E-Zvp Armario B-2, MS 34

Iglesias Metropolitana de la Virgen del Pilar, Archivo Musical, Zaragoza (Saragossa), Spain

partbook: Last third of 16th century

Archive	Iglesias Metropolitana de la Virgen del Pilar, Archivo Musical, Zaragoza (Saragossa), Spain (E-Zvp)
Shelfmark	Armario B-2, MS 34
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	135 x 205 mm
Other Identifiers	CCM: SaraP 34
Notations	black void mensural
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists	Pallafoxius, Guillelmus Music
Relationships	Pallafoxius, Guillelmus (mentioned in liminary text)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database
Provenance	Spain
Contents	Contains uninventoried compositions from 24 composers.

General Description

A single Tenor partbook. Main scribe was possibly Guillelmus Pallafoxius, whose name appears on recto of front flyleaf (variant scripts in main corpus may reflect evolution of one hand over extended period, or may be work of two scribes); last three pieces apparently slightly later additions by a different hand. Presumably copied in Saragossa. Early owner (possibly original owner and compiler) was Guillelmus Pallafoxius, whose name appears on front flyleaf.

DIAMM, 2017

Binding

Original covers of tan parchment, with leather strips on spine.

DIAMM, 2017

Watermark

No watermarks visible

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 13-14mm

DIAMM, 2017

Foliation

Original ink foliation, 1-132 (f. 84 torn out, f. 56 not numbered but counted as such in enumeration); new pencil foliation, 133-134.

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, 1-94 (last piece not numbered; '83' and '92' omitted).

DIAMM, 2017

Decoration

One inked calligraphic initial on f. 1; no other decoration.

DIAMM, 2017

Index

Original index on ff. [ii-iii] lists pieces in order of appearance (last three motets not listed).

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 hymns, 1 Lamentation, 83 motets = 93

R. Ceballos [Cavallos]-1, Clemens non Papa-2, Çorita-1, Dentice [Fabricio de Entichi]-1, D. Ferrabosco-1, Gay-1, P. Guerrero-1, Jaquet of Mantua [Jachet]/(Lupus)-1, Jhan of Ferrara [Mestre Jhan]-1, Lassus-5, Lattre [Petit Jan de lambre]-1, Philippe de Monte-1, Morales-17, Morales/(Craen/C. Festa/A. Févin/Josquin)-1, Navarro of Seville-5, Palestrina-3, Perez-37, B. Ribera-6, Ruffo-5, Vicente-2

1 paper partbook (T-iv + 133 + iv folios), 135 x 205. Original ink foliation, 1-132 (f. 84 torn out, f. 56 not numbered but counted as such in enumeration); new pencil foliation, 133-134. Original ink numbering of pieces, 1-94 (last piece not numbered; "83" and "92" omitted). Original covers of tan parchment, with leather strips on spine. Original index on ff. [ii-iii] lists pieces in order of appearance (last three motets not listed).

Main scribe possibly Guillelmus Pallafoxius, whose name appears on recto of front flyleaf (variant scripts in main corpus may reflect evolution of one hand over extended period, or may be work of two scribes); last three pieces apparently slightly later additions by a different hand. Staff height 13-14. One inked calligraphic initial on f. 1; no other decoration. No watermarks visible.

Last third of 16th century (date 1570 on f. 29). Presumably copied in Saragossa. Early owner (possibly original owner and compiler) was Guillelmus Pallafoxius, whose name appears on front flyleaf.

Vol 4

Composers: Change "Navarro of Seville-5" to "Navarro of Seville-3, Navarro of Seville/(Lassus)-2."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known composers

Composers (? Uncertain)	Folios / Pages	Item title	Attribution in Source
Works by Ceballos, Rodrigo de (ca. 1525–1581)	[-]	-	-
Works by Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]	-	-
Works by Zorita, Nicasio	[-]	-	-
Works by Dentici, Fabritio	[-]	-	-
Works by Ferrabosco, Domenico Maria	[-]	-	-
Works by Gay, John	[-]	-	-
Works by Guerrero, Pedro	[-]	-	-
Works by Hellinck, Lupus (ca. 1494–1541) (?) Mantua, Jacquet de (1483–1559) (?)	[-]	-	-
Works by Ferrara, Maistre Jhan of (ca. 1485–1538)	[-]	-	-
Works by Lassus, Orlande de (ca. 1532–1594)	[-]	-	-
Works by Petit (de Latre), Jehan	[-]	-	-
Works by Monte, Philippe de	[-]	-	-
Works by Morales, Cristóbal de (ca. 1500–1553)	[-]	-	-
Works by Despres, Josquin (ca. 1450–1521) (?) Festa, Costanzo (ca. 1485–1545) (?) Festa, Andreas (?) Craen, Nicolaus (ca. 1440–1502) (?) Morales, Cristóbal de (ca. 1500–1553) (?)	[-]	-	-
Works by Navarro 'of Seville/Hispalensis', Juan	[-]	-	-
Works by Palestrina, Giovanni Pierluigi da (1525–1594)	[-]	-	-
Works by Perez, Juan (1604–ca. 1702)	[-]	-	-
Works by Ribera, Antonio de	[-]	-	-
Works by Ruffo, Vincenzo (ca. 1508–1587)	[-]	-	-
Works by Vicente, Gil	[-]	-	-

‡ denotes primary source study

Ceulemans, Anne-Emmanuelle, and Agostino Magro (editors). 2016. Anon., Missa Sancta Trinitas (4 vv) and Antoine de Févin: Sancta Trinitas (4 vv), from Tournai, Archives et bibliothèque de la cathédrale, ms. A 58. Le Corpus des Messes Anonymes du XVe siècle', gen. ed. Agostino Magro. published online by the Centre d'études supérieures de la Renaissance (Tours): Ricercar. Pages: vii, fn. 26. Notes: identification of Sancta Trinitas motet.

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44. Detroit. Pages: 28-9, 68-9. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Crawford, David Eugene. 1977. Two Choirbooks of Renaissance Polyphony at the Monasterio de nuestra Sefiora of Guadalupe. Fontes Artis Musicae, 24: 145-74. Pages: 165-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 137, 166. Notes: contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I. Kassel and Basel. Pages: 837. Notes: physical description (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description