D-Sl HB XVII 26

Württembergische Landesbibliothek, Stuttgart, Germany

Musical theory tract with examples: c. 1560

Archive	Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark	HB XVII 26
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	155 x 210 mm
Other Identifiers	CCM: StuttL HB 26
Notations	black void mensural
External Links	catalogue images
Provenance	Bavaria, Germany
Contents	62 pieces from 13 composers

General Description

Copied by a single scribe. Copied in Bavaria (GottHH).

DIAMM, 2017

Physical Description

Three original folios missing at beginning; undetermined number of folios missing at end.

DIAMM, 2017

Binding

Original parchment covers.

DIAMM, 2017

Watermark

coat of arms of city of Landshut (GottHH).

DIAMM, 2017

Notation

black void mensural (polyphony); stroke notation (hymn)

DIAMM, 2017

Date

Ca. 1560 (GottHH).

DIAMM, 2017

Foliation

Modern foliation, 1-84 ('8' applied to two consecutive folios); remnants of original foliation

DIAMM, 2017

Decoration

No decorative initials; some headings in red ink

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Treatise on music, with polyphonic examples:

5 Mass Ordinary sections (without text), 1 hymn, 1 motet, 1 German secular piece (without text), 46 textless pieces = 54

Brumel-1, Greitter-1, Herpol-1, Heyden-1, Isaac-1, Josquin-2, (Josquin/La Rue)-1, (Ockeghem)-1, Ornithoparchus-7, Sporer-1, Walter Jr.-1, anon-36

85 paper folios, 155 x 210. Three original folios missing at beginning; undetermined number of folios missing at end. Modern foliation, 1-84 ("8" applied to two consecutive folios); remnants of original foliation. Original parchment covers. Hymn copied in stroke notation; remaining polyphony in white mensural notation. Copied by a single scribe. No decorative initials; some headings in red ink. Watermark is coat of arms of city of Landshut (GottHH).

Ca. 1560 (GottHH). Copied in Bavaria (GottHH).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2v	Te Deum patrem ingenitum te filium	Anon.	Anonymous
Te Deum patrem ingenitum te filium Anonymous Appears on: 1v–2v Genres: Liturgical work, Te Deum Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Te deum patrem [ingenitum te filium]
7–8v	untexted example	Anon.	-
untexted example Appears on: 7–8v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
8v–8a	Ut queant laxis resonare fibris	Anon.	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 8v–8a Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis resonare [fibris]
12v–14	Missa Malheur me bat: Kyrie I	[A. Agricola]	Agricola, Alexander (ca. 1445–1506)
Missa Malheur me bat: Kyrie I Agricola, Alexander (ca. 1445–1506) Appears on: 12v–14 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [A. Agricola] Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie I from Missa Malheur me bat]
14–15	untexted example	Anon.	-
untexted example Appears on: 14–15 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
15–15v	untexted example	Anon.	-
untexted example Appears on: 15–15v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
15v–17	untexted example	Anon.	-
untexted example Appears on: 15v–17 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
17–18v	untexted example	Anon.	-
untexted example Appears on: 17–18v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
20v–21	untexted example	Anon.	-
untexted example Appears on: 20v–21 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
21v–22v	untexted example	Anon.	-
untexted example Appears on: 21v–22v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
24–25v	untexted example	Anon.	-
untexted example Appears on: 24–25v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
25v–29v	untexted example	Anon.	-
untexted example Appears on: 25v–29v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
30v	untexted example	Anon.	-
untexted example Appears on: 30v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
30v–31	untexted example	Anon.	-
untexted example Appears on: 30v–31 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
31v	untexted example	Anon.	-
untexted example Appears on: 31v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
31v–32	untexted example	Anon.	-
untexted example Appears on: 31v–32 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
32	untexted example	Anon.	-
untexted example Appears on: 32 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
32	untexted example	Anon.	-
untexted example Appears on: 32 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
33	untexted canon	Anon.	-
untexted canon Appears on: 33 Source Attribution: Anon. Voice: Canon Languages: none
33–33v	Ad Dominum cum tribularer clamavi	Anon.	Anonymous
Ad Dominum cum tribularer clamavi Anonymous Appears on: 33–33v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Ad dominum cum tribularer clamavi]
34–34v	untexted canon	Anon.	-
untexted canon Appears on: 34–34v Source Attribution: Anon. Voice: Canon Languages: none
35–36	untexted example	Anon.	-
untexted example Appears on: 35–36 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
36–38	untexted example	Anon.	-
untexted example Appears on: 36–38 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
38–38v	untexted example	Anon.	-
untexted example Appears on: 38–38v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
41–41v	untexted example	Anon.	-
untexted example Appears on: 41–41v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
42	untexted example	Anon.	-
untexted example Appears on: 42 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
42v	untexted example	Anon.	-
untexted example Appears on: 42v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
42v–43	untexted example	Anon.	-
untexted example Appears on: 42v–43 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
43–43v	untexted example	Anon.	-
untexted example Appears on: 43–43v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
43v–44	untexted example	Anon.	-
untexted example Appears on: 43v–44 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
44	untexted example	Anon.	-
untexted example Appears on: 44 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
44v	untexted example	Anon.	-
untexted example Appears on: 44v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
44v–45	untexted example	Anon.	-
untexted example Appears on: 44v–45 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
45–45v	untexted example	Anon.	-
untexted example Appears on: 45–45v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
49–50v	Missa Bon temps reviendra tu jamais: Crucifixus	Antoni Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Crucifixus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 49–50v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Antoni Brumel Voice: [no designation] Languages: Latin Voice Text: [Crucifixus from Missa Bon temps]
51–52	Missa Cum jocunditate = Missa Dirige 3.4: Et incarnatus est	[Josquin/La Rue]	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)
Missa Cum jocunditate = Missa Dirige 3.4: Et incarnatus est Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) Appears on: 51–52 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [Josquin/La Rue] Voice: [no designation] Languages: Latin Voice Text: [Et incarnatus est from Missa Dirige] 3.4
52v–53v	L'homme armé doibt-on doubter 28.20	[Josquin]	Despres, Josquin (ca. 1450–1521)
L'homme armé doibt-on doubter 28.20 Despres, Josquin (ca. 1450–1521) Appears on: 52v–53v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: [L'homme armé doibt-on doubter] 28.20
54	Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus	Josquinnus de Press	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus Despres, Josquin (ca. 1450–1521) Appears on: 54 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Josquinnus de Press Voice: [no designation] Languages: Latin Voice Text: [Qui venit from Missa L'homme armé super voces musicales] 6.3
55v–56v	Missa Prolationum: Kyrie	[Ockeghem]	Ockeghem, Jean de (ca. 1410–1497)
Missa Prolationum: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 55v–56v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Ockeghem] Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie I from Missa Prolationum]
58v–59v	untexted example	Anon.	-
untexted example Appears on: 58v–59v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
61–62	untexted example	Anon.	-
untexted example Appears on: 61–62 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
62–63v	untexted example	Henrici Isaac	Isaac, Heinrich (ca. 1450–1517)
untexted example Isaac, Heinrich (ca. 1450–1517) Appears on: 62–63v Genres: textless Source Attribution: Henrici Isaac Voice: [no designation] Languages: none Voice Text: Textless example
63v–64v	untexted example	Thomae Sporer	Sporer, Thomas
untexted example Sporer, Thomas Appears on: 63v–64v Genres: textless Source Attribution: Thomae Sporer Voice: [no designation] Languages: none Voice Text: Textless example
64v–65v	untexted example	Walteri Iunioris	Walter, Johann (1496–1570)
untexted example Walter, Johann (1496–1570) Appears on: 64v–65v Genres: textless Source Attribution: Walteri Iunioris Voice: [no designation] Languages: none Voice Text: Textless example
66	untexted example	Sebaldi Haeiden [= Heyden]	Heyns, Cornelius
untexted example Heyns, Cornelius Appears on: 66 Genres: textless Source Attribution: Sebaldi Haeiden [= Heyden] Voice: [no designation] Languages: none Voice Text: Textless example
67v–68	untexted example	Anon.	-
untexted example Appears on: 67v–68 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
69–70v	Missa Fortuna desperata 8.2	Josquini	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2 Despres, Josquin (ca. 1450–1521) Appears on: 69–70v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Josquini Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie I from Missa Fortuna desperata] 8.2
71	untexted example	Anon.	-
untexted example Appears on: 71 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
71v–72	Quia fecit	Homeri Herpol	Herpol, Homer
Quia fecit Herpol, Homer Appears on: 71v–72 Genres: Motet Source Attribution: Homeri Herpol Voice: [no designation] Languages: Latin Voice Text: [Quia fecit]
73–73v	untexted example	[Ornithoparchus]	Ornithoparchus, Andreas
untexted example Ornithoparchus, Andreas Appears on: 73–73v Genres: textless Source Attribution: [Ornithoparchus] Voice: [no designation] Languages: none Voice Text: Textless example
73v–74	untexted example	Anon.	-
untexted example Appears on: 73v–74 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
74–74v	untexted example	[Ornithoparchus]	Ornithoparchus, Andreas
untexted example Ornithoparchus, Andreas Appears on: 74–74v Genres: textless Source Attribution: [Ornithoparchus] Voice: [no designation] Languages: none Voice Text: Textless example
74v–75v	untexted example	Anon.	-
untexted example Appears on: 74v–75v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
76	untexted example	[Ornithoparchus]	Ornithoparchus, Andreas
untexted example Ornithoparchus, Andreas Appears on: 76 Genres: textless Source Attribution: [Ornithoparchus] Voice: [no designation] Languages: none Voice Text: Textless example
76v	untexted example	Anon.	-
untexted example Appears on: 76v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
77	untexted example	Ornithoparchi	Ornithoparchus, Andreas
untexted example Ornithoparchus, Andreas Appears on: 77 Genres: textless Source Attribution: Ornithoparchi Voice: [no designation] Languages: none Voice Text: Textless example
77v	untexted example	Ornithoparchi	Ornithoparchus, Andreas
untexted example Ornithoparchus, Andreas Appears on: 77v Genres: textless Source Attribution: Ornithoparchi Voice: [no designation] Languages: none Voice Text: Textless example
77v–78	untexted example	Anon.	-
untexted example Appears on: 77v–78 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
78v	untexted example	Ornithoparchi	Ornithoparchus, Andreas
untexted example Ornithoparchus, Andreas Appears on: 78v Genres: textless Source Attribution: Ornithoparchi Voice: [no designation] Languages: none Voice Text: Textless example
78v–79	untexted example	Anon.	-
untexted example Appears on: 78v–79 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
79v–80	untexted example	Anon.	-
untexted example Appears on: 79v–80 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
80–84v	He he Gott geb der allerliebsten zart	Matheus Greiterus [= Greitter]	Greiter, Matthias
He he Gott geb der allerliebsten zart Greiter, Matthias Appears on: 80–84v Genres: Song Source Attribution: Matheus Greiterus [= Greitter] Voice: [no designation] Languages: German Voice Text: He he Got geb der allerliebsten zart

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Missa Malheur me bat: Kyrie I – 12v–14
Anonymous	Ad Dominum cum tribularer clamavi – 33–33v Te Deum patrem ingenitum te filium – 1v–2v Ut queant laxis resonare fibris – 8v–8a [No description] – 76v [No description] – 36–38 [No description] – 58v–59v [No description] – 61–62 [No description] – 45–45v [No description] – 7–8v [No description] – 44v–45 [No description] – 44v [No description] – 44 [No description] – 14–15 [No description] – 15v–17 [No description] – 17–18v [No description] – 20v–21 [No description] – 43v–44 [No description] – 21v–22v [No description] – 42v–43 [No description] – 24–25v [No description] – 71 [No description] – 25v–29v [No description] – 30v [No description] – 73v–74 [No description] – 74v–75v [No description] – 30v–31 [No description] – 31v [No description] – 31v–32 [No description] – 32 [No description] – 42 [No description] – 41–41v [No description] – 33 [No description] – 34–34v [No description] – 38–38v [No description] – 35–36 [No description] – 42v [No description] – 78v–79 [No description] – 79v–80 [No description] – 67v–68 [No description] – 77v–78 [No description] – 43–43v [No description] – 15–15v [No description] – 32
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Bon temps reviendra tu jamais: Crucifixus – 49–50v
Despres, Josquin (ca. 1450–1521)	L'homme armé doibt-on doubter 28.20 – 52v–53v (?) Missa Cum jocunditate = Missa Dirige 3.4: Et incarnatus est – 51–52 Missa Fortuna desperata 8.2 – 69–70v Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus – 54
Greiter, Matthias	He he Gott geb der allerliebsten zart – 80–84v
Herpol, Homer	Quia fecit – 71v–72
Heyns, Cornelius	untexted example – 66
Isaac, Heinrich (ca. 1450–1517)	untexted example – 62–63v
Ockeghem, Jean de (ca. 1410–1497)	Missa Prolationum: Kyrie – 55v–56v
Ornithoparchus, Andreas	untexted example – 78v untexted example – 77 untexted example – 73–73v untexted example – 74–74v untexted example – 76 untexted example – 77v
Rue, Pierre de la (ca. 1452–1518)	Missa Cum jocunditate = Missa Dirige 3.4: Et incarnatus est – 51–52
Sporer, Thomas	untexted example – 63v–64v
Walter, Johann (1496–1570)	untexted example – 64v–65v

Composition	Composers (? Uncertain)	Folios / Pages
Ad Dominum cum tribularer clamavi	Anonymous	33–33v
He he Gott geb der allerliebsten zart	Greiter, Matthias	80–84v
L'homme armé doibt-on doubter 28.20	Despres, Josquin (ca. 1450–1521)	52v–53v
Missa Bon temps reviendra tu jamais: Crucifixus	Brumel, Antoine (ca. 1460–ca. 1513)	49–50v
Missa Cum jocunditate = Missa Dirige 3.4: Et incarnatus est	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)	51–52
Missa Fortuna desperata 8.2	Despres, Josquin (ca. 1450–1521)	69–70v
Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus	Despres, Josquin (ca. 1450–1521)	54
Missa Malheur me bat: Kyrie I	Agricola, Alexander (ca. 1445–1506)	12v–14
Missa Prolationum: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	55v–56v
Quia fecit	Herpol, Homer	71v–72
Te Deum patrem ingenitum te filium	Anonymous	1v–2v
untexted example	Isaac, Heinrich (ca. 1450–1517)	62–63v
untexted example	Sporer, Thomas	63v–64v
untexted example	Walter, Johann (1496–1570)	64v–65v
untexted example	Heyns, Cornelius	66
untexted example	Ornithoparchus, Andreas	73–73v
untexted example	Ornithoparchus, Andreas	74–74v
untexted example	Ornithoparchus, Andreas	76
untexted example	Ornithoparchus, Andreas	77
untexted example	Ornithoparchus, Andreas	77v
untexted example	Ornithoparchus, Andreas	78v
Ut queant laxis resonare fibris	Anonymous	8v–8a

‡ denotes primary source study

Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 201-42. Munich. Pages: 236. Notes: contents list (partial); concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 275-310. Pages: 288. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xii. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1965. Die Handschriften der Ehemaligen Hofbibliothek Stuttgart. Die Handschriften der Württembergischen Landesbibliothek Stuttgart. Wiesbaden. Pages: 41. Notes: physical description; contents list; incipitsst of contents (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description