D-Sl Cod. mus. I 2° 32

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1543

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 32
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 430 x 300 mm
Other Identifiers
  • CCM: StuttL 32
  • olim (Former shelfmark): MS Musica folio I 32
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 19 pieces from 2 composers
General Description

Copied by Nikolaus Peuschel (inscription on f. 161) in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550). Originally 167 folios or more.

DIAMM, 2017
Physical Description

Some folios damaged by ink corrosion, but music still legible

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation, 7-161 (ff. 1-6, 162-167 now missing; f. 32 erroneously numbered as '22,' but correctly counted in enumeration).

DIAMM, 2017
Index

No index remains

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

19 Mass Proper sections (1 incomplete)

Isaac-4, anon-15

155 paper folios of an original 167, 430 x 300. Some folios damaged by ink corrosion, but music still legible. Original ink foliation, 7-161 (ff. 1-6, 162-167 now missing; f. 32 erroneously numbered as "22," but correctly counted in enumeration). Original covers of tooled leather over pasteboard. No index remains. Copied by Nikolaus Peuschel (inscription on f. 161); see general index for other manuscripts copied by the same scribe. No initials or decoration.

1543 (date on f. 161). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
7–8 [Resurrexi] Tu cognovisti - Anonymous

[Resurrexi] Tu cognovisti

Anonymous
Appears on: 7–8
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Tu cognovisti (Resurrexi)
8v–18 Resurrexi et adhuc tecum sum (2p. Domine probasti me) - Anonymous

Resurrexi et adhuc tecum sum (2p. Domine probasti me)

Anonymous
Appears on: 8v–18
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi
General Note

II. Domine probasti me
18v–27 Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] -
Isaac, Heinrich (ca. 1450–1517)

Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]

Isaac, Heinrich (ca. 1450–1517)
Appears on: 18v–27
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi
General Note

II. Domine probasti me
27v–34 Resurrexi et adhuc tecum sum (2p. Domine probasti me) - Anonymous

Resurrexi et adhuc tecum sum (2p. Domine probasti me)

Anonymous
Appears on: 27v–34
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi
General Note

II. Domine probasti me
34v–38 Haec dies - Anonymous

Haec dies

Anonymous
Appears on: 34v–38
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Haec dies
38v–46 Alleluia. Pascha nostrum immolatus est (2p. Epulemur in azymis) - Anonymous

Alleluia. Pascha nostrum immolatus est (2p. Epulemur in azymis)

Anonymous
Appears on: 38v–46
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluja. Pascha nostrum
General Note

II. Epulemur in azymis
46v–53 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens - Anonymous

Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens

Anonymous
Appears on: 46v–53
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Victimae paschali laudes
53v–61 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] -
Isaac, Heinrich (ca. 1450–1517)

Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]

Isaac, Heinrich (ca. 1450–1517)
Appears on: 53v–61
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Viri galilei
General Note

II. Omnes gentes plaudite
61v–68 Viri Galilei (2p. Omnes gentes plaudite) - Anonymous

Viri Galilei (2p. Omnes gentes plaudite)

Anonymous
Appears on: 61v–68
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Viri Glailei
General Note

II. Omnes gentes plaudite
68v–75 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous

Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto

Anonymous
Appears on: 68v–75
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
General Note

II. Confirma hoc
75v–84 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous

Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto

Anonymous
Appears on: 75v–84
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
General Note

II. Versus Confirma hoc
84v–89 Alleluia. Veni sancte spiritus - Anonymous

Alleluia. Veni sancte spiritus

Anonymous
Appears on: 84v–89
Genres: Alleluia, Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Alleluja. Veni sancte spiritus
89v–103 Sancte spiritus adsit - Anonymous

Sancte spiritus adsit

Anonymous
Appears on: 89v–103
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Sancte spiritus adsit
103v–114 Benedicta sit sancta trinitas (2p. Benedicamus patrem) - Anonymous

Benedicta sit sancta trinitas (2p. Benedicamus patrem)

Anonymous
Appears on: 103v–114
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
General Note

II. Benedicamus patrem (Introitus de Trinitate)
114v–121 Benedicta sit sancta trinitas (2p. Benedicamus patrem) - Anonymous

Benedicta sit sancta trinitas (2p. Benedicamus patrem)

Anonymous
Appears on: 114v–121
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
General Note

II. Benedicamus patrem
121v–127 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] -
Isaac, Heinrich (ca. 1450–1517)

Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]

Isaac, Heinrich (ca. 1450–1517)
Appears on: 121v–127
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
General Note

II. Benedicamus patrem
127v–132 Benedicta sit sancta trinitas (2p. Benedicamus patrem) - Anonymous

Benedicta sit sancta trinitas (2p. Benedicamus patrem)

Anonymous
Appears on: 127v–132
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
General Note

II. Benedicamus patrem
132v–145 [Benedicta sit semper] Pater, filius, sanctus spiritus - Anonymous

[Benedicta sit semper] Pater, filius, sanctus spiritus

Anonymous
Appears on: 132v–145
Genres: Liturgical work, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pater, filius, sanctus spiritus
General Note

(Benedicta sit semper)
145v–161 [Benedicta sit semper] Pater, filius, sanctus spiritus - Anonymous

[Benedicta sit semper] Pater, filius, sanctus spiritus

Anonymous
Appears on: 145v–161
Genres: Liturgical work, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pater, filius, sanctus spiritus
General Note

(Benedicta sit semper) Sequens de trinitate
Composer Compositions
Anonymous
Isaac, Heinrich (ca. 1450–1517)
Composition Composers (? Uncertain) Folios / Pages
[Benedicta sit semper] Pater, filius, sanctus spiritus Anonymous 132v–145
[Benedicta sit semper] Pater, filius, sanctus spiritus Anonymous 145v–161
[Resurrexi] Tu cognovisti Anonymous 7–8
Alleluia. Pascha nostrum immolatus est (2p. Epulemur in azymis) Anonymous 38v–46
Alleluia. Veni sancte spiritus Anonymous 84v–89
Benedicta sit sancta trinitas (2p. Benedicamus patrem) Anonymous 103v–114
Benedicta sit sancta trinitas (2p. Benedicamus patrem) Anonymous 114v–121
Benedicta sit sancta trinitas (2p. Benedicamus patrem) Anonymous 127v–132
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]
Isaac, Heinrich (ca. 1450–1517)
121v–127
Haec dies Anonymous 34v–38
Resurrexi et adhuc tecum sum (2p. Domine probasti me) Anonymous 8v–18
Resurrexi et adhuc tecum sum (2p. Domine probasti me) Anonymous 27v–34
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]
Isaac, Heinrich (ca. 1450–1517)
18v–27
Sancte spiritus adsit Anonymous 89v–103
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 68v–75
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 75v–84
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 46v–53
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]
Isaac, Heinrich (ca. 1450–1517)
53v–61
Viri Galilei (2p. Omnes gentes plaudite) Anonymous 61v–68

‡ denotes primary source study

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 99-102 [indicated concordance incorrect: Isaac sequence in StuttL 32 not concordant with setting of same text in StuttL 40]. Notes: contents list; concordances (partial); mention of MS; discussion.

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 56-8. Notes: physical description; contents list; concordances (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62, 87 II,10ff, 209. Notes: physical description (partial); contents list (partial); concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 30, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 24-5. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description