D-Sl HB XVII 26

Württembergische Landesbibliothek, Stuttgart, Germany

Musical theory tract with examples: c. 1560

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark HB XVII 26
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 155 x 210 mm
Other Identifiers
  • CCM: StuttL HB 26
Notations
  • black void mensural
External Links
Provenance
  • Bavaria, Germany
Contents 62 pieces from 13 composers
General Description

Copied by a single scribe. Copied in Bavaria (GottHH).

DIAMM, 2017
Physical Description

Three original folios missing at beginning; undetermined number of folios missing at end.

DIAMM, 2017
Binding

Original parchment covers.

DIAMM, 2017
Watermark

coat of arms of city of Landshut (GottHH).

DIAMM, 2017
Notation

black void mensural (polyphony); stroke notation (hymn)

DIAMM, 2017
Date

Ca. 1560 (GottHH).

DIAMM, 2017
Foliation

Modern foliation, 1-84 ('8' applied to two consecutive folios); remnants of original foliation

DIAMM, 2017
Decoration

No decorative initials; some headings in red ink

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Treatise on music, with polyphonic examples:

5 Mass Ordinary sections (without text), 1 hymn, 1 motet, 1 German secular piece (without text), 46 textless pieces = 54

Brumel-1, Greitter-1, Herpol-1, Heyden-1, Isaac-1, Josquin-2, (Josquin/La Rue)-1, (Ockeghem)-1, Ornithoparchus-7, Sporer-1, Walter Jr.-1, anon-36

85 paper folios, 155 x 210. Three original folios missing at beginning; undetermined number of folios missing at end. Modern foliation, 1-84 ("8" applied to two consecutive folios); remnants of original foliation. Original parchment covers. Hymn copied in stroke notation; remaining polyphony in white mensural notation. Copied by a single scribe. No decorative initials; some headings in red ink. Watermark is coat of arms of city of Landshut (GottHH).

Ca. 1560 (GottHH). Copied in Bavaria (GottHH).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2v Te Deum patrem ingenitum te filium Anon. Anonymous
Appears on: 1v–2v
Genres: Liturgical work, Te Deum
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Te deum patrem [ingenitum te filium]
7–8v untexted example Anon. -

untexted example

Appears on: 7–8v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
8v–8a Ut queant laxis resonare fibris Anon. Anonymous
Appears on: 8v–8a
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ut queant laxis resonare [fibris]
12v–14 Missa Malheur me bat: Kyrie I [A. Agricola]
Appears on: 12v–14
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [A. Agricola]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Kyrie I from Missa Malheur me bat]
14–15 untexted example Anon. -

untexted example

Appears on: 14–15
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
15–15v untexted example Anon. -

untexted example

Appears on: 15–15v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
15v–17 untexted example Anon. -

untexted example

Appears on: 15v–17
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
17–18v untexted example Anon. -

untexted example

Appears on: 17–18v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
20v–21 untexted example Anon. -

untexted example

Appears on: 20v–21
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
21v–22v untexted example Anon. -

untexted example

Appears on: 21v–22v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
24–25v untexted example Anon. -

untexted example

Appears on: 24–25v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
25v–29v untexted example Anon. -

untexted example

Appears on: 25v–29v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
30v untexted example Anon. -

untexted example

Appears on: 30v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
30v–31 untexted example Anon. -

untexted example

Appears on: 30v–31
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
31v untexted example Anon. -

untexted example

Appears on: 31v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
31v–32 untexted example Anon. -

untexted example

Appears on: 31v–32
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
32 untexted example Anon. -

untexted example

Appears on: 32
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
32 untexted example Anon. -

untexted example

Appears on: 32
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
33 untexted canon Anon. -

untexted canon

Appears on: 33
Source Attribution: Anon.
Voice: Canon
Languages: none
33–33v Ad Dominum cum tribularer clamavi Anon. Anonymous
Appears on: 33–33v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Ad dominum cum tribularer clamavi]
34–34v untexted canon Anon. -

untexted canon

Appears on: 34–34v
Source Attribution: Anon.
Voice: Canon
Languages: none
35–36 untexted example Anon. -

untexted example

Appears on: 35–36
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
36–38 untexted example Anon. -

untexted example

Appears on: 36–38
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
38–38v untexted example Anon. -

untexted example

Appears on: 38–38v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
41–41v untexted example Anon. -

untexted example

Appears on: 41–41v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
42 untexted example Anon. -

untexted example

Appears on: 42
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
42v untexted example Anon. -

untexted example

Appears on: 42v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
42v–43 untexted example Anon. -

untexted example

Appears on: 42v–43
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
43–43v untexted example Anon. -

untexted example

Appears on: 43–43v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
43v–44 untexted example Anon. -

untexted example

Appears on: 43v–44
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
44 untexted example Anon. -

untexted example

Appears on: 44
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
44v untexted example Anon. -

untexted example

Appears on: 44v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
44v–45 untexted example Anon. -

untexted example

Appears on: 44v–45
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
45–45v untexted example Anon. -

untexted example

Appears on: 45–45v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
49–50v Missa Bon temps reviendra tu jamais: Crucifixus Antoni Brumel
Appears on: 49–50v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Antoni Brumel
Voice: [no designation]
Languages: Latin
Voice Text: [Crucifixus from Missa Bon temps]
51–52 Missa Cum jocunditate = Missa Dirige 3.4: Et incarnatus est [Josquin/La Rue]
Appears on: 51–52
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Josquin/La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Et incarnatus est from Missa Dirige] 3.4
52v–53v L'homme armé doibt-on doubter 28.20 [Josquin]
Appears on: 52v–53v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: [L'homme armé doibt-on doubter] 28.20
54 Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus Josquinnus de Press
Appears on: 54
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Josquinnus de Press
Voice: [no designation]
Languages: Latin
Voice Text: [Qui venit from Missa L'homme armé super voces musicales] 6.3
55v–56v Missa Prolationum: Kyrie [Ockeghem]
Appears on: 55v–56v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Ockeghem]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Kyrie I from Missa Prolationum]
58v–59v untexted example Anon. -

untexted example

Appears on: 58v–59v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
61–62 untexted example Anon. -

untexted example

Appears on: 61–62
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
62–63v untexted example Henrici Isaac
Appears on: 62–63v
Genres: textless
Source Attribution: Henrici Isaac
Voice: [no designation]
Languages: none
Voice Text: Textless example
63v–64v untexted example Thomae Sporer
Appears on: 63v–64v
Genres: textless
Source Attribution: Thomae Sporer
Voice: [no designation]
Languages: none
Voice Text: Textless example
64v–65v untexted example Walteri Iunioris
Appears on: 64v–65v
Genres: textless
Source Attribution: Walteri Iunioris
Voice: [no designation]
Languages: none
Voice Text: Textless example
66 untexted example Sebaldi Haeiden [= Heyden]
Appears on: 66
Genres: textless
Source Attribution: Sebaldi Haeiden [= Heyden]
Voice: [no designation]
Languages: none
Voice Text: Textless example
67v–68 untexted example Anon. -

untexted example

Appears on: 67v–68
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
69–70v Missa Fortuna desperata 8.2 Josquini
Appears on: 69–70v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Kyrie I from Missa Fortuna desperata] 8.2
71 untexted example Anon. -

untexted example

Appears on: 71
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
71v–72 Quia fecit Homeri Herpol
Appears on: 71v–72
Genres: Motet
Source Attribution: Homeri Herpol
Voice: [no designation]
Languages: Latin
Voice Text: [Quia fecit]
73–73v untexted example [Ornithoparchus]
Appears on: 73–73v
Genres: textless
Source Attribution: [Ornithoparchus]
Voice: [no designation]
Languages: none
Voice Text: Textless example
73v–74 untexted example Anon. -

untexted example

Appears on: 73v–74
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
74–74v untexted example [Ornithoparchus]
Appears on: 74–74v
Genres: textless
Source Attribution: [Ornithoparchus]
Voice: [no designation]
Languages: none
Voice Text: Textless example
74v–75v untexted example Anon. -

untexted example

Appears on: 74v–75v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
76 untexted example [Ornithoparchus]
Appears on: 76
Genres: textless
Source Attribution: [Ornithoparchus]
Voice: [no designation]
Languages: none
Voice Text: Textless example
76v untexted example Anon. -

untexted example

Appears on: 76v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
77 untexted example Ornithoparchi
Appears on: 77
Genres: textless
Source Attribution: Ornithoparchi
Voice: [no designation]
Languages: none
Voice Text: Textless example
77v untexted example Ornithoparchi
Appears on: 77v
Genres: textless
Source Attribution: Ornithoparchi
Voice: [no designation]
Languages: none
Voice Text: Textless example
77v–78 untexted example Anon. -

untexted example

Appears on: 77v–78
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
78v untexted example Ornithoparchi
Appears on: 78v
Genres: textless
Source Attribution: Ornithoparchi
Voice: [no designation]
Languages: none
Voice Text: Textless example
78v–79 untexted example Anon. -

untexted example

Appears on: 78v–79
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
79v–80 untexted example Anon. -

untexted example

Appears on: 79v–80
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless example
80–84v He he Gott geb der allerliebsten zart Matheus Greiterus [= Greitter]
Appears on: 80–84v
Genres: Song
Source Attribution: Matheus Greiterus [= Greitter]
Voice: [no designation]
Languages: German
Voice Text: He he Got geb der allerliebsten zart
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Despres, Josquin (ca. 1450–1521)
Greiter, Matthias
Herpol, Homer
Heyns, Cornelius
Isaac, Heinrich (ca. 1450–1517)
Ockeghem, Jean de (ca. 1410–1497)
Ornithoparchus, Andreas
Rue, Pierre de la (ca. 1452–1518)
Sporer, Thomas
Walter, Johann (1496–1570)

denotes primary source study

Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 201-42. Munich. Pages: 236. Notes: contents list (partial); concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 275-310. Pages: 288. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xii. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1965. Die Handschriften der Ehemaligen Hofbibliothek Stuttgart. Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 41. Notes: physical description; contents list; incipitsst of contents (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description