D-Rp C 96

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: Mid 16th century

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	C 96
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	422 x 303 mm
Other Identifiers	CCM: RegB C96
Provenance	Regensburg, Bavaria, Germany
Contents	48 pieces from 13 composers

General Description

Copied by a single scribe, except for responses on ff. 42'-43, added by a different hand. Probably copied in Regensburg.

DIAMM, 2017

Physical Description

Folios apparently folded in half at one time.

DIAMM, 2017

Binding

Original parchment covers cut from breviary with red and blue initials; two sets of leather ties

DIAMM, 2017

Watermark

(1) coat of arms of city of Regensburg (generally resembles Briquet #1138); (2) salt shaker (see Briquet #2169ff for general pattern); (3) resembles Briquet #8758; (4) goblet on shield?; (5) eagle?

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

date 1550 in manuscript

DIAMM, 2017

Ruling

Staff height 25

DIAMM, 2017

Foliation

New pencil foliation, 1-162

DIAMM, 2017

Decoration

Black, red, blue, and yellow inked initials, in plain block and calligraphic styles; rubrics and some first words of text in red ink.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Kyrie-Gloria pair, 10 Mass Proper sections, 3 Magnificats, 10 motets, 1 set of responses, 1 German sacred piece = 29

(Alder/Senfl)-1, (Clemens non Papa)-2, (Couillart)-1, (Craen/ C. Festa/A. Févin/Josquin/Morales)-(Brück)-1, Crecquillon-2, Isaac-7, Le Maistre-1, (Moulu)-1, (Tudual)-1, anon-12

162 paper folios, 422 x 303. Folios apparently folded in half at one time. New pencil foliation, 1-162. Original parchment covers cut from breviary with red and blue initials; two sets of leather ties. No index. Copied by a single scribe, except for responses on ff. 42'-43, added by a different hand. Staff height 25. Black, red, blue, and yellow inked initials, in plain block and calligraphic styles; rubrics and some first words of text in red ink. Water-marks: (1) coat of arms of city of Regensburg (generally resembles Briquet #1138); (2) salt shaker (see Briquet #2169ff for general pattern); (3) resembles Briquet #8758; (4) goblet on shield?; (5) eagle?

Mid 16th century (date 1550 in manuscript). Probably copied in Regensburg.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–23	Missa Kein in der Welt so schön: Kyrie	Tho. Cricquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa Kein in der Welt so schön: Kyrie Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 1v–23 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Tho. Cricquillon
1v–23	Missa Kein in der Welt so schön: Gloria	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa Kein in der Welt so schön: Gloria Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 1v–23 Genres: Gloria (et in terra pax), Mass Ordinary
1v–23	Missa Kein in der Welt so schön: Credo	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa Kein in der Welt so schön: Credo Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 1v–23 Genres: Credo (patrem omnipotentem), Mass Ordinary
1v–23	Missa Kein in der Welt so schön: Sanctus	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa Kein in der Welt so schön: Sanctus Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 1v–23 Genres: Mass Ordinary, Sanctus [& Benedictus]
1v–23	Missa Kein in der Welt so schön: Agnus Dei	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa Kein in der Welt so schön: Agnus Dei Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 1v–23 Genres: Agnus Dei, Mass Ordinary
23v–42	Missa d'amours me plains: Kyrie	Thomas Cricquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa d'amours me plains: Kyrie Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 23v–42 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Thomas Cricquillon
23v–42	Missa D'amours me plains: Gloria	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa D'amours me plains: Gloria Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 23v–42 Genres: Gloria (et in terra pax), Mass Ordinary
23v–42	Missa D'amours me plains: Credo	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa D'amours me plains: Credo Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 23v–42 Genres: Credo (patrem omnipotentem), Mass Ordinary
23v–42	Missa D'amours me plains: Sanctus	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa D'amours me plains: Sanctus Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 23v–42 Genres: Mass Ordinary, Sanctus [& Benedictus]
23v–42	Missa D'amours me plains: Agnus Dei	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Missa D'amours me plains: Agnus Dei Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 23v–42 Genres: Agnus Dei, Mass Ordinary
42v–43	responsories (Et cum spiritu tuo - Amen - Gloria tibi)	-	Anonymous
responsories (Et cum spiritu tuo - Amen - Gloria tibi) Anonymous Appears on: 42v–43 Genres: Responsory
43v–45	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 43v–45 Genres: Alleluia, Motet
45v–46	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes	-	Anonymous
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes Anonymous Appears on: 45v–46 Genres: Motet
46v–47	Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus	-	Anonymous
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus Anonymous Appears on: 46v–47 Genres: Motet
47v–49	Verbum caro factum est et habitabit (R. Plenum gratia et veritate; Vs. In principio erat verbum et Deus	-	Isaac, Heinrich (ca. 1450–1517)
Verbum caro factum est et habitabit (R. Plenum gratia et veritate; Vs. In principio erat verbum et Deus Isaac, Heinrich (ca. 1450–1517) Appears on: 47v–49 Genres: Responsory
49v–51	Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 49v–51 Genres: Motet
51v–53	Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 51v–53 Genres: Motet
53v–57	Judaea et Jerusalem Vs. Constantes estote	-	Anonymous
Judaea et Jerusalem Vs. Constantes estote Anonymous Appears on: 53v–57 Genres: Psalm
57v–61	Magnificat octavi toni: Et exultavit [K.16]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.16] Anonymous Appears on: 57v–61 Genres: BVM, Canticle, Magnificat
61v–63	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	-	Rein, Conrad (ca. 1475–1522)
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium Rein, Conrad (ca. 1475–1522) Appears on: 61v–63 Genres: Motet
63v–67	Benedicta sit sancta trinitas Vs. Benedicamus patrem	-	Anonymous
Benedicta sit sancta trinitas Vs. Benedicamus patrem Anonymous Appears on: 63v–67 Genres: Proper
67v–89	Missa Toutes les nuits: Kyrie	Matheo Maistre	Le Maistre, Mattheus (ca. 1505–1577)
Missa Toutes les nuits: Kyrie Le Maistre, Mattheus (ca. 1505–1577) Appears on: 67v–89 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Matheo Maistre
67v–89	Missa Toutes les nuits: Gloria	-	Le Maistre, Mattheus (ca. 1505–1577)
Missa Toutes les nuits: Gloria Le Maistre, Mattheus (ca. 1505–1577) Appears on: 67v–89 Genres: Gloria (et in terra pax), Mass Ordinary
67v–89	Missa Toutes les nuits: Credo	-	Le Maistre, Mattheus (ca. 1505–1577)
Missa Toutes les nuits: Credo Le Maistre, Mattheus (ca. 1505–1577) Appears on: 67v–89 Genres: Credo (patrem omnipotentem), Mass Ordinary
67v–89	Missa Toutes les nuits: Sanctus	-	Le Maistre, Mattheus (ca. 1505–1577)
Missa Toutes les nuits: Sanctus Le Maistre, Mattheus (ca. 1505–1577) Appears on: 67v–89 Genres: Mass Ordinary, Sanctus [& Benedictus]
67v–89	Missa Toutes les nuits: Agnus Dei	-	Le Maistre, Mattheus (ca. 1505–1577)
Missa Toutes les nuits: Agnus Dei Le Maistre, Mattheus (ca. 1505–1577) Appears on: 67v–89 Genres: Agnus Dei, Mass Ordinary
89v–99	Missa (5vv): Kyrie	-	Anonymous
Missa (5vv): Kyrie Anonymous Appears on: 89v–99 Genres: Kyrie eleison, Mass Ordinary
89v–99	Missa (5vv): Gloria	-	Anonymous
Missa (5vv): Gloria Anonymous Appears on: 89v–99 Genres: Gloria (et in terra pax), Mass Ordinary
99v–103	Sancta Trinitas unus Deus miserere nobis (6vv)	-	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)
Sancta Trinitas unus Deus miserere nobis (6vv) Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554) Appears on: 99v–103 Genres: Motet General Note Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10
103v–105	Da Jacob das Kleid ansah mit großem Schmerzen	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Alder, Cosmas (1500–1550)
Da Jacob das Kleid ansah mit großem Schmerzen Senfl, Ludwig (ca. 1486–ca. 1543) (?) Alder, Cosmas (1500–1550) Appears on: 103v–105 Genres: Motet
105v–108	Rex autem David - 1a pars (of 2): Rex autem David cooperto capite incedens	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Rex autem David - 1a pars (of 2): Rex autem David cooperto capite incedens Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 105v–108 Genres: Motet
108v–111	Rex autem David - 2a pars (of 2): Planxit autem David planctum huius	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Rex autem David - 2a pars (of 2): Planxit autem David planctum huius Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 108v–111 Genres: Motet
111v–112	Viri Galilei - 1a pars (of 2): Viri Galilei quid admiramini aspicientes	-	Couillart
Viri Galilei - 1a pars (of 2): Viri Galilei quid admiramini aspicientes Couillart Appears on: 111v–112 Genres: Motet
112v–113	Viri Galilei - 2a pars (of 2): Videntibus illis elevatus est ut nubes	-	Couillart
Viri Galilei - 2a pars (of 2): Videntibus illis elevatus est ut nubes Couillart Appears on: 112v–113 Genres: Motet
113v–115	Viri Galilei quid aspicitis	-	Anonymous
Viri Galilei quid aspicitis Anonymous Appears on: 113v–115 Genres: Motet
115v–116	Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 115v–116 Genres: Alleluia, Motet
116v–120	Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis	-	Isaac, Heinrich (ca. 1450–1517)
Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis Isaac, Heinrich (ca. 1450–1517) Appears on: 116v–120 Genres: Motet
120v–121	Psallite Domino [Proprium de Ascensione Domini]	-	Isaac, Heinrich (ca. 1450–1517)
Psallite Domino [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 120v–121 Genres: Communion
121v–125	Alleluia. Regem ascendentem - 1a pars (of 2): Alleluia. Regem ascendentem in caelum	-	Moulu, Pierre (ca. 1484–ca. 1550)
Alleluia. Regem ascendentem - 1a pars (of 2): Alleluia. Regem ascendentem in caelum Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 121v–125 Genres: Alleluia, Motet
125v–129	Alleluia. Regem ascendentem - 2a pars (of 2): Non turbetur cor vestrum ego	-	Moulu, Pierre (ca. 1484–ca. 1550)
Alleluia. Regem ascendentem - 2a pars (of 2): Non turbetur cor vestrum ego Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 125v–129 Genres: Alleluia, Motet
129v–131	Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse est	-	Anonymous
Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse est Anonymous Appears on: 129v–131 Genres: Motet
131v–133	Accipite spiritum sanctum	-	Anonymous
Accipite spiritum sanctum Anonymous Appears on: 131v–133 Genres: Motet
133v–136	Apparuerunt apostolis Vs. Loquebantur variis linguis	-	Anonymous
Apparuerunt apostolis Vs. Loquebantur variis linguis Anonymous Appears on: 133v–136 Genres: Hymn
136v–138	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	-	Isaac, Heinrich (ca. 1450–1517)
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: 136v–138 Genres: Introit
138v–139	Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: 138v–139 Genres: Alleluia, Motet, Veni sancte spiritus
139v–146	Quae corda nostra	-	Isaac, Heinrich (ca. 1450–1517)
Quae corda nostra Isaac, Heinrich (ca. 1450–1517) Appears on: 139v–146 Genres: Motet
147v–153	Magnificat primi toni: Et exultavit [K.153]	-	Anonymous
Magnificat primi toni: Et exultavit [K.153] Anonymous Appears on: 147v–153 Genres: BVM, Canticle, Magnificat General Note The writer began copying A&T on 147r, but made so many mistakes he crossed these out & began again overleaf.
155v–161	Magnificat octavi toni: Et exultavit	-	Tudual
Magnificat octavi toni: Et exultavit Tudual Appears on: 155v–161 Genres: BVM, Canticle, Magnificat

Composer	Compositions
Alder, Cosmas (1500–1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 103v–105
Anonymous	Accipite spiritum sanctum – 131v–133 Apparuerunt apostolis Vs. Loquebantur variis linguis – 133v–136 Benedicta sit sancta trinitas Vs. Benedicamus patrem – 63v–67 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes – 45v–46 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus – 46v–47 Judaea et Jerusalem Vs. Constantes estote – 53v–57 Magnificat octavi toni: Et exultavit [K.16] – 57v–61 Magnificat primi toni: Et exultavit [K.153] – 147v–153 Missa (5vv): Gloria – 89v–99 Missa (5vv): Kyrie – 89v–99 Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse est – 129v–131 Viri Galilei quid aspicitis – 113v–115 responsories (Et cum spiritu tuo - Amen - Gloria tibi) – 42v–43
Bruck, Arnold von (ca. 1500–1554)	Sancta Trinitas unus Deus miserere nobis (6vv) – 99v–103
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait – 49v–51 Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est – 51v–53 Rex autem David - 1a pars (of 2): Rex autem David cooperto capite incedens – 105v–108 Rex autem David - 2a pars (of 2): Planxit autem David planctum huius – 108v–111
Couillart	Viri Galilei - 1a pars (of 2): Viri Galilei quid admiramini aspicientes – 111v–112 Viri Galilei - 2a pars (of 2): Videntibus illis elevatus est ut nubes – 112v–113
Crecquillon, Thomas (ca. 1505–ca. 1557)	Missa D'amours me plains: Agnus Dei – 23v–42 Missa D'amours me plains: Credo – 23v–42 Missa D'amours me plains: Gloria – 23v–42 Missa D'amours me plains: Sanctus – 23v–42 Missa Kein in der Welt so schön: Agnus Dei – 1v–23 Missa Kein in der Welt so schön: Credo – 1v–23 Missa Kein in der Welt so schön: Gloria – 1v–23 Missa Kein in der Welt so schön: Kyrie – 1v–23 Missa Kein in der Welt so schön: Sanctus – 1v–23 Missa d'amours me plains: Kyrie – 23v–42
Fevin, Antoine de (ca. 1470–ca. 1512)	Sancta Trinitas unus Deus miserere nobis (6vv) – 99v–103
Isaac, Heinrich (ca. 1450–1517)	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] – 43v–45 Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] – 115v–116 Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] – 138v–139 Psallite Domino [Proprium de Ascensione Domini] – 120v–121 Quae corda nostra – 139v–146 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] – 136v–138 Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis – 116v–120 Verbum caro factum est et habitabit (R. Plenum gratia et veritate; Vs. In principio erat verbum et Deus – 47v–49
Le Maistre, Mattheus (ca. 1505–1577)	Missa Toutes les nuits: Agnus Dei – 67v–89 Missa Toutes les nuits: Credo – 67v–89 Missa Toutes les nuits: Gloria – 67v–89 Missa Toutes les nuits: Kyrie – 67v–89 Missa Toutes les nuits: Sanctus – 67v–89
Moulu, Pierre (ca. 1484–ca. 1550)	Alleluia. Regem ascendentem - 1a pars (of 2): Alleluia. Regem ascendentem in caelum – 121v–125 Alleluia. Regem ascendentem - 2a pars (of 2): Non turbetur cor vestrum ego – 125v–129
Rein, Conrad (ca. 1475–1522)	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium – 61v–63
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Da Jacob das Kleid ansah mit großem Schmerzen – 103v–105
Tudual	Magnificat octavi toni: Et exultavit – 155v–161

Composition	Composers (? Uncertain)	Folios / Pages
Accipite spiritum sanctum	Anonymous	131v–133
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	43v–45
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	115v–116
Alleluia. Regem ascendentem - 1a pars (of 2): Alleluia. Regem ascendentem in caelum	Moulu, Pierre (ca. 1484–ca. 1550)	121v–125
Alleluia. Regem ascendentem - 2a pars (of 2): Non turbetur cor vestrum ego	Moulu, Pierre (ca. 1484–ca. 1550)	125v–129
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	138v–139
Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	49v–51
Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	51v–53
Apparuerunt apostolis Vs. Loquebantur variis linguis	Anonymous	133v–136
Benedicta sit sancta trinitas Vs. Benedicamus patrem	Anonymous	63v–67
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	Rein, Conrad (ca. 1475–1522)	61v–63
Da Jacob das Kleid ansah mit großem Schmerzen	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Alder, Cosmas (1500–1550)	103v–105
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes	Anonymous	45v–46
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus	Anonymous	46v–47
Judaea et Jerusalem Vs. Constantes estote	Anonymous	53v–57
Magnificat octavi toni: Et exultavit	Tudual	155v–161
Magnificat octavi toni: Et exultavit [K.16]	Anonymous	57v–61
Magnificat primi toni: Et exultavit [K.153]	Anonymous	147v–153
Missa (5vv): Gloria	Anonymous	89v–99
Missa (5vv): Kyrie	Anonymous	89v–99
Missa D'amours me plains: Agnus Dei	Crecquillon, Thomas (ca. 1505–ca. 1557)	23v–42
Missa D'amours me plains: Credo	Crecquillon, Thomas (ca. 1505–ca. 1557)	23v–42
Missa D'amours me plains: Gloria	Crecquillon, Thomas (ca. 1505–ca. 1557)	23v–42
Missa d'amours me plains: Kyrie	Crecquillon, Thomas (ca. 1505–ca. 1557)	23v–42
Missa D'amours me plains: Sanctus	Crecquillon, Thomas (ca. 1505–ca. 1557)	23v–42
Missa Kein in der Welt so schön: Agnus Dei	Crecquillon, Thomas (ca. 1505–ca. 1557)	1v–23
Missa Kein in der Welt so schön: Credo	Crecquillon, Thomas (ca. 1505–ca. 1557)	1v–23
Missa Kein in der Welt so schön: Gloria	Crecquillon, Thomas (ca. 1505–ca. 1557)	1v–23
Missa Kein in der Welt so schön: Kyrie	Crecquillon, Thomas (ca. 1505–ca. 1557)	1v–23
Missa Kein in der Welt so schön: Sanctus	Crecquillon, Thomas (ca. 1505–ca. 1557)	1v–23
Missa Toutes les nuits: Agnus Dei	Le Maistre, Mattheus (ca. 1505–1577)	67v–89
Missa Toutes les nuits: Credo	Le Maistre, Mattheus (ca. 1505–1577)	67v–89
Missa Toutes les nuits: Gloria	Le Maistre, Mattheus (ca. 1505–1577)	67v–89
Missa Toutes les nuits: Kyrie	Le Maistre, Mattheus (ca. 1505–1577)	67v–89
Missa Toutes les nuits: Sanctus	Le Maistre, Mattheus (ca. 1505–1577)	67v–89
Psallite Domino [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	120v–121
Quae corda nostra	Isaac, Heinrich (ca. 1450–1517)	139v–146
responsories (Et cum spiritu tuo - Amen - Gloria tibi)	Anonymous	42v–43
Rex autem David - 1a pars (of 2): Rex autem David cooperto capite incedens	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	105v–108
Rex autem David - 2a pars (of 2): Planxit autem David planctum huius	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	108v–111
Sancta Trinitas unus Deus miserere nobis (6vv)	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)	99v–103
Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse est	Anonymous	129v–131
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	136v–138
Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis	Isaac, Heinrich (ca. 1450–1517)	116v–120
Verbum caro factum est et habitabit (R. Plenum gratia et veritate; Vs. In principio erat verbum et Deus	Isaac, Heinrich (ca. 1450–1517)	47v–49
Viri Galilei - 1a pars (of 2): Viri Galilei quid admiramini aspicientes	Couillart	111v–112
Viri Galilei - 2a pars (of 2): Videntibus illis elevatus est ut nubes	Couillart	112v–113
Viri Galilei quid aspicitis	Anonymous	113v–115

‡ denotes primary source study

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai. Munich: Henle. Pages: 295.

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 54. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg. Wiesbaden. Pages: 82, 135. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1974. Thomas Crecquillon: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xii, xiv-xv. Notes: contents list (partial); concordances (partial).

Greene, Donald Clarence. 1970. Mattheus Le Maistre: A Netherlander at the Dresden Court Chapel. University of Michigan, Unpublished Ph.D. dissertation. Pages: I, 58. Notes: contents list (partial).

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München. Wiesbaden. Pages: 82. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 158. Notes: physical description; contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1961. Ein unbeachtetes Chorbuch von 1544 in der Österreichischen Nationalbibliothek Wien. Die Musikforschung, 290-303. Pages: 296. Notes: contents list (partial); concordances (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 37; II, 22, 75. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62; II, 207-8. Notes: physical description; contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI, 94,99. Notes: physical description (partial); contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Rp C 96

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: Mid 16th century

General Description

Physical Description

Binding

Watermark

Notation

Date

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017