D-Sl Cod. mus. I 2° 6

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1566

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 6
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 515 x 390 mm
Other Identifiers
  • CCM: StuttL 6
  • olim (Former shelfmark): MS Musica folio I 6
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 17 pieces from 12 composers
General Description

Copied by Johann Chamerhueber (inscription on f. 219). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68). Originally 220 folios.

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation, 51-77; 86-131; 133-219 (ff. 1-50, 78-85, 132 now missing)

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Index

No index remains.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 2 psalms, 2 motets (incomplete), 13 German sacred pieces (1 incomplete) = 18

(Clemens non Papa)-1, Hemmel-2, Kisling-2, Lassus-1, Mostei-1, Rauch-3, A. Schwartz-1, Serranus-2, G. Sulcius-1, Walter-1, anon-3

160 paper folios of an original 220, 515 x 390. Original ink foliation, 51-77; 86-131; 133-219 (ff. 1-50, 78-85, 132 now missing). Original covers of tooled leather over pasteboard. No index remains. Copied by Johann Chamerhueber (inscription on f. 219); see general index for other manuscripts copied by the same scribe. No initials or decoration.

1566 (date in manuscript). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
51–59 Deus in adjutorium meum intende (2p. Exultent et laetentur) - Anonymous
Appears on: 51–59
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus in auditorium
General Note

II. Exultent et laetentur

59v–64 Laudate pueri sexti toni - Anonymous
Appears on: 59v–64
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Laudate pueri sexti toni
64v–72 Lauda Jerusalem - Anonymous

Lauda Jerusalem

Anonymous
Appears on: 64v–72
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lauda Hierusalem
72v–86 Te decet hymnus (2p. Exaudis orationem; 3p. Iniquitates; 4p. Beatus quem elegistis; 5p. Exaudi nos; 6p. Qui stabilit montes; 7p. Et timebunt; 8p. Visitas terram; 9p. Sulcos eius; 10p. Coronas annum; 11p. Pinguescunt habitacula; 12p. Operiuntur campi) -
Appears on: 72v–86
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Te decet hymnus
General Note

II. Exaudis orationem III. Iniquitates IV. Beatus quem elegistis V. Exaudi no VI. Qui stabilit montes

86v–101 Te Deum laudamus -
Appears on: 86v–101
Genres: Liturgical work, Te Deum
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus
101v–115 Wir glauben all an einen Gott [Credo] (6vv) -
Appears on: 101v–115
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Wir glauben all an einen Gott, Schöpfer
115v–126 Wir glauben all an einen Gott [Credo] (5vv) -
Appears on: 115v–126
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: German
Voice Text: Wir glauben all an einen Gott, Schöpfer
126v–147 Erhalt uns herr bei Deinem wort (2p. Gott heilger geist; 3p. Verleih uns friden; 4p. Gib unserm fursten) -
Appears on: 126v–147
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Erhalt uns herr bei deinem wort
General Note

II. Gott heilger geist III. Verleih uns friden IV. Gib unserm fursten

147v–161 Herr gott himlischer Vater -
Appears on: 147v–161
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Herr gott himlischer vatter
General Note

II. Amen

161v–175 Erhalt uns Herr bei Deinem wort (2p. Verleih uns friden) -
Appears on: 161v–175
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Erhalt uns Herr bey deinem wort
General Note

II. Verleih uns friden

175v–185 O Herr, ich ruf Dein Namen an -
Appears on: 175v–185
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: O herr ich rueff dein namen an
185v–193 Herr es seind heiden -
Appears on: 185v–193
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Herr es seind heiden
193v–202 Herr es sind Heiden -
Appears on: 193v–202
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Herr es sind Heiden
202v–206 Du sollst Gott den Vater preisen -
Appears on: 202v–206
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Du solt Gott den vatter preisen
106v–210 Er spricht selber kompt ir armen -
Appears on: 106v–210
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Er spricht selber kompt ir armen
210v–213 Die frucht soll auch nit aussbleiben -
Appears on: 210v–213
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Die frucht soll auch nit aussbleiben
213v–219 Gott sey gelobet und gebendeyet -
Appears on: 213v–219
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Gott sey gelobet und gebendeyet

denotes primary source study

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 164. Notes: contents list (partial); concordances (partial); incipits (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 13-5. Notes: physical description; contents list; concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 834. Notes: physical description (partial).

Riedel, Johannes. 1951. Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation. University of Southern California, Unpublished Ph.D. dissertation. Pages: 31. Notes: physical description (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 26, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 6-7. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description