D-Rp A. R. 844-848

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: 1573-7

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	A. R. 844-848
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	313 x 212 mm
Other Identifiers	CCM: RegB 844-8
Notations	black void mensural square
Copyists	? Zollner, Erasmus Music
Relationships	? Gymnasium Poeticum (copied at)
Provenance	Gymnasium Poeticum , Regensburg, Bavaria, Germany
Contents	29 pieces from 15 composers

General Description

Composite of several originally separate fascicles later bound together. Copied by one main scribe and several additional scribes. Main scribe possibly Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's. Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

DIAMM, 2017

Binding

Original covers of beige parchment over cardboard, with two leather ties; paper slip pasted to front cover bears inscription: 'Cantionale / 17 De tempore quadragesimali / II / De Coena Domini / No. 2.'

DIAMM, 2017

Watermark

coat of arms of city of Regensburg (resembles Briquet #1142-4).

DIAMM, 2017

Notation

Square (psalm/antiphon settings and monophonic pieces) and black void mensural (remaining contents)

DIAMM, 2017

Date

1573-7 (dates in manuscript), with a few slightly later additions.

DIAMM, 2017

Ruling

Staff height 17-18

DIAMM, 2017

Foliation

New pencil foliation, 1-117; new ff. 65-116 also have original ink foliation, 2-53.

DIAMM, 2017

Foliation

Other numberings: Original numbering of pieces, I-IX, in last fascicle (A.R. 848); original numbering of some pieces, 1-5, in penultimate fascicle (A.R. 847).

DIAMM, 2017

Decoration

Painted Gothic style initials in red and blue; headings and text incipits in red ink.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 psalms with corresponding monophonic antiphons, 6 hymns, 15 motets, 2 sets of responses =27 + 8 monophonic liturgical pieces = 35

Buus-1, Clavius-1, Hellinck [Lupus]-1, Isaac-1, Ivo de Vento-1, Jaquet of Mantua [Jachet]-1, Jordan-1, Josquin-1, Lassus-1, Lupino-2, Souliaert-1, Stoltzer-1, Willaert-1, anon-21

117 paper folios, 313 x 212. Composite of several originally separate fascicles later bound together. New pencil foliation, 1-117; new ff. 65-116 also have original ink foliation, 2-53. Original numbering of pieces, I-IX, in last fascicle (A.R. 848); original numbering of some pieces, 1-5, in penultimate fascicle (A.R. 847). Original covers of beige parchment over cardboard, with two leather ties; paper slip pasted to front cover bears inscription: "Cantionale / 17 De tempore quadragesimali / II / De Coena Domini / No. 2." No index.

Psalm/antiphon settings and monophonic pieces copied in chant notation; remaining contents in white mensural notation. Copied by one main scribe and several additional scribes. Main scribe possibly Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; see general index for other manuscripts copied by the same scribe. Staff height 17-18. Painted Gothic style initials in red and blue; headings and text incipits in red ink. Watermark is coat of arms of city of Regensburg (resembles Briquet #1142-4).

1573-7 (dates in manuscript), with a few slightly later additions. Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4v–5	Domine ad adjuvandum me festina gloria	[A. Neander]	Neander, Alexius (ca. 1560–ca. 1605)
Domine ad adjuvandum me festina gloria Neander, Alexius (ca. 1560–ca. 1605) Appears on: 4v–5 Genres: Motet Source Attribution: [A. Neander] Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum me festina
5v–6	Domine ad adjuvandum me festina gloria	Anon.	Anonymous
Domine ad adjuvandum me festina gloria Anonymous Appears on: 5v–6 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum me festina
6v–10	Ps. 42: Judica me Deus et discerne Quia tu es Deus fortitudo mea Chant intonation for antiphon "Sana Domine" at top of f. 6v	Anon.	Anonymous
Ps. 42: Judica me Deus et discerne Quia tu es Deus fortitudo mea Chant intonation for antiphon "Sana Domine" at top of f. 6v Anonymous Appears on: 6v–10 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 42: (Iudica me deus et discerne) Quia tu es deus fortitudo mea (Chant intonation for antiphon "Sana domine" at top of f. 6v)
10v–15	Ps. 123: Nisi Dominus ipse esset in nobis Chant intonation for antiphon "Deus meus eripe me" at top of f. 10v	Anon.	Anonymous
Ps. 123: Nisi Dominus ipse esset in nobis Chant intonation for antiphon "Deus meus eripe me" at top of f. 10v Anonymous Appears on: 10v–15 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 123: Nisi dominus ipse esset in nobis (Chant intonation for antiphon "Deus meus eripe me" at top of f. 10v)
15v–16	Christe qui lux es et dies noctis	Th. Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Christe qui lux es et dies noctis Stoltzer, Thomas (ca. 1480–1526) Appears on: 15v–16 Genres: Motet Source Attribution: Th. Stoltzer Voice: [no designation] Languages: Latin Voice Text: Christe qui lux es et dies noctis
16v–18	Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes 7 Deo patri sit gloria eiusque soli	Henricus Isaac	Isaac, Heinrich (ca. 1450–1517)
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes 7 Deo patri sit gloria eiusque soli Isaac, Heinrich (ca. 1450–1517) Appears on: 16v–18 Genres: Doxology, Motet Source Attribution: Henricus Isaac Voice: [no designation] Languages: Latin Voice Text: [Christe qui lux es et dies noctis] 5 Defensor noster aspice insidiantes 7 Deo patri sit gloria eiusque soli
18v–19	Chant	-	Anonymous
Chant Anonymous Appears on: 18v–19 Genres: Chant Voice: [no designation] Languages: none Voice Text: Chant
19v–21	Set of responses Amen. Deo gratias	Anon.	Anonymous
Set of responses Amen. Deo gratias Anonymous Appears on: 19v–21 Genres: Deo gratias, Response Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Amen. Deo gratias
22	Set of responses Amen. Deo gratias	Anon.	Anonymous
Set of responses Amen. Deo gratias Anonymous Appears on: 22 Genres: Deo gratias, Response Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Amen. Deo gratias
24v–26	Domine Jesu Christe non sum dignus	Christoph. Clavius Bambergensis	Clavius, Christophorus
Domine Jesu Christe non sum dignus Clavius, Christophorus Appears on: 24v–26 Genres: Motet Source Attribution: Christoph. Clavius Bambergensis Voice: [no designation] Languages: Latin Voice Text: Domine Jesu Christe non sum dignus
26v–28	Gloria patri et filio et spiritui sancto	Orlandus di Lassus	Lassus, Orlande de (ca. 1532–1594)
Gloria patri et filio et spiritui sancto Lassus, Orlande de (ca. 1532–1594) Appears on: 26v–28 Genres: Doxology Source Attribution: Orlandus di Lassus Voice: [no designation] Languages: Latin Voice Text: Gloria patri et filio et spiritui sancto
34v–36	Domine ad adjuvandum me festina gloria	Anon.	Anonymous
Domine ad adjuvandum me festina gloria Anonymous Appears on: 34v–36 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum me festina
36v–42	Ps. 110: Confitebor tibi Domino in toto corde Magna opera Domini exquisita Chant intonation for antiphon "Escam dedit timentibus se" at top of f. 36v	Anon.	Anonymous
Ps. 110: Confitebor tibi Domino in toto corde Magna opera Domini exquisita Chant intonation for antiphon "Escam dedit timentibus se" at top of f. 36v Anonymous Appears on: 36v–42 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 110: (Confitebor [tibi] domino in toto corde) Magna opera domini exquisita (Chant intonation for antiphon "Escam dedit timentibus se" at top of f. 36v)
42v–47	Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "O sacrum convivium" at top of f. 42v	Anon.	Anonymous
Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "O sacrum convivium" at top of f. 42v Anonymous Appears on: 42v–47 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 147: (Lauda Hierusalem dominum) Quoniam confortavit seras portarum (Chant intonation for antiphon "O sacrum convivium" at top of f. 42v)
47v–50	Pange lingua gloriosi corporis mysterium 22.2 Tantum ergo sacramentum veneremur	Josquin	Despres, Josquin (ca. 1450–1521)
Pange lingua gloriosi corporis mysterium 22.2 Tantum ergo sacramentum veneremur Despres, Josquin (ca. 1450–1521) Appears on: 47v–50 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi corporis mysterium 22.2 5 Tantum ergo sacramentum veneremur
50v–52	Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur	Anon.	Anonymous
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur Anonymous Appears on: 50v–52 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Pange lingua gloriosi corporis mysterium] 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur
52v–54	Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 3 In suprema nocte coenae recumbens	Anon.	Anonymous
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 3 In suprema nocte coenae recumbens Anonymous Appears on: 52v–54 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Pange lingua gloriosi corporis mysterium] 2 Nobis natus nobis datus ex intacta 3 In suprema nocte coenae recumbens
54v–56	Pange lingua gloriosi corporis mysterium 5 Tantum ergo sacramentum veneremur 6 Genitori genitoque laus et jubilatio	Anon.	Anonymous
Pange lingua gloriosi corporis mysterium 5 Tantum ergo sacramentum veneremur 6 Genitori genitoque laus et jubilatio Anonymous Appears on: 54v–56 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Pange lingua gloriosi corporis mysterium] 5 Tantum ergo sacramentum veneremur 6 Genitori genitoque laus et iubilatio
56v–59	O quam suavis est Domine Spiritus tuus	Anon.	Anonymous
O quam suavis est Domine Spiritus tuus Anonymous Appears on: 56v–59 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (O quam suavis est domine) Spiritus tuus
59v–60	Chant	-	Anonymous
Chant Anonymous Appears on: 59v–60 Genres: Chant Voice: [no designation] Languages: none Voice Text: Chant
64v–72	Homo quidam fecit caenam magnam et misit II: Christus vere noster cibus Christus	Adrianus Vuillart	Willaert, Adrian (ca. 1490–1562)
Homo quidam fecit caenam magnam et misit II: Christus vere noster cibus Christus Willaert, Adrian (ca. 1490–1562) Appears on: 64v–72 Genres: Motet Source Attribution: Adrianus Vuillart Voice: [no designation] Languages: Latin Voice Text: Homo quidam fecit coenam magnam et misit II: Christus vere noster cibus
72v–74	O sacrum convivium in quo Christus sumitur	Franciscus Lupino	Lupino, Francesco
O sacrum convivium in quo Christus sumitur Lupino, Francesco Appears on: 72v–74 Genres: Motet Source Attribution: Franciscus Lupino Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium in quo Christus sumitur
74v–79	Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam)	Jachet [of Mantua]	Mantua, Jacquet de (1483–1559)
Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam) Mantua, Jacquet de (1483–1559) Appears on: 74v–79 Genres: Motet Source Attribution: Jachet [of Mantua] Voice: [no designation] Languages: Latin Voice Text: Fratres ego enim accepi à domino II: Similiter et calicem postquam
79v–83	Ecce panis angelorum factus cibus	Petrus Jordanus	Jordan, Petrus
Ecce panis angelorum factus cibus Jordan, Petrus Appears on: 79v–83 Genres: Motet Source Attribution: Petrus Jordanus Voice: [no designation] Languages: Latin Voice Text: Ecce panis angelorum factus cibus
83v–88	Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum)	Lupus [Hellinck]	Hellinck, Lupus (ca. 1494–1541)
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) Hellinck, Lupus (ca. 1494–1541) Appears on: 83v–88 Genres: Motet Source Attribution: Lupus [Hellinck] Voice: [no designation] Languages: Latin Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus ad dominum
88v–94	Panis quem ego dabo caro mea est II: Locutus est populus ad Dominum	Ivo de Vento	Vento, Ivo de
Panis quem ego dabo caro mea est II: Locutus est populus ad Dominum Vento, Ivo de Appears on: 88v–94 Genres: Motet Source Attribution: Ivo de Vento Voice: [no designation] Languages: Latin Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus ad dominum
94v–103	Panis quem ego dabo caro mea est II: Locutus est populus contra Dominum	Carolus Souliart	Soullart, Carolus
Panis quem ego dabo caro mea est II: Locutus est populus contra Dominum Soullart, Carolus Appears on: 94v–103 Genres: Motet Source Attribution: Carolus Souliart Voice: [no designation] Languages: Latin Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus contra dominum
103v–111	Qui manducat meam carnem et bibit II: Qui manducat meam carnem et bibit	Jaques Buus	Buus, Jacques
Qui manducat meam carnem et bibit II: Qui manducat meam carnem et bibit Buus, Jacques Appears on: 103v–111 Genres: Motet Source Attribution: Jaques Buus Voice: [no designation] Languages: Latin Voice Text: Qui manducat meam carnem et bibit II: Qui manducat meam carnem et bibit
111v–116	Ego sum panis vivus qui de caelo descendi II: Accepit Jesus calicem postquam	Franciscus Lupino	Lupino, Francesco
Ego sum panis vivus qui de caelo descendi II: Accepit Jesus calicem postquam Lupino, Francesco Appears on: 111v–116 Genres: Motet Source Attribution: Franciscus Lupino Voice: [no designation] Languages: Latin Voice Text: Ego sum panis vivus qui de coelo II: Accepit Jesus calicem postquam

Composer	Compositions
Anonymous	Chant – 18v–19 Chant – 59v–60 Domine ad adjuvandum me festina gloria – 34v–36 Domine ad adjuvandum me festina gloria – 5v–6 O quam suavis est Domine Spiritus tuus – 56v–59 Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 3 In suprema nocte coenae recumbens – 52v–54 Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur – 50v–52 Pange lingua gloriosi corporis mysterium 5 Tantum ergo sacramentum veneremur 6 Genitori genitoque laus et jubilatio – 54v–56 Ps. 110: Confitebor tibi Domino in toto corde Magna opera Domini exquisita Chant intonation for antiphon "Escam dedit timentibus se" at top of f. 36v – 36v–42 Ps. 123: Nisi Dominus ipse esset in nobis Chant intonation for antiphon "Deus meus eripe me" at top of f. 10v – 10v–15 Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "O sacrum convivium" at top of f. 42v – 42v–47 Ps. 42: Judica me Deus et discerne Quia tu es Deus fortitudo mea Chant intonation for antiphon "Sana Domine" at top of f. 6v – 6v–10 Set of responses Amen. Deo gratias – 19v–21 Set of responses Amen. Deo gratias – 22
Buus, Jacques	Qui manducat meam carnem et bibit II: Qui manducat meam carnem et bibit – 103v–111
Clavius, Christophorus	Domine Jesu Christe non sum dignus – 24v–26
Despres, Josquin (ca. 1450–1521)	Pange lingua gloriosi corporis mysterium 22.2 Tantum ergo sacramentum veneremur – 47v–50
Hellinck, Lupus (ca. 1494–1541)	Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) – 83v–88
Isaac, Heinrich (ca. 1450–1517)	Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes 7 Deo patri sit gloria eiusque soli – 16v–18
Jordan, Petrus	Ecce panis angelorum factus cibus – 79v–83
Lassus, Orlande de (ca. 1532–1594)	Gloria patri et filio et spiritui sancto – 26v–28
Lupino, Francesco	Ego sum panis vivus qui de caelo descendi II: Accepit Jesus calicem postquam – 111v–116 O sacrum convivium in quo Christus sumitur – 72v–74
Mantua, Jacquet de (1483–1559)	Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam) – 74v–79
Neander, Alexius (ca. 1560–ca. 1605)	Domine ad adjuvandum me festina gloria – 4v–5
Soullart, Carolus	Panis quem ego dabo caro mea est II: Locutus est populus contra Dominum – 94v–103
Stoltzer, Thomas (ca. 1480–1526)	Christe qui lux es et dies noctis – 15v–16
Vento, Ivo de	Panis quem ego dabo caro mea est II: Locutus est populus ad Dominum – 88v–94
Willaert, Adrian (ca. 1490–1562)	Homo quidam fecit caenam magnam et misit II: Christus vere noster cibus Christus – 64v–72

Composition	Composers (? Uncertain)	Folios / Pages
Chant	Anonymous	18v–19
Chant	Anonymous	59v–60
Christe qui lux es et dies noctis	Stoltzer, Thomas (ca. 1480–1526)	15v–16
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes 7 Deo patri sit gloria eiusque soli	Isaac, Heinrich (ca. 1450–1517)	16v–18
Domine ad adjuvandum me festina gloria	Neander, Alexius (ca. 1560–ca. 1605)	4v–5
Domine ad adjuvandum me festina gloria	Anonymous	5v–6
Domine ad adjuvandum me festina gloria	Anonymous	34v–36
Domine Jesu Christe non sum dignus	Clavius, Christophorus	24v–26
Ecce panis angelorum factus cibus	Jordan, Petrus	79v–83
Ego sum panis vivus qui de caelo descendi II: Accepit Jesus calicem postquam	Lupino, Francesco	111v–116
Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam)	Mantua, Jacquet de (1483–1559)	74v–79
Gloria patri et filio et spiritui sancto	Lassus, Orlande de (ca. 1532–1594)	26v–28
Homo quidam fecit caenam magnam et misit II: Christus vere noster cibus Christus	Willaert, Adrian (ca. 1490–1562)	64v–72
O quam suavis est Domine Spiritus tuus	Anonymous	56v–59
O sacrum convivium in quo Christus sumitur	Lupino, Francesco	72v–74
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 3 In suprema nocte coenae recumbens	Anonymous	52v–54
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur	Anonymous	50v–52
Pange lingua gloriosi corporis mysterium 22.2 Tantum ergo sacramentum veneremur	Despres, Josquin (ca. 1450–1521)	47v–50
Pange lingua gloriosi corporis mysterium 5 Tantum ergo sacramentum veneremur 6 Genitori genitoque laus et jubilatio	Anonymous	54v–56
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum)	Hellinck, Lupus (ca. 1494–1541)	83v–88
Panis quem ego dabo caro mea est II: Locutus est populus ad Dominum	Vento, Ivo de	88v–94
Panis quem ego dabo caro mea est II: Locutus est populus contra Dominum	Soullart, Carolus	94v–103
Ps. 110: Confitebor tibi Domino in toto corde Magna opera Domini exquisita Chant intonation for antiphon "Escam dedit timentibus se" at top of f. 36v	Anonymous	36v–42
Ps. 123: Nisi Dominus ipse esset in nobis Chant intonation for antiphon "Deus meus eripe me" at top of f. 10v	Anonymous	10v–15
Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "O sacrum convivium" at top of f. 42v	Anonymous	42v–47
Ps. 42: Judica me Deus et discerne Quia tu es Deus fortitudo mea Chant intonation for antiphon "Sana Domine" at top of f. 6v	Anonymous	6v–10
Qui manducat meam carnem et bibit II: Qui manducat meam carnem et bibit	Buus, Jacques	103v–111
Set of responses Amen. Deo gratias	Anonymous	19v–21
Set of responses Amen. Deo gratias	Anonymous	22

‡ denotes primary source study

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 176-7. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 168, 178. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 78, 82, 88-9. Notes: physical description; contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description