Copied by a single scribe. Probably copied in Tarazona, for use by cathedral choir. Originally 111 folios or more.
E-TZ Archivo Ms. 7
Archivo Capitular de la Catedral, Tarazona, Spain
manuscript of polyphony: Second half of 16th century
| Archive | Archivo Capitular de la Catedral, Tarazona, Spain (E-TZ) |
|---|---|
| Shelfmark | Archivo Ms. 7 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 518 x 394 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 35 compositions, 10 from 4 composers, 25 are anonymous. |
General Description
Physical Description
Four or more original folios torn out at beginning; seven folios torn out at end. Many extant folios fragmentary or badly frayed
Binding
No covers remain, but binding still intact.
Notation
black void mensural
Ruling
Staff height 25
Foliation
Modern pencil and ink foliation on lower center rectos, 4-103 (some numbers now missing due to frayed margins; ff. 1-3 missing).
Decoration
Inked initials, in calligraphic and plain block styles.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Mass, 1 Kyrie, 1 Mass Proper section, 1 Te Deum, 15 psalms, 7 hymns, 5 motets = 31
(Arnal)-2, Maillard-1, (Morales)-1, (Palestrina)-1, Robledo-19, anon-7
100 paper folios of an original 111 or more, 518 x 394. Four or more original folios torn out at beginning; seven folios torn out at end. Many extant folios fragmentary or badly frayed. Modern pencil and ink foliation on lower center rectos, 4-103 (some numbers now missing due to frayed margins; ff. 1-3 missing). No covers remain, but binding still intact. No index. Copied by a single scribe. Staff height 25. Inked initials, in calligraphic and plain block styles.
Second half of 16th century. Probably copied in Tarazona, for use by cathedral choir.
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‡ denotes primary source study
Calahorra Martínez, Pedro. 1977-78. Música en Zaragoza Siglos XVI-XVII. Saragossa. Pages: 11, 49-50. Notes: contents list (partial); concordances (partial).
Calahorra Martínez, Pedro. 1976-77. El polifonista Melchor Robledo y su obra (T1586). Anuario Musical, 31-32: 1-35. Pages: 23. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 166. Notes: contents list (partial); incipits (partial).
Sevillano, Justo. 1961. Catálogo musical del Archivo Capitular de Tarazona. Anuário Musical, 16: 149-76. Pages: 159-60. Notes: physical description; contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description