D-ROu Mus. Saec. XVI-40 (5)

Universitätsbibliothek Rostock, Rostock, Germany

partbook: Second half of 16th century

Archive Universitätsbibliothek Rostock, Rostock, Germany (D-ROu)
Shelfmark Mus. Saec. XVI-40 (5)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 155-60 x 205-10 mm
Other Identifiers
  • CCM: RosU 40/5
Copyists
External Links
Provenance
  • Rostock? Bavaria, Germany
Contents 20 pieces from 4 composers
General Description

A Quintus partbook from a set of five volumes. Copied by a single scribe, who also wrote RosU 35, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/2 and 71/4. Probably copied in Rostock.

DIAMM, 2017
Binding

Modern pasteboard covers.

DIAMM, 2017
Watermark

(1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern pencil foliation

DIAMM, 2025
Foliation

Other numberings: No numbering of pieces.

DIAMM, 2017
Decoration

Small inked initials, a few in calligraphic style

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 plenary Mass, 17 Masses, 2 Kyrie-Gloria pairs, 1 German Credo = 21

Baston-1, Clemens non Papa-4, Crecquillon-S, (Gascongne)-1, Hähnel [Galliculus]-1, Josquin-1, Josquin/(La Rue)-1, Josquin/ (Moulu)-1, Kellner-1, Lupus-1, Morales-4, Moulu-1, Walter-1

5 paper partbooks (D-89 folios, A-102, T-95, B-92, Q-30), 155-60 x 205-10. No foliation, pagination, or numbering of pieces. Modern pasteboard covers. No index. Copied by a single scribe, who also wrote RosU 35, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/2 and 71/4. Small inked initials, a few in calligraphic style. Watermarks: (1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138.

Second half of 16th century (date [15]58 in manuscript). Probably copied in Rostock.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Missa de Beata Vergine (4vv): Agnus Dei (5vv) Christofori Moralis
Appears on: 2
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Christofori Moralis
Voice: Quinta
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Missa De beata Virgine : Agnus dei qui tollis peccata mundi dona nobis pacem
2v–3 Missa Quem dicunt homines: Kyrie. C. Morales
Appears on: 2v–3
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: C. Morales
Voice: Secundus Discantus
Languages: Greek
Mensuration: cut-c
Clef: c1
Voice Text: Missa Quem dicunt homines : Kyrie eleyson
3v–4v Missa Quem dicunt homines: Gloria: 2 partes. -
Appears on: 3v–4v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: Secundus Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Et in terra pax hominibus bone uoluntatis
4v–6 Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces. -
Appears on: 4v–6
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: Secundus Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Patrem omnipotentem factorem coeli & terre
6–6v Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces. -
Appears on: 6–6v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: Secundus Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Sanctus dominus deus sabaoth
General Note

Sanctus & Pleni only, no Osanna or Benedictus

6v–7v Missa Ecce quam bonum: Kyrie Clemens non Papa
Appears on: 6v–7v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Greek
Mensuration: cut-c
Clef: c1
Voice Text: Missa Ecce quam bonum : Kyrie eleyson
7v–9 Missa Ecce quam bonum: Gloria -
Appears on: 7v–9
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Et in terra pax hominibus bone uoluntatis
9–11 Missa Ecce quam bonum: Credo -
Appears on: 9–11
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Patrem omnipotentem factorem coeli & terre
11 Missa Ecce quam bonum: Sanctus -
Appears on: 11
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Sanctus dominus deus sabaoth
General Note

Sanctus & Pleni only, no Osanna or Benedictus

11v–12 Missa Dormend' un giorno: Kyrie [Kellner]
Appears on: 11v–12
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Kellner]
Voice: Quinta
Languages: Greek
Mensuration: cut-c
Clef: c4
Voice Text: Missa super Dormend un [giorno] : Kyrie eleyson
12–13v Missa Dormend' un giorno: Gloria -
Appears on: 12–13v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: Quinta
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Et in terra pax hominibus bone uoluntatis
13v–14v Missa Caro mea: Kyrie Clemens non Papa
Appears on: 13v–14v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Greek
Mensuration: cut-c
Clef: c4
Voice Text: Missa Caro mea : Kyrie eleyson
14v–16 Missa Caro mea: Gloria -
Appears on: 14v–16
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Et in terra pax hominibus bone uoluntatis
16–18v Missa Caro mea: Credo -
Appears on: 16–18v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Patrem omnipotentem factorem coeli & terre
18v Missa Caro mea: Sanctus -
Appears on: 18v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Sanctus Dominus deus sabaoth
General Note

Sanctus only; no Pleni, Osanna or Benedictus

19–19v Missa de Beata Virgine (5vv) = Missa Domina: Kyrie C. Moral:
Appears on: 19–19v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: C. Moral:
Voice: [no designation]
Languages: Greek
Mensuration: cut-c
Clef: c2
Voice Text: Missa de Beata Virgine : Kyrie eleyson
19v–21v Missa de Beata Virgine (5vv) = Missa Domina: Gloria [Tro] Spiritus et alme -
Appears on: 19v–21v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Et in terra pax hominibus bone uoluntatis
21v–24 Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces -
Appears on: 21v–24
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Patrem omnipotentem factorem coeli & terre
24–24v Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces -
Appears on: 24–24v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Sanctus dominus deus sabaoth
General Note

Sanctus & Pleni only; no Osanna or Benedictus

25–28 blank staves - -

blank staves

Appears on: 25–28
Composition Composers (? Uncertain) Folios / Pages
Missa Caro mea: Credo 16–18v
Missa Caro mea: Gloria 14v–16
Missa Caro mea: Kyrie 13v–14v
Missa Caro mea: Sanctus 18v
Missa de Beata Vergine (4vv): Agnus Dei (5vv) 2
Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces 21v–24
Missa de Beata Virgine (5vv) = Missa Domina: Gloria [Tro] Spiritus et alme 19v–21v
Missa de Beata Virgine (5vv) = Missa Domina: Kyrie 19–19v
Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces 24–24v
Missa Dormend' un giorno: Gloria 12–13v
Missa Dormend' un giorno: Kyrie 11v–12
Missa Ecce quam bonum: Credo 9–11
Missa Ecce quam bonum: Gloria 7v–9
Missa Ecce quam bonum: Kyrie 6v–7v
Missa Ecce quam bonum: Sanctus 11
Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces. 4v–6
Missa Quem dicunt homines: Gloria: 2 partes. 3v–4v
Missa Quem dicunt homines: Kyrie. 2v–3
Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces. 6–6v

Set: Mus. Saec. XVI-40 (1-5)

Type: Partbooks

No images available

D-ROu Mus. Saec. XVI-40 (1)

No images available

D-ROu Mus. Saec. XVI-40 (2)

No images available

D-ROu Mus. Saec. XVI-40 (3)

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D-ROu Mus. Saec. XVI-40 (4)

No images available

D-ROu Mus. Saec. XVI-40 (5)

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 407, 462, 808. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 599-601, 672-3, 689-91. Notes: contents list (partial); concordances (partial); incipits (partial).

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation. Pages: 128, 150-3. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 119. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1974. Thomas Crecquillon: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xii, xiv, xvi. Notes: contents list (partial); concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 397. Notes: contents list (partial); concordances (partial).

Swing, Peter Gram. 1969. Parody and Form in Five Polyphonic Masses by Mathieu Gascongne. University of Chicago, Unpublished Ph.D. dissertation. Pages: 23, 26, 41. Notes: mention of MS; contents list (partial); concordances (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: 1, 210-1. Notes: contents list (partial); concordances (partial).

Gaehtgens, W Th. 1940-41. Die alten Musikalien der Universitätsbibliothek und die Kirchenmusik in Alt-Rostock. Beiträge zur Geschichte der Stadt Rostock, 164-81. Pages: 169, 171. Notes: contents list (partial); mention of MS; discussion.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: VIII, vii-xvi; XVI, xlv-lx. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description