D-Sl Cod. mus. I 2° 41

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1556-7

Archive	Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark	Cod. mus. I 2° 41
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Other
Numbering System	Foliation
Measurements	480 x 330 mm
Other Identifiers	CCM: StuttL 41 olim (Former shelfmark): MS Musica folio I 41
Notations	black void mensural
Copyists	? Chamerhueber, Johann Music Hallenwein, Joannes Music
Relationships	Christoph (1515–1568) (patron)
External Links	catalogue images images
Provenance	court chapel of Christoph, Duke of Württemberg (1515-68) , Stuttgart, Bavaria, Germany
Contents	Contains 14 compositions from 5 composers.

General Description

GottH attributes copying of entire manuscript to Johann Chamerhueber, but some details of music script on ff. 21-142 and ff. 248'-259 differ from those found in manuscripts signed by Chamerhueber; and ff. 143-247 and ff. 260-289' appear to be work of an entirely different scribe, probably Joannes Hallenwein (Call). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68). Originally 293 folios or more.

DIAMM, 2017

Physical Description

Two original folios torn out between new ff. 142/143; one folio torn out between new ff. 247/248; f. 259 torn, but music still legible; most of ff. 288-289 torn out, but some music still legible.

DIAMM, 2017

Binding

Original covers of tooled leather over pasteboard, repaired in 1938.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern foliation, 21-289, on lower right rectos (ff. 1-20, 30, 257-258, 290-293 now missing).

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Index

No index remains.

DIAMM, 2017

Surface

paoer

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Magnificats (1 incomplete), 4 motets (2 incomplete) = 13

Hallenwein-2, Hemmel-1, Mouton-1, Richafort-1, Walter-7, anon-1

262 paper folios of an original 293 or more, 480 x 330. Two original folios torn out between new ff. 142/143; one folio torn out between new ff. 247/248; f. 259 torn, but music still legible; most of ff. 288-289 torn out, but some music still legible. Modern foliation, 21-289, on lower right rectos (ff. 1-20, 30, 257-258, 290-293 now missing). Original covers of tooled leather over pasteboard, repaired in 1938. No index remains.

GottH attributes copying of entire manuscript to Johann Chamerhueber, but some details of music script on ff. 21-142 and ff. 248'-259 differ from those found in manuscripts signed by Chamerhueber (see general index for list), and ff. 143-247 and ff. 260-289' appear to be work of an entirely different scribe, probably Joannes Hallenwein (Call). No initials or decoration.

1556-7 (GottH); date 1556 in manuscript. Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
21–38	Magnificat Primi Toni [K.1141]	-	Walter, Johann (1496–1570)
Magnificat Primi Toni [K.1141] Walter, Johann (1496–1570) Appears on: 21–38 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat secundi toni
38v–55	Magnificat Secundi Toni [K.1142]	-	Walter, Johann (1496–1570)
Magnificat Secundi Toni [K.1142] Walter, Johann (1496–1570) Appears on: 38v–55 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat 3 toni
55v–80	Magnificat Tertii Toni [K.1143]	-	Walter, Johann (1496–1570)
Magnificat Tertii Toni [K.1143] Walter, Johann (1496–1570) Appears on: 55v–80 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat 4 toni
80v–106	Magnificat Quarti Toni [K.1144]	-	Walter, Johann (1496–1570)
Magnificat Quarti Toni [K.1144] Walter, Johann (1496–1570) Appears on: 80v–106 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat 5 toni
106v–142	Magnificat Quinti Toni [K.1145]	-	Walter, Johann (1496–1570)
Magnificat Quinti Toni [K.1145] Walter, Johann (1496–1570) Appears on: 106v–142 Genres: BVM, Canticle, Magnificat Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Magnificat octavi toni
143v–169	Magnificat Sexti Toni [K.1146]	-	Walter, Johann (1496–1570)
Magnificat Sexti Toni [K.1146] Walter, Johann (1496–1570) Appears on: 143v–169 Genres: BVM, Canticle, Magnificat Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Magnificat sexti toni
170v–198	Magnificat Septimi Toni: Et exultavit [K.1147]	-	Walter, Johann (1496–1570)
Magnificat Septimi Toni: Et exultavit [K.1147] Walter, Johann (1496–1570) Appears on: 170v–198 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat sexti toni
201v–231	Magnificat Octavii Toni [K.1148]	-	Walter, Johann (1496–1570)
Magnificat Octavii Toni [K.1148] Walter, Johann (1496–1570) Appears on: 201v–231 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat septimi toni
231v–247	Magnificat octavi toni: Et exultavit [K.1016]	-	Richafort, Jean (ca. 1480–ca. 1550)
Magnificat octavi toni: Et exultavit [K.1016] Richafort, Jean (ca. 1480–ca. 1550) Appears on: 231v–247 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat octavi toni
248v–259	O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	-	Morales, Cristóbal de (ca. 1500–1553)
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Morales, Cristóbal de (ca. 1500–1553) Appears on: 248v–259 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium General Note II. Mens impletur
248v–259	O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae	-	Morales, Cristóbal de (ca. 1500–1553)
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae Morales, Cristóbal de (ca. 1500–1553) Appears on: 248v–259 Genres: Motet
260v–273	Resonet in laudibus cum jocundis plausibus (2p. Sunt impleta; 3p. Hodie apparuit)	-	Hallenwin, Johannes
Resonet in laudibus cum jocundis plausibus (2p. Sunt impleta; 3p. Hodie apparuit) Hallenwin, Johannes Appears on: 260v–273 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Resonet in laudibus General Note II. Sunt impleta III. Hodie apparuit
274v–284	Dies est laetitiae	-	Hallenwin, Johannes
Dies est laetitiae Hallenwin, Johannes Appears on: 274v–284 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Dies est laetitiae
284v–289v	Grates nunc omnes	-	Hemmel, Sigmund
Grates nunc omnes Hemmel, Sigmund Appears on: 284v–289v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes

Composer	Compositions
Hallenwin, Johannes	Dies est laetitiae – 274v–284 Resonet in laudibus cum jocundis plausibus (2p. Sunt impleta; 3p. Hodie apparuit) – 260v–273
Hemmel, Sigmund	Grates nunc omnes – 284v–289v
Morales, Cristóbal de (ca. 1500-1553)	O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur – 248v–259 O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae – 248v–259
Richafort, Jean (ca. 1480-ca. 1550)	Magnificat octavi toni: Et exultavit [K.1016] – 231v–247
Walter, Johann (1496-1570)	Magnificat Octavii Toni [K.1148] – 201v–231 Magnificat Primi Toni [K.1141] – 21–38 Magnificat Quarti Toni [K.1144] – 80v–106 Magnificat Quinti Toni [K.1145] – 106v–142 Magnificat Secundi Toni [K.1142] – 38v–55 Magnificat Septimi Toni: Et exultavit [K.1147] – 170v–198 Magnificat Sexti Toni [K.1146] – 143v–169 Magnificat Tertii Toni [K.1143] – 55v–80

Composition	Composers (? Uncertain)	Folios / Pages
Dies est laetitiae	Hallenwin, Johannes	274v–284
Grates nunc omnes	Hemmel, Sigmund	284v–289v
Magnificat octavi toni: Et exultavit [K.1016]	Richafort, Jean (ca. 1480–ca. 1550)	231v–247
Magnificat Octavii Toni [K.1148]	Walter, Johann (1496–1570)	201v–231
Magnificat Primi Toni [K.1141]	Walter, Johann (1496–1570)	21–38
Magnificat Quarti Toni [K.1144]	Walter, Johann (1496–1570)	80v–106
Magnificat Quinti Toni [K.1145]	Walter, Johann (1496–1570)	106v–142
Magnificat Secundi Toni [K.1142]	Walter, Johann (1496–1570)	38v–55
Magnificat Septimi Toni: Et exultavit [K.1147]	Walter, Johann (1496–1570)	170v–198
Magnificat Sexti Toni [K.1146]	Walter, Johann (1496–1570)	143v–169
Magnificat Tertii Toni [K.1143]	Walter, Johann (1496–1570)	55v–80
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	Morales, Cristóbal de (ca. 1500–1553)	248v–259
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae	Morales, Cristóbal de (ca. 1500–1553)	248v–259
Resonet in laudibus cum jocundis plausibus (2p. Sunt impleta; 3p. Hodie apparuit)	Hallenwin, Johannes	260v–273

‡ denotes primary source study

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 165. Notes: contents list (partial); concordances (partial); incipits (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 72-3. Notes: physical description; contents list; concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 31-2, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 30-l. Notes: physical description (partial); contents list.

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Edward Tambling

Tuesday, 20 October, 2020

Setting of O sacrum convivium on ff. 248v–259 identified as that by Morales

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Sl Cod. mus. I 2° 41

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1556-7

General Description

Physical Description

Binding

Notation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note

General Note

Edward Tambling

Tuesday, 20 October, 2020

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017