E-TZ Archivo Ms. 4

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: Late 16th century

Archive Archivo Capitular de la Catedral, Tarazona, Spain (E-TZ)
Shelfmark Archivo Ms. 4
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Measurements 587 x 409 mm
Other Identifiers
  • CCM: TarazC 4
Notations
  • black void mensural
Relationships
External Links
Provenance
Contents 55 pieces from 10 composers
Notation

black void mensural

Cristina Urchueguía, 2010
Ruling

Staff height 23

Cristina Urchueguía, 2010
Surface

paper

Cristina Urchueguía, 2010
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 3 hymns, 34 motets = 41

G. Animuccia-1, (Arnal)-3, Guerrero-1, Morales-2, Palestrina-27, Robledo-2, Tejeda-1, Victoria-1, P. Vitoriai, anon-1

151 paper folios, 587 x 409. Original ink foliation on upper right rectos, i-cl, beginning on fourth folio (ff. xi-xiii and ff. lxxxxii-lxxxxiii torn out; "xxvi" applied to two consecutive folios; one folio preceding f. lxxxxiiii and one folio following f. cxvii unnumbered). Modern pencil foliation, 1-151, on lower right rectos. Original covers of brown leather over wooden boards, in poor condition; remnants of buckles. Original index of Masses on new f. 2 (grouped by number of voices); original index of other pieces on new f. 1 (in order of appearance). Copied by three scribes (new ff. 3'-30, 31-33, 33-151 respectively). Staff height 23. Black or red inked initials in plain block, Gothic, and calli-graphic styles; some red headings.

Late 16th century. Copied in Tarazona, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3v–58 Asperges me -
Appears on: 3v–58
Genres: Antiphon
5v–7 Christe redemptor omnium conserva -
Appears on: 5v–7
Genres: Hymn
7v–9 Tu lumen et splendor -
Appears on: 7v–9
Genres: Hymn
9v–17r Missa Rex regum = Missa De Beata Maria Virgine = Missa BMV: Kyrie Robledo
Appears on: 9v–17r
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Robledo
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Rex regum; De Beata Maria Virgine.[Missa BMV] Kyrie. Gloria (without Altus, Bassus from 'JesuChriste' onwards). Sanctus (beginning missing) (with Benedictus, Osanna II). Agnus.
9v–17r Missa Rex regum = Missa De Beata Maria Virgine = Missa BMV: Gloria -
Appears on: 9v–17r
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

lacks Altus & Bassus from 'Jesu Christe' onwards

9v–17r Missa Rex regum = Missa De Beata Maria Virgine = Missa BMV: Sanctus -
Appears on: 9v–17r
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

beginning of Sanctus missing

9v–17r Missa Rex regum = Missa De Beata Maria Virgine = Missa BMV: Agnus Dei -
Appears on: 9v–17r
Genres: Agnus Dei, Mass Ordinary
18v–30 Missa Caça (4vv): Kyrie Cristobal Morales
Appears on: 18v–30
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Cristobal Morales
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Caça] Kyrie. Gloria: 2 partes. Credo: 2 partes. Sanctus. Agnus I. Agnus II: 2 voces. Agnus III.
18v–30 Missa Caça (4vv): Gloria (2 partes) -
Appears on: 18v–30
Genres: Gloria (et in terra pax), Mass Ordinary
18v–30 Missa Caça (4vv): Credo (2 partes) -
Appears on: 18v–30
Genres: Credo (patrem omnipotentem), Mass Ordinary
18v–30 Missa Caça (4vv): Sanctus -
Appears on: 18v–30
Genres: Mass Ordinary, Sanctus [& Benedictus]
18v–30 Missa Caça (4vv): Agnus Dei (II) -
Appears on: 18v–30
Genres: Agnus Dei, Mass Ordinary
30v–35 Tristitia et anxietas - Anonymous
Appears on: 30v–35
Genres: Hymn
35v–37r Dies sanctificatus illuxit nobis venite -
Appears on: 35v–37r
Genres: Hymn
37v–39r Lapidabant Stephanum invocantem et dicentem -
Appears on: 37v–39r
Genres: Hymn
39v–41r Valde honorandus est beatus Johannes -
Appears on: 39v–41r
Genres: Hymn
41v–43r Magnum hereditatis misterium templum Dei -
Appears on: 41v–43r
Genres: Hymn
43v–46r Tribus miraculis ornatum diem sanctum colimus -
Appears on: 43v–46r
Genres: Hymn
46v–48r Senex puerum - 2a pars (of 2): Hodie beata virgo Maria puerum Jesum -
Appears on: 46v–48r
Genres: Motet
48v–50r Ave Maria gratia plena Dominus tecum -
Appears on: 48v–50r
Genres: Ave Maria, Motet
50v–52r Jesus iunxit se discipulis suis in via -
Appears on: 50v–52r
Genres: Motet
52v–54r O rex gloriae domine virtutum qui triumphator -
Appears on: 52v–54r
Genres: Motet
54v–57r Loquebantur variis linguis apostoli -
Appears on: 54v–57r
Genres: Motet
57v–60r Benedicta sit sancta trinitas atque -
Appears on: 57v–60r
Genres: Motet
60v–62r Lauda Sion salvatorem lauda ducem -
Appears on: 60v–62r
Genres: Motet
62v–65r Tu es pastor ovium princeps apostolorum -
Appears on: 62v–65r
Genres: Motet
65v–68r Magnus sanctus Paulus vas electionis -
Appears on: 65v–68r
Genres: Motet
68v–71r Surge propera amica mea et veni -
Appears on: 68v–71r
Genres: Motet
71v–73r Quae est ista que processit sicut sol -
Appears on: 71v–73r
Genres: Motet
73v–75r Misso Herodes spiculatore precepit -
Appears on: 73v–75r
Genres: Motet
75v–77r Nativitas tua Dei genitrix virgo -
Appears on: 75v–77r
Genres: Motet
77v–79r Nos autem gloriari oportet in cruce -
Appears on: 77v–79r
Genres: Motet
79v–81t Salvator mundi salva nos omnes sancta Dei -
Appears on: 79v–81t
Genres: Motet
81v–83r O quantus luctus hominum quanda precipue -
Appears on: 81v–83r
Genres: Motet
83v–85r Congratulamini mihi omnes qui diligitis -
Appears on: 83v–85r
Genres: Motet
85v–87r Dum aurora finem daret Cecilia exclamavit -
Appears on: 85v–87r
Genres: Motet
87v–90r Doctor bonus et amicus Dei Andreas -
Appears on: 87v–90r
Genres: Motet
90v–93r Quam pulchri sunt gressus tui filia -
Appears on: 90v–93r
Genres: Motet
General Note

incomplete

93v–98 Salve regina Joannes Animuccia
Appears on: 93v–98
Genres: Motet, Salve Regina
Source Attribution: Joannes Animuccia
98v–103 Salve regina (6vv) Petrus de Vitoria
Appears on: 98v–103
Genres: Salve Regina
Source Attribution: Petrus de Vitoria
103v–106 Ave Maria gratia plena Dominus tecum (8vv) -
Appears on: 103v–106
Genres: Ave Maria, Motet
106v–110 Salve regina I: Salve regina mater misericordie vita dulcedo II: Eya ergo advocata nostra illos tuos III: Et Jesum benedictum fructum ventris Guerrero
Appears on: 106v–110
Genres: Motet, Salve Regina
Source Attribution: Guerrero
110v–114 Quanti mercenarii - 1a pars (of 2): Quanti mercenarii Cristobal Morales
Appears on: 110v–114
Genres: Motet
Source Attribution: Cristobal Morales
114v–116 Sancta Maria succurre miseris Victoria
Appears on: 114v–116
Genres: Motet
Source Attribution: Victoria
116v–118 Tu lumen Texeda
Appears on: 116v–118
Genres: Motet
Source Attribution: Texeda
118v–128 Missa Sine nomine, 1567 (4vv): Kyrie Joannes Prenestinus
Appears on: 118v–128
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Joannes Prenestinus
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sine nomine, 1567] Kyrie. Gloria. Credo. Sanctus (with: Pleni, Benedictus). Agnus I. Agnus II: 7 voces.
118v–128 Missa Sine nomine, 1567 (4vv): Gloria -
Appears on: 118v–128
Genres: Gloria (et in terra pax), Mass Ordinary
118v–128 Missa Sine nomine, 1567 (4vv): Credo -
Appears on: 118v–128
Genres: Credo (patrem omnipotentem), Mass Ordinary
118v–128 Missa Sine nomine, 1567 (4vv): Sanctus -
Appears on: 118v–128
Genres: Mass Ordinary, Sanctus [& Benedictus]
118v–128 Missa Sine nomine, 1567 (4vv): Agnus Dei I; Agnus Dei II (6vv) -
Appears on: 118v–128
Genres: Agnus Dei, Mass Ordinary
128v–151 Missa voces musicales: Kyrie Melchior Robledo
Appears on: 128v–151
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Melchior Robledo
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Super voces musicales] Kyrie. Gloria: 2 partes. Credo: 4 partes (Crucifixus: 4 voces). Sanctus (with: Osanna I, Benedictus: 4 voces, Osanna II). Agnus I. Agnus II: 7 voces.
128v–151 Missa voces musicales: Sanctus -
Appears on: 128v–151
Genres: Mass Ordinary, Sanctus [& Benedictus]
128v–151 Missa voces musicales: Agnus Dei -
Appears on: 128v–151
Genres: Agnus Dei, Mass Ordinary
128v–151 Missa voces musicales: Gloria -
Appears on: 128v–151
Genres: Gloria (et in terra pax), Mass Ordinary
128v–151 Missa voces musicales: Credo -
Appears on: 128v–151
Genres: Credo (patrem omnipotentem), Mass Ordinary
Composer Compositions
Animuccia, Giovanni (ca. 1520–1571)
Anonymous
Arnal, Juan (ca. 1586–)
Guerrero, Francisco
Morales, Cristóbal de (ca. 1500–1553)
Palestrina, Giovanni Pierluigi da (1525–1594)
Robledo, Melchor
Tejeda, Alonso de
Victoria, Tomas Luis de (1548–1611)
Vitoria, Pedro de
Composition Composers (? Uncertain) Folios / Pages
Asperges me 3v–58
Ave Maria gratia plena Dominus tecum 48v–50r
Ave Maria gratia plena Dominus tecum (8vv) 103v–106
Benedicta sit sancta trinitas atque 57v–60r
Christe redemptor omnium conserva 5v–7
Congratulamini mihi omnes qui diligitis 83v–85r
Dies sanctificatus illuxit nobis venite 35v–37r
Doctor bonus et amicus Dei Andreas 87v–90r
Dum aurora finem daret Cecilia exclamavit 85v–87r
Jesus iunxit se discipulis suis in via 50v–52r
Lapidabant Stephanum invocantem et dicentem 37v–39r
Lauda Sion salvatorem lauda ducem 60v–62r
Loquebantur variis linguis apostoli 54v–57r
Magnum hereditatis misterium templum Dei 41v–43r
Magnus sanctus Paulus vas electionis 65v–68r
Missa Caça (4vv): Agnus Dei (II) 18v–30
Missa Caça (4vv): Credo (2 partes) 18v–30
Missa Caça (4vv): Gloria (2 partes) 18v–30
Missa Caça (4vv): Kyrie 18v–30
Missa Caça (4vv): Sanctus 18v–30
Missa Rex regum = Missa De Beata Maria Virgine = Missa BMV: Agnus Dei 9v–17r
Missa Rex regum = Missa De Beata Maria Virgine = Missa BMV: Gloria 9v–17r
Missa Rex regum = Missa De Beata Maria Virgine = Missa BMV: Kyrie 9v–17r
Missa Rex regum = Missa De Beata Maria Virgine = Missa BMV: Sanctus 9v–17r
Missa Sine nomine, 1567 (4vv): Agnus Dei I; Agnus Dei II (6vv) 118v–128
Missa Sine nomine, 1567 (4vv): Credo 118v–128
Missa Sine nomine, 1567 (4vv): Gloria 118v–128
Missa Sine nomine, 1567 (4vv): Kyrie 118v–128
Missa Sine nomine, 1567 (4vv): Sanctus 118v–128
Missa voces musicales: Agnus Dei 128v–151
Missa voces musicales: Credo 128v–151
Missa voces musicales: Gloria 128v–151
Missa voces musicales: Kyrie 128v–151
Missa voces musicales: Sanctus 128v–151
Misso Herodes spiculatore precepit 73v–75r
Nativitas tua Dei genitrix virgo 75v–77r
Nos autem gloriari oportet in cruce 77v–79r
O quantus luctus hominum quanda precipue 81v–83r
O rex gloriae domine virtutum qui triumphator 52v–54r
Quae est ista que processit sicut sol 71v–73r
Quam pulchri sunt gressus tui filia 90v–93r
Quanti mercenarii - 1a pars (of 2): Quanti mercenarii 110v–114
Salvator mundi salva nos omnes sancta Dei 79v–81t
Salve regina 93v–98
Salve regina (6vv) 98v–103
Salve regina I: Salve regina mater misericordie vita dulcedo II: Eya ergo advocata nostra illos tuos III: Et Jesum benedictum fructum ventris 106v–110
Sancta Maria succurre miseris 114v–116
Senex puerum - 2a pars (of 2): Hodie beata virgo Maria puerum Jesum 46v–48r
Surge propera amica mea et veni 68v–71r
Tribus miraculis ornatum diem sanctum colimus 43v–46r
Tristitia et anxietas Anonymous 30v–35
Tu es pastor ovium princeps apostolorum 62v–65r
Tu lumen 116v–118
Tu lumen et splendor 7v–9
Valde honorandus est beatus Johannes 39v–41r

denotes primary source study

Calahorra Martínez, Pedro. 1977-78. Música en Zaragoza Siglos XVI-XVII.  Saragossa. Pages: II, 45. Notes: contents list (partial); concordances (partial).

Calahorra Martínez, Pedro. 1976-77. El polifonista Melchor Robledo y su obra (T1586). Anuario Musical, 1-35. Pages: 20. Notes: contents list (partial); concordances (partial).

Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pages: 155-6. Notes: physical description; contents list.

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age.  Berkeley and Los Angeles. Pages: 42, 68 [referred to as MS 1]. Notes: contents list (partial); concordances (partial).

Anglès, Higinio. 1954. Cristobal de Morales y Francisco Guerrero: Su obra musical. Anuário Musical, 56ff. Pages: 77 [referred to as MS 1]. Notes: contents list (partial); concordances (partial).

Anglès, Higinio. 1953. La obra musical de Morales. Anuário Musical, 70ff. Pages: 76 [referred to as MS 1]. Notes: contents list (partial); concordances (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII, 26-7, 37, Facs. 11 [referred to as MS 1] XXIV, 7ff [referred to as MS 1] XXXVI, 119. Notes: contents list; concordances (partial); transcription (partial); facsimile (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Cristina Urchueguía, 2010

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Ruling Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description