E-TZ Archivo Ms. 7

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: Second half of 16th century

Archive	Archivo Capitular de la Catedral, Tarazona, Spain (E-TZ)
Shelfmark	Archivo Ms. 7
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	518 x 394 mm
Other Identifiers	CCM: TarazC 7
Notations	black void mensural
Relationships	Tarazona Cathedral (copied at)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Tarazona Cathedral , Tarazona? Spain
Contents	35 pieces from 5 composers

General Description

Copied by a single scribe. Probably copied in Tarazona, for use by cathedral choir. Originally 111 folios or more.

Cristina Urchueguía, 2010

Physical Description

Four or more original folios torn out at beginning; seven folios torn out at end. Many extant folios fragmentary or badly frayed

Cristina Urchueguía, 2010

Binding

No covers remain, but binding still intact.

Cristina Urchueguía, 2010

Notation

black void mensural

Cristina Urchueguía, 2010

Ruling

Staff height 25

Cristina Urchueguía, 2010

Foliation

Modern pencil and ink foliation on lower center rectos, 4-103 (some numbers now missing due to frayed margins; ff. 1-3 missing).

Cristina Urchueguía, 2010

Decoration

Inked initials, in calligraphic and plain block styles.

Cristina Urchueguía, 2010

Surface

paper

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Kyrie, 1 Mass Proper section, 1 Te Deum, 15 psalms, 7 hymns, 5 motets = 31

(Arnal)-2, Maillard-1, (Morales)-1, (Palestrina)-1, Robledo-19, anon-7

100 paper folios of an original 111 or more, 518 x 394. Four or more original folios torn out at beginning; seven folios torn out at end. Many extant folios fragmentary or badly frayed. Modern pencil and ink foliation on lower center rectos, 4-103 (some numbers now missing due to frayed margins; ff. 1-3 missing). No covers remain, but binding still intact. No index. Copied by a single scribe. Staff height 25. Inked initials, in calligraphic and plain block styles.

Second half of 16th century. Probably copied in Tarazona, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4r–6	Beatus vir	-	Anonymous
Beatus vir Anonymous Appears on: 4r–6 Genres: Psalm
6v–8	Laudate pueri	-	Anonymous
Laudate pueri Anonymous Appears on: 6v–8 Genres: Psalm
8v–9	Laudate Dominum omnes gentes	-	Anonymous
Laudate Dominum omnes gentes Anonymous Appears on: 8v–9 Genres: Psalm
9v–11	Iste confessor	-	Anonymous
Iste confessor Anonymous Appears on: 9v–11 Genres: Hymn
11v–15	Iste confessor	-	Anonymous
Iste confessor Anonymous Appears on: 11v–15 Genres: Hymn
15v–18	Dixit Dominus	-	Anonymous
Dixit Dominus Anonymous Appears on: 15v–18 Genres: Psalm
18v–22	Confitebor tibi Domine	-	Anonymous
Confitebor tibi Domine Anonymous Appears on: 18v–22 Genres: Psalm
22v–25	Credidi (1o tono)	-	Anonymous
Credidi (1o tono) Anonymous Appears on: 22v–25 Genres: Psalm
25v–29	Beati omnes	-	Anonymous
Beati omnes Anonymous Appears on: 25v–29 Genres: Psalm
29v–31	Lauda Jerusalem	-	Anonymous
Lauda Jerusalem Anonymous Appears on: 29v–31 Genres: Psalm
31v–34	Sacris solemniis	-	Anonymous
Sacris solemniis Anonymous Appears on: 31v–34 Genres: Hymn
34v–35	Pange lingua	-	Anonymous
Pange lingua Anonymous Appears on: 34v–35 Genres: Hymn
35v–38	In mortem a discipulo	-	Anonymous
In mortem a discipulo Anonymous Appears on: 35v–38 Genres: Hymn
38v–39	Pange lingua	-	Anonymous
Pange lingua Anonymous Appears on: 38v–39 Genres: Hymn
29v–43	Laetatus sum	-	Anonymous
Laetatus sum Anonymous Appears on: 29v–43 Genres: Psalm
43v–46	Nisi Dominus	-	Anonymous
Nisi Dominus Anonymous Appears on: 43v–46 Genres: Psalm
46v–49	In manus tuas	-	Anonymous
In manus tuas Anonymous Appears on: 46v–49 Genres: Psalm
46v–49	Qui habitat in adjutorio Altissimi	-	Anonymous
Qui habitat in adjutorio Altissimi Anonymous Appears on: 46v–49 Genres: Psalm
46v–49	Qui habitat in adjutorio Altissimi	-	Anonymous
Qui habitat in adjutorio Altissimi Anonymous Appears on: 46v–49 Genres: Psalm
49v–52	Dixit Dominus	-	Anonymous
Dixit Dominus Anonymous Appears on: 49v–52 Genres: Psalm
52v–55	Laudate pueri	-	Anonymous
Laudate pueri Anonymous Appears on: 52v–55 Genres: Psalm
55v–59	Laetatus sum	-	Anonymous
Laetatus sum Anonymous Appears on: 55v–59 Genres: Psalm
59v–62	Nisi Dominus	-	Anonymous
Nisi Dominus Anonymous Appears on: 59v–62 Genres: Psalm
62v–66	Lauda Ierusalem	-	Anonymous
Lauda Ierusalem Anonymous Appears on: 62v–66 Genres: Psalm
66v–68	Quae est ista	Jean Maillard	Maillard, Jean (fl. c1538–1570)
Quae est ista Maillard, Jean (fl. c1538–1570) Appears on: 66v–68 Genres: Antiphon, Motet Source Attribution: Jean Maillard Concordances E-Bbc 682, f. 120v-122
68v–75	Te Deum	-	Robledo, Melchor
Te Deum Robledo, Melchor Appears on: 68v–75 Genres: Hymn, Te Deum
75v–76	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 75v–76 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
76v–80	O lux et decus Hispaniae - 1a pars (of 2): O lux et decus Hispaniae sanctissime Jacobe	-	Palestrina, Giovanni Pierluigi da (1525–1594)
O lux et decus Hispaniae - 1a pars (of 2): O lux et decus Hispaniae sanctissime Jacobe Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 76v–80 Genres: Motet
76v–80	O lux et decus Hispaniae - 2a pars (of 2): O singulare ornamentum qui meruisti	-	Palestrina, Giovanni Pierluigi da (1525–1594)
O lux et decus Hispaniae - 2a pars (of 2): O singulare ornamentum qui meruisti Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 76v–80 Genres: Motet
80v–83	Defensor alme	-	Anonymous
Defensor alme Anonymous Appears on: 80v–83 Genres: Hymn
83v–90	Lauda Sion	-	Anonymous
Lauda Sion Anonymous Appears on: 83v–90 Genres: Sequence
90v–103	Missa Ut, re, mi, fa, sol, la: Kyrie	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Ut, re, mi, fa, sol, la: Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–103 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Ut, re, mi, fa, sol, la] Kyrie. Gloria: 2 partes. Credo: 3 partes. Sanctus (with: Osanna I, Benedictus: 3 voces, Osanna II).
90v–103	Missa Ut, re, mi, fa, sol, la: Gloria	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Ut, re, mi, fa, sol, la: Gloria Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–103 Genres: Gloria (et in terra pax), Mass Ordinary
90v–103	Missa Ut, re, mi, fa, sol, la: Credo	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Ut, re, mi, fa, sol, la: Credo Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–103 Genres: Credo (patrem omnipotentem), Mass Ordinary
90v–103	Missa Ut, re, mi, fa, sol, la: Sanctus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Ut, re, mi, fa, sol, la: Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–103 Genres: Mass Ordinary, Sanctus [& Benedictus]

Composer	Compositions
Anonymous	Beati omnes – 25v–29 Beatus vir – 4r–6 Confitebor tibi Domine – 18v–22 Credidi (1o tono) – 22v–25 Defensor alme – 80v–83 Dixit Dominus – 15v–18 Dixit Dominus – 49v–52 In manus tuas – 46v–49 In mortem a discipulo – 35v–38 Iste confessor – 11v–15 Iste confessor – 9v–11 Kyrie eleison – 75v–76 Laetatus sum – 55v–59 Laetatus sum – 29v–43 Lauda Ierusalem – 62v–66 Lauda Jerusalem – 29v–31 Lauda Sion – 83v–90 Laudate Dominum omnes gentes – 8v–9 Laudate pueri – 6v–8 Laudate pueri – 52v–55 Nisi Dominus – 59v–62 Nisi Dominus – 43v–46 Pange lingua – 38v–39 Pange lingua – 34v–35 Qui habitat in adjutorio Altissimi – 46v–49 Qui habitat in adjutorio Altissimi – 46v–49 Sacris solemniis – 31v–34
Maillard, Jean (fl. c1538–1570)	Quae est ista – 66v–68
Morales, Cristóbal de (ca. 1500–1553)	Missa Ut, re, mi, fa, sol, la: Credo – 90v–103 Missa Ut, re, mi, fa, sol, la: Gloria – 90v–103 Missa Ut, re, mi, fa, sol, la: Kyrie – 90v–103 Missa Ut, re, mi, fa, sol, la: Sanctus – 90v–103
Palestrina, Giovanni Pierluigi da (1525–1594)	O lux et decus Hispaniae - 1a pars (of 2): O lux et decus Hispaniae sanctissime Jacobe – 76v–80 O lux et decus Hispaniae - 2a pars (of 2): O singulare ornamentum qui meruisti – 76v–80
Robledo, Melchor	Te Deum – 68v–75

Composition	Composers (? Uncertain)	Folios / Pages
Beati omnes	Anonymous	25v–29
Beatus vir	Anonymous	4r–6
Confitebor tibi Domine	Anonymous	18v–22
Credidi (1o tono)	Anonymous	22v–25
Defensor alme	Anonymous	80v–83
Dixit Dominus	Anonymous	15v–18
Dixit Dominus	Anonymous	49v–52
In manus tuas	Anonymous	46v–49
In mortem a discipulo	Anonymous	35v–38
Iste confessor	Anonymous	9v–11
Iste confessor	Anonymous	11v–15
Kyrie eleison	Anonymous	75v–76
Laetatus sum	Anonymous	29v–43
Laetatus sum	Anonymous	55v–59
Lauda Ierusalem	Anonymous	62v–66
Lauda Jerusalem	Anonymous	29v–31
Lauda Sion	Anonymous	83v–90
Laudate Dominum omnes gentes	Anonymous	8v–9
Laudate pueri	Anonymous	6v–8
Laudate pueri	Anonymous	52v–55
Missa Ut, re, mi, fa, sol, la: Credo	Morales, Cristóbal de (ca. 1500–1553)	90v–103
Missa Ut, re, mi, fa, sol, la: Gloria	Morales, Cristóbal de (ca. 1500–1553)	90v–103
Missa Ut, re, mi, fa, sol, la: Kyrie	Morales, Cristóbal de (ca. 1500–1553)	90v–103
Missa Ut, re, mi, fa, sol, la: Sanctus	Morales, Cristóbal de (ca. 1500–1553)	90v–103
Nisi Dominus	Anonymous	43v–46
Nisi Dominus	Anonymous	59v–62
O lux et decus Hispaniae - 1a pars (of 2): O lux et decus Hispaniae sanctissime Jacobe	Palestrina, Giovanni Pierluigi da (1525–1594)	76v–80
O lux et decus Hispaniae - 2a pars (of 2): O singulare ornamentum qui meruisti	Palestrina, Giovanni Pierluigi da (1525–1594)	76v–80
Pange lingua	Anonymous	34v–35
Pange lingua	Anonymous	38v–39
Quae est ista	Maillard, Jean (fl. c1538–1570)	66v–68
Qui habitat in adjutorio Altissimi	Anonymous	46v–49
Qui habitat in adjutorio Altissimi	Anonymous	46v–49
Sacris solemniis	Anonymous	31v–34
Te Deum	Robledo, Melchor	68v–75

‡ denotes primary source study

Calahorra Martínez, Pedro. 1977-78. Música en Zaragoza Siglos XVI-XVII. Saragossa. Pages: 11, 49-50. Notes: contents list (partial); concordances (partial).

Calahorra Martínez, Pedro. 1976-77. El polifonista Melchor Robledo y su obra (T1586). Anuario Musical, 1-35. Pages: 23. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 166. Notes: contents list (partial); incipits (partial).

Sevillano, Justo. 1961. Catálogo musical del Archivo Capitular de Tarazona. Anuário Musical, 149-76. Pages: 159-60. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-TZ Archivo Ms. 7

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: Second half of 16th century

General Description

Physical Description

Binding

Notation

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

Concordances

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017