) Appears on: 77v–79 Genres: Motet Source Attribution: [Cadéac] Voice: [no designation] Languages: Latin Voice Text: Deus qui sedes super thronum et iudicas II: Tibi enim derelictus est pauper
79v–82	Tulerunt Dominum meum et nescio ubi	[Pierre]	Pierre, Jean
Tulerunt Dominum meum et nescio ubi Pierre, Jean Appears on: 79v–82 Genres: Motet Source Attribution: [Pierre] Voice: [no designation] Languages: Latin Voice Text: Tulerunt dominum meum et nescio ubi
82v–85	In Domino confido - 1a pars (of 2): In Domino confido quomodo dicitis animae	[Jaquet of Mantua/Senfl]	Mantua, Jacquet de (1483–1559) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
In Domino confido - 1a pars (of 2): In Domino confido quomodo dicitis animae Mantua, Jacquet de (1483–1559) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 82v–85 Genres: Motet Source Attribution: [Jaquet of Mantua/Senfl] Voice: [no designation] Languages: Latin Voice Text: In domino confido quomodo dicitis animae II: Dominus in templo sancto suo dominus
85v–89	In Domino confido - 2a pars (of 2): Dominus in templo sancto suo Dominus	-	Mantua, Jacquet de (1483–1559) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
In Domino confido - 2a pars (of 2): Dominus in templo sancto suo Dominus Mantua, Jacquet de (1483–1559) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 85v–89 Genres: Motet
89v–91	Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus	[Bel]	Le Bel, Barthelemy
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus Le Bel, Barthelemy Appears on: 89v–91 Genres: Motet Source Attribution: [Bel] Voice: [no designation] Languages: Latin Voice Text: Caro mea vere et cibus et sanguis meus II: Hic est panis qui de celo descendit
91v–93	Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	-	Le Bel, Barthelemy
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit Le Bel, Barthelemy Appears on: 91v–93 Genres: Motet
93v–96	Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 93v–96 Genres: Motet Source Attribution: [Crecquillon] Voice: [no designation] Languages: Latin Voice Text: Cor mundum crea in me deus et spiritum II: Averte faciem tuam a peccatis meis
96v–99	Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 96v–99 Genres: Motet
99v–101	Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum	[Cadéac]	Cadeac, P(ierre?)
Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum Cadeac, P(ierre?) Appears on: 99v–101 Genres: Motet Source Attribution: [Cadéac] Voice: [no designation] Languages: Latin Voice Text: Miserere mei domine quoniam infirmus sum II: Et anima mea turbata est valde
101v–103	Miserere mei Domine - 2a pars (of 2): Et anima mea turbata est valde	-	Cadeac, P(ierre?)
Miserere mei Domine - 2a pars (of 2): Et anima mea turbata est valde Cadeac, P(ierre?) Appears on: 101v–103 Genres: Motet
103v–105	Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 103v–105 Genres: Motet Source Attribution: [Crecquillon] Voice: [no designation] Languages: Latin Voice Text: Dum deambularet dominus ad auram II: Vocem tuam audivi in paradiso
105v–108	Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 105v–108 Genres: Motet
108v–112	Inviolata integra et casta es Maria / Alma redemptoris mater / Regina caeli laetare / Ave regina caelorum	[Maillard]	Maillard, Jean (fl. c1538–1570)
Inviolata integra et casta es Maria / Alma redemptoris mater / Regina caeli laetare / Ave regina caelorum Maillard, Jean (fl. c1538–1570) Appears on: 108v–112 Genres: Alma redemptoris mater, Ave Maria, BVM, Motet, Regina caeli laetare Source Attribution: [Maillard] Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria/Alma redemptoris mater/Regina celi letare/Ave regina celorum
112v–118	Victimae paschali - 1a pars (of 2): Victimae paschali laudes immolent Christiani	[Maillard]	Maillard, Jean (fl. c1538–1570)
Victimae paschali - 1a pars (of 2): Victimae paschali laudes immolent Christiani Maillard, Jean (fl. c1538–1570) Appears on: 112v–118 Genres: Motet Source Attribution: [Maillard] Voice: [no designation] Languages: Latin Voice Text: Victime paschali laudes immolent Christiani II: Angelicos testes sudarium et vestes
112v–118	Victimae paschali - 2a pars (of 2): Angelicos testes sudarium et vestes	-	Maillard, Jean (fl. c1538–1570)
Victimae paschali - 2a pars (of 2): Angelicos testes sudarium et vestes Maillard, Jean (fl. c1538–1570) Appears on: 112v–118 Genres: Motet
118v–122	Deus qui nos patrem et matrem honorare	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Deus qui nos patrem et matrem honorare Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 118v–122 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Deus qui nos patrem et matrem honorare
122v–123	O salutaris hostia que caeli pandis	Anon.	Anonymous
O salutaris hostia que caeli pandis Anonymous Appears on: 122v–123 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O salutaris hostia que celi pandis
123v–124	Regi saeculorum immortali invisibili soli	Anon.	Anonymous
Regi saeculorum immortali invisibili soli Anonymous Appears on: 123v–124 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Regi seculorum immortali invisibili soli
124v–126	Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo 4 Tunsionibus pressuris expoliti lapides	[Arnal]	Arnal, Juan (ca. 1586–)
Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo 4 Tunsionibus pressuris expoliti lapides Arnal, Juan (ca. 1586–) Appears on: 124v–126 Genres: Motet Source Attribution: [Arnal] Voice: [no designation] Languages: Latin Voice Text: [Urbs beata Jerusalem dicta pacis visio] 2 Nova veniens e celo nuptiali thalamo 4 Tunsionibus pressuris expoliti lapides

Composer	Compositions
Anonymous	Beata es virgo Maria / Salve regina / Ave Maria - 1a pars (of 2): Beata es virgo Maria / Salve regina / Ave Maria – 12v–16 Beata es virgo Maria / Salve regina / Ave Maria - 2a pars (of 2): Ave Maria gratia plena / Salve regina – 16v–20 O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur – 38v–39 O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae – 39v–40 O salutaris hostia que caeli pandis – 122v–123 Regi saeculorum immortali invisibili soli – 123v–124
Arnal, Juan (ca. 1586–)	Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo 4 Tunsionibus pressuris expoliti lapides – 124v–126
Blamont, Francois Collin de	Salvum me fac Deus quoniam intraverunt – 69v–71
Cadeac, P(ierre?)	Deus qui sedes - 1a pars (of 2): Deus qui sedes super thronum – 75v–77 Deus qui sedes - 2a pars (of 2): Tibi enim derelictus est pauper – 77v–79 Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum – 99v–101 Miserere mei Domine - 2a pars (of 2): Et anima mea turbata est valde – 101v–103
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait – 71v–73 Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est – 73v–75 Deus qui nos patrem et matrem honorare – 118v–122 Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu – 45v–50 Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari – 45v–50 Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate – 40v–45 Pastores quidnam vidistis - 2a pars (of 2): Natum vidimus et choros angelorum – 40v–45
Crecquillon, Thomas (ca. 1505–ca. 1557)	Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum – 93v–96 Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis – 96v–99 Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien – 103v–105 Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui – 105v–108 Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require – 65v–67 Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias – 67v–69
Despres, Josquin (ca. 1450–1521)	Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina – 2v–5 Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum – 5v–6 Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum – 6v–7 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 50v–53 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – 53v–56
Goudimel, Claude (ca. 1514–1572)	Domine quid multiplicati - 1a pars (of 2): Domine quid multiplicati sunt qui tribulant – 59v–62 Domine quid multiplicati - 2a pars (of 2): Ego dormivi et soporatus sum – 62v–65
Guerrero, Pedro	O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum – 34v–36 O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus – 36v–38
Hellinck, Lupus (ca. 1494–1541)	(?) Aspice Domine quia facta est desolata – 27v–30
Le Bel, Barthelemy	Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus – 89v–91 Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit – 91v–93
Maillard, Jean (fl. c1538–1570)	Inviolata integra et casta es Maria / Alma redemptoris mater / Regina caeli laetare / Ave regina caelorum – 108v–112 (?) Verbum caro factum est ... vidimus gloriam eius quasi unigeniti – 1 Victimae paschali - 1a pars (of 2): Victimae paschali laudes immolent Christiani – 112v–118 Victimae paschali - 2a pars (of 2): Angelicos testes sudarium et vestes – 112v–118
Mantua, Jacquet de (1483–1559)	(?) Aspice Domine quia facta est desolata – 27v–30 (?) In Domino confido - 1a pars (of 2): In Domino confido quomodo dicitis animae – 82v–85 (?) In Domino confido - 2a pars (of 2): Dominus in templo sancto suo Dominus – 85v–89
Meiland, Jacob (1542–1577)	(?) Verbum caro factum est ... vidimus gloriam eius quasi unigeniti – 1
Morales, Cristóbal de (ca. 1500–1553)	Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus – 30v–32 Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus – 32v–34 Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum – 20v–25 Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi – 20v–25
Morel, Clement	Tota pulchra es amica mea et macula – 56v–59
Pierre, Jean	Tulerunt Dominum meum et nescio ubi – 79v–82
Robledo, Melchor	Hoc corpus quod pro vobis tradetur – 25v–27 Salve regina (6vv) – 7v–12
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) In Domino confido - 1a pars (of 2): In Domino confido quomodo dicitis animae – 82v–85 (?) In Domino confido - 2a pars (of 2): Dominus in templo sancto suo Dominus – 85v–89

Composition	Composers (? Uncertain)	Folios / Pages
Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	71v–73
Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	73v–75
Aspice Domine quia facta est desolata	Mantua, Jacquet de (1483–1559) (?) Hellinck, Lupus (ca. 1494–1541) (?)	27v–30
Beata es virgo Maria / Salve regina / Ave Maria - 1a pars (of 2): Beata es virgo Maria / Salve regina / Ave Maria	Anonymous	12v–16
Beata es virgo Maria / Salve regina / Ave Maria - 2a pars (of 2): Ave Maria gratia plena / Salve regina	Anonymous	16v–20
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	Despres, Josquin (ca. 1450–1521)	2v–5
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum	Despres, Josquin (ca. 1450–1521)	5v–6
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	Despres, Josquin (ca. 1450–1521)	6v–7
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus	Le Bel, Barthelemy	89v–91
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	Le Bel, Barthelemy	91v–93
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum	Crecquillon, Thomas (ca. 1505–ca. 1557)	93v–96
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis	Crecquillon, Thomas (ca. 1505–ca. 1557)	96v–99
Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien	Crecquillon, Thomas (ca. 1505–ca. 1557)	103v–105
Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui	Crecquillon, Thomas (ca. 1505–ca. 1557)	105v–108
Deus qui nos patrem et matrem honorare	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	118v–122
Deus qui sedes - 1a pars (of 2): Deus qui sedes super thronum	Cadeac, P(ierre?)	75v–77
Deus qui sedes - 2a pars (of 2): Tibi enim derelictus est pauper	Cadeac, P(ierre?)	77v–79
Domine quid multiplicati - 1a pars (of 2): Domine quid multiplicati sunt qui tribulant	Goudimel, Claude (ca. 1514–1572)	59v–62
Domine quid multiplicati - 2a pars (of 2): Ego dormivi et soporatus sum	Goudimel, Claude (ca. 1514–1572)	62v–65
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require	Crecquillon, Thomas (ca. 1505–ca. 1557)	65v–67
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias	Crecquillon, Thomas (ca. 1505–ca. 1557)	67v–69
Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	45v–50
Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	45v–50
Hoc corpus quod pro vobis tradetur	Robledo, Melchor	25v–27
In Domino confido - 1a pars (of 2): In Domino confido quomodo dicitis animae	Mantua, Jacquet de (1483–1559) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	82v–85
In Domino confido - 2a pars (of 2): Dominus in templo sancto suo Dominus	Mantua, Jacquet de (1483–1559) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	85v–89
Inviolata integra et casta es Maria / Alma redemptoris mater / Regina caeli laetare / Ave regina caelorum	Maillard, Jean (fl. c1538–1570)	108v–112
Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum	Cadeac, P(ierre?)	99v–101
Miserere mei Domine - 2a pars (of 2): Et anima mea turbata est valde	Cadeac, P(ierre?)	101v–103
O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum	Guerrero, Pedro	34v–36
O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus	Guerrero, Pedro	36v–38
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	Anonymous	38v–39
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae	Anonymous	39v–40
O salutaris hostia que caeli pandis	Anonymous	122v–123
Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	40v–45
Pastores quidnam vidistis - 2a pars (of 2): Natum vidimus et choros angelorum	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	40v–45
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	50v–53
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	53v–56
Regi saeculorum immortali invisibili soli	Anonymous	123v–124
Salve regina (6vv)	Robledo, Melchor	7v–12
Salvum me fac Deus quoniam intraverunt	Blamont, Francois Collin de	69v–71
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus	Morales, Cristóbal de (ca. 1500–1553)	30v–32
Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus	Morales, Cristóbal de (ca. 1500–1553)	32v–34
Tota pulchra es amica mea et macula	Morel, Clement	56v–59
Tulerunt Dominum meum et nescio ubi	Pierre, Jean	79v–82
Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo 4 Tunsionibus pressuris expoliti lapides	Arnal, Juan (ca. 1586–)	124v–126
Verbum caro factum est ... vidimus gloriam eius quasi unigeniti	Meiland, Jacob (1542–1577) (?) Maillard, Jean (fl. c1538–1570) (?)	1
Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum	Morales, Cristóbal de (ca. 1500–1553)	20v–25
Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi	Morales, Cristóbal de (ca. 1500–1553)	20v–25
Victimae paschali - 1a pars (of 2): Victimae paschali laudes immolent Christiani	Maillard, Jean (fl. c1538–1570)	112v–118
Victimae paschali - 2a pars (of 2): Angelicos testes sudarium et vestes	Maillard, Jean (fl. c1538–1570)	112v–118

‡ denotes primary source study

Calahorra Martínez, Pedro. 1977-78. Música en Zaragoza Siglos XVI-XVII. Saragossa. Pages: II, 46-7. Notes: contents list (partial); concordances (partial).

Calahorra Martínez, Pedro. 1976-77. El polifonista Melchor Robledo y su obra (T1586). Anuario Musical, 1-35. Pages: 21-2. Notes: contents list (partial); concordances (partial).

Sevillano, Justo. 1961. Catálogo musical del Archivo Capitular de Tarazona. Anuário Musical, 149-76. Pages: 160-1. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-TZ Archivo Ms. 8

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: Second half of 16th century

General Description

Physical Description

Binding

Watermark

Notation

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017