D-Sl MS Musica folio I 25

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: c. 1542

Archive	Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark	MS Musica folio I 25
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	520 x 385 mm
Other Identifiers	CCM: StuttL 25
Notations	black void mensural
Copyists	Peuschel, Nikolaus Music
External Links	catalogue images
Provenance	court chapel of Ulrich, Duke of Württemberg (1487-1550 , Stuttgart, Bavaria, Germany
Contents	11 pieces from 7 composers

General Description

Copied by Nikolaus Peuschel (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550). Originally 147 folios or more.

DIAMM, 2017

Physical Description

Most of f. 4 torn away, but some music still legible

DIAMM, 2017

Binding

Original covers of tooled leather over pasteboard, repaired in 1938 but still in poor condition

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original ink foliation, [4]-146 (ff. 1-3, 63-64, 97-98, 124, and undetermined number of folios at end now missing)

DIAMM, 2017

Decoration

Large inked initials in plain block style on ff. 99'-100; some titles, voice designations, attributions, etc. in red, green, or blue ink.

DIAMM, 2017

Index

No index remains

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 motets (3 incomplete)

(Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], (Isaac)-1, (Josquin)-1, Senfl-3, Steigleder-1, anon-3

138 paper folios of an original 147 or more, 520 x 385. Most of f. 4 torn away, but some music still legible. Original ink foliation, [4]-146 (ff. 1-3, 63-64, 97-98, 124, and undetermined number of folios at end now missing). Original covers of tooled leather over pasteboard, repaired in 1938 but still in poor condition. No index remains. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. Large inked initials in plain block style on ff. 99'-100; some titles, voice designations, attributions, etc. in red, green, or blue ink.

Ca. 1542 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–29	Christus filius Dei - 1a pars (of 2): Christus filius Dei morte sua nos salvos (= Virgo prudentissima)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Christus filius Dei - 1a pars (of 2): Christus filius Dei morte sua nos salvos (= Virgo prudentissima) Isaac, Heinrich (ca. 1450–1517) Appears on: 1v–29 Genres: Contrafactum, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Christus] filius dei morte sua nos salvos II: Ergo te deum patrem filium et te [= Virgo prudentissima quae pia gaudia] [incomplete]
1v–29	Christus filius Dei - 2a pars (of 2): Ergo te Deum patrem et filium et te (= Vos Michael Gabriel Raphael)	-	Isaac, Heinrich (ca. 1450–1517)
Christus filius Dei - 2a pars (of 2): Ergo te Deum patrem et filium et te (= Vos Michael Gabriel Raphael) Isaac, Heinrich (ca. 1450–1517) Appears on: 1v–29 Genres: Contrafactum, Motet General Note incomplete
29v–42	In illo tempore assumpsit Jesus duodecim 19.5	[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Bruck, Arnold von (ca. 1500–1554) (?)
In illo tempore assumpsit Jesus duodecim 19.5 Despres, Josquin (ca. 1450–1521) (?) Bruck, Arnold von (ca. 1500–1554) (?) Appears on: 29v–42 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: In illo tempore stetit Iesus in medio 19.5
42v–52	Vidi Dominum sedentem super solium	Anon.	Anonymous
Vidi Dominum sedentem super solium Anonymous Appears on: 42v–52 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vidi dominum sedentem super solium
52v–62	Redempta turba laetare alleluia (2p. Resurrexit sicut dixit alleluia)	Anon.	Anonymous
Redempta turba laetare alleluia (2p. Resurrexit sicut dixit alleluia) Anonymous Appears on: 52v–62 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Redempta turba laetare alleluia II: Resurrexit sicut dixit alleluia
65v–72	Sancta Trinitas unus Deus miserere nobis (6vv)	[Craen/C. Festa/A. Févin/Josquin/Morales]-[Bruck]	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)
Sancta Trinitas unus Deus miserere nobis (6vv) Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554) Appears on: 65v–72 Genres: Motet Source Attribution: [Craen/C. Festa/A. Févin/Josquin/Morales]-[Bruck] Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas unus deus miserere nobis 26.12 General Note Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10
73v–96v	Ave salvator ave redemptor nostrae O Jesu (2p. Ave vera humilitas subque latet) (= Ave Maria ... virgo serena, M9)	Ludovicus Senfell	Senfl, Ludwig (ca. 1486–ca. 1543)
Ave salvator ave redemptor nostrae O Jesu (2p. Ave vera humilitas subque latet) (= Ave Maria ... virgo serena, M9) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 73v–96v Genres: Ave Maria, Motet Source Attribution: Ludovicus Senfell Voice: [no designation] Languages: Latin Voice Text: Ave salvator ave redemptor nostrae O Iesu II: Ave vera humilitas subque latet [= Ave Maria gratia plena dominus tecum] [incomplete]
99v–114	Hodie in Iordane baptizato Domino aperti (2p. Descendit spiritus sanctus corporali)	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Hodie in Iordane baptizato Domino aperti (2p. Descendit spiritus sanctus corporali) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 99v–114 Genres: Motet Source Attribution: Ludovicus Senfl Voice: [no designation] Languages: Latin Voice Text: Hodie in Iordane baptizato domino aperti II: Descendit spiritus sanctus corporali
115v–123	Veni sancte spiritus reple tuorum corda	Huldrich Steigleder	Steigleder, Johann Ulrich
Veni sancte spiritus reple tuorum corda Steigleder, Johann Ulrich Appears on: 115v–123 Genres: Motet, Veni sancte spiritus Source Attribution: Huldrich Steigleder Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus reple tuorum corda
125v–141	Da pacem Domine in diebus nostris (2p. Fiat pax in virtute tua et abundantia)	Anon.	Anonymous
Da pacem Domine in diebus nostris (2p. Fiat pax in virtute tua et abundantia) Anonymous Appears on: 125v–141 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [D]a pacem domine in diebus nostris II: [F]iat pax in virtute tua et abundantia
141v–146v	Ave rosa sine spinis - 1a pars (of 2): Ave rosa sine spinis te quam pater	Ludovicus Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Ave rosa sine spinis - 1a pars (of 2): Ave rosa sine spinis te quam pater Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 141v–146v Genres: Motet Source Attribution: Ludovicus Senfel Voice: [no designation] Languages: Latin Voice Text: Ave rosa sine spinis te quam pater [= Pars I only, incomplete]

Composer	Compositions
Anonymous	Da pacem Domine in diebus nostris (2p. Fiat pax in virtute tua et abundantia) – 125v–141 Redempta turba laetare alleluia (2p. Resurrexit sicut dixit alleluia) – 52v–62 Vidi Dominum sedentem super solium – 42v–52
Bruck, Arnold von (ca. 1500–1554)	(?) In illo tempore assumpsit Jesus duodecim 19.5 – 29v–42 Sancta Trinitas unus Deus miserere nobis (6vv) – 65v–72
Despres, Josquin (ca. 1450–1521)	(?) In illo tempore assumpsit Jesus duodecim 19.5 – 29v–42
Fevin, Antoine de (ca. 1470–ca. 1512)	Sancta Trinitas unus Deus miserere nobis (6vv) – 65v–72
Isaac, Heinrich (ca. 1450–1517)	Christus filius Dei - 1a pars (of 2): Christus filius Dei morte sua nos salvos (= Virgo prudentissima) – 1v–29 Christus filius Dei - 2a pars (of 2): Ergo te Deum patrem et filium et te (= Vos Michael Gabriel Raphael) – 1v–29
Senfl, Ludwig (ca. 1486–ca. 1543)	Ave rosa sine spinis - 1a pars (of 2): Ave rosa sine spinis te quam pater – 141v–146v Ave salvator ave redemptor nostrae O Jesu (2p. Ave vera humilitas subque latet) (= Ave Maria ... virgo serena, M9) – 73v–96v (?) Hodie in Iordane baptizato Domino aperti (2p. Descendit spiritus sanctus corporali) – 99v–114
Steigleder, Johann Ulrich	Veni sancte spiritus reple tuorum corda – 115v–123

Composition	Composers (? Uncertain)	Folios / Pages
Ave rosa sine spinis - 1a pars (of 2): Ave rosa sine spinis te quam pater	Senfl, Ludwig (ca. 1486–ca. 1543)	141v–146v
Ave salvator ave redemptor nostrae O Jesu (2p. Ave vera humilitas subque latet) (= Ave Maria ... virgo serena, M9)	Senfl, Ludwig (ca. 1486–ca. 1543)	73v–96v
Christus filius Dei - 1a pars (of 2): Christus filius Dei morte sua nos salvos (= Virgo prudentissima)	Isaac, Heinrich (ca. 1450–1517)	1v–29
Christus filius Dei - 2a pars (of 2): Ergo te Deum patrem et filium et te (= Vos Michael Gabriel Raphael)	Isaac, Heinrich (ca. 1450–1517)	1v–29
Da pacem Domine in diebus nostris (2p. Fiat pax in virtute tua et abundantia)	Anonymous	125v–141
Hodie in Iordane baptizato Domino aperti (2p. Descendit spiritus sanctus corporali)	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	99v–114
In illo tempore assumpsit Jesus duodecim 19.5	Despres, Josquin (ca. 1450–1521) (?) Bruck, Arnold von (ca. 1500–1554) (?)	29v–42
Redempta turba laetare alleluia (2p. Resurrexit sicut dixit alleluia)	Anonymous	52v–62
Sancta Trinitas unus Deus miserere nobis (6vv)	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)	65v–72
Veni sancte spiritus reple tuorum corda	Steigleder, Johann Ulrich	115v–123
Vidi Dominum sedentem super solium	Anonymous	42v–52

‡ denotes primary source study

Dunning, Albert. 1969. Die Staatsmotette 1480-1555. Utrecht. Pages: 340. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart. Wiesbaden. Pages: 46-8. Notes: physical description; contents list; concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: XI, 123-4. Notes: physical description; contents list (partial); concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 29, passim. Notes: physical description (partial); mention of MS; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XIV, xli. Notes: physical description; contents list (partial); concordances (partial).

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 20-l. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description