A single Tenor partbook. Main scribe was possibly Guillelmus Pallafoxius, whose name appears on recto of front flyleaf (variant scripts in main corpus may reflect evolution of one hand over extended period, or may be work of two scribes); last three pieces apparently slightly later additions by a different hand. Presumably copied in Saragossa. Early owner (possibly original owner and compiler) was Guillelmus Pallafoxius, whose name appears on front flyleaf.
E-Zvp Armario B-2, MS 34
Iglesias Metropolitana de la Virgen del Pilar, Archivo Musical, Zaragoza, Spain
partbook: Last third of 16th century
| Archive | Iglesias Metropolitana de la Virgen del Pilar, Archivo Musical, Zaragoza, Spain (E-Zvp) |
|---|---|
| Shelfmark | Armario B-2, MS 34 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 135 x 205 mm |
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| Notations |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists |
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| Provenance |
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| Contents | Contains 3 compositions from 2 composers. Contains uninventoried compositions from 24 composers. |
General Description
Binding
Original covers of tan parchment, with leather strips on spine.
Watermark
No watermarks visible
Notation
black void mensural
Ruling
Staff height 13-14mm
Foliation
Original ink foliation, 1-132 (f. 84 torn out, f. 56 not numbered but counted as such in enumeration); new pencil foliation, 133-134.
Foliation
Other numberings: Original ink numbering of pieces, 1-94 (last piece not numbered; '83' and '92' omitted).
Decoration
One inked calligraphic initial on f. 1; no other decoration.
Index
Original index on ff. [ii-iii] lists pieces in order of appearance (last three motets not listed).
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
9 hymns, 1 Lamentation, 83 motets = 93
R. Ceballos [Cavallos]-1, Clemens non Papa-2, Çorita-1, Dentice [Fabricio de Entichi]-1, D. Ferrabosco-1, Gay-1, P. Guerrero-1, Jaquet of Mantua [Jachet]/(Lupus)-1, Jhan of Ferrara [Mestre Jhan]-1, Lassus-5, Lattre [Petit Jan de lambre]-1, Philippe de Monte-1, Morales-17, Morales/(Craen/C. Festa/A. Févin/Josquin)-1, Navarro of Seville-5, Palestrina-3, Perez-37, B. Ribera-6, Ruffo-5, Vicente-2
1 paper partbook (T-iv + 133 + iv folios), 135 x 205. Original ink foliation, 1-132 (f. 84 torn out, f. 56 not numbered but counted as such in enumeration); new pencil foliation, 133-134. Original ink numbering of pieces, 1-94 (last piece not numbered; "83" and "92" omitted). Original covers of tan parchment, with leather strips on spine. Original index on ff. [ii-iii] lists pieces in order of appearance (last three motets not listed).
Main scribe possibly Guillelmus Pallafoxius, whose name appears on recto of front flyleaf (variant scripts in main corpus may reflect evolution of one hand over extended period, or may be work of two scribes); last three pieces apparently slightly later additions by a different hand. Staff height 13-14. One inked calligraphic initial on f. 1; no other decoration. No watermarks visible.
Last third of 16th century (date 1570 on f. 29). Presumably copied in Saragossa. Early owner (possibly original owner and compiler) was Guillelmus Pallafoxius, whose name appears on front flyleaf.
Vol 4
Composers: Change "Navarro of Seville-5" to "Navarro of Seville-3, Navarro of Seville/(Lassus)-2."
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‡ denotes primary source study
Ceulemans, Anne-Emmanuelle, and Agostino Magro (editors). 2016. Anon., Missa Sancta Trinitas (4 vv) and Antoine de Févin: Sancta Trinitas (4 vv), from Tournai, Archives et bibliothèque de la cathédrale, ms. A 58. Le Corpus des Messes Anonymes du XVe siècle', gen. ed. Agostino Magro. published online by the Centre d'études supérieures de la Renaissance (Tours): Ricercar. Pages: vii, fn. 26. Notes: identification of Sancta Trinitas motet.
Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44. Detroit. Pages: 28-9, 68-9. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).
Crawford, David Eugene. 1977. Two Choirbooks of Renaissance Polyphony at the Monasterio de nuestra Sefiora of Guadalupe. Fontes Artis Musicae, 24: 145-74. Pages: 165-6. Notes: contents list (partial); concordances (partial); incipits (partial).
Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 137, 166. Notes: contents list (partial); concordances (partial).
Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I. Kassel and Basel. Pages: 837. Notes: physical description (partial).
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description