D-Sl Cod. mus. I 2° 39

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: c. 1540-50

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 39
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Numbering System Foliation
Measurements 430 x 350 mm
Other Identifiers
  • CCM: StuttL 39
  • olim (Former shelfmark): MS Musica folio I 39
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 8 pieces from 7 composers
General Description

Copied mostly by Nikolaus Peuschel (GottH); ff. 90'-118 copied by a different scribe, who also wrote ff. 95'-100 of StuttL 42, and ff. l'-38 and 103'-139 of StuttL 46. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550). Originally 224 folios.

DIAMM, 2017
Physical Description

Three original folios now missing between new ff. 10/11; three folios missing between ff. 89/90; two folios missing between ff. 148/149.

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern foliation, 1-214 (ff. 215-216 missing)

DIAMM, 2017
Decoration

Inked initials in plain block style on ff. 90'-91, 98'-99, and 105'-106; no other decoration.

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat, 1 processional hymn, 2 Passions, 5 motets = 9

Finck-1, Hähnel [Johan. Galliculus]-2, (Isaac)-1, (Longaval/Obrecht/Venture)-1, (Verdelot)-1, anon-3

214 paper folios of an original 224, 430 x 350. Three original folios now missing between new ff. 10/11; three folios missing between ff. 89/90; two folios missing between ff. 148/149. Modern foliation, 1-214 (ff. 215-216 missing). Original covers of tooled leather over pasteboard. No index. Copied mostly by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. Ff. 90'-118 copied by a different scribe, who also wrote ff. 95'-100 of StuttL 42, and ff. l'-38 and 103'-139 of StuttL 46. Inked initials in plain block style on ff. 90'-91, 98'-99, and 105'-106; no other decoration.

Ca. 1540-50. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–10 Circumdederunt me - Anonymous

Circumdederunt me

Anonymous
Appears on: 1v–10
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Circumdederunt me
12v–27 Magnificat octavi toni: Et exultavit [K.785] -
Finck, Heinrich

Magnificat octavi toni: Et exultavit [K.785]

Finck, Heinrich
Appears on: 12v–27
Genres: Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Octavit Toni
28v–69 Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus) -
Venture, Johannes a la (fl. c1500) (?)
Obrecht, Jacobus (ca. 1457–1505) (?)
Longueval, Antoine de (fl. 1498-1525)

Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus)

Venture, Johannes a la (fl. c1500) (?)
Obrecht, Jacobus (ca. 1457–1505) (?)
Longueval, Antoine de (fl. 1498-1525)
Appears on: 28v–69
Genres: Liturgical work, Passion
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Jesu Christi secundum Matheum
69v–89 Gloria, laus et honor tibi sit (2p. Israel es; 3p. Letus in excelsis; 4p. Plebs hebrea) - Anonymous

Gloria, laus et honor tibi sit (2p. Israel es; 3p. Letus in excelsis; 4p. Plebs hebrea)

Anonymous
Appears on: 69v–89
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gloria, laus et honor
General Note

II. Israel es III. Letus in excelsis IV. Plebs hebrea
90v–118 Passio Domini nostri Jesu Christi secundum Marcum (2p. Apprehendit ergo Pilatus Jesum; 3p. Orabat autem Jesus pro crucifigentibus) -
Galliculus, Johannes

Passio Domini nostri Jesu Christi secundum Marcum (2p. Apprehendit ergo Pilatus Jesum; 3p. Orabat autem Jesus pro crucifigentibus)

Galliculus, Johannes
Appears on: 90v–118
Genres: Liturgical work, Passion
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Jesu Christi secundum Marcum
119v–148 Dominus vobiscum (2p. Et introentes; 3p. Gaudeamus omnes) [Evangelium in die paschae] -
Galliculus, Johannes

Dominus vobiscum (2p. Et introentes; 3p. Gaudeamus omnes) [Evangelium in die paschae]

Galliculus, Johannes
Appears on: 119v–148
Genres: Liturgical work, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Evangelium in die paschae
General Note

I. Dominus vobiscum II. Et introentes III. Gaudeamus omnes
149v–184 Salve regina (II) [10 partes] -
Isaac, Heinrich (ca. 1450–1517)

Salve regina (II) [10 partes]

Isaac, Heinrich (ca. 1450–1517)
Appears on: 149v–184
Genres: Marian antiphon, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve rex misericordiae (Salve regina)
184v–214 [Salve regina] Vita dulcedo - Anonymous

[Salve regina] Vita dulcedo

Anonymous
Appears on: 184v–214
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Vita dulcedo (Salve regina)
Composer Compositions
Anonymous
Finck, Heinrich
Galliculus, Johannes
Isaac, Heinrich (ca. 1450–1517)
Longueval, Antoine de (fl. 1498-1525)
Obrecht, Jacobus (ca. 1457–1505)
Venture, Johannes a la (fl. c1500)
Composition Composers (? Uncertain) Folios / Pages
[Salve regina] Vita dulcedo Anonymous 184v–214
Circumdederunt me Anonymous 1v–10
Dominus vobiscum (2p. Et introentes; 3p. Gaudeamus omnes) [Evangelium in die paschae]
Galliculus, Johannes
119v–148
Gloria, laus et honor tibi sit (2p. Israel es; 3p. Letus in excelsis; 4p. Plebs hebrea) Anonymous 69v–89
Magnificat octavi toni: Et exultavit [K.785]
Finck, Heinrich
12v–27
Passio Domini nostri Jesu Christi secundum Marcum (2p. Apprehendit ergo Pilatus Jesum; 3p. Orabat autem Jesus pro crucifigentibus)
Galliculus, Johannes
90v–118
Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus)
Venture, Johannes a la (fl. c1500) (?)
Obrecht, Jacobus (ca. 1457–1505) (?)
Longueval, Antoine de (fl. 1498-1525)
28v–69
Salve regina (II) [10 partes]
Isaac, Heinrich (ca. 1450–1517)
149v–184

‡ denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 599-601, 752-3, 774. Notes: contents list (partial); concordances (partial); incipits (partial).

Ingram, Sonja S. 1973. The Polyphonic Salve Regina, 1425-1550. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 64, 72-3, 83. Notes: mention of MS; contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 99-100. Notes: physical description; mention of MS; discussion.

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 164. Notes: contents list (partial); concordances (partial); incipits (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 69-70. Notes: physical description; contents list; concordances (partial).

Wolff, Hellmuth Christian. 1956. Die Musik der alten Niederländer (15. und 16. Jahrhundert).  Leipzig. Pages: 129-32. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 31, passim. Notes: physical description (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXX,xv, 124-30,193,198. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 28-9. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description