D-Sl MS Musica folio I 24

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1542-61

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark MS Musica folio I 24
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 520 x 395 mm
Other Identifiers
  • CCM: StuttL 24
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 36 pieces from 12 composers
General Description

Ff. [i']-149 copied by Nikolaus Peuschel; ff. 149'-180 copied by Johann Chamerhueber (GottH).

Copied in Stuttgart, for use by court chapels of Ulrich, Duke of Württemberg (1487-1550), and his successor Christoph (1515-68).

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard, repaired in 1938.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1542-61 (GottH); date 1557 on f. 161'

DIAMM, 2017
Foliation

Original and modern foliation by several hands, 1-180 (omits 55-57, 71-74, 141); some folios bear additional original or modern numbers which conflict with above foliation.

DIAMM, 2017
Decoration

Some text and other indications in red ink; but no other decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

37 hymns

(Breitengraser)-1, (S. Cellarius)-1, (Finck)-1, (Grefinger)-1, (Haugk)-2, (Isaac/Rener)-1, Kerle-2, Senfl-1, (Stoltzer)-3, Walter -2, Walter Jr.-1, anon-21

i + 172 paper folios, 520 x 395. Original and modern foliation by several hands, 1-180 (omits 55-57, 71-74, 141); some folios bear additional original or modern numbers which conflict with above foliation. Original covers of tooled leather over pasteboard, repaired in 1938. No index. Ff. [i']-149 copied by Nikolaus Peuschel; ff. 149'-180 copied by Johann Chamerhueber (GottH); see general index for other manuscripts copied by the same scribes. Some text and other indications in red ink; no other decoration.

1542-61 (GottH); date 1557 on f. 161'. Copied in Stuttgart, for use by court chapels of Ulrich, Duke of Württemberg (1487-1550), and his successor Christoph (1515-68).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–3 Conditor alme siderum - Anonymous
Appears on: 1v–3
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Conditor alme syderum
3v–7 Qui condolens Conditor alme siderum -
Appears on: 3v–7
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Qui condolens (Conditor alme siderum)
7v–11 Veni redemptor dentium - Anonymous
Appears on: 7v–11
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor dentium
11v–13 [Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo - Anonymous
Appears on: 11v–13
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Non ex virili (Veni redemptor genrium)
13v–15 Verbum supernum prodiens (2p. Christe redemptor) - Anonymous
Appears on: 13v–15
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Verbum supernum prodiens
General Note

II. Christe redemptor

15v–19 Conditor alme siderum - Anonymous
Appears on: 15v–19
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Conditor alme syderum
19v–24 [A solis ortus cardine] Beatus auctor saeculi - Anonymous
Appears on: 19v–24
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Beatus auctor seculi (A solis ortus)
24v–27 A solis ortus cardine ad usque terrae - Anonymous
Appears on: 24v–27
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A solis ortus cardine
27v–30 Hostis Herodes impie - Anonymous
Appears on: 27v–30
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Hostis Herodes impie (A solis ortus)
Concordances

text here: Ibant magi quam (Hostis Herodes impie) as also in Munich 3154; in Munich 1/D/506, "Tu gloriose bajule"

30v–34 Hostis Herodes impie Christum venire 2 Ibant magi quam viderunt stellam 4 Lavacra puri gurgitis caelestis 6 Novum genus potentiae aquae rubescunt -
Appears on: 30v–34
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Hostis Herodes impie (A solis ortus)
34v–38 Haec Deum caeli Quod chorus vatum -
Appears on: 34v–38
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Haec deum coeli (Quod chorus vatum)
38v–45 Christe qui lux - Anonymous

Christe qui lux

Anonymous
Appears on: 38v–45
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux
45v–47 Christe qui lux - Anonymous

Christe qui lux

Anonymous
Appears on: 45v–47
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux
47v–51 [Christe qui lux] Precamur sancte Domine - Anonymous
Appears on: 47v–51
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Precamur sancte domine (Christe qui lux)
51v–58 Vexilla regis (2p. Impleta sunt; 3p. Beata cuis brachiis; 4p. O crux ave) -
Appears on: 51v–58
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Vexilla regis
58v–64 Rex Christe factor omnium redemptor - Anonymous
Appears on: 58v–64
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Rex Christe factor omnium
64v–66 Rex Christe factor omnium redemptor 3 Qui es creator syderum tegmen subisti 5 Cruci redemptor figeris terram sed omnem 6 Mox in paternae gloriae victor -
Appears on: 64v–66
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Rex Christe factor omnium redemptor
67v–71 [Vita sanctorum] Tu tuo laetos famulos - Anonymous
Appears on: 67v–71
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Tu tuo letos (Vita sanctorum)
71v–74 [Vita sanctorum] Pascha quo victor - Anonymous
Appears on: 71v–74
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Pascha quo victor (Vita sanctorum)
74v–79 Ad caenam agni providi Cuius corpus sanctissimum - Anonymous
Appears on: 74v–79
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad cenam agni providi
79v–83 Ad caenam agni providi Cuius corpus sanctissimum -
Appears on: 79v–83
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad cenam agni providi
83v–87 Ad caenam agni providi Cuius corpus sanctissimum -
Appears on: 83v–87
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad cenam agni providi
87v–95 [Festum nunc celebre] Conscendit jubilans -
Appears on: 87v–95
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Conscendit iubilans (Festum nunc celebre)
General Note

Hymnus de Ascenione

95v–100 [Festum nunc celebre] Conscendit jubilans - Anonymous
Appears on: 95v–100
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Conscendit iubilans (Festum nunc celebre)
100v–103 Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera -
Appears on: 100v–103
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Conscendit iubilans (Festum nunc celebre)
103v–108 [Veni creator spiritus] Qui paracletus diceris -
Appears on: 103v–108
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Qui paracletus diceris (Veni creator spiritus)
108v–112 Veni creator spiritus mentes tuorum -
Appears on: 108v–112
Genres: Hymn, Veni creator spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator spiritus mentes tuorum
112v–117 [Veni creator spiritus] Qui paracletus diceris -
Appears on: 112v–117
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Qui paracletus diceris (Veni creator spiritus)
117v–121 Veni creator spiritus mentes tuorum - Anonymous
Appears on: 117v–121
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator spiritus
121v–125 O lux beata trinitas - Anonymous
Appears on: 121v–125
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: O lux beata trinitas
125v–131 O lux beata trinitas - Anonymous
Appears on: 125v–131
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: O lux beata trinitas
131v–136 [Pange lingua] Nobis natus nobis datus Ex intacta -
Appears on: 131v–136
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Nobis natus nobis datus (=2a pars Pange lingua gloriosi)
137v–141 Deus creator omnium - Anonymous
Appears on: 137v–141
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Deus creator omnium
141v–153 Conditor alme siderum -
Appears on: 141v–153
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Conditor alme syderum
General Note

In Adventu domini hymnus

153v–163 A solis ortus cardine ad usque terrae -
Appears on: 153v–163
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A solis ortus
163v–172 Tu lumen to splendor Christe redemptor omnium -
Appears on: 163v–172
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tu lumen, tu splendor (Christe redemptor omnium)
General Note

In Nativitate domini

Composer Compositions
Anonymous
Breittengrasser, Gulielmus (Wilhelm)
Cellarius, Simon (ca. 1500–1544)
Finck, Heinrich
Grefinger, Wolfgang
Haugk, Virgilius (ca. 1490–1555)
Isaac, Heinrich (ca. 1450–1517)
Kerle, Jacobus de
Rener, Adam (ca. 1485–ca. 1520)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
[A solis ortus cardine] Beatus auctor saeculi Anonymous 19v–24
[Christe qui lux] Precamur sancte Domine Anonymous 47v–51
[Festum nunc celebre] Conscendit jubilans 87v–95
[Festum nunc celebre] Conscendit jubilans Anonymous 95v–100
[Pange lingua] Nobis natus nobis datus Ex intacta 131v–136
[Veni creator spiritus] Qui paracletus diceris 103v–108
[Veni creator spiritus] Qui paracletus diceris 112v–117
[Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo Anonymous 11v–13
[Vita sanctorum] Pascha quo victor Anonymous 71v–74
[Vita sanctorum] Tu tuo laetos famulos Anonymous 67v–71
A solis ortus cardine ad usque terrae Anonymous 24v–27
A solis ortus cardine ad usque terrae 153v–163
Ad caenam agni providi Cuius corpus sanctissimum Anonymous 74v–79
Ad caenam agni providi Cuius corpus sanctissimum 79v–83
Ad caenam agni providi Cuius corpus sanctissimum 83v–87
Christe qui lux Anonymous 38v–45
Christe qui lux Anonymous 45v–47
Conditor alme siderum Anonymous 1v–3
Conditor alme siderum Anonymous 15v–19
Conditor alme siderum 141v–153
Deus creator omnium Anonymous 137v–141
Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera 100v–103
Haec Deum caeli Quod chorus vatum 34v–38
Hostis Herodes impie Anonymous 27v–30
Hostis Herodes impie Christum venire 2 Ibant magi quam viderunt stellam 4 Lavacra puri gurgitis caelestis 6 Novum genus potentiae aquae rubescunt 30v–34
O lux beata trinitas Anonymous 121v–125
O lux beata trinitas Anonymous 125v–131
Qui condolens Conditor alme siderum 3v–7
Rex Christe factor omnium redemptor Anonymous 58v–64
Rex Christe factor omnium redemptor 3 Qui es creator syderum tegmen subisti 5 Cruci redemptor figeris terram sed omnem 6 Mox in paternae gloriae victor 64v–66
Tu lumen to splendor Christe redemptor omnium 163v–172
Veni creator spiritus mentes tuorum 108v–112
Veni creator spiritus mentes tuorum Anonymous 117v–121
Veni redemptor dentium Anonymous 7v–11
Verbum supernum prodiens (2p. Christe redemptor) Anonymous 13v–15
Vexilla regis (2p. Impleta sunt; 3p. Beata cuis brachiis; 4p. O crux ave) 51v–58

denotes primary source study

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS.  American Institute of Musicology. Pages: 162. Notes: contents list (partial); concordances (partial); incipits (partial).

Parker, Robert LeRoy (editor). 1964-. Collected Works of Adam Rener.  Brooklyn. Pages: I, xvii, xxv-xxvi. Notes: mention of MS; contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 43-6. Notes: physical description; contents list; concordances (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 169, 178-9. Notes: physical description (partial); contents list (partial); concordances (partial).

Parker, Robert LeRoy. 1963. The Motets of Adam Rener (C.1485-C.1520). University of Texas, Unpublished Ph.D. dissertation. Pages: 116-22, 236. Notes: physical description; mention of MS; discussion.

Schröder, Otto (editor). 1953-70. Johann Walter: Sämtliche Werke.  Kassel and Basel. Pages: III, 84, 97. Notes: physical description; contents list; incipitsst of contents (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 28-9, passim. Notes: physical description (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 78. Notes: physical description; contents list (partial); concordances (partial).

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 18-20. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description