Copied by Nikolaus Peuschel (GottH). Finck Mass (ff. 139'-219') originally an independent fascicle; later bound together with Morales Masses. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550). Originally 220 folios or more.
D-Sl Cod. mus. I 2° 28
Württembergische Landesbibliothek, Stuttgart, Germany
manuscript of polyphony: c. 1540-5
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
|---|---|
| Shelfmark | Cod. mus. I 2° 28 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 530 x 395 mm |
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| Contents | Contains 3 compositions from 2 composers. |
General Description
Binding
Original covers of tooled leather over pasteboard, repaired in 1938
Notation
black void mensural
Foliation
Modern foliation, 1-219 (ff. 2-7, 176, 179, 220 now missing).
Decoration
No initials or decoration.
Index
Original index on f. 1 lists Masses in order of appearance.
Surface
paper
Census Catalogue of Music Description
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3 Masses (2 incomplete)
Finck-1, Morales-2
211 paper folios of an original 220 or more, 530 x 395. Finck Mass (ff. 139'-219') originally an independent fascicle; later bound together with Morales Masses. Modern foliation, 1-219 (ff. 2-7, 176, 179, 220 now missing). Original covers of tooled leather over pasteboard, repaired in 1938. Original index on f. 1 lists Masses in order of appearance. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. No initials or decoration.
Ca. 1540-5. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
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‡ denotes primary source study
Fiedler, Eric F. 1979. Heinrich Finck, Gaspar van Weerbeke und die Göttin Venus: Ein Beitrag zur Geschichte der Cantus-firmus-Praxis im frühen 16. Jahrhundert. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft, vol. 11. 29-55. Tutzing. Notes: physical description (partial); contents list; concordances (partial); transcription (partial); mention of MS; discussion.
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 49-50. Notes: physical description; contents list; concordances.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1351-2. Notes: facsimile (partial).
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 29, passim. Notes: physical description (partial); contents list; discussion.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LVII, ix, 17-49, 99-101, LXX,30-64,193,197. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XXI, iii. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 21-2. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description