D-Sl Cod. mus. I 2° 2

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1564

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 2
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 520 x 395 mm
Other Identifiers
  • CCM: StuttL 2
  • olim (Former shelfmark): MS Musica folio I 2
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 17 pieces from 7 composers
General Description

Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1564 (date on f. 210).

DIAMM, 2017
Foliation

Original ink foliation, 1-210 (ff. 136-138 incorrectly numbered as 156-158, but correctly counted in enumeration).

DIAMM, 2017
Index

Index on f. [i] added by Daniel Salomon in late 16th century; lists pieces in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 motets

Barbion-1, Clemens non Papa-2, Hemmel-1, Lassus-4, Maillard-1, Willaert-8

i + 210 paper folios, 520 x 395. Original ink foliation, 1-210 (ff. 136-138 incorrectly numbered as 156-158, but correctly counted in enumeration). Original covers of tooled leather over pasteboard. Index on f. [i] added by Daniel Salomon in late 16th century; lists pieces in order of appearance.

Copied by Johann Chamerhueber (GottH); see general index for other manu-scripts copied by the same scribe. No initials or decoration.

1564 (date on f. 210). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–9 In omnibus requiem quaesivi et in hereditate -
Appears on: 1v–9
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In omnibus requiem quaesivi et in hereditate
9v–18 Dixit Joseph undecim fratribus suis (2p. Nuntiaverunt Jacob dicentes Joseph -
Appears on: 9v–18
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dixit Joseph
General Note

II. Nunciaverunt Jacob

18v–26 O mors quam amara est memoria homini (2p. O mors bonum est iuditium tuum) -
Appears on: 18v–26
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O mors quam amara
General Note

II. O mors bonum

26v–32 Da pacem Domine in diebus nostris -
Appears on: 26v–32
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine
32v–47 Te Deum patrem ingenitum te filium (2p. Laus deo patri parilique proli) -
Appears on: 32v–47
Genres: Motet, Te Deum
Voice: [no designation]
Languages: Latin
Voice Text: Te deum patrem
General Note

II. Laus deo patri

47v–71 Mittit ad virginem (2p. Exi qui mitteris; 3p. Audit et suscipit) -
Appears on: 47v–71
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Mittit ad virginem
General Note

II. Exi qui mitteris III. Audit et suscipit

71v–89 Vexilla regis (2p. Impleta sunt; 3p. Beata cuis brachiis; 4p. O crux ave) -
Appears on: 71v–89
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Vexilla regis
General Note

II. Impleta sunt III. Beata cuis brachiis IV. O crux ave

89v–103 Victimae paschali laudes immolent Christiani II: Dic nobis Maria quid vidisti in via -
Appears on: 89v–103
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Victimae paschali laudes
General Note

II. Dic nobis maris

103v–123 Veni sancte spiritus et emitte caelitus (2p. O lux beatissima) (6vv) -
Appears on: 103v–123
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus
General Note

II. O lux beatissima

123v–139 Beati pauperes (2p. Beati qui persecutionem) -
Appears on: 123v–139
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beati pauperes
General Note

II. Beati qui persecutionem

139v–152 Avertatur obsecro Domine furor tuus II: Inclina Deus meus aurem tuam -
Appears on: 139v–152
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Avertatur obsecro
General Note

II. Inclina deus meus

152v–164 Peccata mea Domine sicut sagitte infixa II: Quoniam iniquitatem meam ego cognosco -
Appears on: 152v–164
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccata mea domine
General Note

II. Quoniam iniquitatem

164v–179 Pater peccavi (6vv) (2p. Quanti mercenarii in domo patris) -
Appears on: 164v–179
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi
General Note

II. Quanti mercenarii

179v–187 Vigilate et orate -
Appears on: 179v–187
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vigilate et orate
Concordances

Phalese 1553-11

187v–192 In me transierunt irae tuae et terrores -
Appears on: 187v–192
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In me transierunt
192v–200v Virgines prudentes ornate lampades vestras (2p. Media autem nocte clamor factus est) -
Appears on: 192v–200v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virgines prudentes
General Note

II. Media autem nocte

200v–210 Filiae Jerusalem nolite flere super me (2p. Tunc incipient dicere montibus) -
Appears on: 200v–210
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Filiae Hierusalem
General Note

II. Tunc incipient

Composer Compositions
Barbireau, Jacobus (1455–1491)
Breittengrasser, Gulielmus (Wilhelm)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Hemmel, Sigmund
Lassus, Orlande de (ca. 1532–1594)
Maillard, Jean (fl. c1538–1570)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Avertatur obsecro Domine furor tuus II: Inclina Deus meus aurem tuam 139v–152
Beati pauperes (2p. Beati qui persecutionem) 123v–139
Da pacem Domine in diebus nostris 26v–32
Dixit Joseph undecim fratribus suis (2p. Nuntiaverunt Jacob dicentes Joseph 9v–18
Filiae Jerusalem nolite flere super me (2p. Tunc incipient dicere montibus) 200v–210
In me transierunt irae tuae et terrores 187v–192
In omnibus requiem quaesivi et in hereditate 1v–9
Mittit ad virginem (2p. Exi qui mitteris; 3p. Audit et suscipit) 47v–71
O mors quam amara est memoria homini (2p. O mors bonum est iuditium tuum) 18v–26
Pater peccavi (6vv) (2p. Quanti mercenarii in domo patris) 164v–179
Peccata mea Domine sicut sagitte infixa II: Quoniam iniquitatem meam ego cognosco 152v–164
Te Deum patrem ingenitum te filium (2p. Laus deo patri parilique proli) 32v–47
Veni sancte spiritus et emitte caelitus (2p. O lux beatissima) (6vv) 103v–123
Vexilla regis (2p. Impleta sunt; 3p. Beata cuis brachiis; 4p. O crux ave) 71v–89
Victimae paschali laudes immolent Christiani II: Dic nobis Maria quid vidisti in via 89v–103
Vigilate et orate 179v–187
Virgines prudentes ornate lampades vestras (2p. Media autem nocte clamor factus est) 192v–200v

denotes primary source study

Long, Joan Anne. 1971. The Motets, Psalms and Hymns of Adrian Willaert- A Liturgico-Musical Study. Columbia University, Unpublished Ph.D. dissertation. Pages: 108. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 6-8. Notes: physical description; contents list; concordances (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 85-150. Pages: 141-2. Notes: contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 834. Notes: physical description (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 34. Notes: contents list (partial); concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 25, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 4. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description