D-ROu Mus. Saec. XVI-71/2 (1)

Universitätsbibliothek Rostock, Rostock, Germany

partbook: 2nd half of 16th century

Archive	Universitätsbibliothek Rostock, Rostock, Germany (D-ROu)
Shelfmark	Mus. Saec. XVI-71/2 (1)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None
Measurements	220 x 155-65 mm
Other Identifiers	CCM: RosU 71/2/1
Copyists	scribal concordance [108], scribe of the Rostock partbooks Text and Music
Provenance	Rostock? Bavaria, Germany
Contents	21 pieces from 6 composers

General Description

An Altus partbook from an incomplete set of four volumes. Copied by three scribes, one of whom also wrote RosU 35, 40, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/4. Probably copied in Rostock.

DIAMM, 2017

Binding

No covers.

DIAMM, 2017

Watermark

Watermarks: (1) wild boar (not in Briquet); (2) generally resembles Briquet #15138; (3) generally resembles Briquet #8827; (4) generally resembles Briquet #12272.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Other numberings: No numbering of pieces.

DIAMM, 2017

Foliation

No foliation or pagination, or numbering of pieces.

DIAMM, 2017

Decoration

A few inked calligraphic initials

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 8 Magnificats, 1 office hymn, 2 processional hymns, 6 motets, 1 German sacred piece, 2 textless pieces = 21

(Clemens non Papa)-1, (Gombert)-1, (Josquin)-1, (Verdelot/Walter)-1, (Walter)-1, anon-16

4 paper partbooks (A-39 folios, Q/T-12 + 34, Q-23, S-19), 220 x 155-65. Twelve folios of Q book now incorrectly bound with T book. No foliation, pagination, or numbering of pieces. No covers. No index. Copied by three scribes, one of whom also wrote RosU 35, 40, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/4. A few inked calligraphic initials. Watermarks: (1) wild boar (not in Briquet); (2) generally resembles Briquet #15138; (3) generally resembles Briquet #8827; (4) generally resembles Briquet #12272.

Second half of 16th century. Probably copied in Rostock.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[-]	Gloria laus Et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclita III: Plebs Hebrea tibi cum palmis IV: Hi placuere tibi placeat devotio nostra	Anon.	Anonymous
Gloria laus Et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclita III: Plebs Hebrea tibi cum palmis IV: Hi placuere tibi placeat devotio nostra Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria laus] Et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclita III: Plebs Hebrea tibi cum palmis IV: Hi placuere tibi placeat devotio nostra
[-]	Salve festa dies toto venerabilis evo	Anon.	Anonymous
Salve festa dies toto venerabilis evo Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis evo
[-]	Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 4 In supreme nocte cenae recumbens 5 Tantum ergo sacramentum veneremur cernui	Anon.	Anonymous
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 4 In supreme nocte cenae recumbens 5 Tantum ergo sacramentum veneremur cernui Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Pange lingua gloriosi corporis mysterium] 2 Nobis natus [nobis datus ex intacta] 4 In supreme [nocte cenae recumbens] 5 Tantum ergo [sacramentum veneremur cernui]
[-]	Inviolata est Maria Iesu Christi mater 24.4 (2p. Quare celebremus deum Iesum filium; 3p. O stupendam O mirandam bonitatem)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Inviolata est Maria Iesu Christi mater 24.4 (2p. Quare celebremus deum Iesum filium; 3p. O stupendam O mirandam bonitatem) Despres, Josquin (ca. 1450–1521) Appears on: [-] Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Inviolata est Maria Iesu Christi mater 24.4 II: Quare celebremus deum Iesum filium III: O stupendam O mirandam bonitatem [= Inviolata integra et casta es Maria]
[-]	Constitues eos principes super omnem terram	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Constitues eos principes super omnem terram Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: [-] Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: Constitues eos principes super omnem terram
[-]	Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris	[Walter]	Walter, Johann (1496–1570)
Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris Walter, Johann (1496–1570) Appears on: [-] Genres: Psalm Source Attribution: [Walter] Voice: [no designation] Languages: Latin Voice Text: Beati immaculati in via qui ambulant in lege II: Utinam dirigantur viae meae III: Benedictus es domine doce me IV: Inclina cor meum in testimonia tua V: Eructabunt labia mea hymnum cum docueris
[-]	Missa Sine nomine	Anon.	Anonymous
Missa Sine nomine Anonymous Appears on: [-] Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine]
[-]	Deus qui sedes super thronum (4vv)	[Verdelot/Walter]	Walter, Johann (1496–1570) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Deus qui sedes super thronum (4vv) Walter, Johann (1496–1570) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: [-] Genres: Motet Source Attribution: [Verdelot/Walter] Voice: [no designation] Languages: Latin Voice Text: Deus qui sedes [super thronum et judicas]
[-]	Ecce quam bonum et quam jocundum habitare	Anon.	Anonymous
Ecce quam bonum et quam jocundum habitare Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce quam bonum [et quam iucundum?]
[-]	Advenit ignis divinus (2p. Misit eos in mundum universum)	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Advenit ignis divinus (2p. Misit eos in mundum universum) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Advenit ignis divinus [non comburens] II: Misit eos in mundum [universum]
[-]	Ut re my fa so la!	Anon.	Anonymous
Ut re my fa so la! Anonymous Appears on: [-] Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Solfegge Voice Text: Ut re my fa so la(!)
[-]	Vater unser im Himmelreich, der du uns	Anon.	Anonymous
Vater unser im Himmelreich, der du uns Anonymous Appears on: [-] Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: [Vater unser im himmelreich der du uns]
[-]	Es ist das heil uns komen her von gnad	Anon.	Anonymous
Es ist das heil uns komen her von gnad Anonymous Appears on: [-] Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Es ist das heil uns komen her von gnad
[-]	Magnificat primi toni: Et exultavit	Anon.	Anonymous
Magnificat primi toni: Et exultavit Anonymous Appears on: [-] Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi toni: Et exultavit spiritus meus
[-]	Magnificat Secundi Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Secundi Toni: Et exultavit spiritus meus Anonymous Appears on: [-] Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Secundi toni: Et exultavit spiritus meus
[-]	Magnificat Tertii Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Tertii Toni: Et exultavit spiritus meus Anonymous Appears on: [-] Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Tertii toni: Et exultavit spiritus meus
[-]	Magnificat Quarti Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Quarti Toni: Et exultavit spiritus meus Anonymous Appears on: [-] Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Quarti toni: Et exultavit spiritus meus
[-]	Magnificat Quinti Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Quinti Toni: Et exultavit spiritus meus Anonymous Appears on: [-] Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Quinti toni: Et exultavit spiritus meus
[-]	Magnificat Sexti Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Sexti Toni: Et exultavit spiritus meus Anonymous Appears on: [-] Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Sexti toni: Et exultavit spiritus meus
[-]	Magnificat Septimi Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Septimi Toni: Et exultavit spiritus meus Anonymous Appears on: [-] Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Septimi toni: Et exultavit spiritus meus
[-]	Magnificat octavi toni: Et exultavit	Anon.	Anonymous
Magnificat octavi toni: Et exultavit Anonymous Appears on: [-] Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni: Et exultavit spiritus meus

Composer	Compositions
Anonymous	Ecce quam bonum et quam jocundum habitare – [-] Es ist das heil uns komen her von gnad – [-] Gloria laus Et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclita III: Plebs Hebrea tibi cum palmis IV: Hi placuere tibi placeat devotio nostra – [-] Magnificat Quarti Toni: Et exultavit spiritus meus – [-] Magnificat Quinti Toni: Et exultavit spiritus meus – [-] Magnificat Secundi Toni: Et exultavit spiritus meus – [-] Magnificat Septimi Toni: Et exultavit spiritus meus – [-] Magnificat Sexti Toni: Et exultavit spiritus meus – [-] Magnificat Tertii Toni: Et exultavit spiritus meus – [-] Magnificat octavi toni: Et exultavit – [-] Magnificat primi toni: Et exultavit – [-] Missa Sine nomine – [-] Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 4 In supreme nocte cenae recumbens 5 Tantum ergo sacramentum veneremur cernui – [-] Salve festa dies toto venerabilis evo – [-] Ut re my fa so la! – [-] Vater unser im Himmelreich, der du uns – [-]
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Advenit ignis divinus (2p. Misit eos in mundum universum) – [-]
Despres, Josquin (ca. 1450–1521)	Inviolata est Maria Iesu Christi mater 24.4 (2p. Quare celebremus deum Iesum filium; 3p. O stupendam O mirandam bonitatem) – [-]
Gombert, Nicolas (ca. 1495–ca. 1560)	Constitues eos principes super omnem terram – [-]
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Deus qui sedes super thronum (4vv) – [-]
Walter, Johann (1496–1570)	Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris – [-] (?) Deus qui sedes super thronum (4vv) – [-]

Composition	Composers (? Uncertain)	Folios / Pages
Advenit ignis divinus (2p. Misit eos in mundum universum)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris	Walter, Johann (1496–1570)	[-]
Constitues eos principes super omnem terram	Gombert, Nicolas (ca. 1495–ca. 1560)	[-]
Deus qui sedes super thronum (4vv)	Walter, Johann (1496–1570) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	[-]
Ecce quam bonum et quam jocundum habitare	Anonymous	[-]
Es ist das heil uns komen her von gnad	Anonymous	[-]
Gloria laus Et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclita III: Plebs Hebrea tibi cum palmis IV: Hi placuere tibi placeat devotio nostra	Anonymous	[-]
Inviolata est Maria Iesu Christi mater 24.4 (2p. Quare celebremus deum Iesum filium; 3p. O stupendam O mirandam bonitatem)	Despres, Josquin (ca. 1450–1521)	[-]
Magnificat octavi toni: Et exultavit	Anonymous	[-]
Magnificat primi toni: Et exultavit	Anonymous	[-]
Magnificat Quarti Toni: Et exultavit spiritus meus	Anonymous	[-]
Magnificat Quinti Toni: Et exultavit spiritus meus	Anonymous	[-]
Magnificat Secundi Toni: Et exultavit spiritus meus	Anonymous	[-]
Magnificat Septimi Toni: Et exultavit spiritus meus	Anonymous	[-]
Magnificat Sexti Toni: Et exultavit spiritus meus	Anonymous	[-]
Magnificat Tertii Toni: Et exultavit spiritus meus	Anonymous	[-]
Missa Sine nomine	Anonymous	[-]
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 4 In supreme nocte cenae recumbens 5 Tantum ergo sacramentum veneremur cernui	Anonymous	[-]
Salve festa dies toto venerabilis evo	Anonymous	[-]
Ut re my fa so la!	Anonymous	[-]
Vater unser im Himmelreich, der du uns	Anonymous	[-]

Set: Mus. Saec. XVI-71/2 (1-4)

Type: Partbooks

No images available

D-ROu Mus. Saec. XVI-71/2 (1)

No images available

D-ROu Mus. Saec. XVI-71/2 (2)

No images available

D-ROu Mus. Saec. XVI-71/2 (3)

No images available

D-ROu Mus. Saec. XVI-71/2 (4)

‡ denotes primary source study

Gaehtgens, W Th. 1940-41. Die alten Musikalien der Universitätsbibliothek und die Kirchenmusik in Alt-Rostock. Beiträge zur Geschichte der Stadt Rostock, 164-81. Pages: 169, 171. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description