D-Sl Cod. mus. I 2° 42

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: c. 1540

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 42
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 430 x 320 mm
Other Identifiers
  • CCM: StuttL 42
  • olim (Former shelfmark): MS Musica folio I 42
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 25 pieces from 8 composers
General Description

Copied by six scribes: (1) ff. 6-11, 12'-14', 20-35', 43-86; (2) ff. 87'-93' (also wrote StuttL 43); (3) ff. 95'-100 (also wrote ff. l'-38 and 103'-139 of StuttL 46, and ff. 90'-118 of StuttL 39); (4) ff. 105'-112, 113'-120, 129-194 (also wrote ff. l'-56 and 129'-157' of StuttL 44); (5) ff. 121'-124; (6) ff. 195'-246' (= Nikolaus Peuschel). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550). Originally 258 folios.

DIAMM, 2017
Physical Description

Three original folios now missing between new ff. 11/12; five folios missing between ff. 194/195; ff. 1-5, 15-19, 36-42, 94, 125-128, 247-250 also missing

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1540 (GottH).

DIAMM, 2017
Foliation

Modern foliation, 6-246 (ff. 1-5, 15-19, 36-42, 94, 125-128, 247-250 now missing)

DIAMM, 2017
Decoration

A few inked initials, most in plain block style, a few in calligraphic style.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Mass Proper sections (1 incomplete), 15 motets (3 incomplete), 1 Latin/ German sacred piece = 25

(Bruck)-1, (Canis)-1, (Gombert)-1, (Isaac)-1, (Lupus)-1, (Senfl)-3, Walter-2, anon-15

224 paper folios of an original 258, 430 x 320. Three original folios now missing between new ff. 11/12; five folios missing between ff. 194/195. Modern foliation, 6-246 (ff. 1-5, 15-19, 36-42, 94, 125-128, 247-250 now missing). Original covers of tooled leather over pasteboard. No index. Copied by six scribes: (1) ff. 6-11, 12'-14', 20-35', 43-86; (2) ff. 87'-93' (also wrote StuttL 43); (3) ff. 95'-100 (also wrote ff. l'-38 and 103'-139 of StuttL 46, and ff. 90'-118 of StuttL 39); (4) ff. 105'-112, 113'-120, 129-194 (also wrote ff. l'-56 and 129'-157' of StuttL 44); (5) ff. 121'-124; (6) ff. 195'-246' (= Nikolaus Peuschel; see general index for other manuscripts copied by the same scribe). A few inked initials, most in plain block style, a few in calligraphic style.

Ca. 1540 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
6–11 Veni sancte spiritus et emitte caelitus - Anonymous
Appears on: 6–11
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus
General Note

Ten I: Komm heiliger Geist Ten II: Nun bitten wir den heiligen Geist

12v–42v Ego dormivi et soporatus sum et resurrexi (2p. Domine probasti me) -
Appears on: 12v–42v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ego dormivi
General Note

II. Domine probasti me

43–49 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 43–49
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
49v–52 Confirma hoc Deus - Anonymous

Confirma hoc Deus

Anonymous
Appears on: 49v–52
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confirma hoc deus
52v–59 Alleluia. Veni sancte spiritus - Anonymous
Appears on: 52v–59
Genres: Alleluia, Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Alleluja. Veni sancte
59v–75 ]Veni sancte spiritus] Veni pater pauperim - Anonymous
Appears on: 59v–75
Genres: Sequence, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Sequencia Veni pater pauperim (Veni sancte spiritus)
75v–86 Factus est repente de caelo sonus advenientis spiritus (2p. Et repleti sunt) - Anonymous
Appears on: 75v–86
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Factus est repente
General Note

II. Et repleti sunt

87v–93v Sum tuus in vita (4vv) [M109] -
Appears on: 87v–93v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sum tuus in vita tua sunt mea funera
95v–100 Ite in orbem (2p. Qui crediderit; 3p. In nomine patris) -
Appears on: 95v–100
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem
General Note

II. Qui crediderit III. In nomine patris

105v–112 Verbum caro factum est et habitavit (2p. Plenum gratia et veritate; 3p. In principio erat verbum) -
Appears on: 105v–112
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro Johann Walter
General Note

II. Plenum gratia III. In principio

113v–120 Judaea et Jerusalem nolite timere 2 Cras egrediemini 4 Constantes estote 6 Gloria patri - Anonymous
Appears on: 113v–120
Genres: Responsory
Voice: [no designation]
Languages: Latin
Voice Text: Judea et Jherusalem
General Note

II. Cras egreiemini III. Constantes estote IV. Gloria patri

121v–124 Beati omnes qui timent Dominum (2p. Benedicat tibi Dominus ex Sion) (M13) -
Appears on: 121v–124
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes
129–133 O admirabile commercium creator generis -
Appears on: 129–133
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium
133v–140 In convertendo Dominus captivitatem (2p. Qui seminant in lachrimis) -
Appears on: 133v–140
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus
General Note

II. Qui seminant in lachrymis

140v–143 O virgo regia - Anonymous

O virgo regia

Anonymous
Appears on: 140v–143
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O virgo regia
143v–158 Emendemus in melius quae ignoranter (2p. Peccavimus Domine) -
Appears on: 143v–158
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius
General Note

II. Peccavimus domine

158v–164 In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris) -
Appears on: 158v–164
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In civitate domini
164v–176 Osculetur me (2p. Si ignoras te) - Anonymous
Appears on: 164v–176
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Osculetur me
General Note

II. Si ignoras te

176v–182 Tu es refugium meum a tribulatione - Anonymous
Appears on: 176v–182
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tu es refugium
182v–194 Deus nostrum refugium (2p. Tumultuentur gentes) - Anonymous
Appears on: 182v–194
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus nostrum refugium (II. Yumultuentur gentes)
195v–204 Ad te levavi Animam meam Deus meus Vs: Vias tuas Domine demonstra mihi - Anonymous
Appears on: 195v–204
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te levavi
General Note

II. Vias tuas (Prima dominica adventus)

204v–210 Ad te levavi (2p. Vias tuas) -
Appears on: 204v–210
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te levavi
General Note

II. Vias tuas

210v–219 Populus Sion (2p. Qui regis Israel) - Anonymous
Appears on: 210v–219
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Populus syon
General Note

II. Qui regis israel (Secunda Dominica Adventus)

219v–234 Gaudete in Domino (2p. Et pax Dei) - Anonymous
Appears on: 219v–234
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaudete in domino
General Note

II. Et pax dei (Dominica tertia adventas)

234v–247v Memento nostri (2p. Peccavimus) - Anonymous
Appears on: 234v–247v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Memento nostri
General Note

II. Peccavimus (Dominica Quarta adventas)

Composer Compositions
Anonymous
Bruck, Arnold von (ca. 1500–1554)
Canis, Cornelius
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Lassus, Orlande de (ca. 1532–1594)
Senfl, Ludwig (ca. 1486–ca. 1543)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
]Veni sancte spiritus] Veni pater pauperim Anonymous 59v–75
Ad te levavi (2p. Vias tuas) 204v–210
Ad te levavi Animam meam Deus meus Vs: Vias tuas Domine demonstra mihi Anonymous 195v–204
Alleluia. Veni sancte spiritus Anonymous 52v–59
Beati omnes qui timent Dominum (2p. Benedicat tibi Dominus ex Sion) (M13) 121v–124
Confirma hoc Deus Anonymous 49v–52
Deus nostrum refugium (2p. Tumultuentur gentes) Anonymous 182v–194
Ego dormivi et soporatus sum et resurrexi (2p. Domine probasti me) 12v–42v
Emendemus in melius quae ignoranter (2p. Peccavimus Domine) 143v–158
Factus est repente de caelo sonus advenientis spiritus (2p. Et repleti sunt) Anonymous 75v–86
Gaudete in Domino (2p. Et pax Dei) Anonymous 219v–234
In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris) 158v–164
In convertendo Dominus captivitatem (2p. Qui seminant in lachrimis) 133v–140
Ite in orbem (2p. Qui crediderit; 3p. In nomine patris) 95v–100
Judaea et Jerusalem nolite timere 2 Cras egrediemini 4 Constantes estote 6 Gloria patri Anonymous 113v–120
Memento nostri (2p. Peccavimus) Anonymous 234v–247v
O admirabile commercium creator generis 129–133
O virgo regia Anonymous 140v–143
Osculetur me (2p. Si ignoras te) Anonymous 164v–176
Populus Sion (2p. Qui regis Israel) Anonymous 210v–219
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 43–49
Sum tuus in vita (4vv) [M109] 87v–93v
Tu es refugium meum a tribulatione Anonymous 176v–182
Veni sancte spiritus et emitte caelitus Anonymous 6–11
Verbum caro factum est et habitavit (2p. Plenum gratia et veritate; 3p. In principio erat verbum) 105v–112

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 360, 514, 810. Notes: contents list (partial); concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 383. Notes: contents list (partial); concordances (partial).

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62, 87 II, 22, 209. Notes: physical description (partial); contents list (partial); concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 32, passim. Notes: physical description (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 120. Notes: physical description (partial); contents list (partial); concordances (partial).

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 31-2. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description