Copied by Nikolaus Peuschel in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
D-Sl Cod. mus. I 2° 34
Württembergische Landesbibliothek, Stuttgart, Germany
manuscript of polyphony: c. 1545
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
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| Shelfmark | Cod. mus. I 2° 34 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Numbering System | Foliation |
| Measurements | 430 x 300 mm |
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| Contents | Contains 10 compositions, 9 from 12 composers, 1 is anonymous. |
General Description
Binding
Original covers of tooled leather over pasteboard
Notation
black void mensural
Foliation
Original ink foliation, 1-169 (ff. 156-159 now missing); original ff. 160-169 also have modern foliation, 156-165
Census Catalogue of Music Description
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1 Te Deum (incomplete), 9 motets = 10
Braetel-2, (Brumel)-1, Gombert-1, Gombert/(Mouton/Verdelot)-1, Jaquet of Mantua [Iachet]/(Ruffo)-1, Hellinck [Lupo]/ (Senfl/Verdelot)-1, (Josquin/Lebrun/Richafort)-1, (Senfl)-1, anon-1
165 paper folios, 430 x 300. Original ink foliation, 1-169 (ff. 156-159 now missing); original ff. 160-169 also have modern foliation, 156-165. Original covers of tooled leather over pasteboard. No index. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. No initials or decoration.
Ca. 1545 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
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‡ denotes primary source study
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 216, 349-50, 385, 809. Notes: contents list (partial); concordances (partial).
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 146, 208-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 21: 233-7. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 164. Notes: contents list (partial); incipits (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 62-3. Notes: physical description; contents list; concordances (partial).
Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 68,71-2. Notes: contents list (partial); mention of MS; discussion.
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 30, passim. Notes: physical description (partial); mention of MS; discussion.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV,xiv,143,153. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 26. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description