D-Sl Cod. mus. I 2° 35

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: c. 1540

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 35
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 435 x 300 mm
Other Identifiers
  • CCM: StuttL 35
  • olim (Former shelfmark): MS Musica folio I 35
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 24 pieces from 10 composers
General Description

Copied by Nikolaus Peuschel (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1540 (GottH).

DIAMM, 2017
Foliation

Modern foliation, 1-5 ('1' applied to two consecutive folios) + original ink foliation, 6-192 ('161' omitted; f. [193] now fragmentary). Original ff. 162-192 renumbered as 161-191 by modern hand.

DIAMM, 2017
Decoration

A few small inked calligraphic initials; red rubrics and voice designations.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 motets (1 incomplete)

(Berchem/Jaquet of Mantua)-1, Jaquet of Mantua [Iachet]-5, Jaquet of Mantua/(Lafage/Sermisy)-1, Jaquet of Mantua/(Lhéritier/Willaert)-1, (Senfl)-1, (Walter)-3, Walter/(Verdelot)-1, anon-2

193 paper folios, 435 x 300. Modern foliation, 1-5 ("1" applied to two consecutive folios) + original ink foliation, 6-192 ("161" omitted; f. [193] now fragmentary). Original ff. 162-192 renumbered as 161-191 by modern hand. Original covers of tooled leather over pasteboard. No index. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. A few small inked calligraphic initials; red rubrics and voice designations.

Ca. 1540 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Vol 4

Composers: Change "(Berchem/Jaquet of Mantua)-1" to "(Jaquet of Mantua/ Morales)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–19 Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus - Anonymous
Appears on: 1v–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nisi quia dominus
General Note

II. Benedictus dominus

1v–19 Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus - Anonymous
Appears on: 1v–19
Genres: Motet
19v–38 In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus -
Appears on: 19v–38
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore dixit Jesus
General Note

II. Dicebant ergo (Evangelium Joan. XVI)

19v–38 In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc -
Appears on: 19v–38
Genres: Motet
38v–46 Aspice Domine de sede sancta tua (4vv) -
Appears on: 38v–46
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine de sede sancta tua
46v–56 Visita quaesumus Domine habitationem istam -
Appears on: 46v–56
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Visita quaesumus
56v–70 Fratres ego enim - 1a pars (of 2): Fratres ego enim accepi a Domino -
Appears on: 56v–70
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Fratres. Ego enim
General Note

II. Similiter et calicem

56v–70 Fratres ego enim - 2a pars (of 2): Similliter et calicem postquam -
Appears on: 56v–70
Genres: Motet
70v–81 Unum cole Deum - 1a pars (of 2): Unum cole Deum nec jures vana per ipsum -
Appears on: 70v–81
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Unum cole deum
General Note

II. Non sis occisor

70v–81 Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis -
Appears on: 70v–81
Genres: Motet
81v–87 Adonai Domine -
Appears on: 81v–87
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Adonay domine
87v–102 Tibi soli peccavi - 1a pars (of 2): Tibi soli peccavi -
Appears on: 87v–102
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tibi soli peccavi
General Note

II. Cor contritum

87v–102 Tibi soli peccavi - 2a pars (of 2): Cor contritum -
Appears on: 87v–102
Genres: Motet
102v–112 Deus qui sedes super thronum (4vv) -
Appears on: 102v–112
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus qui sedes super thronum
112v–127 Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis -
Appears on: 112v–127
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus miseratur nostri
General Note

II. Laetentur et exultent

112v–127 Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam -
Appears on: 112v–127
Genres: Motet
127v–134 Laudate Dominum omnes gentes laudate -
Appears on: 127v–134
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum
134v–151 Ecce dies veniet - 1a pars (of 2): Ecce dies veniet dicit Dominus -
Appears on: 134v–151
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dies venient
General Note

II. Post dies illos (Jheremie 31)

134v–151 Ecce dies veniet - 2a pars (of 2): Post dies illos dicit Dominus -
Appears on: 134v–151
Genres: Motet
151v–157 Puer qui natus est nobis plus quam propheta -
Appears on: 151v–157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Puer qui natus
157v–179 Quare fremuerunt (M87) - 1a pars (of 2): Quare fremuerunt gentes et populi meditati -
Appears on: 157v–179
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quere fremuerunt gentes
General Note

II. Et nunc reges

157v–179 Quare fremuerunt (M87) - 2a pars (of 2): Et nunc reges intelligite erudimini -
Appears on: 157v–179
Genres: Motet
179v–192v Et ecce quidam accessit - 1a pars (of 2): Et ecce quidam accessit - Anonymous
Appears on: 179v–192v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et ecce quidam accessit
General Note

II. Et cum venisset

179v–192v Et ecce quidam accessit - 2a pars (of 2): Et cum venisset - Anonymous
Appears on: 179v–192v
Genres: Motet
General Note

(incomplete)

Composer Compositions
Anonymous
Berchem, Jacques (ca. 1505–1567)
Fage, Jean de la
Lheritier, Jean (ca. 1480–ca. 1551)
Mantua, Jacquet de (1483–1559)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Adonai Domine 81v–87
Aspice Domine de sede sancta tua (4vv) 38v–46
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis 112v–127
Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam 112v–127
Deus qui sedes super thronum (4vv) 102v–112
Ecce dies veniet - 1a pars (of 2): Ecce dies veniet dicit Dominus 134v–151
Ecce dies veniet - 2a pars (of 2): Post dies illos dicit Dominus 134v–151
Et ecce quidam accessit - 1a pars (of 2): Et ecce quidam accessit Anonymous 179v–192v
Et ecce quidam accessit - 2a pars (of 2): Et cum venisset Anonymous 179v–192v
Fratres ego enim - 1a pars (of 2): Fratres ego enim accepi a Domino 56v–70
Fratres ego enim - 2a pars (of 2): Similliter et calicem postquam 56v–70
In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus 19v–38
In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc 19v–38
Laudate Dominum omnes gentes laudate 127v–134
Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus Anonymous 1v–19
Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus Anonymous 1v–19
Puer qui natus est nobis plus quam propheta 151v–157
Quare fremuerunt (M87) - 1a pars (of 2): Quare fremuerunt gentes et populi meditati 157v–179
Quare fremuerunt (M87) - 2a pars (of 2): Et nunc reges intelligite erudimini 157v–179
Tibi soli peccavi - 1a pars (of 2): Tibi soli peccavi 87v–102
Tibi soli peccavi - 2a pars (of 2): Cor contritum 87v–102
Unum cole Deum - 1a pars (of 2): Unum cole Deum nec jures vana per ipsum 70v–81
Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis 70v–81
Visita quaesumus Domine habitationem istam 46v–56

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 362,369,419-22,809. Notes: contents list (partial); concordances (partial).

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 165,182ff,314. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I,138,142ff. Notes: mention of MS; contents list (partial); concordances (partial).

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 63-5. Notes: physical description; contents list; concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 30, passim. Notes: physical description (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII,116ff. Notes: physical description; contents list (partial); concordances (partial).

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 27. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description