D-Sl Cod. mus. I 2° 33

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: After 1544

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 33
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 435 x 305 mm
Other Identifiers
  • CCM: StuttL 33
  • olim (Former shelfmark): MS Musica folio I 33
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 28 pieces from 5 composers
General Description

Copied by Nikolaus Peuschel (GottH). Texts are responsories for temporal cycle Easter through Corpus Christi, and for two items from sanctoral cycle; see also StuttL 31. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

After 1544 (GottH).

DIAMM, 2017
Foliation

Original ink foliation, 1-223 (f. 223 glued to inside back cover)

DIAMM, 2017
Decoration

A few inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

28 motets

Braetel-1, (Isaac)-1, Resinarius-17, Walter-2, anon-7

i + 223 paper folios, 435 x 305. Original ink foliation, 1-223 (f. 223 glued to inside back cover). Original covers of tooled leather over pasteboard. No index. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. A few inked calligraphic initials. Texts are responsories for temporal cycle Easter through Corpus Christi, and for two items from sanctoral cycle; see also StuttL 31.

After 1544 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–8 [Dum transisset sabbatum] Ut venientes - Anonymous
Appears on: 1v–8
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Ut venientes (Dum transisset sabbaum)
General Note

Responsorium in festo pasche

8v–14 [Dum transisset sabbatum] Ut venientes -
Appears on: 8v–14
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Ut venientes (Dum transisset sabbatum)
General Note

Aliud in festo pasche

14v–20 [Surrexit Christus] Quem redemit -
Appears on: 14v–20
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Quem redemit (Surrexit Christus)
General Note

Responsorium in Octava pasche

20v–25 [Ite in orbem universum] Qui crediderit - Anonymous
Appears on: 20v–25
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Qui crediderit (Ite in orbem universum)
General Note

Responsorium de Ascensione domini

25v–31 [Ite in orbem universum] Qui crediderit -
Appears on: 25v–31
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Qui crediderit (Ite in orbem universum)
General Note

Aliud de Ascensione

31v–39 [Ite in orbem universum] Qui crediderit -
Appears on: 31v–39
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Qui crediderit (Ite in orbem universum)
General Note

Aliud de Ascensione

39v–48 [Apparuerunt apostolis] Seditque supra singulos -
Appears on: 39v–48
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Seditque supra (Apparuerunt apostolis)
General Note

Responsorium in die penthecostes

48v–56 Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum -
Appears on: 48v–56
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Seditque supra (Apparuerunt apostolis)
General Note

Responsorium pentecostes

56v–63 Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam) -
Appears on: 56v–63
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Qui totum subdit (Summe trinitati)
General Note

Responsorium de Trinitate

63v–75 [Summae trinitati] Qui totum subdit - Anonymous
Appears on: 63v–75
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Qui totum subdit (Summe trinitati)
General Note

Aliud de Trinitate

75v–82 [Benedicamus patrem] In saecula -
Appears on: 75v–82
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: In secula (Benedicamus patrem)
General Note

Aliud de Trinitate

82v–88 [Homo quidam fecit] Quia parata sunt -
Appears on: 82v–88
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Quia parata sunt (Homo quidam fecit)
General Note

In die Corporis Cristi

88v–94 [Homo quidam fecit] Quia parata sunt - Anonymous
Appears on: 88v–94
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Quia parata sunt (Homo quidam fecit)
General Note

Aliud de Corpore Christi

94v–101 [Discubuit Jesus] Et accepto pane - Anonymous
Appears on: 94v–101
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Et accepto pane (Discubuit Jesus)
General Note

de coena domini

101v–109 [Discubuit Jesus] Et accepto pane -
Appears on: 101v–109
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Et accepto pane (Discubuit Jesus)
General Note

Aliud de coena domini

109v–118 [Comedetis carnes] Iste est panis -
Appears on: 109v–118
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Iste est panis (Comedetis carnes)
General Note

Aliud do Corore Christi

118v–123 [Audi Domine hymnum] Super domum -
Appears on: 118v–123
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Super domum (Audi domine hymnum)
General Note

Dominica post Corporis Christi

123v–130 [Super salutem] Venerunt mihi -
Appears on: 123v–130
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Venerunt mihi (Super salutem)
130v–135 [Super salutem] Venerunt mihi - Anonymous
Appears on: 130v–135
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Venerunt mihi (Super salutem aliud)
135v–142 [Si bona suscepimus] Dominus dedit -
Appears on: 135v–142
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Dominus dedit (Si bona suscepimus)
142v–147 [Omni tempore benedic] Et omni tempore -
Appears on: 142v–147
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Et omni tempore (Omni tempore benedic)
147v–154 [In hymnis et confessionibus] Qui magna fecit -
Appears on: 147v–154
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Qui magna fecit (In hymnis et confessionibus)
154v–160 [Laudabilis populis] Opus manuum -
Appears on: 154v–160
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Opus manuum (Laudabilis populis)
160v–168 [Benedic Domine domum istam] Per infinita saecula -
Appears on: 160v–168
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Per infinita saecula (Benedic domine domum istam)
168v–181 [Factum est dum tolleret] Pater mi - Anonymous
Appears on: 168v–181
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Pater mi (Factum est dum tolleret)
181v–202 Inter natos mulierum -
Appears on: 181v–202
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum
General Note

De S.Joanne baptista

202v–209 Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo) -
Appears on: 202v–209
Genres: Responsory
Voice: [no designation]
Languages: Latin
Voice Text: Qui viam (Inter natos mulierum)
General Note

Aliud de S.Joanne baptista

209v–222 Accessit ad pedes Jesu peccatrix mulier Vs. Et osculata est et lavit lachrimis R. Dimissa sunt ei peccata multa -
Appears on: 209v–222
Genres: Responsory
Voice: [no designation]
Languages: Latin
Voice Text: Accessit ad pedes
General Note

De S.Maria Magdalena

Composer Compositions
Anonymous
Bratel, Ulrich
Isaac, Heinrich (ca. 1450–1517)
Resinarius, Balthasar
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
[Apparuerunt apostolis] Seditque supra singulos 39v–48
[Audi Domine hymnum] Super domum 118v–123
[Benedic Domine domum istam] Per infinita saecula 160v–168
[Benedicamus patrem] In saecula 75v–82
[Comedetis carnes] Iste est panis 109v–118
[Discubuit Jesus] Et accepto pane Anonymous 94v–101
[Discubuit Jesus] Et accepto pane 101v–109
[Dum transisset sabbatum] Ut venientes Anonymous 1v–8
[Dum transisset sabbatum] Ut venientes 8v–14
[Factum est dum tolleret] Pater mi Anonymous 168v–181
[Homo quidam fecit] Quia parata sunt 82v–88
[Homo quidam fecit] Quia parata sunt Anonymous 88v–94
[In hymnis et confessionibus] Qui magna fecit 147v–154
[Ite in orbem universum] Qui crediderit Anonymous 20v–25
[Ite in orbem universum] Qui crediderit 25v–31
[Ite in orbem universum] Qui crediderit 31v–39
[Laudabilis populis] Opus manuum 154v–160
[Omni tempore benedic] Et omni tempore 142v–147
[Si bona suscepimus] Dominus dedit 135v–142
[Summae trinitati] Qui totum subdit Anonymous 63v–75
[Super salutem] Venerunt mihi 123v–130
[Super salutem] Venerunt mihi Anonymous 130v–135
[Surrexit Christus] Quem redemit 14v–20
Accessit ad pedes Jesu peccatrix mulier Vs. Et osculata est et lavit lachrimis R. Dimissa sunt ei peccata multa 209v–222
Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum 48v–56
Inter natos mulierum 181v–202
Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo) 202v–209
Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam) 56v–63

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 651-2, 698. Notes: contents list (partial); concordances (partial); incipits (partial).

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 158, 182ff, 305. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 99-100, 104. Notes: physical description; mention of MS; discussion.

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Notes: contents list (partial); concordances (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXV, 299. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 58-62. Notes: physical description; contents list; concordances (partial).

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 68. Notes: contents list (partial).

Schröder, Inge-Maria. 1954. Die Responsorien-vertonungen des Balthasar Resinarius.  Kassel. Pages: 42, 49, 82. Notes: mention of MS; contents list (partial); concordances (partial).

Schröder, Otto (editor). 1953-70. Johann Walter: Sämtliche Werke.  Kassel and Basel. Pages: III, 84. Notes: physical description.

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 30, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 25-6. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description