D-ROu Mus. Saec. XVI-40 (1)

Universitätsbibliothek Rostock, Rostock, Germany

partbook: Second half of 16th century

Archive Universitätsbibliothek Rostock, Rostock, Germany (D-ROu)
Shelfmark Mus. Saec. XVI-40 (1)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 155-60 x 205-10 mm
Other Identifiers
  • CCM: RosU 40/1
Copyists
External Links
Provenance
  • Rostock? Bavaria, Germany
Contents 90 pieces from 11 composers
General Description

A Discantus partbook from a set of four volumes. Copied by a single scribe, who also wrote RosU 35, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/2 and 71/4. Probably copied in Rostock.

DIAMM, 2017
Binding

Modern pasteboard covers.

DIAMM, 2017
Watermark

(1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: No numbering of pieces.

DIAMM, 2017
Foliation

No foliation or pagination

DIAMM, 2017
Decoration

Small inked initials, a few in calligraphic style

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 plenary Mass, 17 Masses, 2 Kyrie-Gloria pairs, 1 German Credo = 21

Baston-1, Clemens non Papa-4, Crecquillon-S, (Gascongne)-1, Hähnel [Galliculus]-1, Josquin-1, Josquin/(La Rue)-1, Josquin/ (Moulu)-1, Kellner-1, Lupus-1, Morales-4, Moulu-1, Walter-1

5 paper partbooks (D-89 folios, A-102, T-95, B-92, Q-30), 155-60 x 205-10. No foliation, pagination, or numbering of pieces. Modern pasteboard covers. No index. Copied by a single scribe, who also wrote RosU 35, 46, 60, 71/1, 71/3, 71/5, and portions of RosU 71/2 and 71/4. Small inked initials, a few in calligraphic style. Watermarks: (1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138.

Second half of 16th century (date [15]58 in manuscript). Probably copied in Rostock.

Vol 4

Composers: Change "Kellner-l" to "T. Kellner-l."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Missa Bewahr mich, Herr: Kyrie Jean Baston
Appears on: 1
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Jean Baston
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Bewar mich Herr]
1–2 Missa Bewahr mich, Herr: Gloria -
Appears on: 1–2
Genres: Gloria (et in terra pax), Mass Ordinary
2–3v Missa Bewahr mich, Herr: Patrem omnipotentem [Credo] -
Appears on: 2–3v
Genres: Credo (patrem omnipotentem), Mass Ordinary
3v–4v Missa Bewahr mich, Herr: Sanctus -
Appears on: 3v–4v
Genres: Mass Ordinary, Sanctus [& Benedictus]
4v–5 Missa Bewahr mich, Herr: Agnus Dei -
Appears on: 4v–5
Genres: Agnus Dei, Mass Ordinary
5–5v Missa Missus est Gabriel: Kyrie Josquini/[Moulu]
Appears on: 5–5v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Josquini/[Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Missus est Gabriel angelus 10.2
5v–6 Missa Missus est Gabriel: Gloria -
Appears on: 5v–6
Genres: Gloria (et in terra pax), Mass Ordinary
6v–7 Missa Missus est Gabriel: Credo -
Appears on: 6v–7
Genres: Credo (patrem omnipotentem), Mass Ordinary
7–8 Missa Missus est Gabriel: Sanctus -
Appears on: 7–8
Genres: Mass Ordinary, Sanctus [& Benedictus]
8 Missa Missus est Gabriel: Agnus Dei -
Appears on: 8
Genres: Agnus Dei, Mass Ordinary
8v–9 Missa Beata Virgine = Missa Coronata 3.3: Kyrie Josquini/[La Rue]
Appears on: 8v–9
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Josquini/[La Rue]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa De beata Virgine [KG] 3.3
9–10 Missa Beata Virgine = Missa Coronata 3.3: Gloria -
Appears on: 9–10
Genres: Gloria (et in terra pax), Mass Ordinary
10–10v Wir glauben all an einen Gott [Credo] (I) (4vv) Ioannes Waltherus
Appears on: 10–10v
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: Ioannes Waltherus
Voice: [no designation]
Languages: German
Voice Text: Wir gleuben al an einen Got schepfer
11–11v Missa Malheur me bat 9.1: Kyrie Josquin
Appears on: 11–11v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] super Que est ista [= Missa Malheur me bat] [KGC] 9.1
11v–12v Missa Malheur me bat 9.1: Gloria -
Appears on: 11v–12v
Genres: Gloria (et in terra pax), Mass Ordinary
12v–14 Missa Malheur me bat 9.1: Patrem omnipotentem [Credo] -
Appears on: 12v–14
Genres: Credo (patrem omnipotentem), Mass Ordinary
14v–15 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me Galliculus [= Hähnel]
Appears on: 14v–15
Genres: Introit
Source Attribution: Galliculus [= Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum halleluia Vs: Domine probasti me et cognovisti me
15–15v Missa Paschale: Kyrie -
Appears on: 15–15v
Genres: Kyrie eleison, Mass Ordinary
15v–16 Missa Paschale: Gloria [Hähnel]
Appears on: 15v–16
Genres: Gloria (et in terra pax)
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Paschale] [KG]
16–16v Alleluia. Pascha nostrum immolatus est [Hähnel]
Appears on: 16–16v
Genres: Alleluia, Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia. Pascha nostrum imolatus est
16v Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden [Hähnel]
Appears on: 16v
Genres: Hymn
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
17 Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden -
Appears on: 17
Genres: Hymn
17 Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: 17
Genres: Hymn
17v–18 Dominus vobiscum - 1a pars (of 2): Dominus vobiscum et cum spiritu tuo [Hähnel]
Appears on: 17v–18
Genres: Dominus vobiscum, Liturgical work, Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Dominus vobiscum et cum spiritu tuo II: Et introeuntes in monumentum sedentem
18–18v Dominus vobiscum - 2a pars (of 2): Et introeuntes in momentum -
Appears on: 18–18v
Genres: Dominus vobiscum, Liturgical work, Motet
18v–19 Missa Paschale: Sanctus [Hähnel]
Appears on: 18v–19
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Paschale] [SA]
19–19v Missa Paschale: Agnus Dei -
Appears on: 19–19v
Genres: Mass Ordinary, Sanctus [& Benedictus]
19v–20 Missa Alma Redemptoris mater = Missa Duarum facierum: Kyrie Moulu
Appears on: 19v–20
Genres: Alma redemptoris mater, BVM, Mass Ordinary
Source Attribution: Moulu
Voice: [no designation]
Languages: Latin
Voice Text: Missa Duarum facierum [= Missa Alma redemptoris mater]
20–21v Missa Alma Redemptoris mater = Missa Duarum facierum: Gloria -
Appears on: 20–21v
Genres: Alma redemptoris mater, BVM, Gloria (et in terra pax), Mass Ordinary
21v–23v Missa Alma Redemptoris mater = Missa Duarum facierum: Credo -
Appears on: 21v–23v
Genres: Alma redemptoris mater, BVM, Credo (patrem omnipotentem), Mass Ordinary
23v–24v Missa Alma Redemptoris mater = Missa Duarum facierum: Sanctus -
Appears on: 23v–24v
Genres: Alma redemptoris mater, BVM, Mass Ordinary, Sanctus [& Benedictus]
24v–25 Missa Alma Redemptoris mater = Missa Duarum facierum: Agnus Dei -
Appears on: 24v–25
Genres: Agnus Dei, Alma redemptoris mater, BVM, Mass Ordinary
25v–26 Missa Nigra sum: Kyrie [Gascongne]
Appears on: 25v–26
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Missa supra Nigra sum [sed formosa]
26–27 Missa Nigra sum: Gloria -
Appears on: 26–27
Genres: Gloria (et in terra pax), Mass Ordinary
27–29 Missa Nigra sum: Credo -
Appears on: 27–29
Genres: Credo (patrem omnipotentem), Mass Ordinary
29–30 Missa Nigra sum: Sanctus -
Appears on: 29–30
Genres: Mass Ordinary, Sanctus [& Benedictus]
30–31 Missa Nigra sum: Agnus Dei -
Appears on: 30–31
Genres: Agnus Dei, Mass Ordinary
31–31v Missa d'amours me plains: Kyrie Thomas Crequilonis
Appears on: 31–31v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Thomas Crequilonis
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Damours me plains
31v–32v Missa D'amours me plains: Gloria -
Appears on: 31v–32v
Genres: Gloria (et in terra pax), Mass Ordinary
32v–34 Missa D'amours me plains: Credo -
Appears on: 32v–34
Genres: Credo (patrem omnipotentem), Mass Ordinary
34–34v Missa D'amours me plains: Sanctus -
Appears on: 34–34v
Genres: Mass Ordinary, Sanctus [& Benedictus]
34v–35 Missa D'amours me plains: Agnus Dei -
Appears on: 34v–35
Genres: Agnus Dei, Mass Ordinary
35v–36 Missa Doulce memoire: Kyrie [Crecquillon]
Appears on: 35v–36
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Dulce memorei [= Missa Doulce memoire en plaisir consommée]
36–36v Missa Doulce memoire: Gloria -
Appears on: 36–36v
Genres: Gloria (et in terra pax), Mass Ordinary
37–39 Missa Doulce memoire: Credo -
Appears on: 37–39
Genres: Credo (patrem omnipotentem), Mass Ordinary
39–40 Missa Doulce memoire: Sanctus -
Appears on: 39–40
Genres: Mass Ordinary, Sanctus [& Benedictus]
40v Missa Doulce memoire: Agnus Dei -
Appears on: 40v
Genres: Agnus Dei, Mass Ordinary
41–41v Missa Je prens en gré: Kyrie [Crecquillon]
Appears on: 41–41v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Je prens en gre [KGCS]
42–43 Missa Je prens en gré: Gloria -
Appears on: 42–43
Genres: Gloria (et in terra pax), Mass Ordinary
43–45 Missa Je prens en gré: Credo -
Appears on: 43–45
Genres: Credo (patrem omnipotentem), Mass Ordinary
45–45v Missa Je prens en gré: Sanctus -
Appears on: 45–45v
Genres: Mass Ordinary, Sanctus [& Benedictus]
46–46v Missa de Beata Vergine (4vv): Kyrie Christoforus Morales
Appears on: 46–46v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Christoforus Morales
Voice: [no designation]
Languages: Latin
Voice Text: Missa De beata Virgine
46v–48 Missa de Beata Vergine (4vv): Gloria (tro: Spiritus et alme) -
Appears on: 46v–48
Genres: Mass Ordinary, Troped Gloria
48–49v Missa de Beata Vergine (4vv): Credo -
Appears on: 48–49v
Genres: Credo (patrem omnipotentem), Mass Ordinary
49v–50v Missa de Beata Vergine (4vv): Sanctus -
Appears on: 49v–50v
Genres: Mass Ordinary, Sanctus [& Benedictus]
50v–51 Missa de Beata Vergine (4vv): Agnus Dei (5vv) -
Appears on: 50v–51
Genres: Agnus Dei, Mass Ordinary
51–51v Missa Misericorde au povre: Kyrie -
Appears on: 51–51v
Genres: Kyrie eleison, Mass Ordinary
51v–53 Missa Misericorde au povre: Gloria -
Appears on: 51v–53
Genres: Gloria (et in terra pax), Mass Ordinary
53–54 Missa Misericorde au povre: Patrem omnipotentem [Credo] -
Appears on: 53–54
Genres: Credo (patrem omnipotentem), Mass Ordinary
54–54v Missa Misericorde au povre: Sanctus -
Appears on: 54–54v
Genres: Mass Ordinary, Sanctus [& Benedictus]
54v–55v Missa Vulnerasti cor meum: Kyrie -
Appears on: 54v–55v
Genres: Kyrie eleison, Mass Ordinary
55v–56v Missa Vulnerasti cor meum: Gloria -
Appears on: 55v–56v
Genres: Gloria (et in terra pax), Mass Ordinary
57–58v Missa Vulnerasti cor meum: Credo -
Appears on: 57–58v
Genres: Credo (patrem omnipotentem), Mass Ordinary
58v–59v Missa Vulnerasti cor meum: Sanctus -
Appears on: 58v–59v
Genres: Mass Ordinary, Sanctus [& Benedictus]
59v–60v Missa Quem dicunt homines: Kyrie. -
Appears on: 59v–60v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
60v–62 Missa Quem dicunt homines: Gloria: 2 partes. -
Appears on: 60v–62
Genres: Gloria (et in terra pax), Mass Ordinary
62–63v Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces. -
Appears on: 62–63v
Genres: Credo (patrem omnipotentem), Mass Ordinary
63v–64 Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces. -
Appears on: 63v–64
Genres: Mass Ordinary, Sanctus [& Benedictus]
64–65 Missa Ecce quam bonum: Kyrie -
Appears on: 64–65
Genres: Kyrie eleison, Mass Ordinary
65–66v Missa Ecce quam bonum: Gloria -
Appears on: 65–66v
Genres: Gloria (et in terra pax), Mass Ordinary
66v–68v Missa Ecce quam bonum: Credo -
Appears on: 66v–68v
Genres: Credo (patrem omnipotentem), Mass Ordinary
68v–69 Missa Ecce quam bonum: Sanctus -
Appears on: 68v–69
Genres: Mass Ordinary, Sanctus [& Benedictus]
69–69v Missa Dormend' un giorno: Kyrie Tho: Kellner
Appears on: 69–69v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Tho: Kellner
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Dormend un [giorno] [KG]
70–71 Missa Dormend' un giorno: Gloria -
Appears on: 70–71
Genres: Gloria (et in terra pax), Mass Ordinary
71–72 Missa En espoir d'avoir mieulx: Kyrie Clemens non Papa
Appears on: 71–72
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa En espoir [d'avoir mieulx] [KGCS]
72–73v Missa En espoir d'avoir mieulx: Gloria -
Appears on: 72–73v
Genres: Gloria (et in terra pax), Mass Ordinary
73v–74v Missa En espoir d'avoir mieulx: Credo -
Appears on: 73v–74v
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

to "Et homo factus est" only

74v–75 Missa En espoir d'avoir mieulx: Sanctus -
Appears on: 74v–75
Genres: Mass Ordinary, Sanctus [& Benedictus]
75–76 Missa Caro mea: Kyrie Clemens non Papa
Appears on: 75–76
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Caro mea [vere est cibus] [KGCS]
76–77v Missa Caro mea: Gloria -
Appears on: 76–77v
Genres: Gloria (et in terra pax), Mass Ordinary
77v–79v Missa Caro mea: Credo -
Appears on: 77v–79v
Genres: Credo (patrem omnipotentem), Mass Ordinary
79v–80 Missa Caro mea: Sanctus -
Appears on: 79v–80
Genres: Mass Ordinary, Sanctus [& Benedictus]
80–80v Missa de Beata Virgine (5vv) = Missa Domina: Kyrie Christoforus Morales
Appears on: 80–80v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Christoforus Morales
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa De beata Virgine [KGCS]
81–82v Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme -
Appears on: 81–82v
Genres: Gloria (et in terra pax), Mass Ordinary
83–85 Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces -
Appears on: 83–85
Genres: Credo (patrem omnipotentem), Mass Ordinary
85–85v Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces -
Appears on: 85–85v
Genres: Mass Ordinary, Sanctus [& Benedictus]
85v–86v Missa Hercules dux Ferrariae: Kyrie Lupus
Appears on: 85v–86v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Lupus
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Hercules dux Ferrariae [KGCS]
General Note

Dedicatee: Hercules, Duc of Ferrara

86v–87v Missa Hercules dux Ferrariae: Gloria -
Appears on: 86v–87v
Genres: Gloria (et in terra pax), Mass Ordinary
88–89 Missa Hercules dux Ferrariae: Credo -
Appears on: 88–89
Genres: Credo (patrem omnipotentem), Mass Ordinary
89 Missa Hercules dux Ferrariae: Sanctus -
Appears on: 89
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

incomplete

Composer Compositions
Baston, Josquin (fl. 1542–63)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Galliculus, Johannes
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Hellinck, Lupus (ca. 1494–1541)
Kellner, Thomas
Morales, Cristóbal de (ca. 1500–1553)
Moulu, Pierre (ca. 1484–ca. 1550)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Pascha nostrum immolatus est 16–16v
Dominus vobiscum - 1a pars (of 2): Dominus vobiscum et cum spiritu tuo 17v–18
Dominus vobiscum - 2a pars (of 2): Et introeuntes in momentum 18–18v
Missa Alma Redemptoris mater = Missa Duarum facierum: Agnus Dei 24v–25
Missa Alma Redemptoris mater = Missa Duarum facierum: Credo 21v–23v
Missa Alma Redemptoris mater = Missa Duarum facierum: Gloria 20–21v
Missa Alma Redemptoris mater = Missa Duarum facierum: Kyrie 19v–20
Missa Alma Redemptoris mater = Missa Duarum facierum: Sanctus 23v–24v
Missa Beata Virgine = Missa Coronata 3.3: Gloria 9–10
Missa Beata Virgine = Missa Coronata 3.3: Kyrie 8v–9
Missa Bewahr mich, Herr: Agnus Dei 4v–5
Missa Bewahr mich, Herr: Gloria 1–2
Missa Bewahr mich, Herr: Kyrie 1
Missa Bewahr mich, Herr: Patrem omnipotentem [Credo] 2–3v
Missa Bewahr mich, Herr: Sanctus 3v–4v
Missa Caro mea: Credo 77v–79v
Missa Caro mea: Gloria 76–77v
Missa Caro mea: Kyrie 75–76
Missa Caro mea: Sanctus 79v–80
Missa D'amours me plains: Agnus Dei 34v–35
Missa D'amours me plains: Credo 32v–34
Missa D'amours me plains: Gloria 31v–32v
Missa d'amours me plains: Kyrie 31–31v
Missa D'amours me plains: Sanctus 34–34v
Missa de Beata Vergine (4vv): Agnus Dei (5vv) 50v–51
Missa de Beata Vergine (4vv): Credo 48–49v
Missa de Beata Vergine (4vv): Gloria (tro: Spiritus et alme) 46v–48
Missa de Beata Vergine (4vv): Kyrie 46–46v
Missa de Beata Vergine (4vv): Sanctus 49v–50v
Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces 83–85
Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme 81–82v
Missa de Beata Virgine (5vv) = Missa Domina: Kyrie 80–80v
Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces 85–85v
Missa Dormend' un giorno: Gloria 70–71
Missa Dormend' un giorno: Kyrie 69–69v
Missa Doulce memoire: Agnus Dei 40v
Missa Doulce memoire: Credo 37–39
Missa Doulce memoire: Gloria 36–36v
Missa Doulce memoire: Kyrie 35v–36
Missa Doulce memoire: Sanctus 39–40
Missa Ecce quam bonum: Credo 66v–68v
Missa Ecce quam bonum: Gloria 65–66v
Missa Ecce quam bonum: Kyrie 64–65
Missa Ecce quam bonum: Sanctus 68v–69
Missa En espoir d'avoir mieulx: Credo 73v–74v
Missa En espoir d'avoir mieulx: Gloria 72–73v
Missa En espoir d'avoir mieulx: Kyrie 71–72
Missa En espoir d'avoir mieulx: Sanctus 74v–75
Missa Hercules dux Ferrariae: Credo 88–89
Missa Hercules dux Ferrariae: Gloria 86v–87v
Missa Hercules dux Ferrariae: Kyrie 85v–86v
Missa Hercules dux Ferrariae: Sanctus 89
Missa Je prens en gré: Credo 43–45
Missa Je prens en gré: Gloria 42–43
Missa Je prens en gré: Kyrie 41–41v
Missa Je prens en gré: Sanctus 45–45v
Missa Malheur me bat 9.1: Gloria 11v–12v
Missa Malheur me bat 9.1: Kyrie 11–11v
Missa Malheur me bat 9.1: Patrem omnipotentem [Credo] 12v–14
Missa Misericorde au povre: Gloria 51v–53
Missa Misericorde au povre: Kyrie 51–51v
Missa Misericorde au povre: Patrem omnipotentem [Credo] 53–54
Missa Misericorde au povre: Sanctus 54–54v
Missa Missus est Gabriel: Agnus Dei 8
Missa Missus est Gabriel: Credo 6v–7
Missa Missus est Gabriel: Gloria 5v–6
Missa Missus est Gabriel: Kyrie 5–5v
Missa Missus est Gabriel: Sanctus 7–8
Missa Nigra sum: Agnus Dei 30–31
Missa Nigra sum: Credo 27–29
Missa Nigra sum: Gloria 26–27
Missa Nigra sum: Kyrie 25v–26
Missa Nigra sum: Sanctus 29–30
Missa Paschale: Agnus Dei 19–19v
Missa Paschale: Gloria 15v–16
Missa Paschale: Kyrie 15–15v
Missa Paschale: Sanctus 18v–19
Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces. 62–63v
Missa Quem dicunt homines: Gloria: 2 partes. 60v–62
Missa Quem dicunt homines: Kyrie. 59v–60v
Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces. 63v–64
Missa Vulnerasti cor meum: Credo 57–58v
Missa Vulnerasti cor meum: Gloria 55v–56v
Missa Vulnerasti cor meum: Kyrie 54v–55v
Missa Vulnerasti cor meum: Sanctus 58v–59v
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 14v–15
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden 16v
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden 17
Victimae paschali - 3a pars (of 3): Credendum est magis 17
Wir glauben all an einen Gott [Credo] (I) (4vv) 10–10v

Set: Mus. Saec. XVI-40 (1-5)

Type: Partbooks

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D-ROu Mus. Saec. XVI-40 (1)

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D-ROu Mus. Saec. XVI-40 (2)

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D-ROu Mus. Saec. XVI-40 (3)

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D-ROu Mus. Saec. XVI-40 (4)

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D-ROu Mus. Saec. XVI-40 (5)

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 407, 462, 808. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 599-601, 672-3, 689-91. Notes: contents list (partial); concordances (partial); incipits (partial).

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation. Pages: 128, 150-3. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 119. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1974. Thomas Crecquillon: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xii, xiv, xvi. Notes: contents list (partial); concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 397. Notes: contents list (partial); concordances (partial).

Swing, Peter Gram. 1969. Parody and Form in Five Polyphonic Masses by Mathieu Gascongne. University of Chicago, Unpublished Ph.D. dissertation. Pages: 23, 26, 41. Notes: mention of MS; contents list (partial); concordances (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: 1, 210-1. Notes: contents list (partial); concordances (partial).

Gaehtgens, W Th. 1940-41. Die alten Musikalien der Universitätsbibliothek und die Kirchenmusik in Alt-Rostock. Beiträge zur Geschichte der Stadt Rostock, 164-81. Pages: 169, 171. Notes: contents list (partial); mention of MS; discussion.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: VIII, vii-xvi; XVI, xlv-lx. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description