D-ROu Mus. Saec. XVI-52 (2)

Universitätsbibliothek Rostock, Rostock, Germany

partbook: 2nd half of 16th century

Archive Universitätsbibliothek Rostock, Rostock, Germany (D-ROu)
Shelfmark Mus. Saec. XVI-52 (2)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 250 x 160-5 mm
Other Identifiers
  • CCM: RosU 52/2
Copyists
External Links
Provenance
  • Rostock? Bavaria, Germany
Contents 40 pieces from 16 composers
General Description

An Altus partbook from an incomplete set of three volumes, containing works for 4, 5 and 6vv. Copied by a single scribe, who also wrote portions of RosU 71/4. Probably copied in Rostock.

DIAMM, 2025
Binding

Modern cardboard covers.

DIAMM, 2017
Watermark

probably same as in RosU 71/1-5.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: No numbering of pieces

DIAMM, 2017
Foliation

Modern pencil foliation

DIAMM, 2025
Decoration

No initials or decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

27 motets, 1 set of responses, 6 German sacred pieces = 34

Arcadelt-4, Baston-8, Clemens non Papa-4, Corteccia-1, Crecquillon-4, Kinner-1, (Knöfel)-1, Maessens-1, Maillard-1, Morel-1, Schlegel-1, Senfl-1, Verdelot/(Richafort)-1, (Zirler)-1, anon-4

3 paper partbooks (D-40 folios, A-45, T-41), 250 x 160-5. No foliation, pagination, or numbering of pieces. Modern cardboard covers. No index. Copied by a single scribe, who also wrote portions of RosU 71/4. No initials or decoration. Watermark(s) probably same as in RosU 71/1-5.

Second half of 16th century. Probably copied in Rostock.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Set of responses: Et cum spiritu tuo / Und mit deinem Geist / Amen - Anonymous
Appears on: 1
Genres: Response
Voice: [no designation]
Languages: Latin, German
Mensuration: cut-c
Clef: c3
Voice Text: Et cum spiritu tuo / Und mit deinem Geist / Amen
2–2v Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Crequilon
Appears on: 2–2v
Genres: Motet
Source Attribution: Crequilon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Domine deus omnipotens
2v–3v Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 2v–3v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secinda pars : Confiteor me tibi peccasse
3v–4v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crequilon
Appears on: 3v–4v
Genres: Motet
Source Attribution: Crequilon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Domine da nobis auxilium
4v–5v Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 4v–5v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tibi subiecta est [sit] anima mea
5v–6 Magna et mirabilia Crequilon
Appears on: 5v–6
Genres: Motet
Source Attribution: Crequilon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Magna & mirabilia sunt opera tua
6v–7 Allein zu dir herr Jesu Christ Joseph Schegel
Appears on: 6v–7
Genres: Motet
Source Attribution: Joseph Schegel
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c2
Voice Text: Alein zu dir her Jesu Christ
7–7v Sic Deus dilexit mundum ut filium suum Ludovicus Senflius
Appears on: 7–7v
Genres: Motet
Source Attribution: Ludovicus Senflius
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c3
Voice Text: Sic deus dilexit mundum ut filium suum

Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c3
Voice Text: Sic deus dilexit mundum ut filium suum
7v–8 Allein zu dir herr Jesu Christ Josquin Baston
Appears on: 7v–8
Genres: Motet
Source Attribution: Josquin Baston
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Allein zu dir her Jesu Christ
General Note

text for 2 verses underlaid

8v–9v Si bona suscepimus (2p. Nudus egressus sum) Josquin Baston
Appears on: 8v–9v
Genres: Motet
Source Attribution: Josquin Baston
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Si bona suscepimus de manu domini (2p. Nudus egressus sum de utero matris)
10–11v Aspice Domine (2p. Qui regis Israel) Baston
Appears on: 10–11v
Genres: Motet
Source Attribution: Baston
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Aspice domine de sede sancta tua (2p. Qui regis Israel intende)
11v–12v Postquam consummati sunt dies octo Josquin Baston
Appears on: 11v–12v
Genres: Motet
Source Attribution: Josquin Baston
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Postquam consumati sunt dies octo
12v–13v Sancta trinitas unus Deus Josq: Baston
Appears on: 12v–13v
Genres: Motet
Source Attribution: Josq: Baston
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Sancta trinitas unus deus
13v–14v Spes mea Domine Baston
Appears on: 13v–14v
Genres: Motet
Source Attribution: Baston
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Spes mea domine à iuventute mea
14v–16 Emitte Domine sapientiam (2p. Da mihi Domine) Baston
Appears on: 14v–16
Genres: Motet
Source Attribution: Baston
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Emitte domine sapientiam de sede (2p. Da mihi domine sedium tuarum assistricem sapientiam)
16–18 Emendemus in melius (2p. Peccavimus cum patribus) - Anonymous
Appears on: 16–18
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Emendemus in melius (2p. Peccavimus cum patribus)
18–19v Peccata mea Domine (2p. Quoniam iniquitatem meam) - Anonymous
Appears on: 18–19v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Peccata mea domine (2p. Quoniam iniquitatem meam)
20–21 Pater peccavi (2p. Quanti mercenarii) Petrus Massenus
Appears on: 20–21
Genres: Motet
Source Attribution: Petrus Massenus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Pater peccavi in coelum & coram te (2p. Quanti mercenarii in domo patris mei)
21–22 Vater unser ins Himmelreich Baston
Appears on: 21–22
Genres: Motet, Pater noster
Source Attribution: Baston
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c2
Voice Text: Vater unser ins himmelreich
General Note

4 lines of text underlaid to the music

22–23 Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum Jacobus Clemens
Appears on: 22–23
Genres: Motet
Source Attribution: Jacobus Clemens
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Servus tuus ego sum
23–24 Servus tuus - 2a pars (of 2): Ego vero egenus et pauper -
Appears on: 23–24
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Ego vero egenus & pauper sum
24–25v Si bona suscepimus de manu Domini Verdeloth
Appears on: 24–25v
Genres: Motet
Source Attribution: Verdeloth
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Si bona suscepimus de manu domini
25v–26v Bewahr mich Herr und sei nicht fern [Zirler]
Appears on: 25v–26v
Genres: Sacred Song
Source Attribution: [Zirler]
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c2
Voice Text: Bewar mich herr und sey nicht ferne
26v–27v Gott ist mein licht und mein seligkeit Jacobus Clemens
Appears on: 26v–27v
Genres: Motet
Source Attribution: Jacobus Clemens
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Gott ist mein licht und mein seligkeit
27v–28v In me transierunt irae tuae et terrores Maillart
Appears on: 27v–28v
Genres: Motet
Source Attribution: Maillart
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: In me transierunt irae tuae
28v–29v Tota pulchra es amica mea et macula Clemens Morell
Appears on: 28v–29v
Genres: Motet
Source Attribution: Clemens Morell
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tota pulchra es amica mea
29v–30v Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem Jacobus Clemens
Appears on: 29v–30v
Genres: Motet
Source Attribution: Jacobus Clemens
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Peccantem me cotidie & non poenitentem
30v–31v Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac -
Appears on: 30v–31v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Deus in nomine tuo
31v–32v Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra Jacobus Clemens
Appears on: 31v–32v
Genres: Motet
Source Attribution: Jacobus Clemens
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Velum templi scissum est
General Note

Only the 1a pars is copied

33–33v Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo Thomas Crequilon
Appears on: 33–33v
Genres: Motet
Source Attribution: Thomas Crequilon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Deus virtutum convertere respice de coelo
33v–34v Deus virtutum - 2a pars (of 2): Et perfice eam -
Appears on: 33v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Et perfice eam quam plantavit
34v–35v Bonitatem fecisti Archadelt
Appears on: 34v–35v
Genres: Motet
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Bonitatem fecisti cum servo tuo
35v–36 Adiuva nos deus salutaris noster Archadelt
Appears on: 35v–36
Genres: Motet
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Adiuva nos deus salutaris noster
36–37 Lobet den Herrn alle Heiden Archadelt
Appears on: 36–37
Genres: Motet
Source Attribution: Archadelt
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Lobet den hern alle heiden
37–37v Domine Deus patrum nostrorum Archadelt
Appears on: 37–37v
Genres: Motet
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Doine deus patrum nostrorum
38–38v Tu Domine protector meus es Corteccia
Appears on: 38–38v
Genres: Motet
Source Attribution: Corteccia
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tu domine protectior meus es
39–39v Viri diligite uxores vestras et vestris [Kinner von Scherffenstein]]
Appears on: 39–39v
Genres: Motet
Source Attribution: [Kinner von Scherffenstein]]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Viri diligite uxores vestras
40–41 Dum nova solenni - 1a pars (of 2): Dum nova solenni tibi ducitur uxor Martinus Könnerus
Appears on: 40–41
Genres: Motet
Source Attribution: Martinus Könnerus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Dum nova solennem tibi ducitur uxor
41–42v Dum nova solenni - 2a pars (of 2): O duo praedulci coeuntia corpora nexu -
Appears on: 41–42v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : O duo praedulci coeuntia corpora nexu
44, 45 Non omnis qui dicit mihi - Anonymous
Appears on: 44, 45
Genres: Motet
Voice: [Tenor]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Non omnis qui dicit mihi

Voice: [Bassus]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Non omnis qui dicit mihi
Layout

2 parts written out, bassus on 44 and tenor on 45, with canon for latter: "Nostrum est intelligere utrumque aut ubicumque opus est obsequi" ['It is our task to understand whether or where we need to follow"]

General Note

Both pages are a different size from the rest of the book, apparently bound in later

Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Corteccia, (Pier) Francesco
Crecquillon, Thomas (ca. 1505–ca. 1557)
Kinner von Scherffenstein, Martin
Lassus, Orlande de (ca. 1532–1594)
Maessens, Pieter
Maillard, Jean (fl. c1538–1570)
Morel, Clement
Richafort, Jean (ca. 1480–ca. 1550)
Schlegel, Joseph
Senfl, Ludwig (ca. 1486–ca. 1543)
Verdelot, Philippe (ca. 1480–ca. 1532)
Zirler, Stephan (ca. 1518–1568)
Composition Composers (? Uncertain) Folios / Pages
Adiuva nos deus salutaris noster 35v–36
Allein zu dir herr Jesu Christ 6v–7
Allein zu dir herr Jesu Christ 7v–8
Aspice Domine (2p. Qui regis Israel) 10–11v
Bewahr mich Herr und sei nicht fern 25v–26v
Bonitatem fecisti 34v–35v
Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo 33–33v
Deus virtutum - 2a pars (of 2): Et perfice eam 33v–34v
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 3v–4v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 4v–5v
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 2–2v
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 2v–3v
Domine Deus patrum nostrorum 37–37v
Dum nova solenni - 1a pars (of 2): Dum nova solenni tibi ducitur uxor 40–41
Dum nova solenni - 2a pars (of 2): O duo praedulci coeuntia corpora nexu 41–42v
Emendemus in melius (2p. Peccavimus cum patribus) Anonymous 16–18
Emitte Domine sapientiam (2p. Da mihi Domine) 14v–16
Gott ist mein licht und mein seligkeit 26v–27v
In me transierunt irae tuae et terrores 27v–28v
Lobet den Herrn alle Heiden 36–37
Magna et mirabilia 5v–6
Non omnis qui dicit mihi Anonymous 44, 45
Pater peccavi (2p. Quanti mercenarii) 20–21
Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem 29v–30v
Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac 30v–31v
Peccata mea Domine (2p. Quoniam iniquitatem meam) Anonymous 18–19v
Postquam consummati sunt dies octo 11v–12v
Sancta trinitas unus Deus 12v–13v
Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum 22–23
Servus tuus - 2a pars (of 2): Ego vero egenus et pauper 23–24
Set of responses: Et cum spiritu tuo / Und mit deinem Geist / Amen Anonymous 1
Si bona suscepimus (2p. Nudus egressus sum) 8v–9v
Si bona suscepimus de manu Domini 24–25v
Sic Deus dilexit mundum ut filium suum 7–7v
Spes mea Domine 13v–14v
Tota pulchra es amica mea et macula 28v–29v
Tu Domine protector meus es 38–38v
Vater unser ins Himmelreich 21–22
Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra 31v–32v
Viri diligite uxores vestras et vestris 39–39v

Set: Mus. Saec. XVI-52 (1-3)

Type: Partbooks

No images available

D-ROu Mus. Saec. XVI-52 (1)

No images available

D-ROu Mus. Saec. XVI-52 (2)

No images available

D-ROu Mus. Saec. XVI-52 (3)

denotes primary source study

Gaehtgens, W Th. 1940-41. Die alten Musikalien der Universitätsbibliothek und die Kirchenmusik in Alt-Rostock. Beiträge zur Geschichte der Stadt Rostock, 164-81. Pages: 171. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description