S-Skma Tyska Kyrkans Samling 32 [Discantus]

Musik- och teaterbiblioteket, Stockholm, Sweden

partbook: Late 16th century

Archive	Musik- och teaterbiblioteket, Stockholm, Sweden (S-Skma)
Shelfmark	Tyska Kyrkans Samling 32 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None / Unknown
Measurements	145 x 200 mm
Other Identifiers	CCM: StockKM 32
Notations	black void mensural
Relationships	German Church (owner)
Provenance	Stockholm? Sweden
Contents	Contains 84 compositions, 72 from 28 composers, 12 are anonymous.

General Description

A Discantus partbook from a set originally of six volumes, consisting of the print RISM K447, with manuscript additions at end. Copied by one main scribe and several additional scribes. Copied in Stockholm? Owned by German Church in Stockholm, whose collection (= Tyska Kyrkans Samling) was donated to present library in 1874.

DIAMM, 2017

Binding

Original parchment covers cut from earlier manuscript.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Printed staves; staff height 13mm

DIAMM, 2017

Foliation

No foliation or pagination.

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, 1-72 (last five pieces not numbered; individual partes of two pieces numbered as separate items).

DIAMM, 2017

Decoration

Small plain inked initials

DIAMM, 2017

Index

Original indices inside back covers of Tenor and Bassus books group pieces by number of voices

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

14 motets, 3 German sacred pieces, 28 Italian secular pieces, 20 German secular pieces, 4 French secular pieces, 6 instrumental pieces = 75

Arcadelt-2, Bertrand-1, Guillaume Boni-1, Caldarino-1, Castro-1, Cato [Diomedes]-1, Conversi-1, Crecquillon-1, Eccard-10, Felis-2, D. Ferrabosco-1, G. Ferretti-1, Ivo de Vento-3, Lassus-3, Le Jeune-1, Lindner/(Marenzio)-2, Marenzio-8, (Marenzio/Striggio)-1, Maschera-2, Merulo [Claudio da Correggio]-3, Antonius Morari-1, Palestrina-1, Pallavicino-1, Pevernage-4, Rore-1, Rovigo-1, I. Sabino-6, Striggio-2, Varotto-1, Wert-2, Winstman-1, anon- 8

4 paper partbooks of an original 6, each consisting of the print RISM K447, with manuscript additions at end (D-i + 57 folios, T-i + 56, B-51, S-25), 145 x 200. No foliation or pagination. Original ink numbering of pieces, 1-72 (last five pieces not numbered; individual partes of two pieces numbered as separate items). Original parchment covers cut from earlier manuscript. Original indices inside back covers of T and B books group pieces by number of voices. Copied by one main scribe and several additional scribes. Printed staves; staff height 13. Small plain inked initials.

Late 16th century (date 1595 in T book). Copied in Stockholm? Owned by German Church in Stockholm, whose collection [= Tyska Kyrkans Samling] was donated to present library in 1874.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
(16)	Man sagt wohl in dem Maien	Johannis Eccardus	Eccard, Johannes (1553–1611)
Man sagt wohl in dem Maien Eccard, Johannes (1553–1611) Appears on: (16) Genres: Lied Source Attribution: Johannis Eccardus Number of voices: 5
(21)	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant	Meilandus	Meiland, Jacob (1542–1577)
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Meiland, Jacob (1542–1577) Appears on: (21) Genres: Motet Source Attribution: Meilandus Number of voices: 6
(21)	Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet	-	Meiland, Jacob (1542–1577)
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet Meiland, Jacob (1542–1577) Appears on: (21) Number of voices: 6
(22)	Pierides maesto - 1a pars (of 2): Pierides maesto suffundite	Meilandus	Meiland, Jacob (1542–1577)
Pierides maesto - 1a pars (of 2): Pierides maesto suffundite Meiland, Jacob (1542–1577) Appears on: (22) Genres: Motet Source Attribution: Meilandus Number of voices: 6
(22)	Pierides maesto - 2a pars (of 2): Fovit hic Aonidas	-	Meiland, Jacob (1542–1577)
Pierides maesto - 2a pars (of 2): Fovit hic Aonidas Meiland, Jacob (1542–1577) Appears on: (22) Genres: Motet Number of voices: 6
(31)	Hoscha wen woln wir frolich	Johannis Eccardus	Eccard, Johannes (1553–1611)
Hoscha wen woln wir frolich Eccard, Johannes (1553–1611) Appears on: (31) Genres: Lied Source Attribution: Johannis Eccardus Number of voices: 4
(32)	Schöns Lieb' was hab' ich dir getan	Johannis Eccardus	Eccard, Johannes (1553–1611)
Schöns Lieb' was hab' ich dir getan Eccard, Johannes (1553–1611) Appears on: (32) Genres: Lied Source Attribution: Johannis Eccardus Number of voices: 4
(45)	Di questa bionda e vaga treccia	Alessandro Striggio	Striggio, Alessandro (ca. 1536–1592)
Di questa bionda e vaga treccia Striggio, Alessandro (ca. 1536–1592) Appears on: (45) Genres: Madrigal (Italian) Source Attribution: Alessandro Striggio Number of voices: 5
(52)	Nasce la pena mia non potendo mirar	Alessandro Striggio	Striggio, Alessandro (ca. 1536–1592)
Nasce la pena mia non potendo mirar Striggio, Alessandro (ca. 1536–1592) Appears on: (52) Genres: Italian secular Source Attribution: Alessandro Striggio Number of voices: 6
(56)	Al suon de le dolcissime parole	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Al suon de le dolcissime parole Marenzio, Luca (ca. 1553–1599) Appears on: (56) Genres: Madrigal (Italian) Source Attribution: Luca Marenzio Number of voices: 6
(57)	Qual vive Salamandra in fiamma ardente	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Qual vive Salamandra in fiamma ardente Marenzio, Luca (ca. 1553–1599) Appears on: (57) Genres: Madrigal (Italian) Source Attribution: Luca Marenzio Number of voices: 6
(58)	Che fa hoggi il mio sole che fa'l mio	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Che fa hoggi il mio sole che fa'l mio Marenzio, Luca (ca. 1553–1599) Appears on: (58) Genres: Chanson Source Attribution: Luca Marenzio Number of voices: 5
(59)	Cantava la piu vaga pastorella	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Cantava la piu vaga pastorella Marenzio, Luca (ca. 1553–1599) Appears on: (59) Genres: Madrigal (Italian) Source Attribution: Luca Marenzio Number of voices: 5
(60)	Degg'io dunque - 1a pars (of 3): Degg'io dunque partire	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Degg'io dunque - 1a pars (of 3): Degg'io dunque partire Marenzio, Luca (ca. 1553–1599) Appears on: (60) Genres: Madrigal (Italian) Source Attribution: Luca Marenzio Number of voices: 5
(60)	Degg'io dunque - 2a pars (of 3): Io partiro ma il core	-	Marenzio, Luca (ca. 1553–1599)
Degg'io dunque - 2a pars (of 3): Io partiro ma il core Marenzio, Luca (ca. 1553–1599) Appears on: (60) Genres: Madrigal (Italian) Number of voices: 5
(60)	Degg'io dunque - 3a pars (of 3): Ma voi caro ben mio	-	Marenzio, Luca (ca. 1553–1599)
Degg'io dunque - 3a pars (of 3): Ma voi caro ben mio Marenzio, Luca (ca. 1553–1599) Appears on: (60) Genres: Madrigal (Italian) Number of voices: 5
(61)	Spuntavan gia - 1a pars (of 2): Spuntavan gia per far il mondo adorno	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Spuntavan gia - 1a pars (of 2): Spuntavan gia per far il mondo adorno Marenzio, Luca (ca. 1553–1599) Appears on: (61) Genres: Madrigal (Italian) Source Attribution: Luca Marenzio Number of voices: 5
(61)	Spuntavan gia - 2a pars (of 2): Quando il mio vivo sol perch'io	-	Marenzio, Luca (ca. 1553–1599)
Spuntavan gia - 2a pars (of 2): Quando il mio vivo sol perch'io Marenzio, Luca (ca. 1553–1599) Appears on: (61) Genres: Madrigal (Italian) Number of voices: 5
(62)	La bella ninfa mia ch'al Tebro infiora	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
La bella ninfa mia ch'al Tebro infiora Marenzio, Luca (ca. 1553–1599) Appears on: (62) Genres: Madrigal (Italian) Source Attribution: Luca Marenzio Number of voices: 5
(64)	Schwerlangweylich ist mir	Johannis Eccardus	Eccard, Johannes (1553–1611)
Schwerlangweylich ist mir Eccard, Johannes (1553–1611) Appears on: (64) Genres: Lied Source Attribution: Johannis Eccardus Number of voices: 5
(65)	Aller Welt Sinn und Mut	Johannis Eccardus	Eccard, Johannes (1553–1611)
Aller Welt Sinn und Mut Eccard, Johannes (1553–1611) Appears on: (65) Genres: Lied Source Attribution: Johannis Eccardus Number of voices: 5
(66)	Man spricht was Gott zusammenfügt	Johannis Eccardus	Eccard, Johannes (1553–1611)
Man spricht was Gott zusammenfügt Eccard, Johannes (1553–1611) Appears on: (66) Genres: Lied Source Attribution: Johannis Eccardus Number of voices: 5
(68)	Ich stund an einem Morgen	Ivo de Vento	Vento, Ivo de
Ich stund an einem Morgen Vento, Ivo de Appears on: (68) Genres: Lied Source Attribution: Ivo de Vento Number of voices: 5
(69)	Ich weiss mir ein feins brauns Magdelein	Ivo de Vento	Vento, Ivo de
Ich weiss mir ein feins brauns Magdelein Vento, Ivo de Appears on: (69) Genres: Lied Source Attribution: Ivo de Vento Number of voices: 5
(70)	Ach Maidlein fein	Ivo de Vento	Vento, Ivo de
Ach Maidlein fein Vento, Ivo de Appears on: (70) Genres: Lied Source Attribution: Ivo de Vento Number of voices: 5
(71)	Gut Singer und ein Organist	Johannis Eccardus	Eccard, Johannes (1553–1611)
Gut Singer und ein Organist Eccard, Johannes (1553–1611) Appears on: (71) Genres: Lied Source Attribution: Johannis Eccardus Number of voices: 4
[-]	Ach lieb gross Leid (= Io mi son giovinetta)	Ferabosco	Ferrabosco, Domenico Maria
Ach lieb gross Leid (= Io mi son giovinetta) Ferrabosco, Domenico Maria Appears on: [-] Genres: Lied Source Attribution: Ferabosco Number of voices: 4
[-]	Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta)	Girolamo Conversi	Conversi, Girolamo
Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta) Conversi, Girolamo Appears on: [-] Genres: Motet Source Attribution: Girolamo Conversi Number of voices: 5
[-]	Amor gia prigioniero	Hipolito Sabino	Sabino, Ippolito
Amor gia prigioniero Sabino, Ippolito Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Hipolito Sabino Number of voices: 6
[-]	Ancor che col partire	Il Calderino	Caldarino, Giovanni Francesco
Ancor che col partire Caldarino, Giovanni Francesco Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Il Calderino Number of voices: 4
[-]	Ancor che co'l partire io mi sento morire	Ciprian de Rore	Rore, Cipriano de (ca. 1515–1565)
Ancor che co'l partire io mi sento morire Rore, Cipriano de (ca. 1515–1565) Appears on: [-] Genres: Italian secular Source Attribution: Ciprian de Rore Number of voices: 4
[-]	Ach Megdlein junck zu (= Ancor ch'io possa dire (6vv))	Alexandro Strigio	Striggio, Alessandro (ca. 1536–1592)
Ach Megdlein junck zu (= Ancor ch'io possa dire (6vv)) Striggio, Alessandro (ca. 1536–1592) Appears on: [-] Genres: Lied Source Attribution: Alexandro Strigio Number of voices: 6
[-]	Ancor ch'io possa dire che d'haver	Claudio da Correggio	Merulo, Claudio (1533–1604)
Ancor ch'io possa dire che d'haver Merulo, Claudio (1533–1604) Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Claudio da Correggio Number of voices: 4
[-]	Ardo si, ma non t'amo	Michiel Varotto	Varotto, Michele
Ardo si, ma non t'amo Varotto, Michele Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Michiel Varotto Number of voices: 5
[-]	Aspice Domine	Antonius Morari	Morari (Mortari), Antonio
Aspice Domine Morari (Mortari), Antonio Appears on: [-] Genres: Motet Source Attribution: Antonius Morari Number of voices: 6
[-]	Benedictio et claritas et sapientia	Orland: di Lasso	Lassus, Orlande de (ca. 1532–1594)
Benedictio et claritas et sapientia Lassus, Orlande de (ca. 1532–1594) Appears on: [-] Genres: Motet Source Attribution: Orland: di Lasso Number of voices: 6
[-]	Benedictio et claritas et spaientia	Andreas Pevernag:	Pevernage, Andreas
Benedictio et claritas et spaientia Pevernage, Andreas Appears on: [-] Genres: Motet Source Attribution: Andreas Pevernag: Number of voices: 5
[-]	Crudel perche mi fuggi	Luca Marentio	Marenzio, Luca (ca. 1553–1599)
Crudel perche mi fuggi Marenzio, Luca (ca. 1553–1599) Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Luca Marentio Number of voices: 6
[-]	Da bei raggi del sol	Claudio da Correggio	Merulo, Claudio (1533–1604)
Da bei raggi del sol Merulo, Claudio (1533–1604) Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Claudio da Correggio Number of voices: 5
[-]	Diligam te Domine	Incertus (i.e. anon)	Anonymous
Diligam te Domine Anonymous Appears on: [-] Genres: Motet Source Attribution: Incertus (i.e. anon) Number of voices: 4
[-]	Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: [-] Genres: Motet Source Attribution: Crequillon Number of voices: 6
[-]	Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: [-] Genres: Motet Number of voices: 6
[-]	Domine Deus - 1a pars (of 2): Domine Deus rex magne	-	Anonymous
Domine Deus - 1a pars (of 2): Domine Deus rex magne Anonymous Appears on: [-] Genres: Motet Number of voices: 6
[-]	Domine Deus - 2a pars (of 2): Exaudi Domine placare Domine	-	Anonymous
Domine Deus - 2a pars (of 2): Exaudi Domine placare Domine Anonymous Appears on: [-] Genres: Motet Number of voices: 6
[-]	Drei schone Stucke sind	-	Anonymous
Drei schone Stucke sind Anonymous Appears on: [-] Genres: Lied Number of voices: 5
[-]	Du hast mich sollen nehmen	-	Anonymous
Du hast mich sollen nehmen Anonymous Appears on: [-] Genres: Lied Number of voices: 3
[-]	Du temps que j'estois amoureux	Arcadet	Arcadelt, Jacques (ca. 1507–1568)
Du temps que j'estois amoureux Arcadelt, Jacques (ca. 1507–1568) Appears on: [-] Genres: Chanson Source Attribution: Arcadet Number of voices: 4
[-]	Es ist dem Menschen nit gegeben	Hennigius Winstman	Winstman, Henning
Es ist dem Menschen nit gegeben Winstman, Henning Appears on: [-] Genres: Lied Source Attribution: Hennigius Winstman Number of voices: 4
[-]	Es traur was trauren sol	Johannes Eccardus	Eccard, Johannes (1553–1611)
Es traur was trauren sol Eccard, Johannes (1553–1611) Appears on: [-] Genres: Lied Source Attribution: Johannes Eccardus Number of voices: 4
[-]	Fer confide Deo	Johannis Eccardi	Eccard, Johannes (1553–1611)
Fer confide Deo Eccard, Johannes (1553–1611) Appears on: [-] Genres: Motet Source Attribution: Johannis Eccardi Number of voices: 4
[-]	Fröhlich woll'n wir beginnen (= Liete le muse a l'ombra)	Francisco Ruigo	Rovigo, Francesco
Fröhlich woll'n wir beginnen (= Liete le muse a l'ombra) Rovigo, Francesco Appears on: [-] Genres: Lied Source Attribution: Francisco Ruigo Number of voices: 6
[-]	[Fuga]	Florentius Maschera	Maschera, Florentio
[Fuga] Maschera, Florentio Appears on: [-] Genres: Fuga Source Attribution: Florentius Maschera Number of voices: 4
[-]	In dir che sete - 1a pars (of 2): In dir che sete bella scemo le vostre lode	Benedetto Pallavicino	Pallavicino, Benedetto
In dir che sete - 1a pars (of 2): In dir che sete bella scemo le vostre lode Pallavicino, Benedetto Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Benedetto Pallavicino Number of voices: 6
[-]	In dir che sete - 2a pars (of 2): I capei de l'Aurora	-	Pallavicino, Benedetto
In dir che sete - 2a pars (of 2): I capei de l'Aurora Pallavicino, Benedetto Appears on: [-] Genres: Madrigal (Italian)
[-]	Infelici occhi miei	Stefano Felis	Felis, Stefano de Maza Gatto (1538–1603)
Infelici occhi miei Felis, Stefano de Maza Gatto (1538–1603) Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Stefano Felis Number of voices: 5
[-]	In me transierunt irae tuae	Orland: di Lasso	Lassus, Orlande de (ca. 1532–1594)
In me transierunt irae tuae Lassus, Orlande de (ca. 1532–1594) Appears on: [-] Genres: Motet Source Attribution: Orland: di Lasso Number of voices: 5
[-]	In quel ben nato aventuroso giorno	Luca Marentio	Marenzio, Luca (ca. 1553–1599)
In quel ben nato aventuroso giorno Marenzio, Luca (ca. 1553–1599) Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Luca Marentio Number of voices: 5
[-]	Io son ferito ahi lasso e chi mi diede	Giovinett: Palestrino	Palestrina, Giovanni Pierluigi da (1525–1594)
Io son ferito ahi lasso e chi mi diede Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Giovinett: Palestrino Number of voices: 5
[-]	Io son ferito - 1a pars (of 2): Io son ferito	Hipolito Sabino	Sabino, Ippolito
Io son ferito - 1a pars (of 2): Io son ferito Sabino, Ippolito Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Hipolito Sabino Number of voices: 6
[-]	Io son ferito - 2a pars (of 2): S'io t'ho ferito	Hipolito Sabino	Sabino, Ippolito
Io son ferito - 2a pars (of 2): S'io t'ho ferito Sabino, Ippolito Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Hipolito Sabino Number of voices: 6 General Note the 'riposta' to the previous madrigal - i.e. 2a pars
[-]	Ist keiner hie der spricht (= Tra pure nevi alme)	Claudio da Correggio	Merulo, Claudio (1533–1604)
Ist keiner hie der spricht (= Tra pure nevi alme) Merulo, Claudio (1533–1604) Appears on: [-] Genres: Lied Source Attribution: Claudio da Correggio Number of voices: 6
[-]	'Maschara'	Machara (=attribution? or title?)	Maschera, Florentio (?)
'Maschara' Maschera, Florentio (?) Appears on: [-] Genres: Dance Source Attribution: Machara (=attribution? or title?) Number of voices: 5
[-]	Missa sine nomine (5vv)	-	Anonymous
Missa sine nomine (5vv) Anonymous Appears on: [-] Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Number of voices: 5
[-]	Mentre il mio vago	-	Anonymous
Mentre il mio vago Anonymous Appears on: [-] Genres: Madrigal (Italian) Number of voices: 6
[-]	Me sola il Poda lato	Giaches Werth	Wert, Giaches [Jaches] de (1535–1596)
Me sola il Poda lato Wert, Giaches [Jaches] de (1535–1596) Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Giaches Werth Number of voices: 6
[-]	Nun bin ich ganz frö (= Vegg'io)	Hipolito Sabino	Sabino, Ippolito
Nun bin ich ganz frö (= Vegg'io) Sabino, Ippolito Appears on: [-] Genres: Lied Source Attribution: Hipolito Sabino Number of voices: 6
[-]	Oculi omnium	Andreas Pevernag:	Pevernage, Andreas
Oculi omnium Pevernage, Andreas Appears on: [-] Genres: Motet Source Attribution: Andreas Pevernag: Number of voices: 6
[-]	Pater noster qui es in caelis	Andreas Pevernage	Pevernage, Andreas
Pater noster qui es in caelis Pevernage, Andreas Appears on: [-] Genres: Motet, Pater noster Source Attribution: Andreas Pevernage Number of voices: 5
[-]	Quiescat vox tua a ploratu	Iacobus de Werth	Wert, Giaches [Jaches] de (1535–1596)
Quiescat vox tua a ploratu Wert, Giaches [Jaches] de (1535–1596) Appears on: [-] Genres: Motet Source Attribution: Iacobus de Werth Number of voices: 6
[-]	Rossi fior' vaghi gigli	Hipolito Sabino	Sabino, Ippolito
Rossi fior' vaghi gigli Sabino, Ippolito Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Hipolito Sabino Number of voices: 6
[-]	Schons Medlein zu dir (= Et d’où venez vous)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Schons Medlein zu dir (= Et d’où venez vous) Lassus, Orlande de (ca. 1532–1594) Appears on: [-] Genres: Lied Source Attribution: Orlando Number of voices: 5
[-]	Se voi	De incerto (i.e. anon)	Anonymous
Se voi Anonymous Appears on: [-] Genres: Madrigal (Italian) Source Attribution: De incerto (i.e. anon) Number of voices: 5
[-]	Sie leuchtet wie die Sonne	Incertus (i.e. anon)	Anonymous
Sie leuchtet wie die Sonne Anonymous Appears on: [-] Genres: Lied Source Attribution: Incertus (i.e. anon) Number of voices: 5
[-]	Si vous m'aimez	Andreas Pevernag:	Pevernage, Andreas
Si vous m'aimez Pevernage, Andreas Appears on: [-] Genres: Chanson Source Attribution: Andreas Pevernag: Number of voices: 5
[-]	Solus in adversis	Johannis Eccardi	Eccard, Johannes (1553–1611)
Solus in adversis Eccard, Johannes (1553–1611) Appears on: [-] Genres: Motet Source Attribution: Johannis Eccardi Number of voices: 4
[-]	Sonno scendesti In terra	Stefano Felis	Felis, Stefano de Maza Gatto (1538–1603)
Sonno scendesti In terra Felis, Stefano de Maza Gatto (1538–1603) Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Stefano Felis Number of voices: 5
[-]	Souspirs ardens	Arcadet	Arcadelt, Jacques (ca. 1507–1568)
Souspirs ardens Arcadelt, Jacques (ca. 1507–1568) Appears on: [-] Genres: Chanson Source Attribution: Arcadet Number of voices: 4
[-]	Susannen frumb wolten ihr her verletzen (= Susanne un jour)	C. Le jeune	Le Jeune, Claude (ca. 1528–1600)
Susannen frumb wolten ihr her verletzen (= Susanne un jour) Le Jeune, Claude (ca. 1528–1600) Appears on: [-] Genres: Chanson Source Attribution: C. Le jeune Number of voices: 5
[-]	Tantz	-	Anonymous
Tantz Anonymous Appears on: [-] Genres: Dance Number of voices: 3
[-]	Tantz	-	Anonymous
Tantz Anonymous Appears on: [-] Genres: Dance Number of voices: 3
[-]	Tantz	-	Anonymous
Tantz Anonymous Appears on: [-] Genres: Dance Number of voices: 3
[-]	Tantz Diomedes	Diomedes	Cato, Diomedes (ca. 1560–ca. 1618)
Tantz Diomedes Cato, Diomedes (ca. 1560–ca. 1618) Appears on: [-] Genres: Dance Source Attribution: Diomedes Number of voices: 3
[-]	Un pastor chies' ad una ninfa amore	Giovan Verretti	Ferretti, Giovanni
Un pastor chies' ad una ninfa amore Ferretti, Giovanni Appears on: [-] Genres: Madrigal (Italian) Source Attribution: Giovan Verretti Number of voices: 6
[-]	Veni in hortum meum	Johan de Castro	Castro, Jean de (ca. 1540–ca. 1600)
Veni in hortum meum Castro, Jean de (ca. 1540–ca. 1600) Appears on: [-] Genres: Motet Source Attribution: Johan de Castro Number of voices: 5

Composer	Compositions
Anonymous	Diligam te Domine – [-] Domine Deus - 1a pars (of 2): Domine Deus rex magne – [-] Domine Deus - 2a pars (of 2): Exaudi Domine placare Domine – [-] Drei schone Stucke sind – [-] Du hast mich sollen nehmen – [-] Mentre il mio vago – [-] Missa sine nomine (5vv) – [-] Se voi – [-] Sie leuchtet wie die Sonne – [-] Tantz – [-] Tantz – [-] Tantz – [-]
Arcadelt, Jacques (ca. 1507-1568)	Du temps que j'estois amoureux – [-] Souspirs ardens – [-]
Caldarino, Giovanni Francesco	Ancor che col partire – [-]
Castro, Jean de (ca. 1540-ca. 1600)	Veni in hortum meum – [-]
Cato, Diomedes (ca. 1560-ca. 1618)	Tantz Diomedes – [-]
Conversi, Girolamo	Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta) – [-]
Crecquillon, Thomas (ca. 1505-ca. 1557)	Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione – [-] Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea – [-]
Eccard, Johannes (1553-1611)	Aller Welt Sinn und Mut – (65) Es traur was trauren sol – [-] Fer confide Deo – [-] Gut Singer und ein Organist – (71) Hoscha wen woln wir frolich – (31) Man sagt wohl in dem Maien – (16) Man spricht was Gott zusammenfügt – (66) Schwerlangweylich ist mir – (64) Schöns Lieb' was hab' ich dir getan – (32) Solus in adversis – [-]
Felis, Stefano de Maza Gatto (1538-1603)	Infelici occhi miei – [-] Sonno scendesti In terra – [-]
Ferrabosco, Domenico Maria	Ach lieb gross Leid (= Io mi son giovinetta) – [-]
Ferretti, Giovanni	Un pastor chies' ad una ninfa amore – [-]
Lassus, Orlande de (ca. 1532-1594)	Benedictio et claritas et sapientia – [-] In me transierunt irae tuae – [-] Schons Medlein zu dir (= Et d’où venez vous) – [-]
Le Jeune, Claude (ca. 1528-1600)	Susannen frumb wolten ihr her verletzen (= Susanne un jour) – [-]
Marenzio, Luca (ca. 1553-1599)	Al suon de le dolcissime parole – (56) Cantava la piu vaga pastorella – (59) Che fa hoggi il mio sole che fa'l mio – (58) Crudel perche mi fuggi – [-] Degg'io dunque - 1a pars (of 3): Degg'io dunque partire – (60) Degg'io dunque - 2a pars (of 3): Io partiro ma il core – (60) Degg'io dunque - 3a pars (of 3): Ma voi caro ben mio – (60) In quel ben nato aventuroso giorno – [-] La bella ninfa mia ch'al Tebro infiora – (62) Qual vive Salamandra in fiamma ardente – (57) Spuntavan gia - 1a pars (of 2): Spuntavan gia per far il mondo adorno – (61) Spuntavan gia - 2a pars (of 2): Quando il mio vivo sol perch'io – (61)
Maschera, Florentio	(?) 'Maschara' – [-] [Fuga] – [-]
Meiland, Jacob (1542-1577)	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant – (21) Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet – (21) Pierides maesto - 1a pars (of 2): Pierides maesto suffundite – (22) Pierides maesto - 2a pars (of 2): Fovit hic Aonidas – (22)
Merulo, Claudio (1533-1604)	Ancor ch'io possa dire che d'haver – [-] Da bei raggi del sol – [-] Ist keiner hie der spricht (= Tra pure nevi alme) – [-]
Morari (Mortari), Antonio	Aspice Domine – [-]
Palestrina, Giovanni Pierluigi da (1525-1594)	Io son ferito ahi lasso e chi mi diede – [-]
Pallavicino, Benedetto	In dir che sete - 1a pars (of 2): In dir che sete bella scemo le vostre lode – [-] In dir che sete - 2a pars (of 2): I capei de l'Aurora – [-]
Pevernage, Andreas	Benedictio et claritas et spaientia – [-] Oculi omnium – [-] Pater noster qui es in caelis – [-] Si vous m'aimez – [-]
Rore, Cipriano de (ca. 1515-1565)	Ancor che co'l partire io mi sento morire – [-]
Rovigo, Francesco	Fröhlich woll'n wir beginnen (= Liete le muse a l'ombra) – [-]
Sabino, Ippolito	Amor gia prigioniero – [-] Io son ferito - 1a pars (of 2): Io son ferito – [-] Io son ferito - 2a pars (of 2): S'io t'ho ferito – [-] Nun bin ich ganz frö (= Vegg'io) – [-] Rossi fior' vaghi gigli – [-]
Striggio, Alessandro (ca. 1536-1592)	Ach Megdlein junck zu (= Ancor ch'io possa dire (6vv)) – [-] Di questa bionda e vaga treccia – (45) Nasce la pena mia non potendo mirar – (52)
Varotto, Michele	Ardo si, ma non t'amo – [-]
Vento, Ivo de	Ach Maidlein fein – (70) Ich stund an einem Morgen – (68) Ich weiss mir ein feins brauns Magdelein – (69)
Wert, Giaches [Jaches] de (1535-1596)	Me sola il Poda lato – [-] Quiescat vox tua a ploratu – [-]
Winstman, Henning	Es ist dem Menschen nit gegeben – [-]

Composition	Composers (? Uncertain)	Folios / Pages
'Maschara'	Maschera, Florentio (?)	[-]
[Fuga]	Maschera, Florentio	[-]
Ach lieb gross Leid (= Io mi son giovinetta)	Ferrabosco, Domenico Maria	[-]
Ach Maidlein fein	Vento, Ivo de	(70)
Ach Megdlein junck zu (= Ancor ch'io possa dire (6vv))	Striggio, Alessandro (ca. 1536–1592)	[-]
Al suon de le dolcissime parole	Marenzio, Luca (ca. 1553–1599)	(56)
Aller Welt Sinn und Mut	Eccard, Johannes (1553–1611)	(65)
Alma guidott' amar colei ch' ogn' hora lieta (2p. Ma se tempo giamai vera che sciolta)	Conversi, Girolamo	[-]
Amor gia prigioniero	Sabino, Ippolito	[-]
Ancor ch'io possa dire che d'haver	Merulo, Claudio (1533–1604)	[-]
Ancor che co'l partire io mi sento morire	Rore, Cipriano de (ca. 1515–1565)	[-]
Ancor che col partire	Caldarino, Giovanni Francesco	[-]
Ardo si, ma non t'amo	Varotto, Michele	[-]
Aspice Domine	Morari (Mortari), Antonio	[-]
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant	Meiland, Jacob (1542–1577)	(21)
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet	Meiland, Jacob (1542–1577)	(21)
Benedictio et claritas et sapientia	Lassus, Orlande de (ca. 1532–1594)	[-]
Benedictio et claritas et spaientia	Pevernage, Andreas	[-]
Cantava la piu vaga pastorella	Marenzio, Luca (ca. 1553–1599)	(59)
Che fa hoggi il mio sole che fa'l mio	Marenzio, Luca (ca. 1553–1599)	(58)
Crudel perche mi fuggi	Marenzio, Luca (ca. 1553–1599)	[-]
Da bei raggi del sol	Merulo, Claudio (1533–1604)	[-]
Degg'io dunque - 1a pars (of 3): Degg'io dunque partire	Marenzio, Luca (ca. 1553–1599)	(60)
Degg'io dunque - 2a pars (of 3): Io partiro ma il core	Marenzio, Luca (ca. 1553–1599)	(60)
Degg'io dunque - 3a pars (of 3): Ma voi caro ben mio	Marenzio, Luca (ca. 1553–1599)	(60)
Di questa bionda e vaga treccia	Striggio, Alessandro (ca. 1536–1592)	(45)
Diligam te Domine	Anonymous	[-]
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione	Crecquillon, Thomas (ca. 1505–ca. 1557)	[-]
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea	Crecquillon, Thomas (ca. 1505–ca. 1557)	[-]
Domine Deus - 1a pars (of 2): Domine Deus rex magne	Anonymous	[-]
Domine Deus - 2a pars (of 2): Exaudi Domine placare Domine	Anonymous	[-]
Drei schone Stucke sind	Anonymous	[-]
Du hast mich sollen nehmen	Anonymous	[-]
Du temps que j'estois amoureux	Arcadelt, Jacques (ca. 1507–1568)	[-]
Es ist dem Menschen nit gegeben	Winstman, Henning	[-]
Es traur was trauren sol	Eccard, Johannes (1553–1611)	[-]
Fer confide Deo	Eccard, Johannes (1553–1611)	[-]
Fröhlich woll'n wir beginnen (= Liete le muse a l'ombra)	Rovigo, Francesco	[-]
Gut Singer und ein Organist	Eccard, Johannes (1553–1611)	(71)
Hoscha wen woln wir frolich	Eccard, Johannes (1553–1611)	(31)
Ich stund an einem Morgen	Vento, Ivo de	(68)
Ich weiss mir ein feins brauns Magdelein	Vento, Ivo de	(69)
In dir che sete - 1a pars (of 2): In dir che sete bella scemo le vostre lode	Pallavicino, Benedetto	[-]
In dir che sete - 2a pars (of 2): I capei de l'Aurora	Pallavicino, Benedetto	[-]
In me transierunt irae tuae	Lassus, Orlande de (ca. 1532–1594)	[-]
In quel ben nato aventuroso giorno	Marenzio, Luca (ca. 1553–1599)	[-]
Infelici occhi miei	Felis, Stefano de Maza Gatto (1538–1603)	[-]
Io son ferito - 1a pars (of 2): Io son ferito	Sabino, Ippolito	[-]
Io son ferito - 2a pars (of 2): S'io t'ho ferito	Sabino, Ippolito	[-]
Io son ferito ahi lasso e chi mi diede	Palestrina, Giovanni Pierluigi da (1525–1594)	[-]
Ist keiner hie der spricht (= Tra pure nevi alme)	Merulo, Claudio (1533–1604)	[-]
La bella ninfa mia ch'al Tebro infiora	Marenzio, Luca (ca. 1553–1599)	(62)
Man sagt wohl in dem Maien	Eccard, Johannes (1553–1611)	(16)
Man spricht was Gott zusammenfügt	Eccard, Johannes (1553–1611)	(66)
Me sola il Poda lato	Wert, Giaches [Jaches] de (1535–1596)	[-]
Mentre il mio vago	Anonymous	[-]
Missa sine nomine (5vv)	Anonymous	[-]
Nasce la pena mia non potendo mirar	Striggio, Alessandro (ca. 1536–1592)	(52)
Nun bin ich ganz frö (= Vegg'io)	Sabino, Ippolito	[-]
Oculi omnium	Pevernage, Andreas	[-]
Pater noster qui es in caelis	Pevernage, Andreas	[-]
Pierides maesto - 1a pars (of 2): Pierides maesto suffundite	Meiland, Jacob (1542–1577)	(22)
Pierides maesto - 2a pars (of 2): Fovit hic Aonidas	Meiland, Jacob (1542–1577)	(22)
Qual vive Salamandra in fiamma ardente	Marenzio, Luca (ca. 1553–1599)	(57)
Quiescat vox tua a ploratu	Wert, Giaches [Jaches] de (1535–1596)	[-]
Rossi fior' vaghi gigli	Sabino, Ippolito	[-]
Schons Medlein zu dir (= Et d’où venez vous)	Lassus, Orlande de (ca. 1532–1594)	[-]
Schwerlangweylich ist mir	Eccard, Johannes (1553–1611)	(64)
Schöns Lieb' was hab' ich dir getan	Eccard, Johannes (1553–1611)	(32)
Se voi	Anonymous	[-]
Si vous m'aimez	Pevernage, Andreas	[-]
Sie leuchtet wie die Sonne	Anonymous	[-]
Solus in adversis	Eccard, Johannes (1553–1611)	[-]
Sonno scendesti In terra	Felis, Stefano de Maza Gatto (1538–1603)	[-]
Souspirs ardens	Arcadelt, Jacques (ca. 1507–1568)	[-]
Spuntavan gia - 1a pars (of 2): Spuntavan gia per far il mondo adorno	Marenzio, Luca (ca. 1553–1599)	(61)
Spuntavan gia - 2a pars (of 2): Quando il mio vivo sol perch'io	Marenzio, Luca (ca. 1553–1599)	(61)
Susannen frumb wolten ihr her verletzen (= Susanne un jour)	Le Jeune, Claude (ca. 1528–1600)	[-]
Tantz	Anonymous	[-]
Tantz	Anonymous	[-]
Tantz	Anonymous	[-]
Tantz Diomedes	Cato, Diomedes (ca. 1560–ca. 1618)	[-]
Un pastor chies' ad una ninfa amore	Ferretti, Giovanni	[-]
Veni in hortum meum	Castro, Jean de (ca. 1540–ca. 1600)	[-]

Set: Tyska Kyrhans Samling 32

Type: Partbooks

No images available

S-Skma Tyska Kyrkans Samling 32 [Bassus]

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S-Skma Tyska Kyrkans Samling 32 [Discantus]

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S-Skma Tyska Kyrkans Samling 32 [Sextus]

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S-Skma Tyska Kyrkans Samling 32 [Tenor]

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Ruling Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description