GottH attributes copying of entire manuscript to Johann Chamerhueber, but some details of music script on ff. 21-142 and ff. 248'-259 differ from those found in manuscripts signed by Chamerhueber; and ff. 143-247 and ff. 260-289' appear to be work of an entirely different scribe, probably Joannes Hallenwein (Call). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68). Originally 293 folios or more.
D-Sl Cod. mus. I 2° 41
Württembergische Landesbibliothek, Stuttgart, Germany
manuscript of polyphony: 1556-7
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
|---|---|
| Shelfmark | Cod. mus. I 2° 41 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Other |
| Numbering System | Foliation |
| Measurements | 480 x 330 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| Provenance |
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| Contents | Contains 14 compositions from 5 composers. |
General Description
Physical Description
Two original folios torn out between new ff. 142/143; one folio torn out between new ff. 247/248; f. 259 torn, but music still legible; most of ff. 288-289 torn out, but some music still legible.
Binding
Original covers of tooled leather over pasteboard, repaired in 1938.
Notation
black void mensural
Foliation
Modern foliation, 21-289, on lower right rectos (ff. 1-20, 30, 257-258, 290-293 now missing).
Decoration
No initials or decoration.
Index
No index remains.
Surface
paoer
Census Catalogue of Music Description
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9 Magnificats (1 incomplete), 4 motets (2 incomplete) = 13
Hallenwein-2, Hemmel-1, Mouton-1, Richafort-1, Walter-7, anon-1
262 paper folios of an original 293 or more, 480 x 330. Two original folios torn out between new ff. 142/143; one folio torn out between new ff. 247/248; f. 259 torn, but music still legible; most of ff. 288-289 torn out, but some music still legible. Modern foliation, 21-289, on lower right rectos (ff. 1-20, 30, 257-258, 290-293 now missing). Original covers of tooled leather over pasteboard, repaired in 1938. No index remains.
GottH attributes copying of entire manuscript to Johann Chamerhueber, but some details of music script on ff. 21-142 and ff. 248'-259 differ from those found in manuscripts signed by Chamerhueber (see general index for list), and ff. 143-247 and ff. 260-289' appear to be work of an entirely different scribe, probably Joannes Hallenwein (Call). No initials or decoration.
1556-7 (GottH); date 1556 in manuscript. Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).
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‡ denotes primary source study
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 165. Notes: contents list (partial); concordances (partial); incipits (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 72-3. Notes: physical description; contents list; concordances (partial).
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 31-2, passim. Notes: physical description (partial); mention of MS; discussion.
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 30-l. Notes: physical description (partial); contents list.
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Edward Tambling
Tuesday, 20 October, 2020
Setting of O sacrum convivium on ff. 248v–259 identified as that by Morales
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description