D-ROu Mus. Saec. XVI-40 (5)

Universitätsbibliothek Rostock, Rostock, Germany

partbook: Second half of 16th century

Archive	Universitätsbibliothek Rostock, Rostock, Germany (D-ROu)
Shelfmark	Mus. Saec. XVI-40 (5)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	None / Unknown
Measurements	155-60 x 205-10 mm
Other Identifiers	CCM: RosU 40/5
Copyists	scribal concordance [108], scribe of the Rostock partbooks Text and Music
External Links	images
Provenance	Rostock? Bavaria, Germany
Contents	19 pieces from 3 composers

General Description

A Discantus partbook from a set of four volumes. Copied by a single scribe, who also wrote RosU 35, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/2 and 71/4. Probably copied in Rostock.

DIAMM, 2017

Binding

Modern pasteboard covers.

DIAMM, 2017

Watermark

(1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

No foliation or pagination

DIAMM, 2017

Foliation

Other numberings: No numbering of pieces.

DIAMM, 2017

Decoration

Small inked initials, a few in calligraphic style

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 plenary Mass, 17 Masses, 2 Kyrie-Gloria pairs, 1 German Credo = 21

Baston-1, Clemens non Papa-4, Crecquillon-S, (Gascongne)-1, Hähnel [Galliculus]-1, Josquin-1, Josquin/(La Rue)-1, Josquin/ (Moulu)-1, Kellner-1, Lupus-1, Morales-4, Moulu-1, Walter-1

5 paper partbooks (D-89 folios, A-102, T-95, B-92, Q-30), 155-60 x 205-10. No foliation, pagination, or numbering of pieces. Modern pasteboard covers. No index. Copied by a single scribe, who also wrote RosU 35, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/2 and 71/4. Small inked initials, a few in calligraphic style. Watermarks: (1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138.

Second half of 16th century (date [15]58 in manuscript). Probably copied in Rostock.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v	Missa de Beata Vergine (4vv): Agnus Dei (5vv)	Christoforus Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa de Beata Vergine (4vv): Agnus Dei (5vv) Morales, Cristóbal de (ca. 1500–1553) Appears on: 1v Genres: Agnus Dei, Mass Ordinary Source Attribution: Christoforus Morales Voice: [no designation] Languages: Latin Voice Text: Missa De beata Virgine
2–2v	Missa Quem dicunt homines: Kyrie.	Christoforus Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa Quem dicunt homines: Kyrie. Morales, Cristóbal de (ca. 1500–1553) Appears on: 2–2v Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Christoforus Morales Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Quem dicunt homines [KGCS]
3–4	Missa Quem dicunt homines: Gloria: 2 partes.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Quem dicunt homines: Gloria: 2 partes. Morales, Cristóbal de (ca. 1500–1553) Appears on: 3–4 Genres: Gloria (et in terra pax), Mass Ordinary
4–5v	Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces. Morales, Cristóbal de (ca. 1500–1553) Appears on: 4–5v Genres: Credo (patrem omnipotentem), Mass Ordinary
5v–6	Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces. Morales, Cristóbal de (ca. 1500–1553) Appears on: 5v–6 Genres: Mass Ordinary, Sanctus [& Benedictus]
6–7	Missa Ecce quam bonum: Kyrie	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Ecce quam bonum: Kyrie Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 6–7 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Ecce quam bonum [KGCS]
7–8v	Missa Ecce quam bonum: Gloria	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Ecce quam bonum: Gloria Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 7–8v Genres: Gloria (et in terra pax), Mass Ordinary
8v–10v	Missa Ecce quam bonum: Credo	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Ecce quam bonum: Credo Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 8v–10v Genres: Credo (patrem omnipotentem), Mass Ordinary
10v	Missa Ecce quam bonum: Sanctus	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Ecce quam bonum: Sanctus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 10v Genres: Mass Ordinary, Sanctus [& Benedictus]
11–11v	Missa Dormend' un giorno: Kyrie	Tho: Kellner	Kellner, Thomas
Missa Dormend' un giorno: Kyrie Kellner, Thomas Appears on: 11–11v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Tho: Kellner Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Dormend un [giorno] [KG]
11v–13	Missa Dormend' un giorno: Gloria	-	Kellner, Thomas
Missa Dormend' un giorno: Gloria Kellner, Thomas Appears on: 11v–13 Genres: Gloria (et in terra pax), Mass Ordinary
13–14	Missa Caro mea: Kyrie	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Caro mea: Kyrie Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 13–14 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Caro mea [vere est cibus] [KGCS]
14–15v	Missa Caro mea: Gloria	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Caro mea: Gloria Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 14–15v Genres: Gloria (et in terra pax), Mass Ordinary
15v–18	Missa Caro mea: Credo	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Caro mea: Credo Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 15v–18 Genres: Credo (patrem omnipotentem), Mass Ordinary
18	Missa Caro mea: Sanctus	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Caro mea: Sanctus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 18 Genres: Mass Ordinary, Sanctus [& Benedictus]
18v–19	Missa de Beata Virgine (5vv) = Missa Domina: Kyrie	Christoforus Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa de Beata Virgine (5vv) = Missa Domina: Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 18v–19 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Christoforus Morales Voice: [no designation] Languages: Latin, Greek Voice Text: Missa De beata Virgine [KGCS]
19–21	Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme	-	Morales, Cristóbal de (ca. 1500–1553)
Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme Morales, Cristóbal de (ca. 1500–1553) Appears on: 19–21 Genres: Gloria (et in terra pax), Mass Ordinary
21–23v	Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces	-	Morales, Cristóbal de (ca. 1500–1553)
Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces Morales, Cristóbal de (ca. 1500–1553) Appears on: 21–23v Genres: Credo (patrem omnipotentem), Mass Ordinary
23v–24	Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces	-	Morales, Cristóbal de (ca. 1500–1553)
Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces Morales, Cristóbal de (ca. 1500–1553) Appears on: 23v–24 Genres: Mass Ordinary, Sanctus [& Benedictus]

Composer	Compositions
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Missa Caro mea: Credo – 15v–18 Missa Caro mea: Gloria – 14–15v Missa Caro mea: Kyrie – 13–14 Missa Caro mea: Sanctus – 18 Missa Ecce quam bonum: Credo – 8v–10v Missa Ecce quam bonum: Gloria – 7–8v Missa Ecce quam bonum: Kyrie – 6–7 Missa Ecce quam bonum: Sanctus – 10v
Kellner, Thomas	Missa Dormend' un giorno: Gloria – 11v–13 Missa Dormend' un giorno: Kyrie – 11–11v
Morales, Cristóbal de (ca. 1500–1553)	Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces. – 4–5v Missa Quem dicunt homines: Gloria: 2 partes. – 3–4 Missa Quem dicunt homines: Kyrie. – 2–2v Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces. – 5v–6 Missa de Beata Vergine (4vv): Agnus Dei (5vv) – 1v Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces – 21–23v Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme – 19–21 Missa de Beata Virgine (5vv) = Missa Domina: Kyrie – 18v–19 Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces – 23v–24

Composition	Composers (? Uncertain)	Folios / Pages
Missa Caro mea: Credo	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	15v–18
Missa Caro mea: Gloria	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	14–15v
Missa Caro mea: Kyrie	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	13–14
Missa Caro mea: Sanctus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	18
Missa de Beata Vergine (4vv): Agnus Dei (5vv)	Morales, Cristóbal de (ca. 1500–1553)	1v
Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces	Morales, Cristóbal de (ca. 1500–1553)	21–23v
Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme	Morales, Cristóbal de (ca. 1500–1553)	19–21
Missa de Beata Virgine (5vv) = Missa Domina: Kyrie	Morales, Cristóbal de (ca. 1500–1553)	18v–19
Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces	Morales, Cristóbal de (ca. 1500–1553)	23v–24
Missa Dormend' un giorno: Gloria	Kellner, Thomas	11v–13
Missa Dormend' un giorno: Kyrie	Kellner, Thomas	11–11v
Missa Ecce quam bonum: Credo	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	8v–10v
Missa Ecce quam bonum: Gloria	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	7–8v
Missa Ecce quam bonum: Kyrie	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	6–7
Missa Ecce quam bonum: Sanctus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	10v
Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces.	Morales, Cristóbal de (ca. 1500–1553)	4–5v
Missa Quem dicunt homines: Gloria: 2 partes.	Morales, Cristóbal de (ca. 1500–1553)	3–4
Missa Quem dicunt homines: Kyrie.	Morales, Cristóbal de (ca. 1500–1553)	2–2v
Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces.	Morales, Cristóbal de (ca. 1500–1553)	5v–6

Set: Mus. Saec. XVI-40 (1-5)

Type: Partbooks

No images available

D-ROu Mus. Saec. XVI-40 (1)

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D-ROu Mus. Saec. XVI-40 (2)

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D-ROu Mus. Saec. XVI-40 (3)

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D-ROu Mus. Saec. XVI-40 (4)

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D-ROu Mus. Saec. XVI-40 (5)

‡ denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 407, 462, 808. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 599-601, 672-3, 689-91. Notes: contents list (partial); concordances (partial); incipits (partial).

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation. Pages: 128, 150-3. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS. American Institute of Musicology. Pages: 119. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1974. Thomas Crecquillon: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xii, xiv, xvi. Notes: contents list (partial); concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 397. Notes: contents list (partial); concordances (partial).

Swing, Peter Gram. 1969. Parody and Form in Five Polyphonic Masses by Mathieu Gascongne. University of Chicago, Unpublished Ph.D. dissertation. Pages: 23, 26, 41. Notes: mention of MS; contents list (partial); concordances (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: 1, 210-1. Notes: contents list (partial); concordances (partial).

Gaehtgens, W Th. 1940-41. Die alten Musikalien der Universitätsbibliothek und die Kirchenmusik in Alt-Rostock. Beiträge zur Geschichte der Stadt Rostock, 164-81. Pages: 169, 171. Notes: contents list (partial); mention of MS; discussion.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: VIII, vii-xvi; XVI, xlv-lx. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description