Copied by Johann Chamerhueber (inscription on f. 219). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68). Originally 220 folios.
D-Sl Cod. mus. I 2° 6
Württembergische Landesbibliothek, Stuttgart, Germany
manuscript of polyphony: 1566
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
|---|---|
| Shelfmark | Cod. mus. I 2° 6 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 515 x 390 mm |
| Other Identifiers |
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| Contents | Contains 17 compositions, 14 from 11 composers, 3 are anonymous. |
General Description
Binding
Original covers of tooled leather over pasteboard
Notation
black void mensural
Foliation
Original ink foliation, 51-77; 86-131; 133-219 (ff. 1-50, 78-85, 132 now missing)
Decoration
No initials or decoration.
Index
No index remains.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Te Deum, 2 psalms, 2 motets (incomplete), 13 German sacred pieces (1 incomplete) = 18
(Clemens non Papa)-1, Hemmel-2, Kisling-2, Lassus-1, Mostei-1, Rauch-3, A. Schwartz-1, Serranus-2, G. Sulcius-1, Walter-1, anon-3
160 paper folios of an original 220, 515 x 390. Original ink foliation, 51-77; 86-131; 133-219 (ff. 1-50, 78-85, 132 now missing). Original covers of tooled leather over pasteboard. No index remains. Copied by Johann Chamerhueber (inscription on f. 219); see general index for other manuscripts copied by the same scribe. No initials or decoration.
1566 (date in manuscript). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).
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‡ denotes primary source study
Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 21: 233-7. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 164. Notes: contents list (partial); concordances (partial); incipits (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 13-5. Notes: physical description; contents list; concordances (partial).
Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I. Kassel and Basel. Pages: 834. Notes: physical description (partial).
Riedel, Johannes. 1951. Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation. University of Southern California, Unpublished Ph.D. dissertation. Pages: 31. Notes: physical description (partial).
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 26, passim. Notes: physical description (partial); mention of MS; discussion.
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 6-7. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description