D-Sl Cod. mus. I 2° 40

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: Before 1550

Archive	Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark	Cod. mus. I 2° 40
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	430 x 310 mm
Other Identifiers	CCM: StuttL 40 olim (Former shelfmark): MS Musica folio I 40
Notations	black void mensural
Copyists	Peuschel, Nikolaus Music
Relationships	Ulrich (1487–1550) (patron)
External Links	catalogue images images
Provenance	court chapel of Ulrich, Duke of Württemberg (1487-1550 , Stuttgart, Bavaria, Germany
Contents	13 pieces from 5 composers

General Description

Copied by Nikolaus Peuschel (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550). Originally 192 folios or more.

DIAMM, 2017

Physical Description

Four original folios now missing between new ff. 124/125; three folios missing between ff. 161/162; at least one gathering missing at end.

DIAMM, 2017

Binding

Original covers of tooled leather over pasteboard.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern foliation, 1-177.

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 plenary Mass, 12 Mass Proper sections (1 incomplete) = 13

(Forster)-1, Hähnel [Ioannis Galliculi]-2, Isaac-3, (Walter)-1, anon-6

177 paper folios of an original 192 or more, 430 x 310. Four original folios now missing between new ff. 124/125; three folios missing between ff. 161/162; at least one gathering missing at end. Modern foliation, 1-177. Original covers of tooled leather over pasteboard. No index. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. No initials or decoration.

Before 1550 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–10	Reminiscere miserati (2p. Ad te domine)	-	Anonymous
Reminiscere miserati (2p. Ad te domine) Anonymous Appears on: 1v–10 Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: Reminiscere mserati General Note II. Ad te domine
10v–19	Oculi mei semper (2p. Ad te Domine) (I)	-	Anonymous
Oculi mei semper (2p. Ad te Domine) (I) Anonymous Appears on: 10v–19 Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: Oculi mei semper General Note II. Ad te domine
19v–29	Oculi mei semper (2p. Ad te Domine) (II)	-	Anonymous
Oculi mei semper (2p. Ad te Domine) (II) Anonymous Appears on: 19v–29 Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: Oculi mei semper General Note II. Ad te domine
29v–38	Laetare Jerusalem (2p. Laetatus sum)	-	Anonymous
Laetare Jerusalem (2p. Laetatus sum) Anonymous Appears on: 29v–38 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Laetare Hierusalem General Note II. Laetatus sum
38v–48	Judica me Deus (2p. Emitte lucem)	-	Anonymous
Judica me Deus (2p. Emitte lucem) Anonymous Appears on: 38v–48 Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: Judica me deus General Note II. Emitte lucem
49v–56	Resurrexit Quid quaeritis viventem Vs: Gloria et honore Et constituisti eum	-	Forster, Georg (ca. 1510–1568)
Resurrexit Quid quaeritis viventem Vs: Gloria et honore Et constituisti eum Forster, Georg (ca. 1510–1568) Appears on: 49v–56 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Resurrexit quid quaeritis General Note II. Gloria et honore
56v–64	Resurrexit Quid quaeritis Vs: Gloria et honore	-	Walter, Johann (1496–1570)
Resurrexit Quid quaeritis Vs: Gloria et honore Walter, Johann (1496–1570) Appears on: 56v–64 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Resurrexit quid queritis General Note II. Gloria et honore
64v–74	Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me	-	Galliculus, Johannes
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me Galliculus, Johannes Appears on: 64v–74 Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Resurrexi General Note II. Domine probasti me
74v–124	Missa Paschale: Gloria	-	Galliculus, Johannes
Missa Paschale: Gloria Galliculus, Johannes Appears on: 74v–124 Genres: Gloria (et in terra pax) Voice: [no designation] Languages: Latin Voice Text: Missa Pashale
125v–129	Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi]	-	Isaac, Heinrich (ca. 1450–1517)
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 125v–129 Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Cibavit eos General Note II. Exultate deo
129v–135	Alleluia. Caro mea vere est cibus [Proprium de Corpore Christi]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Caro mea vere est cibus [Proprium de Corpore Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 129v–135 Genres: Alleluia, Motet Voice: [no designation] Languages: Latin Voice Text: Alleluja. Caro mea
135v–161	[Lauda Sion salvatorem] Quantum potes tantum gaude [Proprium de Corpore Christi]	-	Isaac, Heinrich (ca. 1450–1517)
[Lauda Sion salvatorem] Quantum potes tantum gaude [Proprium de Corpore Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 135v–161 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Quantum potes tantum gaude (Lauda Sion salvatorem)
162v–177v	[Benedictus semper sit] Pater filius sanctus spiritus	-	Anonymous
[Benedictus semper sit] Pater filius sanctus spiritus Anonymous Appears on: 162v–177v Genres: Liturgical work, Motet Voice: [no designation] Languages: Latin Voice Text: Pater filius sanctus spiritus (Benedictus semper sit)

Composer	Compositions
Anonymous	Judica me Deus (2p. Emitte lucem) – 38v–48 Laetare Jerusalem (2p. Laetatus sum) – 29v–38 Oculi mei semper (2p. Ad te Domine) (I) – 10v–19 Oculi mei semper (2p. Ad te Domine) (II) – 19v–29 Reminiscere miserati (2p. Ad te domine) – 1v–10 [Benedictus semper sit] Pater filius sanctus spiritus – 162v–177v
Forster, Georg (ca. 1510–1568)	Resurrexit Quid quaeritis viventem Vs: Gloria et honore Et constituisti eum – 49v–56
Galliculus, Johannes	Missa Paschale: Gloria – 74v–124 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me – 64v–74
Isaac, Heinrich (ca. 1450–1517)	Alleluia. Caro mea vere est cibus [Proprium de Corpore Christi] – 129v–135 Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] – 125v–129 [Lauda Sion salvatorem] Quantum potes tantum gaude [Proprium de Corpore Christi] – 135v–161
Walter, Johann (1496–1570)	Resurrexit Quid quaeritis Vs: Gloria et honore – 56v–64

Composition	Composers (? Uncertain)	Folios / Pages
[Benedictus semper sit] Pater filius sanctus spiritus	Anonymous	162v–177v
[Lauda Sion salvatorem] Quantum potes tantum gaude [Proprium de Corpore Christi]	Isaac, Heinrich (ca. 1450–1517)	135v–161
Alleluia. Caro mea vere est cibus [Proprium de Corpore Christi]	Isaac, Heinrich (ca. 1450–1517)	129v–135
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi]	Isaac, Heinrich (ca. 1450–1517)	125v–129
Judica me Deus (2p. Emitte lucem)	Anonymous	38v–48
Laetare Jerusalem (2p. Laetatus sum)	Anonymous	29v–38
Missa Paschale: Gloria	Galliculus, Johannes	74v–124
Oculi mei semper (2p. Ad te Domine) (I)	Anonymous	10v–19
Oculi mei semper (2p. Ad te Domine) (II)	Anonymous	19v–29
Reminiscere miserati (2p. Ad te domine)	Anonymous	1v–10
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me	Galliculus, Johannes	64v–74
Resurrexit Quid quaeritis viventem Vs: Gloria et honore Et constituisti eum	Forster, Georg (ca. 1510–1568)	49v–56
Resurrexit Quid quaeritis Vs: Gloria et honore	Walter, Johann (1496–1570)	56v–64

‡ denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 599-601, 689-91. Notes: contents list (partial); concordances (partial); incipits (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 99-100, 102 [indicated concordance incorrect: Isaac sequence in StuttL 32 not concordant with setting of same text in StuttL 40]. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Notes: contents list (partial); concordances (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXV, 309ff. Notes: contents list (partial); concordances (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 210. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart. Wiesbaden. Pages: 70-2. Notes: physical description; contents list; concordances (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62 II, 209. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 31, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 29-30. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Sl Cod. mus. I 2° 40

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: Before 1550

General Description

Physical Description

Binding

Notation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017