D-Sl Cod. mus. I 2° 29

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1563-4

Archive	Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark	Cod. mus. I 2° 29
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	410 x 295 mm
Other Identifiers	CCM: StuttL 29 olim (Former shelfmark): MS Musica folio I 29
Notations	black void mensural
Copyists	Chamerhueber, Johann Music
Relationships	Christoph (1515–1568) (patron)
External Links	catalogue images images
Provenance	court chapel of Christoph, Duke of Württemberg (1515-68) , Stuttgart, Bavaria, Germany
Contents	14 pieces from 4 composers

General Description

Copied by Johann Chamerhueber (GottH). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).

DIAMM, 2017

Physical Description

Most of f. 74 torn out

DIAMM, 2017

Binding

Original covers of tooled leather over pasteboard.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1563-4 (dates in manuscript).

DIAMM, 2017

Foliation

Original ink foliation, 1-195 (ff. 59, 66, 103-104, 137 now missing; f. 158 erroneously numbered as 178, but correctly counted in enumeration; number '195' added by modern hand).

DIAMM, 2017

Decoration

Some small inked calligraphic initials.

DIAMM, 2017

Index

Original index of first seven pieces on f. [i].

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Magnificats, 11 psalms = 14

Jaquet of Mantua [Jachet]-6, Rore-6, Senfl-1, anon-1

ii + 190 paper folios, 410 x 295. Most of f. 74 torn out. Original ink foliation, 1-195 (ff. 59, 66, 103-104, 137 now missing; f. 158 erroneously numbered as 178, but correctly counted in enumeration; number "195" added by modern hand). Original covers of tooled leather over pasteboard. Original index of first seven pieces on f. [i]. Copied by Johann Chamerhueber (GottH); see general index for other manuscripts copied by the same scribe. Some small inked calligraphic initials.

1563-4 (dates in manuscript). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1av–9	Dixit Dominus Domino meo	-	Rore, Cipriano de (ca. 1515–1565)
Dixit Dominus Domino meo Rore, Cipriano de (ca. 1515–1565) Appears on: 1av–9 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Dixit dominus
9v–19	Confitebor tibi Domine quoniam iratus es	-	Rore, Cipriano de (ca. 1515–1565)
Confitebor tibi Domine quoniam iratus es Rore, Cipriano de (ca. 1515–1565) Appears on: 9v–19 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Confitebor tibi 7.Toni
19v–30	Beatus vir 7.Toni	-	Rore, Cipriano de (ca. 1515–1565)
Beatus vir 7.Toni Rore, Cipriano de (ca. 1515–1565) Appears on: 19v–30 Genres: Magnificat Voice: [no designation] Languages: Latin Voice Text: Beatus vir 7.Toni
30v–38	De profundis clamavi ad te Domine 4.Toni	-	Rore, Cipriano de (ca. 1515–1565)
De profundis clamavi ad te Domine 4.Toni Rore, Cipriano de (ca. 1515–1565) Appears on: 30v–38 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: De profundis 4.Toni
38v–60	Memento Domine 8.Toni	-	Rore, Cipriano de (ca. 1515–1565)
Memento Domine 8.Toni Rore, Cipriano de (ca. 1515–1565) Appears on: 38v–60 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Memento domine 8.Toni
60v–68v	Dixit Dominus Septimi Toni	-	Mantua, Jacquet de (1483–1559)
Dixit Dominus Septimi Toni Mantua, Jacquet de (1483–1559) Appears on: 60v–68v Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Dixit dominus 7.Toni
68v–78	Confitebor tibi 8.Toni	-	Mantua, Jacquet de (1483–1559)
Confitebor tibi 8.Toni Mantua, Jacquet de (1483–1559) Appears on: 68v–78 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Confitebor tibi 8.Toni
78v–88	Beatus vir 5.Toni	-	Mantua, Jacquet de (1483–1559)
Beatus vir 5.Toni Mantua, Jacquet de (1483–1559) Appears on: 78v–88 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Beatus vir 5.Toni
88v–96	Laudate pueri 4.Toni	-	Mantua, Jacquet de (1483–1559)
Laudate pueri 4.Toni Mantua, Jacquet de (1483–1559) Appears on: 88v–96 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Laudate pueri 4.Toni
96v–142	In exitu Israel de Egypto Domus Jacob de populo barbaro	-	Mantua, Jacquet de (1483–1559)
In exitu Israel de Egypto Domus Jacob de populo barbaro Mantua, Jacquet de (1483–1559) Appears on: 96v–142 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: In exitu israel Misti toni
142v–144	Laudate Dominum Sexti Toni	-	Mantua, Jacquet de (1483–1559)
Laudate Dominum Sexti Toni Mantua, Jacquet de (1483–1559) Appears on: 142v–144 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Laudate dominum Sexti Toni
144v–163	Magnificat Sexti Toni	-	Rore, Cipriano de (ca. 1515–1565)
Magnificat Sexti Toni Rore, Cipriano de (ca. 1515–1565) Appears on: 144v–163 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Magnificat Sexti toni
163v–177	Magnificat Quarti Toni [K.254]	-	Anonymous
Magnificat Quarti Toni [K.254] Anonymous Appears on: 163v–177 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Magnificat Quarti toni
177v–194	Magnificat octavi toni: Et exultavit	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat octavi toni: Et exultavit Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 177v–194 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Magnificat 8.Toni

Composer	Compositions
Anonymous	Magnificat Quarti Toni [K.254] – 163v–177
Mantua, Jacquet de (1483–1559)	Beatus vir 5.Toni – 78v–88 Confitebor tibi 8.Toni – 68v–78 Dixit Dominus Septimi Toni – 60v–68v In exitu Israel de Egypto Domus Jacob de populo barbaro – 96v–142 Laudate Dominum Sexti Toni – 142v–144 Laudate pueri 4.Toni – 88v–96
Rore, Cipriano de (ca. 1515–1565)	Beatus vir 7.Toni – 19v–30 Confitebor tibi Domine quoniam iratus es – 9v–19 De profundis clamavi ad te Domine 4.Toni – 30v–38 Dixit Dominus Domino meo – 1av–9 Magnificat Sexti Toni – 144v–163 Memento Domine 8.Toni – 38v–60
Senfl, Ludwig (ca. 1486–ca. 1543)	Magnificat octavi toni: Et exultavit – 177v–194

Composition	Composers (? Uncertain)	Folios / Pages
Beatus vir 5.Toni	Mantua, Jacquet de (1483–1559)	78v–88
Beatus vir 7.Toni	Rore, Cipriano de (ca. 1515–1565)	19v–30
Confitebor tibi 8.Toni	Mantua, Jacquet de (1483–1559)	68v–78
Confitebor tibi Domine quoniam iratus es	Rore, Cipriano de (ca. 1515–1565)	9v–19
De profundis clamavi ad te Domine 4.Toni	Rore, Cipriano de (ca. 1515–1565)	30v–38
Dixit Dominus Domino meo	Rore, Cipriano de (ca. 1515–1565)	1av–9
Dixit Dominus Septimi Toni	Mantua, Jacquet de (1483–1559)	60v–68v
In exitu Israel de Egypto Domus Jacob de populo barbaro	Mantua, Jacquet de (1483–1559)	96v–142
Laudate Dominum Sexti Toni	Mantua, Jacquet de (1483–1559)	142v–144
Laudate pueri 4.Toni	Mantua, Jacquet de (1483–1559)	88v–96
Magnificat octavi toni: Et exultavit	Senfl, Ludwig (ca. 1486–ca. 1543)	177v–194
Magnificat Quarti Toni [K.254]	Anonymous	163v–177
Magnificat Sexti Toni	Rore, Cipriano de (ca. 1515–1565)	144v–163
Memento Domine 8.Toni	Rore, Cipriano de (ca. 1515–1565)	38v–60

‡ denotes primary source study

Crawford, David Eugene. 1967. Vespers Polyphony at Modem's Cathedral in the First Half of the Sixteenth Century. University of Illinois, Unpublished Ph.D. dissertation. Pages: 133-4. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 164. Notes: contents list (partial); concordances (partial); incipits (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart. Wiesbaden. Pages: 50-l. Notes: physical description; contents list; concordances (partial).

Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VIII, ix-x, xiv, 1-21, 26-33. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 29, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 22. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description