D-Rp C 99

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: 1548

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark C 99
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 408 x 285 mm
Other Identifiers
  • CCM: RegB C99
  • olim (Former shelfmark): A. R. 772
Notations
  • black void mensural
Copyists
Provenance
  • Regensburg, Bavaria, Germany
Contents 53 pieces from 12 composers
General Description

Copied by Johannes Stengl (inscription on f. 234). Five motets served as Mass models; but the 8 masses are copied first, then the 2 Magnificats & finally the 6 motets.. Copied in Regensburg.

DIAMM, 2017
Binding

Original covers of light brown tooled leather over cardboard.

DIAMM, 2017
Watermark

(1) eagle; (2) resembles Briquet #1243

DIAMM, 2017
Liminary Note

Title page on f. II: 'Missae Octo / Quatuor vocum / una cum Motetis / a praestantiss: Mu/sicis composite. / 1548.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1548 (date on title page and f. 234)

DIAMM, 2017
Ruling

Staff height 24

DIAMM, 2017
Foliation

Original ink and new pencil foliation, I-III + 1-234 ('104,' '128,' '149' omitted; '131' applied to two consecutive folios)

DIAMM, 2017
Decoration

Large inked initials, some in calligraphic style, others in plain block style.

DIAMM, 2017
Index

Original index on f. III lists all pieces in order of appearance, except that Magnificats are listed between penultimate and last motet, instead of following the Masses.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses, 2 Magnificats, 6 motets = 16

(Divitis)-1, (Hellinck)-2, Hellinck [Lupus]/(Senfl/Verdelot)-1, Richafort-2, Richafort/(Lupus)-1, (Mouton)-2, (Sermisy)-1, (Willaert)-1, Willaert/(Obrecht)-1, anon-4

iii + 232 paper folios, 408 x 285. Original ink and new pencil foliation, I-III + 1-234 ("104," "128," "149" omitted; "131" applied to two consecutive folios). Original covers of light brown tooled leather over cardboard. Original index on f. III lists all pieces in order of appearance, except that Magnificats are listed between penultimate and last motet, instead of following the Masses. Copied by Johannes Stengl (inscription on f. 234). Staff height 24. Large inked initials, some in calligraphic style, others in plain block style. Watermarks: (1) eagle; (2) resembles Briquet #1243. Title page on f. II: "Missae Octo / Quatuor vocum / una cum Motetis / a praestantiss: Mu/sicis composite. / 1548." Five motets served as Mass models.

1548 (date on title page and f. 234). Copied in Regensburg.

Vol 4

Composers: Add "(Rein)-1"; change "anon-4" to "anon-3."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–27 Missa Paschalis (super Alleluia resurrexit): Kyrie - Anonymous
Appears on: 1v–27
Genres: Kyrie eleison, Mass Ordinary
1v–27 Missa Paschalis (super Alleluia resurrexit): Gloria - Anonymous
Appears on: 1v–27
Genres: Gloria (et in terra pax), Mass Ordinary
1v–27 Missa Paschalis (super Alleluia resurrexit): Credo - Anonymous
Appears on: 1v–27
Genres: Credo (patrem omnipotentem), Mass Ordinary
1v–27 Missa Paschalis (super Alleluia resurrexit): Sanctus - Anonymous
Appears on: 1v–27
Genres: Mass Ordinary, Sanctus [& Benedictus]
1v–27 Missa Paschalis (super Alleluia resurrexit): Agnus Dei - Anonymous
Appears on: 1v–27
Genres: Agnus Dei, Mass Ordinary
27v–45 Missa super Kyrie paschale: Kyrie -
Appears on: 27v–45
Genres: Kyrie eleison, Mass Ordinary
27v–45 Missa super Kyrie paschale: Gloria -
Appears on: 27v–45
Genres: Gloria (et in terra pax), Mass Ordinary
27v–45 Missa super Kyrie paschale: Credo -
Appears on: 27v–45
Genres: Credo (patrem omnipotentem), Mass Ordinary
27v–45 Missa super Kyrie paschale: Sanctus -
Appears on: 27v–45
Genres: Mass Ordinary, Sanctus [& Benedictus]
27v–45 Missa super Kyrie paschale: Agnus Dei -
Appears on: 27v–45
Genres: Agnus Dei, Mass Ordinary
45v–75 Missa Iam non dicam vos servos: Kyrie -
Appears on: 45v–75
Genres: Kyrie eleison, Mass Ordinary
45v–75 Missa Iam non dicam vos servos: Gloria -
Appears on: 45v–75
Genres: Gloria (et in terra pax), Mass Ordinary
45v–75 Missa Iam non dicam vos servos: Credo -
Appears on: 45v–75
Genres: Credo (patrem omnipotentem), Mass Ordinary
45v–75 Missa Iam non dicam vos servos: Sanctus -
Appears on: 45v–75
Genres: Mass Ordinary, Sanctus [& Benedictus]
45v–75 Missa Iam non dicam vos servos: Agnus Dei -
Appears on: 45v–75
Genres: Agnus Dei, Mass Ordinary
75v–105 Missa Tua est potentia: Kyrie -
Appears on: 75v–105
Genres: Kyrie eleison, Mass Ordinary
75v–105 Missa Tua est potentia: Gloria -
Appears on: 75v–105
Genres: Gloria (et in terra pax), Mass Ordinary
75v–105 Missa Tua est potentia: Credo -
Appears on: 75v–105
Genres: Credo (patrem omnipotentem), Mass Ordinary
75v–105 Missa Tua est potentia: Sanctus -
Appears on: 75v–105
Genres: Mass Ordinary, Sanctus [& Benedictus]
75v–105 Missa Tua est potentia: Agnus Dei -
Appears on: 75v–105
Genres: Agnus Dei, Mass Ordinary
105v–129 Missa Quem dicunt homines: Kyrie -
Appears on: 105v–129
Genres: Kyrie eleison, Mass Ordinary
105v–129 Missa Quem dicunt homines: Gloria -
Appears on: 105v–129
Genres: Gloria (et in terra pax), Mass Ordinary
105v–129 Missa Quem dicunt homines: Credo -
Appears on: 105v–129
Genres: Credo (patrem omnipotentem), Mass Ordinary
105v–129 Missa Quem dicunt homines: Sanctus -
Appears on: 105v–129
Genres: Mass Ordinary, Sanctus [& Benedictus]
105v–129 Missa Quem dicunt homines: Agnus Dei -
Appears on: 105v–129
Genres: Agnus Dei, Mass Ordinary
129v–150 Missa In te Domine speravi: Kyrie -
Appears on: 129v–150
Genres: Kyrie eleison, Mass Ordinary
129v–150 Missa In te Domine speravi: Gloria -
Appears on: 129v–150
Genres: Gloria (et in terra pax), Mass Ordinary
129v–150 Missa In te Domine speravi: Credo -
Appears on: 129v–150
Genres: Credo (patrem omnipotentem), Mass Ordinary
129v–150 Missa In te Domine speravi: Sanctus -
Appears on: 129v–150
Genres: Mass Ordinary, Sanctus [& Benedictus]
129v–150 Missa In te Domine speravi: Agnus Dei -
Appears on: 129v–150
Genres: Agnus Dei, Mass Ordinary
150v–174 Missa Philomena previa: Kyrie -
Appears on: 150v–174
Genres: Kyrie eleison, Mass Ordinary
150v–174 Missa Philomena previa: Gloria -
Appears on: 150v–174
Genres: Gloria (et in terra pax), Mass Ordinary
150v–174 Missa Philomena previa: Credo -
Appears on: 150v–174
Genres: Credo (patrem omnipotentem), Mass Ordinary
150v–174 Missa Philomena previa: Sanctus -
Appears on: 150v–174
Genres: Mass Ordinary, Sanctus [& Benedictus]
150v–174 Missa Philomena previa: Agnus Dei -
Appears on: 150v–174
Genres: Agnus Dei, Mass Ordinary
174v–184 Missa Sancti spiritus: Kyrie - Anonymous
Appears on: 174v–184
Genres: Kyrie eleison, Mass Ordinary
174v–184 Missa Sancti spiritus: Gloria - Anonymous
Appears on: 174v–184
Genres: Gloria (et in terra pax), Mass Ordinary
174v–184 Missa Sancti spiritus: Credo - Anonymous
Appears on: 174v–184
Genres: Credo (patrem omnipotentem), Mass Ordinary
174v–184 Missa Sancti spiritus: Sanctus - Anonymous
Appears on: 174v–184
Genres: Mass Ordinary, Sanctus [& Benedictus]
174v–184 Missa Sancti spiritus: Agnus Dei - Anonymous
Appears on: 174v–184
Genres: Agnus Dei, Mass Ordinary
184v–191 Magnificat sexti toni: Et exultavit [K.331] - Anonymous
Appears on: 184v–191
Genres: BVM, Canticle, Magnificat
191v–198 Magnificat sexti toni: Et exultavit -
Appears on: 191v–198
Genres: BVM, Canticle, Magnificat
198v–201 Jam non dicam - 1a pars (of 2): Jam non dicam vos servos Richafort
Appears on: 198v–201
Genres: Motet
Source Attribution: Richafort
201v–203 Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis -
Appears on: 201v–203
Genres: Motet
203v–205 Tua est potentia tuum regnum Dominus 26.17 -
Appears on: 203v–205
Genres: Motet
205v–209 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Richafort
Appears on: 205v–209
Genres: Motet
Source Attribution: Richafort
209v–213 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit -
Appears on: 209v–213
Genres: Motet
213v–217 In te Domine speravi - 1a pars (of 2): In te Domine speravi Lupus
Appears on: 213v–217
Genres: Motet, Te Deum
Source Attribution: Lupus
217v–220 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 217v–220
Genres: Motet
220v–223 Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum Joan. Richafort
Appears on: 220v–223
Genres: Motet
Source Attribution: Joan. Richafort
223v–226 Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia -
Appears on: 223v–226
Genres: Motet
226v–231 Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis Adrianus Willart
Appears on: 226v–231
Genres: Motet
Source Attribution: Adrianus Willart
231v–235 Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum -
Appears on: 231v–235
Genres: Ave Maria, Motet
Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Divitis, Antonius (ca. 1470–ca. 1530)
Hellinck, Lupus (ca. 1494–1541)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Rein, Conrad (ca. 1475–1522)
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
In te Domine speravi - 1a pars (of 2): In te Domine speravi 213v–217
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 217v–220
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos 198v–201
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis 201v–203
Magnificat sexti toni: Et exultavit 191v–198
Magnificat sexti toni: Et exultavit [K.331] Anonymous 184v–191
Missa Iam non dicam vos servos: Agnus Dei 45v–75
Missa Iam non dicam vos servos: Credo 45v–75
Missa Iam non dicam vos servos: Gloria 45v–75
Missa Iam non dicam vos servos: Kyrie 45v–75
Missa Iam non dicam vos servos: Sanctus 45v–75
Missa In te Domine speravi: Agnus Dei 129v–150
Missa In te Domine speravi: Credo 129v–150
Missa In te Domine speravi: Gloria 129v–150
Missa In te Domine speravi: Kyrie 129v–150
Missa In te Domine speravi: Sanctus 129v–150
Missa Paschalis (super Alleluia resurrexit): Agnus Dei Anonymous 1v–27
Missa Paschalis (super Alleluia resurrexit): Credo Anonymous 1v–27
Missa Paschalis (super Alleluia resurrexit): Gloria Anonymous 1v–27
Missa Paschalis (super Alleluia resurrexit): Kyrie Anonymous 1v–27
Missa Paschalis (super Alleluia resurrexit): Sanctus Anonymous 1v–27
Missa Philomena previa: Agnus Dei 150v–174
Missa Philomena previa: Credo 150v–174
Missa Philomena previa: Gloria 150v–174
Missa Philomena previa: Kyrie 150v–174
Missa Philomena previa: Sanctus 150v–174
Missa Quem dicunt homines: Agnus Dei 105v–129
Missa Quem dicunt homines: Credo 105v–129
Missa Quem dicunt homines: Gloria 105v–129
Missa Quem dicunt homines: Kyrie 105v–129
Missa Quem dicunt homines: Sanctus 105v–129
Missa Sancti spiritus: Agnus Dei Anonymous 174v–184
Missa Sancti spiritus: Credo Anonymous 174v–184
Missa Sancti spiritus: Gloria Anonymous 174v–184
Missa Sancti spiritus: Kyrie Anonymous 174v–184
Missa Sancti spiritus: Sanctus Anonymous 174v–184
Missa super Kyrie paschale: Agnus Dei 27v–45
Missa super Kyrie paschale: Credo 27v–45
Missa super Kyrie paschale: Gloria 27v–45
Missa super Kyrie paschale: Kyrie 27v–45
Missa super Kyrie paschale: Sanctus 27v–45
Missa Tua est potentia: Agnus Dei 75v–105
Missa Tua est potentia: Credo 75v–105
Missa Tua est potentia: Gloria 75v–105
Missa Tua est potentia: Kyrie 75v–105
Missa Tua est potentia: Sanctus 75v–105
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis 226v–231
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 231v–235
Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum 220v–223
Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia 223v–226
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines 205v–209
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit 209v–213
Tua est potentia tuum regnum Dominus 26.17 203v–205

denotes primary source study

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 145-6 [erroneously referred to as MS 722]. Notes: contents list (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 157. Notes: contents list (partial); concordances (partial); incipits (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Liminary Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description