I-Rsc MS G.795

Biblioteca Musicale Governativa del Conservatorio di Musical Santa Cecilia, Rome, Italy

partbook: c. 1590-1620

Archive Biblioteca Musicale Governativa del Conservatorio di Musical Santa Cecilia, Rome, Italy (I-Rsc)
Shelfmark MS G.795
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 275-80 x 210 mm
Other Identifiers
  • CCM: RomeSC 792-5
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists
Relationships
Provenance
  • Rome, Ireland
Contents Contains 31 uninventoried works or miscellaneous sections.
General Description

A Bassus II partbook from a set orginally of 12 volumes: D1, A1, T1; A2, B2; D3, A3, T3, B3 survive. Earliest layer copied by a single scribe (possibly Pompeius Paterius, named at beginning of each book), in sections grouped by increasing number of voices; two later scribes added further pieces on blank folios at end of each section, retaining voice groupings established by earliest scribe. There are occasional inconsistencies between voice designations on covers and voice parts actually contained in books (i.e., Dl book also contains some D2 and other parts, etc.) Probably copied in Rome (LockCR). Original owner and compiler possibly Pompeius Paterius, named at beginning of each book.

DIAMM, 2017
Physical Description

Some folios damaged by ink corrosion were restored and gauzed in 1976.

DIAMM, 2017
Binding

Original covers of yellow parchment, restored in 1976; modern brown ribbon ties.

DIAMM, 2017
Watermark

(1) three-peaked mountain in circle, surmounted by six-pointed star; (2) bird in circle, surmounted by crown; (3) chevron in circle, surmounted by crown; (4) star on shield.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 13.5 and 14.5.

DIAMM, 2017
Foliation

Original ink foliation in each book, with some errors and inconsistencies corrected in pencil by modern hand.

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Index

Original index on three flyleaves at beginning of Discantus l book lists pieces in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 canticle, 1 Lamentation, 110 motets, 5 Italian sacred pieces = 117

Alcarotti [Giofrancesco Alcari]-1, F. Anerio-1, G. Animuccia-S, Betti [Fornarino]-1, Cortellini [Camillo Violino]-1, Ferro-1, A. Gabrieli-1, Giovanelli-2, Guerrero-8, Josquino della Sala-1, Lassus-10, Macque-7, Marenzio-2, Mel-1, Philippe de Monte-1, Morales-2, Nanino-4, Palestrina-18, Phinot-2, Quagliati-1, B. Roy -1, Ruffo-5, Ruffo/(Palestrina)-1, Stabile-1, Tartaglino-1, Tudino -1, Victoria-7, Vinci-2, Wert-2, Willaert [Adriano]-1, Willaert/ (Obrecht)-1, Zoilo-4, anon-22

4 paper partbooks of an original 12 (D1-ii + iii + 139 + ii folios, Al-ii + ii + 139 + ii + ii, Tl-ii + i + 139 + i + i, B2-ii + i + 59 + i + ii), 275-80x210. RomeBN 117-21 are A2, D3, A3, T3, and B3 books from same original set; Bl, Q, and S books now missing,* [Footnote: 'The Bl, Q, and S books are believed to have been in the Archivio della Congregazione dell'Oratorio in Rome until at least ca. 1958. They are described by LockCR, 321, as being in the "Convento dei Padri Filippini" [= Archivio della Congregazione dell'Oratorio]. Since the time of Lockwood's research, these three partbooks have apparently been removed from the Archivio della Congregazione dell'Oratorio; their present location is unknown. However, the four partbooks listed by LockCR as missing (i.e., D3, A3, T3, and B3, containing parts for the à12 works) have subsequently been located; they are now preserved in the Biblioteca Nazionale Centrale Vittorio Emanuele II, as noted above.]but 1821 transcription of entire set, by Abbate Fortunato Santini, is preserved in Münster (Westphalia), Bischöfliche Diözesanbibliothek, MS 3590. Some folios damaged by ink corrosion were restored and gauzed in 1976. Original ink foliation in each book, with some errors and inconsistencies corrected in pencil by modern hand. Original covers of yellow parchment, restored in 1976; modern brown ribbon ties. Original index on three flyleaves at beginning of Dl book lists pieces in order of appearance.

Earliest layer copied by a single scribe (possibly Pompeius Paterius, named at beginning of each book), in sections grouped by increasing number of voices; two later scribes added further pieces on blank folios at end of each section, retaining voice groupings established by earliest scribe. Staff height 13.5 and 14.5. Inked calligraphic initials. Watermarks: (1) three-peaked mountain in circle, surmounted by six-pointed star; (2) bird in circle, surmounted by crown; (3) chevron in circle, surmounted by crown; (4) star on shield.

Occasional inconsistencies between voice designations on covers and voice parts actually contained in books (i.e., Dl book also contains some D2 and other parts, etc.)

Ca. 1590-1620 (LockCR). Probably copied in Rome (LockCR). Original owner and compiler possibly Pompeius Paterius, named at beginning of each book.

Vol 4

Composers: Change "Lassus-l0" to "Lassus-11"; change "anon-22" to "anon-21."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known composers

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Set: Musicali 117-121/G.792-795

Type: Partbooks

No images available

I-Rn Musicali 117

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I-Rn Musicali 118

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I-Rn Musicali 119

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I-Rn Musicali 120

No images available

I-Rn Musicali 121

No images available

I-Rsc MS G.792

No images available

I-Rsc MS G.793

No images available

I-Rsc MS G.794

No images available

I-Rsc MS G.795

denotes primary source study

O'Regan, Noel. 1984. The Early Polychoral Music of Orlando di Lasso: New Light from Roman Sources. Acta Musicologica, 234-51. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 57. Notes: contents list (partial); concordances (partial).

Silbiger, Alexander. 1977. An Unknown Partbook of Early Sixteenth Century Polyphony. Studi Musicali, 43-67. Pages: 59. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 147. Notes: contents list (partial); concordances (partial).

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: I, 219. Notes: contents list (partial); concordances (partial).

Lockwood, Lewis Henry. 1970. The Counter-Reformation and the Masses of Vincenzo Ruffo.  Venice. Pages: 226-7, 259-62. Notes: contents list (partial); concordances (partial).

Lockwood, Lewis Henry. 1968. A Sample Problem of Musica Fida: Willaert's Pater Noster. Studies in Music History: Essays for Oliver Strunk, 161-82. Princeton. Pages: 171. Notes: mention of MS.

Lockwood, Lewis Henry. 1959. The Counter-Reformation and the Sacred Music of Vincenzo Ruffa. Princeton University, Unpublished Ph.D. dissertation. Pages: 321-6, 367-71. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XXXVI, 118, 124, 127. Notes: contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description