D-Sl Cod. mus. I 2° 34

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: c. 1545

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 34
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Numbering System Foliation
Measurements 430 x 300 mm
Other Identifiers
  • CCM: StuttL 34
  • olim (Former shelfmark): MS Musica folio I 34
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 10 pieces from 13 composers
General Description

Copied by Nikolaus Peuschel in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation, 1-169 (ff. 156-159 now missing); original ff. 160-169 also have modern foliation, 156-165

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum (incomplete), 9 motets = 10

Braetel-2, (Brumel)-1, Gombert-1, Gombert/(Mouton/Verdelot)-1, Jaquet of Mantua [Iachet]/(Ruffo)-1, Hellinck [Lupo]/ (Senfl/Verdelot)-1, (Josquin/Lebrun/Richafort)-1, (Senfl)-1, anon-1

165 paper folios, 430 x 300. Original ink foliation, 1-169 (ff. 156-159 now missing); original ff. 160-169 also have modern foliation, 156-165. Original covers of tooled leather over pasteboard. No index. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. No initials or decoration.

Ca. 1545 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–13 Miserere mei Deus miserere mei quoniam (2p. Clamabo ad Deum altissimum Deum) Hulderichus Bratellius [= Braetel]
Bratel, Ulrich

Miserere mei Deus miserere mei quoniam (2p. Clamabo ad Deum altissimum Deum)

Bratel, Ulrich
Appears on: 1v–13
Genres: Miserere mei Deus, Motet
Source Attribution: Hulderichus Bratellius [= Braetel]
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus miserere mei quoniam II: Clamabo ad deum altissimum deum
13v–21 Convertimini ad me omnes in toto corde Iachet [of Mantua]/[Ruffo]
Mantua, Jacquet de (1483–1559)

Convertimini ad me omnes in toto corde

Mantua, Jacquet de (1483–1559)
Appears on: 13v–21
Genres: Motet
Source Attribution: Iachet [of Mantua]/[Ruffo]
Voice: [no designation]
Languages: Latin
Voice Text: Convertimini ad me omnes in toto corde
21v–41 Inclina Domine aurem tuam et exaudi me (2p. Exaudi me Domine quoniam ad te) N: Gomberti
Gombert, Nicolas (ca. 1495–ca. 1560)

Inclina Domine aurem tuam et exaudi me (2p. Exaudi me Domine quoniam ad te)

Gombert, Nicolas (ca. 1495–ca. 1560)
Appears on: 21v–41
Genres: Motet
Source Attribution: N: Gomberti
Voice: [no designation]
Languages: Latin
Voice Text: Inclina domine aurem tuam et exaudi me II: Exaudi me domine quoniam ad te
41v–60 In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) Lupo [= Hellinck]/[Senfl/Verdelot]
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Hellinck, Lupus (ca. 1494–1541)

In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium)

Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Hellinck, Lupus (ca. 1494–1541)
Appears on: 41v–60
Genres: Motet
Source Attribution: Lupo [= Hellinck]/[Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
General Note

Psalm 31
60v–75 Felices quicunque deo confidere possunt (=Tandernaken) [Senfl]
Senfl, Ludwig (ca. 1486–ca. 1543)

Felices quicunque deo confidere possunt (=Tandernaken)

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 60v–75
Genres: Contrafactum, Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Foelices quicunque deo confidere possunt
79v–93 In manibus tuis sortes mea Domine Deus (2p. Esto Domine propitius sorti meae) H. Brattellius
Bratel, Ulrich

In manibus tuis sortes mea Domine Deus (2p. Esto Domine propitius sorti meae)

Bratel, Ulrich
Appears on: 79v–93
Genres: Motet
Source Attribution: H. Brattellius
Voice: [no designation]
Languages: Latin
Voice Text: In manibus tuis sortes mea domine deus II: Esto domine propitius sorti meae
93v–104 Surge Petre et indue te vestimentis tuis (2p. Angelus Domini astitit et lumen) [partes occasionally reversed] Gombert/[Mouton/Verdelot]
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Gombert, Nicolas (ca. 1495–ca. 1560)
Mouton, Jean (ca. 1459–1522) (?)

Surge Petre et indue te vestimentis tuis (2p. Angelus Domini astitit et lumen) [partes occasionally reversed]

Moulu, Pierre (ca. 1484–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Gombert, Nicolas (ca. 1495–ca. 1560)
Mouton, Jean (ca. 1459–1522) (?)
Appears on: 93v–104
Genres: Motet
Source Attribution: Gombert/[Mouton/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini astitit et lumen refulsit II: Surge Petre et indue te vestimentis
104v–130 Laudate Dominum in sanctis eius (2p. Laudate Dominum in sanctis eius) [Brumel]
Brumel, Antoine (ca. 1460–ca. 1513)

Laudate Dominum in sanctis eius (2p. Laudate Dominum in sanctis eius)

Brumel, Antoine (ca. 1460–ca. 1513)
Appears on: 104v–130
Genres: Motet
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum de coelis laudate eum II: Laudate dominum in sanctis eius
General Note

Psalm CXLVII
130v–142 Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi) [Josquin/Lebrun/Richafort]
Despres, Josquin (ca. 1450–1521) (?)
Richafort, Jean (ca. 1480–ca. 1550) (?)
le Brun, Jean (fl. early 16th century) (?)

Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi)

Despres, Josquin (ca. 1450–1521) (?)
Richafort, Jean (ca. 1480–ca. 1550) (?)
le Brun, Jean (fl. early 16th century) (?)
Appears on: 130v–142
Genres: Motet
Source Attribution: [Josquin/Lebrun/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes qui diligitis 26.3 II: Tulerunt dominum meum et nescio ubi
143v–169 Te Deum laudamus [K.534] Anon. Anonymous

Te Deum laudamus [K.534]

Anonymous
Appears on: 143v–169
Genres: Liturgical work, Te Deum
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Te deum laudamus] [T]e aeternum patrem
Composer Compositions
Anonymous
Bratel, Ulrich
Brumel, Antoine (ca. 1460–ca. 1513)
Despres, Josquin (ca. 1450–1521)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Mantua, Jacquet de (1483–1559)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Verdelot, Philippe (ca. 1480–ca. 1532)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi)
Despres, Josquin (ca. 1450–1521) (?)
Richafort, Jean (ca. 1480–ca. 1550) (?)
le Brun, Jean (fl. early 16th century) (?)
130v–142
Convertimini ad me omnes in toto corde
Mantua, Jacquet de (1483–1559)
13v–21
Felices quicunque deo confidere possunt (=Tandernaken)
Senfl, Ludwig (ca. 1486–ca. 1543)
60v–75
In manibus tuis sortes mea Domine Deus (2p. Esto Domine propitius sorti meae)
Bratel, Ulrich
79v–93
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Hellinck, Lupus (ca. 1494–1541)
41v–60
Inclina Domine aurem tuam et exaudi me (2p. Exaudi me Domine quoniam ad te)
Gombert, Nicolas (ca. 1495–ca. 1560)
21v–41
Laudate Dominum in sanctis eius (2p. Laudate Dominum in sanctis eius)
Brumel, Antoine (ca. 1460–ca. 1513)
104v–130
Miserere mei Deus miserere mei quoniam (2p. Clamabo ad Deum altissimum Deum)
Bratel, Ulrich
1v–13
Surge Petre et indue te vestimentis tuis (2p. Angelus Domini astitit et lumen) [partes occasionally reversed]
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Gombert, Nicolas (ca. 1495–ca. 1560)
Mouton, Jean (ca. 1459–1522) (?)
93v–104
Te Deum laudamus [K.534] Anonymous 143v–169

‡ denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 216, 349-50, 385, 809. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 146, 208-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 164. Notes: contents list (partial); incipits (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 62-3. Notes: physical description; contents list; concordances (partial).

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 68,71-2. Notes: contents list (partial); mention of MS; discussion.

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 30, passim. Notes: physical description (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV,xiv,143,153. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 26. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description