MEX-Pc MS III

Archivo de Musica Sacra de la Catedral, Puebla, Mexico

manuscript of polyphony: Second half of 17th century

Archive	Archivo de Musica Sacra de la Catedral, Puebla, Mexico (MEX-Pc)
Shelfmark	MS III
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	ca. 560 x 375 mm
Other Identifiers	CCM: PueblaC 3
Notations	black void mensural
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships	? Puebla Cathedral (copied at)
Provenance	Puebla Cathedral , Puebla, Mexico
Contents	19 pieces from 6 composers

General Description

Copied by a single scribe. Copied in Puebla, for use by cathedral choir (BarwickP). Probably copied in Seville, then sent to Mexico (RussellM). Canticle and motets are for Office for the Dead.

DIAMM, 2017

Binding

Original covers of leather over boards.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original ink foliation, 1-3 + 6-101

DIAMM, 2017

Decoration

Inked initials, most in calligraphic style, some in form of tree branches with leaves

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Requiem Masses, 1 canticle, 18 motets = 21

Franco [f]-3, (Guerrero)-2, (Gutiérrez de Padilla)-2, Gutiérrez de Padilla [Padilla]-Saldaña-1, Morales-1, Saldaña-1, Tabares-1, anon-10

99 paper folios, ca. 560 x 375. Original ink foliation, 1-3 + 6-101. Original covers of leather over boards. No index. Copied by a single scribe. Inked initials, most in calligraphic style, some in form of tree branches with leaves. Canticle and motets are for Office for the Dead.

Second half of 17th century. Copied in Puebla, for use by cathedral choir (BarwickP). Probably copied in Seville, then sent to Mexico (RussellM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
5v–29	Requiem Mass (1582)	-	Guerrero, Francisco
Requiem Mass (1582) Guerrero, Francisco Appears on: 5v–29 Genres: Mass Ordinary, Requiem
29v–31	Versa est in luctum cithara (5vv)	-	Padilla, Juan Gutiérrez de (ca. 1590–1664)
Versa est in luctum cithara (5vv) Padilla, Juan Gutiérrez de (ca. 1590–1664) Appears on: 29v–31 Genres: Motet
31v–38	Circumdederunt me dolores (6vv)	-	Padilla, Juan Gutiérrez de (ca. 1590–1664)
Circumdederunt me dolores (6vv) Padilla, Juan Gutiérrez de (ca. 1590–1664) Appears on: 31v–38 Genres: Motet
38v–39	Invitatorium pro defunctis: iii. Quoniam Deus	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: iii. Quoniam Deus Morales, Cristóbal de (ca. 1500–1553) Appears on: 38v–39 Genres: Motet
39v–40	Invitatorium pro defunctis: iv. Quoniam ipsius	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: iv. Quoniam ipsius Morales, Cristóbal de (ca. 1500–1553) Appears on: 39v–40 Genres: Motet
40v–42	Invitatorium pro defunctis: v. Hodie si vocem	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: v. Hodie si vocem Morales, Cristóbal de (ca. 1500–1553) Appears on: 40v–42 Genres: Motet
42v–43	Invitatorium pro defunctis: vii. Requiem aeternam	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: vii. Requiem aeternam Morales, Cristóbal de (ca. 1500–1553) Appears on: 42v–43 Genres: Motet
43v–47	Parce mihi (7vv)	-	Tabares, Manoel
Parce mihi (7vv) Tabares, Manoel Appears on: 43v–47 Genres: Motet, Responsory
47v–51	Requiem (8vv): i. Requiem aeternam	-	Saldaña, Gonçalo
Requiem (8vv): i. Requiem aeternam Saldaña, Gonçalo Appears on: 47v–51 Genres: Introit, Requiem
51v–54	Requiem (8vv): ii. Kyrie	-	Saldaña, Gonçalo
Requiem (8vv): ii. Kyrie Saldaña, Gonçalo Appears on: 51v–54 Genres: Kyrie eleison, Mass Ordinary, Requiem
54v–59	Dies irae (8vv) (Sequence)	-	Padilla, Juan Gutiérrez de (ca. 1590–1664)
Dies irae (8vv) (Sequence) Padilla, Juan Gutiérrez de (ca. 1590–1664) Appears on: 54v–59 Genres: Sequence
59v	Libera animas	-	Saldaña, Gonçalo
Libera animas Saldaña, Gonçalo Appears on: 59v Genres: Offertory, Requiem
68v	Domine secundum	-	Saldaña, Gonçalo
Domine secundum Saldaña, Gonçalo Appears on: 68v Genres: Motet
77v–78	Domine in furoire	-	Franco, Hernando (–1585)
Domine in furoire Franco, Hernando (–1585) Appears on: 77v–78 Genres: Psalm
78v–79	Quoniam non est in morte	-	Franco, Hernando (–1585)
Quoniam non est in morte Franco, Hernando (–1585) Appears on: 78v–79 Genres: Motet
79v–80	Exaudivit Dominus	-	Franco, Hernando (–1585)
Exaudivit Dominus Franco, Hernando (–1585) Appears on: 79v–80 Genres: Motet
80v	Parce mihi Domine	-	Franco, Hernando (–1585)
Parce mihi Domine Franco, Hernando (–1585) Appears on: 80v Genres: Motet
80v	Te decet hymnus in Sion	-	Guerrero, Francisco
Te decet hymnus in Sion Guerrero, Francisco Appears on: 80v Genres: Motet
91v	Requiescat in pace	-	Franco, Hernando (–1585)
Requiescat in pace Franco, Hernando (–1585) Appears on: 91v Genres: Motet, Requiem

Composer	Compositions
Franco, Hernando (–1585)	Domine in furoire – 77v–78 Exaudivit Dominus – 79v–80 Parce mihi Domine – 80v Quoniam non est in morte – 78v–79 Requiescat in pace – 91v
Guerrero, Francisco	Requiem Mass (1582) – 5v–29 Te decet hymnus in Sion – 80v
Morales, Cristóbal de (ca. 1500–1553)	Invitatorium pro defunctis: iii. Quoniam Deus – 38v–39 Invitatorium pro defunctis: iv. Quoniam ipsius – 39v–40 Invitatorium pro defunctis: v. Hodie si vocem – 40v–42 Invitatorium pro defunctis: vii. Requiem aeternam – 42v–43
Padilla, Juan Gutiérrez de (ca. 1590–1664)	Circumdederunt me dolores (6vv) – 31v–38 Dies irae (8vv) (Sequence) – 54v–59 Versa est in luctum cithara (5vv) – 29v–31
Saldaña, Gonçalo	Domine secundum – 68v Libera animas – 59v Requiem (8vv): i. Requiem aeternam – 47v–51 Requiem (8vv): ii. Kyrie – 51v–54
Tabares, Manoel	Parce mihi (7vv) – 43v–47

Composition	Composers (? Uncertain)	Folios / Pages
Circumdederunt me dolores (6vv)	Padilla, Juan Gutiérrez de (ca. 1590–1664)	31v–38
Dies irae (8vv) (Sequence)	Padilla, Juan Gutiérrez de (ca. 1590–1664)	54v–59
Domine in furoire	Franco, Hernando (–1585)	77v–78
Domine secundum	Saldaña, Gonçalo	68v
Exaudivit Dominus	Franco, Hernando (–1585)	79v–80
Invitatorium pro defunctis: iii. Quoniam Deus	Morales, Cristóbal de (ca. 1500–1553)	38v–39
Invitatorium pro defunctis: iv. Quoniam ipsius	Morales, Cristóbal de (ca. 1500–1553)	39v–40
Invitatorium pro defunctis: v. Hodie si vocem	Morales, Cristóbal de (ca. 1500–1553)	40v–42
Invitatorium pro defunctis: vii. Requiem aeternam	Morales, Cristóbal de (ca. 1500–1553)	42v–43
Libera animas	Saldaña, Gonçalo	59v
Parce mihi (7vv)	Tabares, Manoel	43v–47
Parce mihi Domine	Franco, Hernando (–1585)	80v
Quoniam non est in morte	Franco, Hernando (–1585)	78v–79
Requiem (8vv): i. Requiem aeternam	Saldaña, Gonçalo	47v–51
Requiem (8vv): ii. Kyrie	Saldaña, Gonçalo	51v–54
Requiem Mass (1582)	Guerrero, Francisco	5v–29
Requiescat in pace	Franco, Hernando (–1585)	91v
Te decet hymnus in Sion	Guerrero, Francisco	80v
Versa est in luctum cithara (5vv)	Padilla, Juan Gutiérrez de (ca. 1590–1664)	29v–31

‡ denotes primary source study

Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 9-49. Pages: 13, 42. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Barwick, Steven. 1970. A Recently Discovered Miserere of Fernando Franco. Yearbook for Inter-American Musical Research, 77ff. Pages: 77. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1970. Renaissance and Baroque Musical Sources in the Americas. Washington, D.C. Pages: 208ff. Notes: contents list (partial); concordances (partial).

Spiess, Lincoln, and Thomas Stanford. 1969. An Introduction to Certain Mexican Musical Archives. Detroit Studies in Music Bibliography. Detroit. Pages: 27. Notes: mention of MS.

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 107, 202-3. Notes: mention of MS; contents list (partial); transcription (partial).

Barwick, Steven. 1957. Puebla's Requiem Choirbook. Essays on Music in honor of Archibald Thompson Davison, Cambridge, Massachusetts. Notes: physical description; contents list (partial); transcriptions (partial); mention of MS; discussion.

Stevenson, Robert. 1954-1955. Sixteenth and seventeenth century resources in Mexico. Fontes Artis Musicae, 69-78. Notes: contents list (partial).

Catalyne, Alice Ray. 1953. The Double-Choir Music of Juan de Padilla, Seventeenth Century Composer in Mexico. University of Southern California, Unpublished Ph.D. dissertation. Pages: 341, 343-4, 348, 354. Notes: contents list (partial); concordances (partial).

Barwick, Steven. 1949. Sacred Vocal Polyphony in Early Colonial Mexico. Harvard University, Unpublished Ph.D. dissertation. Pages: I, 90, 97, 187-9; II, 157-64, 166-8. Notes: physical description (partial); contents list (partial); transcription (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description