MEX-Pc MS II

Archivo de Musica Sacra de la Catedral, Puebla, Mexico

manuscript of polyphony: First half of 17th century

Archive	Archivo de Musica Sacra de la Catedral, Puebla, Mexico (MEX-Pc)
Shelfmark	MS II
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	ca. 560 x 375 mm
Other Identifiers	CCM: PueblaC 2
Notations	black void mensural
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships	Puebla Cathedral (copied at)
Provenance	Puebla Cathedral , Puebla, Mexico
Contents	14 pieces from 5 composers Contains 6 uninventoried works or miscellaneous sections.

General Description

Composite of two separate manuscripts later bound together. Both manuscripts copied by same main scribe; motet and hymn on ff. 37'-39' of Part I added later by main scribe of PueblaC 1. Copied in Puebla, for use by cathedral choir (BarwickS).

DIAMM, 2017

Binding

Original covers of leather over boards.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

First half of 17th century, with additions in second half of 17th century.

DIAMM, 2017

Foliation

Original ink foliation—Part I: 1-39; Part II: 4-52 (three original folios missing at beginning; last four folios unnumbered)

DIAMM, 2017

Decoration

Large inked initials, most in calligraphic style, a few in plain block style.

DIAMM, 2017

Index

Original index at beginning of each manuscript lists pieces in order of appearance; a few pieces not listed.

DIAMM, 2017

Surface

Paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 K-S-A Mass, 8 Magnificats, 4 office hymns, 1 processional hymn, I set of Lamentations, 1 Passion, 4 motets = 20

Bermudes-1, Fructus del Castillo-1, (R. Ceballos-anon)-1, Franco-1, Guerrero/(R. Ceballos)-anon-1, Morales-9, anon-6

92 paper folios, ca. 560 x 375. Composite of two separate manuscripts later bound together. Original ink foliation—Part I: 1-39; Part II: 4-52 (three original folios missing at beginning; last four folios unnumbered). Original covers of leather over boards. Original index at beginning of each manuscript lists pieces in order of appearance; a few pieces not listed. Both manuscripts copied by same main scribe; motet and hymn on ff. 37'-39' of Part I added later by main scribe of PueblaC 1. Large inked initials, most in calligraphic style, a few in plain block style.

First half of 17th century, with additions in second half of 17th century. Copied in Puebla, for use by cathedral choir (BarwickS).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known compositions

Composition	Composers (? Uncertain)	Folios / Pages	Source Attribution
Adjuva nos	Anonymous	I.37v–I.38	-
Domine ad adjuvandum me	Bermudes, Pedro	II.54–II.55	-
Lamentationes Jeremiae	Bermudes, Pedro	[-]	-
Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum	Morales, Cristóbal de (ca. 1500–1553)	I.29–37	-
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	II.46–II.52	-
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	II.4–II.9	-
Magnificat quarti toni: Anima mea [K.917]	Morales, Cristóbal de (ca. 1500–1553)	II.22–II.27	-
Magnificat quinti toni: Anima mea [K.918]	Morales, Cristóbal de (ca. 1500–1553)	II.28–II.34	-
Magnificat secundi toni: Anima mea [K.915]	Morales, Cristóbal de (ca. 1500–1553)	II.10–II.15	-
Magnificat septimi toni: Anima mea [K.920]	Morales, Cristóbal de (ca. 1500–1553)	II.40–II.45	-
Magnificat sexti toni: Anima mea [K.919]	Morales, Cristóbal de (ca. 1500–1553)	II.35–II.39	-
Magnificat tertii toni: Anima mea [K.916]	Morales, Cristóbal de (ca. 1500–1553)	II.16–II.21	-
Monstra te esse matrem	Fructos del Castillo	II.53	-
Monstra te esse natrem	Franco, Hernando (–1585)	II.56	-

Known composers

Composers (? Uncertain)	Folios / Pages	Item title	Attribution in Source
Works by Bermudes, Pedro	[-]	-	-
Works by Clavijo del Castillo, Bernardo	[-]	-	-
Works by Ceballos, Rodrigo de (ca. 1525–1581)	[-]	-	-
Works by Franchini, Francesco	[-]	-	-
Works by Guerrero, Francisco (?) Ceballos, Rodrigo de (ca. 1525–1581) (?)	[-]	-	-
Works by Morales, Cristóbal de (ca. 1500–1553)	[-]	-	-

Composer	Compositions
Anonymous	Adjuva nos – I.37v–I.38
Bermudes, Pedro	Domine ad adjuvandum me – II.54–II.55 Lamentationes Jeremiae – [-]
Franco, Hernando (–1585)	Monstra te esse natrem – II.56
Fructos del Castillo	Monstra te esse matrem – II.53
Morales, Cristóbal de (ca. 1500–1553)	Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum – I.29–37 Magnificat octavi toni: Anima mea [K.921] – II.46–II.52 Magnificat primi toni: Anima Mea [K.914] – II.4–II.9 Magnificat quarti toni: Anima mea [K.917] – II.22–II.27 Magnificat quinti toni: Anima mea [K.918] – II.28–II.34 Magnificat secundi toni: Anima mea [K.915] – II.10–II.15 Magnificat septimi toni: Anima mea [K.920] – II.40–II.45 Magnificat sexti toni: Anima mea [K.919] – II.35–II.39 Magnificat tertii toni: Anima mea [K.916] – II.16–II.21

Composition	Composers (? Uncertain)	Folios / Pages
Adjuva nos	Anonymous	I.37v–I.38
Domine ad adjuvandum me	Bermudes, Pedro	II.54–II.55
Lamentationes Jeremiae	Bermudes, Pedro	[-]
Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum	Morales, Cristóbal de (ca. 1500–1553)	I.29–37
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	II.46–II.52
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	II.4–II.9
Magnificat quarti toni: Anima mea [K.917]	Morales, Cristóbal de (ca. 1500–1553)	II.22–II.27
Magnificat quinti toni: Anima mea [K.918]	Morales, Cristóbal de (ca. 1500–1553)	II.28–II.34
Magnificat secundi toni: Anima mea [K.915]	Morales, Cristóbal de (ca. 1500–1553)	II.10–II.15
Magnificat septimi toni: Anima mea [K.920]	Morales, Cristóbal de (ca. 1500–1553)	II.40–II.45
Magnificat sexti toni: Anima mea [K.919]	Morales, Cristóbal de (ca. 1500–1553)	II.35–II.39
Magnificat tertii toni: Anima mea [K.916]	Morales, Cristóbal de (ca. 1500–1553)	II.16–II.21
Monstra te esse matrem	Fructos del Castillo	II.53
Monstra te esse natrem	Franco, Hernando (–1585)	II.56

‡ denotes primary source study

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography. Detroit. Pages: 29, 69-70. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial).

Stevenson, Robert. 1970. Renaissance and Baroque Musical Sources in the Americas. Washington, D.C. Pages: 209ff. Notes: contents list (partial); concordances (partial).

Spiess, Lincoln, and Thomas Stanford. 1969. An Introduction to Certain Mexican Musical Archives. Detroit Studies in Music Bibliography. Detroit. Pages: 27. Notes: mention of MS.

Catalyne, Alice Ray. 1966. Music of the Sixteenth to Eighteenth Centuries in the Cathedral of Puebla, Mexico. Yearbook for Inter-American Musical Research II, 75-90. Pages: 78. Notes: mention of MS; contents list (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 156. Notes: contents list (partial); concordances (partial); incipits (partial).

Stevenson, Robert. 1954-1955. Sixteenth and seventeenth century resources in Mexico. Fontes Artis Musicae, 69-78. Notes: contents list (partial).

Catalyne, Alice Ray. 1953. The Double-Choir Music of Juan de Padilla, Seventeenth Century Composer in Mexico. University of Southern California, Unpublished Ph.D. dissertation. Pages: 341, 344, 346. Notes: contents list (partial).

Barwick, Steven. 1949. Sacred Vocal Polyphony in Early Colonial Mexico. Harvard University, Unpublished Ph.D. dissertation. Pages: I, 90-3, 185-6; II, 155-6, 181-3, 217-8. Notes: physical description (partial); contents list (partial); transcription (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description