| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
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| Shelfmark | Cod. mus. I 2° 27 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Numbering System | Foliation |
| Measurements | 520 x 400 mm |
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| Provenance |
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| Contents | 3 pieces from 2 composers |
Nikolaus Peuschel (GottH). No initials or decoration. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
Original covers of tooled leather over pasteboard.
black void mensural
(date on f. 115).
Original ink foliation, 1-175 ('32' and '62' applied to two consecutive folios, respectively; '101' and '171' omitted; last nine folios not numbered); original ff. 172-175 renumbered as 171-174 by modern hand, which then numbered last nine folios as 175-183
Original index on f. 1 lists Masses in order of appearance.
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3 Masses (1 incomplete at end)
Bauldeweyn [Noel Balbun]-2, Galepinus-l
184 paper folios, 520 x 400. At least one original folio now missing at end. Original ink foliation, 1-175 ("32" and "62" applied to two consecutive folios, respectively; "101" and "171" omitted; last nine folios not numbered); original ff. 172-175 renumbered as 171-174 by modern hand, which then numbered last nine folios as 175-183. Original covers of tooled leather over pasteboard.
Original index on f. 1 lists Masses in order of appearance. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. No initials or decoration.
1546 (date on f. 115). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1v–58 | Missa Quam pulchra es | - | |
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Appears on:
1v–58
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa super quam pulchra es
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| 60v–115 | Missa Ach Gott, wem soll ich's klagen | - | |
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Appears on:
60v–115
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
German
Voice Text:
Missa Ach Got Wem sol ichs klagen
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| 116v–183v | Missa Le cour de vous Le coeur de vous | - | |
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Appears on:
116v–183v
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
French
Voice Text:
Missa super Le cour de bous (Le coeur de vous)
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| Composer | Compositions |
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| Bauldeweyn, Noel (ca. 1480–1529) |
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| Galepinus, Joannes |
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| Composition | Composers (? Uncertain) | Folios / Pages |
|---|---|---|
| Missa Ach Gott, wem soll ich's klagen | 60v–115 | |
| Missa Le cour de vous Le coeur de vous | 116v–183v | |
| Missa Quam pulchra es | 1v–58 |
‡ denotes primary source study
Fiedler, Eric F. 1979. Heinrich Finck, Gaspar van Weerbeke und die Göttin Venus: Ein Beitrag zur Geschichte der Cantus-firmus-Praxis im frühen 16. Jahrhundert. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 29-55. Tutzing. Pages: 34. Notes: mention of MS.
Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 123, 131-3. Notes: contents list (partial); concordances (partial); incipits (partial).
Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 97. Notes: contents list.
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart. Wiesbaden. Pages: 49. Notes: physical description; contents list; concordances (partial).
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 29, passim. Notes: contents list (partial); mention of MS; discussion.
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 21. Notes: physical description (partial); contents list.
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The mass by Galepinus contains a number of corrections and amendments; these suggest at least some changes after rehearsal, possibly improvements identified by the composer?? Similar changes are not found in the Bauldeweyn masses (clearly copied from elsewhere). Possibly an indication that Galepinus was a member of the court chapel?
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composition title corrected
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Contents Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description