D-ROu Mus. Saec. XVI-71/3 (1)

Universitätsbibliothek Rostock, Rostock, Germany

partbook: 2nd half of 16th century

Archive Universitätsbibliothek Rostock, Rostock, Germany (D-ROu)
Shelfmark Mus. Saec. XVI-71/3 (1)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Measurements 220 x 165 mm
Other Identifiers
  • CCM: RosU 71/3/1
Copyists
External Links
Provenance
  • Rostock? Bavaria, Germany
Contents Contains 25 compositions, 13 from 6 composers, 12 are anonymous.
General Description

A Dsicantus partbook from an incomplete set. Copied by a single scribe, who also wrote RosU 35, 40, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/2 and 71/4. Probably copied in Rostock.

DIAMM, 2017
Binding

None.

DIAMM, 2017
Watermark

(1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

modern pencil foliation

DIAMM, 2025
Decoration

None.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 2 hymns, 5 motets = 10

(Baston)-1, (Clemens non Papa)-1, Josquin-1, (Kropstein)-1, anon-6

2 paper partbooks (D-23 folios, B-24), 220 x 165. No foliation, pagination, or numbering of pieces. No covers. No index. Copied by a single scribe, who also wrote RosU 35, 40, 46, 60, 71/1, 71/5, and portions of RosU 71/2 and 71/4. No initials or decoration. Watermarks: (1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138.

Second half of 16th century. Probably copied in Rostock.

Vol 4

Composers: Change "(Bastón)-1" to "(Baston/Cleve)-1 "; add "(Rein)-1"; change "anon-6" to "anon-5."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Missa Ecce quam bonum: Kyrie [Clemens non Papa]
Appears on: 1–1v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Clemens non Papa]
Voice: Discantus
Languages: Greek
Mensuration: cut-c
Clef: c1
Voice Text: [Missa Ecce quam bonum] Kirie eleyson
General Note

Kyrie II also has text of Agnus I underlaid

1v Missa Ecce quam bonum: Agnus dei -
Appears on: 1v
Voice: Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Agnus Dei
General Note

Kyrie II also has text of Agnus I underlaid

1v–3 Missa Ecce quam bonum: Gloria -
Appears on: 1v–3
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [Discantus]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Et in terra pax hominibus
3 Verbum caro factum est et habitavit - Anonymous
Appears on: 3
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: g2
Voice Text: Verbum caro factum est et habitavit
3v Resonet in laudibus cum jocundis plausibus - Anonymous
Appears on: 3v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Resonet in laudibus cum iucundis plausibus
3v–4 Magnum nomen Domini Emanuel quod annuntiatum - Anonymous
Appears on: 3v–4
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: o-dot
Clef: g2
Voice Text: Magnum nomen domini Emanuel quod annunciatum
4–4v Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) - Anonymous
Appears on: 4–4v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
5–5v Missa Ecce quam bonum: Sanctus -
Appears on: 5–5v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Sanctus dominus deus sabaoth
5v–6 Missa Ecce quam bonum: Agnus dei -
Appears on: 5v–6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Agnus Dei
General Note

texts of Agnus I & II underlaid

6–6v Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena [Baston/Cleve]
Appears on: 6–6v
Genres: Motet
Source Attribution: [Baston/Cleve]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Dum transisset sabathum Maria Magdalena
6v–7 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: 6v–7
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: secunda pars : Et valde mane una sabatorum
7v Missa Sine nomine: Kyrie - Anonymous
Appears on: 7v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Greek
Mensuration: c
Clef: c1
Voice Text: [Missa Sine nomine] Kyrie eleisonn
8–8v Missa Sine nomine: Gloria - Anonymous
Appears on: 8–8v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Et in terra pax hominibus
9–9v Missa Sine nomine: Credo - Anonymous
Appears on: 9–9v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Factorem caeli et terrae
10–10v Missa Sine nomine: Sanctus - Anonymous
Appears on: 10–10v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Sanctus dominus deus Sabaoth
10v–11v Missa Sine nomine: Agnus Dei - Anonymous
Appears on: 10v–11v
Genres: Agnus Dei, Mass Ordinary
Voice: Discantus primus
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Agnus dei

Voice: Secundus Discantus
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Agnus dei ... dona nobis pacem
Layout

In Agnus III Primus & Secundus discantus are copied sequentially

12 A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum 6 Foeno jacere pertulit praesepe 8 Summo parenti gloria eiusque soli [Kropstein]
Appears on: 12
Genres: Motet
Source Attribution: [Kropstein]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: [A solus ortus cardine] 2 Beatus auctor saeculi servile corpus 4 Domus pudici pectoris templum repente 6 Feno iacere pertulit praesepe 8 Summo parenti gloria natoque quam maxima
Layout

Text of 4 verses underlaid to the same music

14 Pange lingua gloriosum corporis misterium - Anonymous
Appears on: 14
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Pange lingua gloriosum corporis misterium
14–14v Missa Pange lingua 4.3: Kyrie Josquini
Appears on: 14–14v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Josquini
Voice: [no designation]
Languages: Greek
Mensuration: cut-c
Clef: c1
Voice Text: Missa super Pange lingua : Kyrie eleison
14v–15v Missa Pange lingua 4.3: Gloria -
Appears on: 14v–15v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Et in terra pax hominibus
15v–17 Missa Pange lingua 4.3: Credo -
Appears on: 15v–17
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Patrem omnipotentem factorem caeli et terrae
17–18 Missa Pange lingua 4.3: Sanctus -
Appears on: 17–18
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Sanctus dominus deus sabaoth
18–18v Missa Pange lingua 4.3: Agnus Dei -
Appears on: 18–18v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Agnus dei
18v–19v Trinitas inenarrabilis unitas pater filius - Anonymous
Appears on: 18v–19v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g3
Voice Text: Trinitas inenarrabilis unitas pater filius spiritus sanctus
19v–20 Beatam trinitatem - 1a pars (of 2): Beatam trinitatem patrem et filium (= O trinitas et Deitas alma tibi omnes [Rein]
Appears on: 19v–20
Genres: Contrafactum, Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Beatam trinitatem patrem et filium et spiritum sanctum
20–20v Beatam trinitatem - 2a pars (of 2): Miserere populo tuo sanguine Christus (= Miserere qui passus) -
Appears on: 20–20v
Genres: Contrafactum, Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Miserere populo tuo sanguine Christi redemptoris
Composer Compositions
Anonymous
Baston, Josquin (1542–63)
Clemens non Papa, Jacob (ca. 1510-ca. 1556)
Cleve, Johannes de (ca. 1528-1582)
Despres, Josquin (ca. 1450-1521)
Kropstein, Nikolaus
Rein, Conrad (ca. 1475-1522)
Composition Composers (? Uncertain) Folios / Pages
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum 6 Foeno jacere pertulit praesepe 8 Summo parenti gloria eiusque soli 12
Beatam trinitatem - 1a pars (of 2): Beatam trinitatem patrem et filium (= O trinitas et Deitas alma tibi omnes 19v–20
Beatam trinitatem - 2a pars (of 2): Miserere populo tuo sanguine Christus (= Miserere qui passus) 20–20v
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 6–6v
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 6v–7
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) Anonymous 4–4v
Magnum nomen Domini Emanuel quod annuntiatum Anonymous 3v–4
Missa Ecce quam bonum: Agnus dei 1v
Missa Ecce quam bonum: Agnus dei 5v–6
Missa Ecce quam bonum: Gloria 1v–3
Missa Ecce quam bonum: Kyrie 1–1v
Missa Ecce quam bonum: Sanctus 5–5v
Missa Pange lingua 4.3: Agnus Dei 18–18v
Missa Pange lingua 4.3: Credo 15v–17
Missa Pange lingua 4.3: Gloria 14v–15v
Missa Pange lingua 4.3: Kyrie 14–14v
Missa Pange lingua 4.3: Sanctus 17–18
Missa Sine nomine: Agnus Dei Anonymous 10v–11v
Missa Sine nomine: Credo Anonymous 9–9v
Missa Sine nomine: Gloria Anonymous 8–8v
Missa Sine nomine: Kyrie Anonymous 7v
Missa Sine nomine: Sanctus Anonymous 10–10v
Pange lingua gloriosum corporis misterium Anonymous 14
Resonet in laudibus cum jocundis plausibus Anonymous 3v
Trinitas inenarrabilis unitas pater filius Anonymous 18v–19v
Verbum caro factum est et habitavit Anonymous 3

Set: Mus. Saec. XVI-71/3 (1-2)

Type: Partbooks

No images available

D-ROu Mus. Saec. XVI-71/3 (1)

No images available

D-ROu Mus. Saec. XVI-71/3 (2)

denotes primary source study

Gaehtgens, W Th. 1940-41. Die alten Musikalien der Universitätsbibliothek und die Kirchenmusik in Alt-Rostock. Beiträge zur Geschichte der Stadt Rostock, 22: 164-81. Pages: 169, 171. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description