Copied by a single scribe, except for responses on ff. 42'-43, added by a different hand. Probably copied in Regensburg.
D-Rp C 96
Bischöfliche Zentralbibliothek, Regensburg, Germany
manuscript of polyphony: Mid 16th century
| Archive | Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp) |
|---|---|
| Shelfmark | C 96 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 422 x 303 mm |
| Other Identifiers |
|
| Provenance |
|
| Contents | Contains 48 compositions, 35 from 12 composers, 13 are anonymous. |
General Description
Physical Description
Folios apparently folded in half at one time.
Binding
Original parchment covers cut from breviary with red and blue initials; two sets of leather ties
Watermark
(1) coat of arms of city of Regensburg (generally resembles Briquet #1138); (2) salt shaker (see Briquet #2169ff for general pattern); (3) resembles Briquet #8758; (4) goblet on shield?; (5) eagle?
Notation
black void mensural
Date
date 1550 in manuscript
Ruling
Staff height 25
Foliation
New pencil foliation, 1-162
Decoration
Black, red, blue, and yellow inked initials, in plain block and calligraphic styles; rubrics and some first words of text in red ink.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 Masses, 1 Kyrie-Gloria pair, 10 Mass Proper sections, 3 Magnificats, 10 motets, 1 set of responses, 1 German sacred piece = 29
(Alder/Senfl)-1, (Clemens non Papa)-2, (Couillart)-1, (Craen/ C. Festa/A. Févin/Josquin/Morales)-(Brück)-1, Crecquillon-2, Isaac-7, Le Maistre-1, (Moulu)-1, (Tudual)-1, anon-12
162 paper folios, 422 x 303. Folios apparently folded in half at one time. New pencil foliation, 1-162. Original parchment covers cut from breviary with red and blue initials; two sets of leather ties. No index. Copied by a single scribe, except for responses on ff. 42'-43, added by a different hand. Staff height 25. Black, red, blue, and yellow inked initials, in plain block and calligraphic styles; rubrics and some first words of text in red ink. Water-marks: (1) coat of arms of city of Regensburg (generally resembles Briquet #1138); (2) salt shaker (see Briquet #2169ff for general pattern); (3) resembles Briquet #8758; (4) goblet on shield?; (5) eagle?
Mid 16th century (date 1550 in manuscript). Probably copied in Regensburg.
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‡ denotes primary source study
Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai. Munich: Henle. Pages: 295.
Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 31: 16-72. Pages: 54. Notes: contents list (partial); concordances (partial).
Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg, vol. I. Wiesbaden. Pages: 82, 135. Notes: contents list (partial); concordances (partial).
Hudson, Barton (editor). 1974. Thomas Crecquillon: Collected Works. Corpus mensurabilis musicae, vol. 63. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xii, xiv-xv. Notes: contents list (partial); concordances (partial).
Greene, Donald Clarence. 1970. Mattheus Le Maistre: A Netherlander at the Dresden Court Chapel. University of Michigan, Unpublished Ph.D. dissertation. Pages: I, 58. Notes: contents list (partial).
Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2. Wiesbaden. Pages: 82. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 158. Notes: physical description; contents list (partial); concordances (partial); incipits (partial).
Kirsch, Winfried. 1961. Ein unbeachtetes Chorbuch von 1544 in der Österreichischen Nationalbibliothek Wien. Die Musikforschung, 14: 290-303. Pages: 296. Notes: contents list (partial); concordances (partial).
Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 37; II, 22, 75. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62; II, 207-8. Notes: physical description; contents list (partial); concordances (partial).
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI, 94,99. Notes: physical description (partial); contents list (partial); concordances (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description