D-ROu Mus. Saec. XVI-71/2 (1)

Universitätsbibliothek Rostock, Rostock, Germany

partbook: 2nd half of 16th century

Archive Universitätsbibliothek Rostock, Rostock, Germany (D-ROu)
Shelfmark Mus. Saec. XVI-71/2 (1)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Measurements 220 x 155-65 mm
Other Identifiers
  • CCM: RosU 71/2/1
Copyists
External Links
Provenance
  • Rostock? Bavaria, Germany
Contents 26 pieces from 5 composers
General Description

An Altus partbook from an incomplete set of four volumes. Copied by three scribes, one of whom also wrote RosU 35, 40, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/4. Probably copied in Rostock.

DIAMM, 2017
Binding

No covers.

DIAMM, 2017
Watermark

Watermarks: (1) wild boar (not in Briquet); (2) generally resembles Briquet #15138; (3) generally resembles Briquet #8827; (4) generally resembles Briquet #12272.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: No numbering of pieces.

DIAMM, 2017
Foliation

No foliation or pagination, or numbering of pieces.

DIAMM, 2017
Decoration

A few inked calligraphic initials

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 8 Magnificats, 1 office hymn, 2 processional hymns, 6 motets, 1 German sacred piece, 2 textless pieces = 21

(Clemens non Papa)-1, (Gombert)-1, (Josquin)-1, (Verdelot/Walter)-1, (Walter)-1, anon-16

4 paper partbooks (A-39 folios, Q/T-12 + 34, Q-23, S-19), 220 x 155-65. Twelve folios of Q book now incorrectly bound with T book. No foliation, pagination, or numbering of pieces. No covers. No index. Copied by three scribes, one of whom also wrote RosU 35, 40, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/4. A few inked calligraphic initials. Watermarks: (1) wild boar (not in Briquet); (2) generally resembles Briquet #15138; (3) generally resembles Briquet #8827; (4) generally resembles Briquet #12272.

Second half of 16th century. Probably copied in Rostock.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–2v Gloria laus Et honor tibi sit rex Christe 2 Israel es tu rex Davidis 3 Coetus in excelsis te laudat 4 Plebs Hebrea tibi cum palmis 5 Hi tibi passuro solvebant 6 Hi placuere tibi placeat devotio nostra - Anonymous
Appears on: 2–2v
Genres: Hymn
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Gloria laus] Et honor tibi sit rex Christe 2 Israel es tu rex Davidis 3 Coetus in excelsis te laudat 4 Plebs Hebrea tibi cum palmis 5 Hi tibi passuro solvebant 6 Hi placuere tibi placeat devotio nostra,
General Note

texts for vv 2, 4, 6 underlaid to the same music, and verses 3, 5 to another musical phrase

2v–3v Salve festa dies toto venerabilis evo - Anonymous
Appears on: 2v–3v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Salve festa dies toto venerabilis evo
3v Pange lingua gloriosi 2 Nobis natus nobis datus ex intacta 4 In supreme nocte cenae recumbens 5 Tantum ergo sacramentum veneremur cernui - Anonymous
Appears on: 3v
Genres: Hymn
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Pange lingua gloriosi] 2 Nobis natus 4 In supreme noctis 5 Tantum ergo [text incipits only]
General Note

The 3 verses use the same music

3v–4 Inviolata integra et casta es 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria [Josquin]
Appears on: 3v–4
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [Variant text here:] Inviolata est Maria Iesu Christi mater
4–4v Inviolata integra et casta es 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit -
Appears on: 4–4v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Variant text here:] Secunda pars : Quare celebremus Deum Iesum filium
4v Inviolata integra et casta es 24.4 - 3a pars (of 3): O benigna o regina o Maria -
Appears on: 4v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Variant text here:] Tercia pars : O stupendam O mirandam bonitatem
4v–5 Constitues eos principes super omnem terram [Gombert]
Appears on: 4v–5
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Constitues eos principes super omnem terram
5v–7 Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) [Walter]
Appears on: 5v–7
Genres: Motet
Source Attribution: [Walter]
Voice: Tertia vox
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Vivat vivat Johannes

Voice: Quarta vox
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Beati immaculati in via qui ambulant in lege II: Utinam dirigantur viae meae III: Benedictus es domine doce me IV: Inclina cor meum in testimonia tua V: Eructabunt labia mea hymnum cum docueris
General Note

2 voice parts copied on each opening: Tertia Vox, a short c.f. "Vivat Johannes, dux Saxoniae" etc; and Quarta Vox, the psalm text

7v–8 Missa Sine nomine: Kyrie - Anonymous
Appears on: 7v–8
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Greek
Mensuration: cut-c
Clef: c2
Voice Text: [Missa Sine nomine] Kyrie eleyson
8v–9 Missa Sine nomine: Gloria - Anonymous
Appears on: 8v–9
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Et in terra pax hominibus
9–10v Missa Sine nomine: Credo - Anonymous
Appears on: 9–10v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Patrem omnipotentem factorem caeli et terre
10v–11v Missa Sine nomine: Sanctus - Anonymous
Appears on: 10v–11v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Sanctus Dominus Deus Sabbaoth
11v–12 Missa Sine nomine: Agnus Dei - Anonymous
Appears on: 11v–12
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Agnus Dei
13v–14 Advenit ignis divinus - 1a pars (of 2): Advenit ignis divinus non comburens [Clemens non Papa]
Appears on: 13v–14
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Advenit [text incipit only]
14v Advenit ignis divinus - 2a pars (of 2): Misit eos in mundum universum -
Appears on: 14v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: secunda pars : Misit eos [text incipit only]
15v–16 Ut re my fa so la - Anonymous

Ut re my fa so la

Anonymous
Appears on: 15v–16
Genres: Secular, textless
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: Ut re my fa so la
16v–17 Vater unser im Himmelreich, der du uns - Anonymous
Appears on: 16v–17
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c3
Voice Text: textless
17v–18 Es ist das heil uns komen her von gnad - Anonymous
Appears on: 17v–18
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c2
Voice Text: textless
19–21 Magnificat primi toni: Et exultavit spiritus meus - Anonymous
Appears on: 19–21
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Magnificat] Primi toni: Et exultavit spiritus meus
21v–23v Magnificat Secundi Toni: Et exultavit spiritus meus - Anonymous
Appears on: 21v–23v
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Magnificat] Secundi Toni: Et exultavit spiritus meus
23v–26v Magnificat Tertii Toni: Et exultavit spiritus meus - Anonymous
Appears on: 23v–26v
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Magnificat] Tertii toni: Et exultavit spiritus meus
26v–29 Magnificat Quarti Toni: Et exultavit spiritus meus - Anonymous
Appears on: 26v–29
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Magnificat] Quarti toni: Et exultavit spiritus meus
29–31 Magnificat Quinti Toni: Et exultavit spiritus meus - Anonymous
Appears on: 29–31
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Magnificat] Quinti toni: Et exultavit spiritus meus
31–33 Magnificat Sexti Toni: Et exultavit spiritus meus - Anonymous
Appears on: 31–33
Genres: Secular
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Magnificat] Sexti toni: Et exultavit spiritus meus
33–35 Magnificat Septimi Toni: Et exultavit spiritus meus - Anonymous
Appears on: 33–35
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Magnificat] Septimi toni: Et exultavit spiritus meus
35v–37 Magnificat Octavi Toni: Et exultavit spiritus meus - Anonymous
Appears on: 35v–37
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Magnificat] Octavi toni: Et exultavit spiritus meus
Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510-ca. 1556)
Despres, Josquin (ca. 1450-1521)
Gombert, Nicolas (ca. 1495-ca. 1560)
Walter, Johann (1496-1570)
Composition Composers (? Uncertain) Folios / Pages
Advenit ignis divinus - 1a pars (of 2): Advenit ignis divinus non comburens 13v–14
Advenit ignis divinus - 2a pars (of 2): Misit eos in mundum universum 14v
Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) 5v–7
Constitues eos principes super omnem terram 4v–5
Es ist das heil uns komen her von gnad Anonymous 17v–18
Gloria laus Et honor tibi sit rex Christe 2 Israel es tu rex Davidis 3 Coetus in excelsis te laudat 4 Plebs Hebrea tibi cum palmis 5 Hi tibi passuro solvebant 6 Hi placuere tibi placeat devotio nostra Anonymous 2–2v
Inviolata integra et casta es 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria 3v–4
Inviolata integra et casta es 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit 4–4v
Inviolata integra et casta es 24.4 - 3a pars (of 3): O benigna o regina o Maria 4v
Magnificat Octavi Toni: Et exultavit spiritus meus Anonymous 35v–37
Magnificat primi toni: Et exultavit spiritus meus Anonymous 19–21
Magnificat Quarti Toni: Et exultavit spiritus meus Anonymous 26v–29
Magnificat Quinti Toni: Et exultavit spiritus meus Anonymous 29–31
Magnificat Secundi Toni: Et exultavit spiritus meus Anonymous 21v–23v
Magnificat Septimi Toni: Et exultavit spiritus meus Anonymous 33–35
Magnificat Sexti Toni: Et exultavit spiritus meus Anonymous 31–33
Magnificat Tertii Toni: Et exultavit spiritus meus Anonymous 23v–26v
Missa Sine nomine: Agnus Dei Anonymous 11v–12
Missa Sine nomine: Credo Anonymous 9–10v
Missa Sine nomine: Gloria Anonymous 8v–9
Missa Sine nomine: Kyrie Anonymous 7v–8
Missa Sine nomine: Sanctus Anonymous 10v–11v
Pange lingua gloriosi 2 Nobis natus nobis datus ex intacta 4 In supreme nocte cenae recumbens 5 Tantum ergo sacramentum veneremur cernui Anonymous 3v
Salve festa dies toto venerabilis evo Anonymous 2v–3v
Ut re my fa so la Anonymous 15v–16
Vater unser im Himmelreich, der du uns Anonymous 16v–17

Set: Mus. Saec. XVI-71/2 (1-4)

Type: Partbooks

No images available

D-ROu Mus. Saec. XVI-71/2 (1)

No images available

D-ROu Mus. Saec. XVI-71/2 (2)

No images available

D-ROu Mus. Saec. XVI-71/2 (3)

No images available

D-ROu Mus. Saec. XVI-71/2 (4-5)

denotes primary source study

Gaehtgens, W Th. 1940-41. Die alten Musikalien der Universitätsbibliothek und die Kirchenmusik in Alt-Rostock. Beiträge zur Geschichte der Stadt Rostock, 22: 164-81. Pages: 169, 171. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description