Copied by Johann Chamerhueber (GottH). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).
D-Sl Cod. mus. I 2° 29
Württembergische Landesbibliothek, Stuttgart, Germany
manuscript of polyphony: 1563-4
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
|---|---|
| Shelfmark | Cod. mus. I 2° 29 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 410 x 295 mm |
| Other Identifiers |
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| Contents | Contains 14 compositions, 13 from 3 composers, 1 is anonymous. |
General Description
Physical Description
Most of f. 74 torn out
Binding
Original covers of tooled leather over pasteboard.
Notation
black void mensural
Date
1563-4 (dates in manuscript).
Foliation
Original ink foliation, 1-195 (ff. 59, 66, 103-104, 137 now missing; f. 158 erroneously numbered as 178, but correctly counted in enumeration; number '195' added by modern hand).
Decoration
Some small inked calligraphic initials.
Index
Original index of first seven pieces on f. [i].
Surface
paper
Census Catalogue of Music Description
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3 Magnificats, 11 psalms = 14
Jaquet of Mantua [Jachet]-6, Rore-6, Senfl-1, anon-1
ii + 190 paper folios, 410 x 295. Most of f. 74 torn out. Original ink foliation, 1-195 (ff. 59, 66, 103-104, 137 now missing; f. 158 erroneously numbered as 178, but correctly counted in enumeration; number "195" added by modern hand). Original covers of tooled leather over pasteboard. Original index of first seven pieces on f. [i]. Copied by Johann Chamerhueber (GottH); see general index for other manuscripts copied by the same scribe. Some small inked calligraphic initials.
1563-4 (dates in manuscript). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).
The inventory could not be loaded.
‡ denotes primary source study
Crawford, David Eugene. 1967. Vespers Polyphony at Modem's Cathedral in the First Half of the Sixteenth Century. University of Illinois, Unpublished Ph.D. dissertation. Pages: 133-4. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 164. Notes: contents list (partial); concordances (partial); incipits (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 50-l. Notes: physical description; contents list; concordances (partial).
Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae, vol. 14. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VIII, ix-x, xiv, 1-21, 26-33. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 29, passim. Notes: physical description (partial); mention of MS; discussion.
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 22. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description