MEX-Pc MS IV

Archivo de Musica Sacra de la Catedral, Puebla, Mexico

manuscript of polyphony: Late 16th or early 17th century

Archive Archivo de Musica Sacra de la Catedral, Puebla, Mexico (MEX-Pc)
Shelfmark MS IV
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements ca. 560 x 375 mm
Other Identifiers
  • CCM: PueblaC 4
Notations
  • black void mensural
Relationships
Provenance
Contents 41 pieces from 2 composers
General Description

Copied by a single scribe, from print RISM M3580. Copied in Puebla, for use by cathedral choir (BarwickS).

DIAMM, 2017
Physical Description

Folios in poor condition due to ink corrosion

DIAMM, 2017
Binding

Original covers of leather over boards

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation, 1-174.

DIAMM, 2017
Decoration

Large inked initials, most in calligraphic style, a few in plain block style.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses, 1 motet = 9

Morales-9

174 paper folios, ca. 560 x 375. Folios in poor condition due to ink corrosion. Original ink foliation, 1-174. Original covers of leather over boards. No index. Copied by a single scribe. Large inked initials, most in calligraphic style, a few in plain block style. Repertory copied from print RISM M3580.

Late 16th or early 17th century. Copied in Puebla, for use by cathedral choir (BarwickS).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
i.v–1 Asperges me (4vv) -
Appears on: i.v–1
Genres: Motet
1v–15 Missa de Beata Virgine (5vv) = Missa Domina: Kyrie -
Appears on: 1v–15
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
1v–15 Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme -
Appears on: 1v–15
Genres: Gloria (et in terra pax), Mass Ordinary
1v–15 Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces -
Appears on: 1v–15
Genres: Credo (patrem omnipotentem), Mass Ordinary
1v–15 Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces -
Appears on: 1v–15
Genres: Mass Ordinary, Sanctus [& Benedictus]
1v–15 Missa de Beata Virgine (5vv) = Missa Domina: Agnus I Agnus II: 3 voces Agnus III: 6 voces -
Appears on: 1v–15
Genres: Agnus Dei, Mass Ordinary
16v–30 Missa Aspice Domine: Kyrie -
Appears on: 16v–30
Genres: Kyrie eleison, Mass Ordinary
16v–30 Missa Aspice Domine: Gloria (2 partes) -
Appears on: 16v–30
Genres: Gloria (et in terra pax), Mass Ordinary
16v–30 Missa Aspice Domine: Credo (4 partes) -
Appears on: 16v–30
Genres: Credo (patrem omnipotentem), Mass Ordinary
16v–30 Missa Aspice Domine: Sanctus with: Osanna, Benedictus: 3 voces. -
Appears on: 16v–30
Genres: Mass Ordinary, Sanctus [& Benedictus]
16v–30 Missa Aspice Domine: Agnus I. Agnus II: 5 voces -
Appears on: 16v–30
Genres: Agnus Dei, Mass Ordinary
31v–49 Missa Vulnerasti cor meum: Kyrie -
Appears on: 31v–49
Genres: Kyrie eleison, Mass Ordinary
31v–49 Missa Vulnerasti cor meum: Gloria -
Appears on: 31v–49
Genres: Gloria (et in terra pax), Mass Ordinary
31v–49 Missa Vulnerasti cor meum: Credo -
Appears on: 31v–49
Genres: Credo (patrem omnipotentem), Mass Ordinary
31v–49 Missa Vulnerasti cor meum: Sanctus -
Appears on: 31v–49
Genres: Mass Ordinary, Sanctus [& Benedictus]
31v–49 Missa Vulnerasti cor meum: Agnus Dei -
Appears on: 31v–49
Genres: Agnus Dei, Mass Ordinary
50v–66 Missa Ave maris stella: Kyrie -
Appears on: 50v–66
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
50v–66 Missa Ave maris stella: Gloria: 2 partes. -
Appears on: 50v–66
Genres: Gloria (et in terra pax), Mass Ordinary
50v–66 Missa Ave maris stella: Credo: 4 partes Et resurrexit: 4 voces. -
Appears on: 50v–66
Genres: Mass Ordinary
50v–66 Missa Ave maris stella: Sanctus with: Pleni: 3 voces,Benedictus: 3 voces. -
Appears on: 50v–66
Genres: Mass Ordinary, Sanctus [& Benedictus]
50v–66 Missa Ave maris stella: Agnus I. Agnus II. -
Appears on: 50v–66
Genres: Agnus Dei, Mass Ordinary
67v–84 Missa Quaeramus cum pastoribus: Kyrie -
Appears on: 67v–84
Genres: Kyrie eleison, Mass Ordinary
67v–84 Missa Quaeramus cum pastoribus: Gloria -
Appears on: 67v–84
Genres: Gloria (et in terra pax), Mass Ordinary
67v–84 Missa Quaeramus cum pastoribus: Credo -
Appears on: 67v–84
Genres: Credo (patrem omnipotentem), Mass Ordinary
67v–84 Missa Quaeramus cum pastoribus: Sanctus -
Appears on: 67v–84
Genres: Mass Ordinary, Sanctus [& Benedictus]
67v–84 Missa Quaeramus cum pastoribus: Agnus Dei -
Appears on: 67v–84
Genres: Agnus Dei, Mass Ordinary
85v–103 Missa L’homme armé quarti toni (5vv): Kyrie. -
Appears on: 85v–103
Genres: Kyrie eleison, Mass Ordinary
85v–103 Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. -
Appears on: 85v–103
Genres: Gloria (et in terra pax), Mass Ordinary
85v–103 Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces. -
Appears on: 85v–103
Genres: Credo (patrem omnipotentem), Mass Ordinary
85v–103 Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. -
Appears on: 85v–103
Genres: Mass Ordinary, Sanctus [& Benedictus]
85v–103 Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. -
Appears on: 85v–103
Genres: Agnus Dei, Mass Ordinary
104v–127 Missa Mille regrets: Kyrie -
Appears on: 104v–127
Genres: Kyrie eleison, Mass Ordinary
104v–127 Missa Mille regrets: Gloria -
Appears on: 104v–127
Genres: Gloria (et in terra pax), Mass Ordinary
104v–127 Missa Mille regrets: Credo -
Appears on: 104v–127
Genres: Credo (patrem omnipotentem), Mass Ordinary
104v–127 Missa Mille regrets: Sanctus -
Appears on: 104v–127
Genres: Mass Ordinary, Sanctus [& Benedictus]
104v–127 Missa Mille regrets: Agnus Dei -
Appears on: 104v–127
Genres: Agnus Dei, Mass Ordinary
128–(174?) Missa Si bona suscepimus: Kyrie -
Appears on: 128–(174?)
Genres: Kyrie eleison, Mass Ordinary
128–(174?) Missa Si bona suscepimus: Gloria: 2 partes -
Appears on: 128–(174?)
Genres: Gloria (et in terra pax), Mass Ordinary
128–(174?) Missa Si bona suscepimus: Credo: 3 partes Crucifixus: 4 voces -
Appears on: 128–(174?)
Genres: Credo (patrem omnipotentem), Mass Ordinary
128–(174?) Missa Si bona suscepimus: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces -
Appears on: 128–(174?)
Genres: Mass Ordinary, Sanctus [& Benedictus]
128–(174?) Missa Si bona suscepimus: Agnus I. Agnus II: 3 voces. Agnus III -
Appears on: 128–(174?)
Genres: Agnus Dei, Mass Ordinary
Composer Compositions
Gombert, Nicolas (ca. 1495–ca. 1560)
Morales, Cristóbal de (ca. 1500–1553)
Composition Composers (? Uncertain) Folios / Pages
Asperges me (4vv) i.v–1
Missa Aspice Domine: Agnus I. Agnus II: 5 voces 16v–30
Missa Aspice Domine: Credo (4 partes) 16v–30
Missa Aspice Domine: Gloria (2 partes) 16v–30
Missa Aspice Domine: Kyrie 16v–30
Missa Aspice Domine: Sanctus with: Osanna, Benedictus: 3 voces. 16v–30
Missa Ave maris stella: Agnus I. Agnus II. 50v–66
Missa Ave maris stella: Credo: 4 partes Et resurrexit: 4 voces. 50v–66
Missa Ave maris stella: Gloria: 2 partes. 50v–66
Missa Ave maris stella: Kyrie 50v–66
Missa Ave maris stella: Sanctus with: Pleni: 3 voces,Benedictus: 3 voces. 50v–66
Missa de Beata Virgine (5vv) = Missa Domina: Agnus I Agnus II: 3 voces Agnus III: 6 voces 1v–15
Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces 1v–15
Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme 1v–15
Missa de Beata Virgine (5vv) = Missa Domina: Kyrie 1v–15
Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces 1v–15
Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. 85v–103
Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces. 85v–103
Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. 85v–103
Missa L’homme armé quarti toni (5vv): Kyrie. 85v–103
Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. 85v–103
Missa Mille regrets: Agnus Dei 104v–127
Missa Mille regrets: Credo 104v–127
Missa Mille regrets: Gloria 104v–127
Missa Mille regrets: Kyrie 104v–127
Missa Mille regrets: Sanctus 104v–127
Missa Quaeramus cum pastoribus: Agnus Dei 67v–84
Missa Quaeramus cum pastoribus: Credo 67v–84
Missa Quaeramus cum pastoribus: Gloria 67v–84
Missa Quaeramus cum pastoribus: Kyrie 67v–84
Missa Quaeramus cum pastoribus: Sanctus 67v–84
Missa Si bona suscepimus: Agnus I. Agnus II: 3 voces. Agnus III 128–(174?)
Missa Si bona suscepimus: Credo: 3 partes Crucifixus: 4 voces 128–(174?)
Missa Si bona suscepimus: Gloria: 2 partes 128–(174?)
Missa Si bona suscepimus: Kyrie 128–(174?)
Missa Si bona suscepimus: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces 128–(174?)
Missa Vulnerasti cor meum: Agnus Dei 31v–49
Missa Vulnerasti cor meum: Credo 31v–49
Missa Vulnerasti cor meum: Gloria 31v–49
Missa Vulnerasti cor meum: Kyrie 31v–49
Missa Vulnerasti cor meum: Sanctus 31v–49

denotes primary source study

Stevenson, Robert. 1970. Renaissance and Baroque Musical Sources in the Americas.  Washington, D.C. Pages: 216. Notes: contents list.

Spiess, Lincoln, and Thomas Stanford. 1969. An Introduction to Certain Mexican Musical Archives. Detroit Studies in Music Bibliography.  Detroit. Pages: 27. Notes: mention of MS.

Catalyne, Alice Ray. 1966. Music of the Sixteenth to Eighteenth Centuries in the Cathedral of Puebla, Mexico. Yearbook for Inter-American Musical Research II, 75-90. Pages: 78. Notes: mention of MS.

Stevenson, Robert. 1954-1955. Sixteenth and seventeenth century resources in Mexico. Fontes Artis Musicae, 69-78. Pages: 74. Notes: contents list.

Catalyne, Alice Ray. 1953. The Double-Choir Music of Juan de Padilla, Seventeenth Century Composer in Mexico. University of Southern California, Unpublished Ph.D. dissertation. Pages: 341. Notes: contents list (partial).

Barwick, Steven. 1949. Sacred Vocal Polyphony in Early Colonial Mexico. Harvard University, Unpublished Ph.D. dissertation. Pages: I, 90-1, 190. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description