D-Sl Cod. mus. I 2° 41

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1556-7

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 41
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Other
Numbering System Foliation
Measurements 480 x 330 mm
Other Identifiers
  • CCM: StuttL 41
  • olim (Former shelfmark): MS Musica folio I 41
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 14 pieces from 5 composers
General Description

GottH attributes copying of entire manuscript to Johann Chamerhueber, but some details of music script on ff. 21-142 and ff. 248'-259 differ from those found in manuscripts signed by Chamerhueber; and ff. 143-247 and ff. 260-289' appear to be work of an entirely different scribe, probably Joannes Hallenwein (Call). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68). Originally 293 folios or more.

DIAMM, 2017
Physical Description

Two original folios torn out between new ff. 142/143; one folio torn out between new ff. 247/248; f. 259 torn, but music still legible; most of ff. 288-289 torn out, but some music still legible.

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard, repaired in 1938.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern foliation, 21-289, on lower right rectos (ff. 1-20, 30, 257-258, 290-293 now missing).

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Index

No index remains.

DIAMM, 2017
Surface

paoer

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Magnificats (1 incomplete), 4 motets (2 incomplete) = 13

Hallenwein-2, Hemmel-1, Mouton-1, Richafort-1, Walter-7, anon-1

262 paper folios of an original 293 or more, 480 x 330. Two original folios torn out between new ff. 142/143; one folio torn out between new ff. 247/248; f. 259 torn, but music still legible; most of ff. 288-289 torn out, but some music still legible. Modern foliation, 21-289, on lower right rectos (ff. 1-20, 30, 257-258, 290-293 now missing). Original covers of tooled leather over pasteboard, repaired in 1938. No index remains.

GottH attributes copying of entire manuscript to Johann Chamerhueber, but some details of music script on ff. 21-142 and ff. 248'-259 differ from those found in manuscripts signed by Chamerhueber (see general index for list), and ff. 143-247 and ff. 260-289' appear to be work of an entirely different scribe, probably Joannes Hallenwein (Call). No initials or decoration.

1556-7 (GottH); date 1556 in manuscript. Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
21–38 Magnificat Primi Toni [K.1141] -
Appears on: 21–38
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat secundi toni
38v–55 Magnificat Secundi Toni [K.1142] -
Appears on: 38v–55
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat 3 toni
55v–80 Magnificat Tertii Toni [K.1143] -
Appears on: 55v–80
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat 4 toni
80v–106 Magnificat Quarti Toni [K.1144] -
Appears on: 80v–106
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat 5 toni
106v–142 Magnificat Quinti Toni [K.1145] -
Appears on: 106v–142
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat octavi toni
143v–169 Magnificat Sexti Toni [K.1146] -
Appears on: 143v–169
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat sexti toni
170v–198 Magnificat Septimi Toni: Et exultavit [K.1147] -
Appears on: 170v–198
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat sexti toni
201v–231 Magnificat Octavii Toni [K.1148] -
Appears on: 201v–231
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat septimi toni
231v–247 Magnificat octavi toni: Et exultavit [K.1016] -
Appears on: 231v–247
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat octavi toni
248v–259 O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur -
Appears on: 248v–259
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium
General Note

II. Mens impletur

248v–259 O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae -
Appears on: 248v–259
Genres: Motet
260v–273 Resonet in laudibus cum jocundis plausibus (2p. Sunt impleta; 3p. Hodie apparuit) -
Appears on: 260v–273
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Resonet in laudibus
General Note

II. Sunt impleta III. Hodie apparuit

274v–284 Dies est laetitiae -
Appears on: 274v–284
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dies est laetitiae
284v–289v Grates nunc omnes -
Appears on: 284v–289v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes

denotes primary source study

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 165. Notes: contents list (partial); concordances (partial); incipits (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 72-3. Notes: physical description; contents list; concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 31-2, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 30-l. Notes: physical description (partial); contents list.

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Edward Tambling

Tuesday, 20 October, 2020

Setting of O sacrum convivium on ff. 248v–259 identified as that by Morales

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description