D-Sl Cod. mus. I 2° 31

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: c. 1543-4

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 31
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 435 x 305 mm
Other Identifiers
  • CCM: StuttL 31
  • olim (Former shelfmark): MS Musica folio I 31
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 21 pieces from 3 composers
General Description

Composite of two originally separate but related manuscripts (ff. 1-55 and ff. 56-158, respectively) later bound together. Copied by Nikolaus Peuschel (GottH). Texts are responsories for temporal cycle Advent through Lent; see also StuttL 33. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard, repaired in 1939.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1543-4 (GottH).

DIAMM, 2017
Foliation

Original ink foliation, 1-55 (f. 35 erroneously numbered as '45,' but correctly counted in enumeration) + modern foliation, 56-158. New ff. 57-158 also bear original ink foliation, 1-102.

DIAMM, 2017
Decoration

Some titles and text in red ink; no other decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

21 motets (1 incomplete)

Hickas [Jo. Hiccasij qui cl(amatur) Schwatz]-3, (Resinarius)-15, anon-3

i + 158 paper folios, 435 x 305. Composite of two originally separate but related manuscripts (ff. 1-55 and ff. 56-158, respectively) later bound together. Original ink foliation, 1-55 (f. 35 erroneously numbered as "45," but correctly counted in enumeration) + modern foliation, 56-158. New ff. 57-158 also bear original ink foliation, 1-102. Original covers of tooled leather over pasteboard, repaired in 1939. No index. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. Some titles and text in red ink; no other decoration. Texts are responsories for temporal cycle Advent through Lent; see also StuttL 33.

Ca. 1543-4 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–8 Et hoc est nomen -
Appears on: 1v–8
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Et hoc est nomen
8v–15 Quem Johannes praedicabat Rex noster adveniet -
Appears on: 8v–15
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Quem Johannes praedicabat (Rex noster adveniet)
General Note

Responsorium in secunda dominica adventus

15v–22 Quia de Sion exibit Docebit nos Dominus vias suas -
Appears on: 15v–22
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Quia de Syon exibit (Docebit nos dominus vias suas)
General Note

Responsorium tertiae dominicae adventus

23v–34 Docebit nos Dominus vias suas et ambulabimus (2p. Quia de Sion exibit lex et verbum; 3p. Ex Sion species decoris eius) -
Appears on: 23v–34
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Docebit nos dominus vias suas
General Note

Dominica tertia adventus

34v–46 Nascetur nobis parvulus et vocabitur Deus (2p. Et imperabit cuius potestas super; 3p. Ecce advenit dominator Dominus) -
Appears on: 34v–46
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nascetur nobis
General Note

Dominica quarta adventus

46v–55 Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium) -
Appears on: 46v–55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Judea et Jerusalem (Constantes estote)
General Note

In vigilia nativitatis Christi

56v–66 [Constantes estote] Cras egrediemini - Anonymous
Appears on: 56v–66
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Cras egrediemini (Constantes estote)
66v–71 Verbum caro - Anonymous

Verbum caro

Anonymous
Appears on: 66v–71
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Responsorium Verbum caro
71v–86 Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum -
Appears on: 71v–86
Genres: Responsory
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est
86v–93 [Illuminare Jerusalem] Et gloria Domini super te - Anonymous
Appears on: 86v–93
Genres: Motet, Respond
Voice: [no designation]
Languages: Latin
Voice Text: Et gloria domini super te (Illuminare Jerusalem)
93v–98 [Diligam te Domine] Dominus firmamentum -
Appears on: 93v–98
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Dominus firmamentum (Diligam te domine)
General Note

Dominica post Octavas Epiphaniae

98v–107 Gaude Maria virgo Dum virgo Deum -
Appears on: 98v–107
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dum virgo deum (Gaude Maria virgo
General Note

I die purificationis

107v–112 [In toto corde meo] Ne me repellas -
Appears on: 107v–112
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Ne me repellas (In toto corde meo)
General Note

In Septuagesima

112v–119 [Ubi est Abel] Ecce vox sanguinis -
Appears on: 112v–119
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Ecce vox sanguinis (Ubi est Abel)
General Note

In Sexagesima

119v–124 [Benedicens ergo Deus] Propter hominem -
Appears on: 119v–124
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Propter hominem (Benedicens ergo deus)
General Note

Dominica in Quinquogesima

124v–131 [Ductus est Jesus] Et accedens tentator -
Appears on: 124v–131
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Et accedens tentator (Ductus est Jesus)
General Note

Dominica Invocait

131v–137 Et scindite corda -
Appears on: 131v–137
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Et scindite corda
137v–142 [Vidi Dominum] Et salve facta -
Appears on: 137v–142
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Et salve facta (Vidi dominum)
General Note

Dominica Reminiscere

142v–147 [Videns Jacob vestimenta Joseph] Fera pessima -
Appears on: 142v–147
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Fera pessima (Videns Jacob vestimenta Joseph)
General Note

Dominica Oculi

147v–153 [Audi Israel] Et dabo tibi -
Appears on: 147v–153
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Et dabo tibi (audi Israel)
General Note

Dominica Laetare

153v–158v [Circumdederunt me] Sed tu Domine -
Appears on: 153v–158v
Genres: Respond
Voice: [no designation]
Languages: Latin
Voice Text: Sed tu domine (Circumdederunt me)
General Note

Dominica Judia

Composition Composers (? Uncertain) Folios / Pages
[Audi Israel] Et dabo tibi 147v–153
[Benedicens ergo Deus] Propter hominem 119v–124
[Circumdederunt me] Sed tu Domine 153v–158v
[Constantes estote] Cras egrediemini Anonymous 56v–66
[Diligam te Domine] Dominus firmamentum 93v–98
[Ductus est Jesus] Et accedens tentator 124v–131
[Illuminare Jerusalem] Et gloria Domini super te Anonymous 86v–93
[In toto corde meo] Ne me repellas 107v–112
[Ubi est Abel] Ecce vox sanguinis 112v–119
[Videns Jacob vestimenta Joseph] Fera pessima 142v–147
[Vidi Dominum] Et salve facta 137v–142
Docebit nos Dominus vias suas et ambulabimus (2p. Quia de Sion exibit lex et verbum; 3p. Ex Sion species decoris eius) 23v–34
Et hoc est nomen 1v–8
Et scindite corda 131v–137
Gaude Maria virgo Dum virgo Deum 98v–107
Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium) 46v–55
Nascetur nobis parvulus et vocabitur Deus (2p. Et imperabit cuius potestas super; 3p. Ecce advenit dominator Dominus) 34v–46
Quem Johannes praedicabat Rex noster adveniet 8v–15
Quia de Sion exibit Docebit nos Dominus vias suas 15v–22
Verbum caro Anonymous 66v–71
Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum 71v–86

denotes primary source study

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 99ff. Notes: physical description; mention of MS; discussion.

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXV, 297-8. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 53-6. Notes: physical description; contents list; concordances.

Schröder, Inge-Maria. 1954. Die Responsorien-vertonungen des Balthasar Resinarius.  Kassel. Pages: 42, 49, 82. Notes: mention of MS; contents list (partial); concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 30, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 23-4. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description