D-Rp A. R. 838-843

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: 1571-3

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	A. R. 838-843
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None
Measurements	315 x 210 mm
Other Identifiers	CCM: RegB 838-43
Notations	black void mensural
Copyists	? Zollner, Erasmus Music
Relationships	Gymnasium Poeticum (copied at)
Provenance	Gymnasium Poeticum , Regensburg, Bavaria, Germany
Contents	40 pieces from 23 composers

General Description

Composite of several originally separate fascicles later bound together. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's. Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

DIAMM, 2017

Binding

Original covers of beige parchment over cardboard; paper slip pasted to front cover bears inscription: 'Cantional / I / De festo Adventus Domini / II / Etliche Muteten de festo Nativitatis / III / Psalmi in Festum Nativitatis Christi / No. 1. ' Back cover decorated with elaborate painted initial in blue, green, gray, and gold leaf

DIAMM, 2017

Watermark

coat of arms of city of Regensburg (resembles Briquet #1142)

DIAMM, 2017

Notation

Monophonic pieces and some polyphony copied in chant notation, including some Hufnagel; remaining contents in black void mensural

DIAMM, 2017

Ruling

Staff height 17-18

DIAMM, 2017

Foliation

New pencil foliation, 1-166, includes flyleaves; two motet fascicles, A.R. 840 and A.R. 841, also have original ink foliation, 1-80 and 1-15, respectively

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, 1-18 and 1-3

DIAMM, 2017

Decoration

Red painted initials, most in Gothic style, a few in plain block or calligraphic style; headings and text incipits in red ink.

DIAMM, 2017

Index

Original index of one motet fascicle (= A.R. 840) on new f. 32 lists pieces in order of appearance, with attributions; no other indices.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 5 psalms with corresponding monophonic antiphons, 6 hymns, 24 motets = 36 + 10 monophonie liturgical pieces = 46

Bacchius-1, Canis-2, Clemens non Papa-2, Crecquillon-1, Fouchier-1, Gero-1, Isaac-2, Isaac/(Obrecht)-1, Jonckers-1, Josquin-1, L'Archier-1, Lassus [Orlandus]-1, Lupino-1, Morales-1, Mouton-1, Mouton/(Jaquet of Mantua)-1, Paminger-1, Rener-1, A. Schwartz-1, Soir-1, Stoltzer-1, Willaert-1, anon-21

iii + 158 + v paper folios, 315 x 210. Composite of several originally separate fascicles later bound together. New pencil foliation, 1-166, includes flyleaves; two motet fascicles, A.R. 840 and A.R. 841, also have original ink foliation, 1-80 and 1-15, respectively, and original ink numbering of pieces, 1-18 and 1-3. Original covers of beige parchment over cardboard; paper slip pasted to front cover bears inscription: "Cantional / I / De festo Adventus Domini / II / Etliche Muteten de festo Nativitatis / III / Psalmi in Festum Nativitatis Christi / No. 1. " Back cover decorated with elaborate painted initial in blue, green, gray, and gold leaf. Original index of one motet fascicle (= A.R. 840) on new f. 32 lists pieces in order of appearance, with attributions; no other indices.

Monophonic pieces and some polyphony copied in chant notation, including some Hufnagel notation; remaining contents in white mensural notation. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; see general index for other manuscripts copied by the same scribe. Staff height 17-18. Red painted initials, most in Gothic style, a few in plain block or calligraphic style; headings and text incipits in red ink. Watermark is coat of arms of city of Regensburg (resembles Briquet #1142).

1571-3 (dates in manuscript). Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4	Chant	-	Anonymous
Chant Anonymous Appears on: 4 Genres: Chant Voice: [no designation] Languages: none Voice Text: Chant
5v–6	Domine ad adjuvandum me festina gloria	Anon.	Anonymous
Domine ad adjuvandum me festina gloria Anonymous Appears on: 5v–6 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum me festina
6v–11	Ps. 117: Dextera Domini fecit virtutem Non moriar sed vivam et narrabo Chant intonation for antiphon "Qui venturus est veniet" at top of f. 6v	Anon.	Anonymous
Ps. 117: Dextera Domini fecit virtutem Non moriar sed vivam et narrabo Chant intonation for antiphon "Qui venturus est veniet" at top of f. 6v Anonymous Appears on: 6v–11 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 117: (Dextera domini fecit virtutem) Non moriar sed vivam et narrabo (Chant intonation for antiphon "Qui venturus est veniet" at top of f. 6v)
11v–15	Ps. 117: O Domine salvum me fac Benediximus vobis de domo Domini (Chant intonation for antiphon "Bethlehem non es minima" at top of f. 11v)	Anon.	Anonymous
Ps. 117: O Domine salvum me fac Benediximus vobis de domo Domini (Chant intonation for antiphon "Bethlehem non es minima" at top of f. 11v) Anonymous Appears on: 11v–15 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 117: (O domine salvum me fac) Benediximus vobis de domo domini (Chant intonation for antiphon "Bethleem non es minima" at top of f. 11v)
15v–18	Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli	Anon.	Anonymous
Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli Anonymous Appears on: 15v–18 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Veni redemptor gentium ostende partum] 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli
18v–19	Chant	-	Anonymous
Chant Anonymous Appears on: 18v–19 Genres: Chant Voice: [no designation] Languages: none Voice Text: Chant
19v–25	Veni redemtor gentium ostende partum 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli	Leon. Paminger	Paminger, Leonhard (1495–1567)
Veni redemtor gentium ostende partum 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli Paminger, Leonhard (1495–1567) Appears on: 19v–25 Genres: Motet Source Attribution: Leon. Paminger Voice: [no designation] Languages: Latin Voice Text: Veni redemtor gentium ostende partum 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli
28v–31	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	Henrichus Isaac	Isaac, Heinrich (ca. 1450–1517)
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 28v–31 Genres: Introit Source Attribution: Henrichus Isaac Voice: [no designation] Languages: Latin Voice Text: (Puer natus est nobis) Et filius datus Vs: (Cantate domino) Quia mirabilia fecit
33v–41	In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit	Josquin de Prees	Despres, Josquin (ca. 1450–1521)
In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit Despres, Josquin (ca. 1450–1521) Appears on: 33v–41 Genres: Motet Source Attribution: Josquin de Prees Voice: [no designation] Languages: Latin Voice Text: In principio erat verbum et verbum 19.7 II: Fuit homo missus à deo cui nomen III: Et verbum caro factum est
41v–43	Cum esset desponsata mater Jesu Maria	Henrichus Isaac	Isaac, Heinrich (ca. 1450–1517)
Cum esset desponsata mater Jesu Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 41v–43 Genres: Hymn Source Attribution: Henrichus Isaac Voice: [no designation] Languages: Latin Voice Text: Cum esset desponsata mater Jesu Maria
43v–47	Pastores dicite quidnam vidistis? II: Infantem vidimus pannis involutum	Morales	Morales, Cristóbal de (ca. 1500–1553)
Pastores dicite quidnam vidistis? II: Infantem vidimus pannis involutum Morales, Cristóbal de (ca. 1500–1553) Appears on: 43v–47 Genres: Motet Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: Pastores dicite quidnam vidistis? II: Infantem vidimus pannis involutum
47v–52	Quem vidistis pastores dicite annunciate (2p. Genuit puerpera regem cui nomen)	N. Fouchier	Fouchier, N.
Quem vidistis pastores dicite annunciate (2p. Genuit puerpera regem cui nomen) Fouchier, N. Appears on: 47v–52 Genres: Motet Source Attribution: N. Fouchier Voice: [no designation] Languages: Latin Voice Text: Quem vidistis pastores dicite annunciate II: Genuit puerpera regem cui nomen
52v–58	Angelus Domini ad pastores ait annuntio vobis (2p. Parvulus filius hodie natus est nobis)	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Angelus Domini ad pastores ait annuntio vobis (2p. Parvulus filius hodie natus est nobis) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 52v–58 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Angelus domini ad pastores ait annuncio II: Parvulus filius hodie natus est
58v–62	Angelus ad pastores ait annuntio vobis II: Alleluia. Hodie salvator mundi	Joannes Mouton/[Jaquet of Mantua]	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)
Angelus ad pastores ait annuntio vobis II: Alleluia. Hodie salvator mundi Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 58v–62 Genres: Motet Source Attribution: Joannes Mouton/[Jaquet of Mantua] Voice: [no designation] Languages: Latin Voice Text: Angelus ad pastores ait annuncio vobis II: Alleluia. Hodie salvator mundi
62v–66	In principio erat verbum et Deus erat II: Verbum caro factum est et habitavit	Valentinus Soir	Soir, Valentinus
In principio erat verbum et Deus erat II: Verbum caro factum est et habitavit Soir, Valentinus Appears on: 62v–66 Genres: Motet Source Attribution: Valentinus Soir Voice: [no designation] Languages: Latin Voice Text: In principio erat verbum et deus erat II: Verbum caro factum est et habitavit
66v–72	Hodie Christus natus est hodie salvator II: O magnum mysterium et admirabile	Anon.	Anonymous
Hodie Christus natus est hodie salvator II: O magnum mysterium et admirabile Anonymous Appears on: 66v–72 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Hodie Christus natus est hodie salvator II: O magnum mysterium et admirabile
72v–77	Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini	Henrichus Isaac/[Obrecht]	Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 72v–77 Genres: Motet Source Attribution: Henrichus Isaac/[Obrecht] Voice: [no designation] Languages: Latin Voice Text: Judaea et Hierusalem nolite timere II: Cras egrediemini et dominus erit III: Constantes estote videbitis
77v–81	Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	Johan. Mouton/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522)
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) Appears on: 77v–81 Genres: Motet Source Attribution: Johan. Mouton/[Josquin] Voice: [no designation] Languages: Latin Voice Text: Quaeramus cum pastoribus verbum 26.10 II: Ubi pascas ubi cubas?
82v–86	Hodie scietis quia veniet Dominus II: Crastina die delebitur iniquitas	Johan. de Gero	Gero, Jhan
Hodie scietis quia veniet Dominus II: Crastina die delebitur iniquitas Gero, Jhan Appears on: 82v–86 Genres: Motet Source Attribution: Johan. de Gero Voice: [no designation] Languages: Latin Voice Text: Hodie scietis quia veniet dominus II: Crastina die delebitur iniquitas
86v–90	Mirabile mysterium declaratur hodie (B059)	Adrianus Vuillart	Willaert, Adrian (ca. 1490–1562)
Mirabile mysterium declaratur hodie (B059) Willaert, Adrian (ca. 1490–1562) Appears on: 86v–90 Genres: Motet Source Attribution: Adrianus Vuillart Voice: [no designation] Languages: Latin Voice Text: Mirabile misterium declaratur hodie
90v–93	Ecce Maria genuit nobis salvatorem	Johan. de Bacchi	Bacchius, Johannes de (–ca. 1557)
Ecce Maria genuit nobis salvatorem Bacchius, Johannes de (–ca. 1557) Appears on: 90v–93 Genres: Motet Source Attribution: Johan. de Bacchi Voice: [no designation] Languages: Latin Voice Text: Ecce Maria genuit nobis salvatorem
93v–97	Verbum caro factum est	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Verbum caro factum est Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 93v–97 Genres: Motet Source Attribution: Thomas Crequillon Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est et habitavit
97v–103	Verbum caro factum est et habitavit II: Plenum gratiae et veritatis III: In principio erat verbum et verbum	Andreas Schuuartz Francus	Meloni da Bologna, Annibale
Verbum caro factum est et habitavit II: Plenum gratiae et veritatis III: In principio erat verbum et verbum Meloni da Bologna, Annibale Appears on: 97v–103 Genres: Motet Source Attribution: Andreas Schuuartz Francus Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est et habitavit II: Plenum gratiae et veritatis III: In principio erat verbum et verbum
103v–109	Maria peperit filium - 1a pars (of 2): Maria peperit filium suum primogenitum	Anon.	Anonymous
Maria peperit filium - 1a pars (of 2): Maria peperit filium suum primogenitum Anonymous Appears on: 103v–109 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Maria peperit filium suum primogenitum II: Et ecce angelus domini stetit
109v–112	Vox in Rama audita est ploratus et ululatus	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Vox in Rama audita est ploratus et ululatus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 109v–112 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Vox in Rama audita est ploratus
112v–114	Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis)	Adam Reneri	Rener, Adam (ca. 1485–ca. 1520)
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) Rener, Adam (ca. 1485–ca. 1520) Appears on: 112v–114 Genres: Motet Source Attribution: Adam Reneri Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
116v–120	Magi veniunt ab oriente Jerusalem II: Interrogabat magos Herodes quod	Joannes Larchier	Larchier, Jean
Magi veniunt ab oriente Jerusalem II: Interrogabat magos Herodes quod Larchier, Jean Appears on: 116v–120 Genres: Motet Source Attribution: Joannes Larchier Voice: [no designation] Languages: Latin Voice Text: Magi veniunt ab oriente Hierosolymam II: Interrogabat magos Herodes quod
120v–123	Magi veniunt ab oriente Jerusalem	Franciscus Lupino	Lupino, Francesco
Magi veniunt ab oriente Jerusalem Lupino, Francesco Appears on: 120v–123 Genres: Motet Source Attribution: Franciscus Lupino Voice: [no designation] Languages: Latin Voice Text: Magi veniunt ab oriente Hierosolymam
123v–130	Tria sunt munera pretiosa quae obtulerunt II: Reges Tharsis et insulae munera	Goessen Jünckers	Jonckers, Maistre Gosse
Tria sunt munera pretiosa quae obtulerunt II: Reges Tharsis et insulae munera Jonckers, Maistre Gosse Appears on: 123v–130 Genres: Motet Source Attribution: Goessen Jünckers Voice: [no designation] Languages: Latin Voice Text: Tria sunt munera preciosa quae obtulerunt II: Reges tharsis et insulae munera
131v	Chant	-	Anonymous
Chant Anonymous Appears on: 131v Genres: Chant Voice: [no designation] Languages: none Voice Text: Chant
132v–134	Domine ad adjuvandum me festina gloria	Orlandus [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Domine ad adjuvandum me festina gloria Lassus, Orlande de (ca. 1532–1594) Appears on: 132v–134 Genres: Motet Source Attribution: Orlandus [de Lassus] Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum me festina
134v–136	Domine ad adjuvandum me (6vv)	Anon.	Anonymous
Domine ad adjuvandum me (6vv) Anonymous Appears on: 134v–136 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum me festina
136v–141	Ps. 18: Caeli enarrant gloriam Dei Dies diei eructat verbum Chant intonation for antiphon "Judaea et Jerusalem" at top of f. 136v	Anon.	Anonymous
Ps. 18: Caeli enarrant gloriam Dei Dies diei eructat verbum Chant intonation for antiphon "Judaea et Jerusalem" at top of f. 136v Anonymous Appears on: 136v–141 Genres: Chant, Introit, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 18: (Caeli enarrant gloriam dei) Dies diei eructat verbum (Chant intonation for antiphon "Judaea et Jerusalem" at top of f. 136v)
141v–145	Ps. 109: Dixit Dominus Domino meo Virgam virtutis tuae emittet Dominus Chant intonation for antiphon "Tecum principium" at top of f. 141v	Anon.	Anonymous
Ps. 109: Dixit Dominus Domino meo Virgam virtutis tuae emittet Dominus Chant intonation for antiphon "Tecum principium" at top of f. 141v Anonymous Appears on: 141v–145 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 109: (Dixit dominus domino meo) Virgam virtutis tuae emittet dominus (Chant intonation for antiphon "Tecum principium" at top of f. 141v)
145v–150	Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "Exortum est lumen" at top of f. 145v	Anon.	Anonymous
Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "Exortum est lumen" at top of f. 145v Anonymous Appears on: 145v–150 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 147: (Lauda Jerusalem dominum) Quoniam confortavit seras portarum (Chant intonation for antiphon "Exortum est lumen" at top of f. 145v)
150v–154	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum repente 6 Foeno jacere pertulit praesepe	Cornelius Canis	Canis, Cornelius
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum repente 6 Foeno jacere pertulit praesepe Canis, Cornelius Appears on: 150v–154 Genres: Motet Source Attribution: Cornelius Canis Voice: [no designation] Languages: Latin Voice Text: [A solis ortus cardine ad usque terrae] 2 Beatus autor seculi servile corpus 4 Domus pudici pectoris templum repente 6 Foeno iacere pertulit praesepe
154v–155	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum repente 6 Faeno jacere pertulit praesepe	Th. Stoltzer	Stoltzer, Thomas (ca. 1480–1526) (?)
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum repente 6 Faeno jacere pertulit praesepe Stoltzer, Thomas (ca. 1480–1526) (?) Appears on: 154v–155 Genres: Motet Source Attribution: Th. Stoltzer Voice: [no designation] Languages: Latin Voice Text: [A solis ortus cardine ad usque terrae] 8 Gloria tibi domine qui natus es [= Foeno iacere pertulit praesepe]
155v	Chant	-	Anonymous
Chant Anonymous Appears on: 155v Genres: Chant Voice: [no designation] Languages: none Voice Text: Chant
156v–157	Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam	Anon.	Anonymous
Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam Anonymous Appears on: 156v–157 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie Christum venire] 2 Ibant magi quam viderant stellam
157v–161	Hostis Herodes impie Christum venire 6 Novum genus potentiae aquae rubescunt 8 Gloria tibi Domine qui apparuisti	Cornelius Canis	Canis, Cornelius
Hostis Herodes impie Christum venire 6 Novum genus potentiae aquae rubescunt 8 Gloria tibi Domine qui apparuisti Canis, Cornelius Appears on: 157v–161 Genres: Motet Source Attribution: Cornelius Canis Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie Christum venire] 6 Novum genus potentiae aquae rubescunt 8 Gloria tibi domine qui apparuisti

Composer	Compositions
Anonymous	Chant – 131v Chant – 155v Chant – 18v–19 Chant – 4 Domine ad adjuvandum me (6vv) – 134v–136 Domine ad adjuvandum me festina gloria – 5v–6 Hodie Christus natus est hodie salvator II: O magnum mysterium et admirabile – 66v–72 Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam – 156v–157 Maria peperit filium - 1a pars (of 2): Maria peperit filium suum primogenitum – 103v–109 Ps. 109: Dixit Dominus Domino meo Virgam virtutis tuae emittet Dominus Chant intonation for antiphon "Tecum principium" at top of f. 141v – 141v–145 Ps. 117: Dextera Domini fecit virtutem Non moriar sed vivam et narrabo Chant intonation for antiphon "Qui venturus est veniet" at top of f. 6v – 6v–11 Ps. 117: O Domine salvum me fac Benediximus vobis de domo Domini (Chant intonation for antiphon "Bethlehem non es minima" at top of f. 11v) – 11v–15 Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "Exortum est lumen" at top of f. 145v – 145v–150 Ps. 18: Caeli enarrant gloriam Dei Dies diei eructat verbum Chant intonation for antiphon "Judaea et Jerusalem" at top of f. 136v – 136v–141 Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli – 15v–18
Bacchius, Johannes de (–ca. 1557)	Ecce Maria genuit nobis salvatorem – 90v–93
Canis, Cornelius	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum repente 6 Foeno jacere pertulit praesepe – 150v–154 Hostis Herodes impie Christum venire 6 Novum genus potentiae aquae rubescunt 8 Gloria tibi Domine qui apparuisti – 157v–161
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Angelus Domini ad pastores ait annuntio vobis (2p. Parvulus filius hodie natus est nobis) – 52v–58 Vox in Rama audita est ploratus et ululatus – 109v–112
Crecquillon, Thomas (ca. 1505–ca. 1557)	Verbum caro factum est – 93v–97
Despres, Josquin (ca. 1450–1521)	In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit – 33v–41 (?) Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 77v–81
Fouchier, N.	Quem vidistis pastores dicite annunciate (2p. Genuit puerpera regem cui nomen) – 47v–52
Gero, Jhan	Hodie scietis quia veniet Dominus II: Crastina die delebitur iniquitas – 82v–86
Isaac, Heinrich (ca. 1450–1517)	Cum esset desponsata mater Jesu Maria – 41v–43 (?) Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini – 72v–77 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] – 28v–31
Jonckers, Maistre Gosse	Tria sunt munera pretiosa quae obtulerunt II: Reges Tharsis et insulae munera – 123v–130
Larchier, Jean	Magi veniunt ab oriente Jerusalem II: Interrogabat magos Herodes quod – 116v–120
Lassus, Orlande de (ca. 1532–1594)	Domine ad adjuvandum me festina gloria – 132v–134
Lupino, Francesco	Magi veniunt ab oriente Jerusalem – 120v–123
Mantua, Jacquet de (1483–1559)	(?) Angelus ad pastores ait annuntio vobis II: Alleluia. Hodie salvator mundi – 58v–62
Meloni da Bologna, Annibale	Verbum caro factum est et habitavit II: Plenum gratiae et veritatis III: In principio erat verbum et verbum – 97v–103
Morales, Cristóbal de (ca. 1500–1553)	Pastores dicite quidnam vidistis? II: Infantem vidimus pannis involutum – 43v–47
Mouton, Jean (ca. 1459–1522)	(?) Angelus ad pastores ait annuntio vobis II: Alleluia. Hodie salvator mundi – 58v–62 Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 77v–81
Obrecht, Jacobus (ca. 1457–1505)	(?) Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini – 72v–77
Paminger, Leonhard (1495–1567)	Veni redemtor gentium ostende partum 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli – 19v–25
Rener, Adam (ca. 1485–ca. 1520)	Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) – 112v–114
Soir, Valentinus	In principio erat verbum et Deus erat II: Verbum caro factum est et habitavit – 62v–66
Stoltzer, Thomas (ca. 1480–1526)	(?) A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum repente 6 Faeno jacere pertulit praesepe – 154v–155
Willaert, Adrian (ca. 1490–1562)	Mirabile mysterium declaratur hodie (B059) – 86v–90

Composition	Composers (? Uncertain)	Folios / Pages
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum repente 6 Faeno jacere pertulit praesepe	Stoltzer, Thomas (ca. 1480–1526) (?)	154v–155
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum repente 6 Foeno jacere pertulit praesepe	Canis, Cornelius	150v–154
Angelus ad pastores ait annuntio vobis II: Alleluia. Hodie salvator mundi	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)	58v–62
Angelus Domini ad pastores ait annuntio vobis (2p. Parvulus filius hodie natus est nobis)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	52v–58
Chant	Anonymous	4
Chant	Anonymous	18v–19
Chant	Anonymous	131v
Chant	Anonymous	155v
Cum esset desponsata mater Jesu Maria	Isaac, Heinrich (ca. 1450–1517)	41v–43
Domine ad adjuvandum me (6vv)	Anonymous	134v–136
Domine ad adjuvandum me festina gloria	Anonymous	5v–6
Domine ad adjuvandum me festina gloria	Lassus, Orlande de (ca. 1532–1594)	132v–134
Ecce Maria genuit nobis salvatorem	Bacchius, Johannes de (–ca. 1557)	90v–93
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis)	Rener, Adam (ca. 1485–ca. 1520)	112v–114
Hodie Christus natus est hodie salvator II: O magnum mysterium et admirabile	Anonymous	66v–72
Hodie scietis quia veniet Dominus II: Crastina die delebitur iniquitas	Gero, Jhan	82v–86
Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam	Anonymous	156v–157
Hostis Herodes impie Christum venire 6 Novum genus potentiae aquae rubescunt 8 Gloria tibi Domine qui apparuisti	Canis, Cornelius	157v–161
In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit	Despres, Josquin (ca. 1450–1521)	33v–41
In principio erat verbum et Deus erat II: Verbum caro factum est et habitavit	Soir, Valentinus	62v–66
Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini	Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?)	72v–77
Magi veniunt ab oriente Jerusalem	Lupino, Francesco	120v–123
Magi veniunt ab oriente Jerusalem II: Interrogabat magos Herodes quod	Larchier, Jean	116v–120
Maria peperit filium - 1a pars (of 2): Maria peperit filium suum primogenitum	Anonymous	103v–109
Mirabile mysterium declaratur hodie (B059)	Willaert, Adrian (ca. 1490–1562)	86v–90
Pastores dicite quidnam vidistis? II: Infantem vidimus pannis involutum	Morales, Cristóbal de (ca. 1500–1553)	43v–47
Ps. 109: Dixit Dominus Domino meo Virgam virtutis tuae emittet Dominus Chant intonation for antiphon "Tecum principium" at top of f. 141v	Anonymous	141v–145
Ps. 117: Dextera Domini fecit virtutem Non moriar sed vivam et narrabo Chant intonation for antiphon "Qui venturus est veniet" at top of f. 6v	Anonymous	6v–11
Ps. 117: O Domine salvum me fac Benediximus vobis de domo Domini (Chant intonation for antiphon "Bethlehem non es minima" at top of f. 11v)	Anonymous	11v–15
Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "Exortum est lumen" at top of f. 145v	Anonymous	145v–150
Ps. 18: Caeli enarrant gloriam Dei Dies diei eructat verbum Chant intonation for antiphon "Judaea et Jerusalem" at top of f. 136v	Anonymous	136v–141
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	28v–31
Quem vidistis pastores dicite annunciate (2p. Genuit puerpera regem cui nomen)	Fouchier, N.	47v–52
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522)	77v–81
Tria sunt munera pretiosa quae obtulerunt II: Reges Tharsis et insulae munera	Jonckers, Maistre Gosse	123v–130
Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli	Anonymous	15v–18
Veni redemtor gentium ostende partum 2 Non ex virili semine sed mystico 4 Deo patri sit gloria eiusque soli	Paminger, Leonhard (1495–1567)	19v–25
Verbum caro factum est	Crecquillon, Thomas (ca. 1505–ca. 1557)	93v–97
Verbum caro factum est et habitavit II: Plenum gratiae et veritatis III: In principio erat verbum et verbum	Meloni da Bologna, Annibale	97v–103
Vox in Rama audita est ploratus et ululatus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	109v–112

‡ denotes primary source study

Bernstein, Lawrence F. 1977. Mathieu and Valentin Sohier: A New Pair of Renaissance Doppelmeister. A Musical Offering: Essays in Honor of Martin Bernstein, 25-43. New York. Pages: 26, 29. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 193-4, 225, 263-7, 477-8, 497-8, 548. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 176-7. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 168, 179. Notes: physical description (partial); contents list (partial); concordances (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62; II, 207-8. Notes: physical description (partial); contents list (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 78, 81. Notes: physical description; contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description