I-PCd s.s. (5)

Archivio del Duomo, Fondo Musicale, Piacenza, Italy

partbook: Mid 16th century

Archive Archivio del Duomo, Fondo Musicale, Piacenza, Italy (I-PCd)
Shelfmark s.s. (5)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 185 x 202 (front flyleaves range from ca. 155-200 x 140-205) mm
Other Identifiers
  • CCM: PiacD (5)
Notations
  • black void mensural
Relationships
Provenance
Contents 104 pieces from 25 composers
General Description

A single Quintus partbook. Copied by one main scribe and four additional scribes; scribal concordances with PiacD (1), (2), (3), and (4). Probably copied in Piacenza.

DIAMM, 2017
Binding

Original covers of cardboard covered with parchment cut from missal.

DIAMM, 2017
Watermark

(1) ox head with five-petalled flower (not in Briquet); (2) generally resembles Briquet #6603; (3) anchor in circle with six-pointed star (not in Briquet). All three marks also appear in PiacD (4), first two in PiacD (3).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 11

DIAMM, 2017
Foliation

Original ink foliation, 1-107 ('76' omitted; last 11 folios not numbered).

DIAMM, 2017
Decoration

A few small inked calligraphic initials; no other decoration.

DIAMM, 2017
Index

Original index on front flyleaves groups pieces alphabetically by first letter of text or title, with subgrouping under each letter by order of appearance (some inconsistencies).

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Masses, 1 Requiem Mass, 1 Requiem Mass section, 1 Mass Proper section, 2 hymns, 90 motets = 104

(Berchem/Jaquet of Mantua)-1, (Caen/Lupus/Richafort)-1, (Conseil)-1, (Conseil/Jaquet of Mantua)-1, (Conseil/Lupi)-1, (Divitis/A. Févin)-1, F.R.F.-2, (C. Festa)-4, (A. Févin)-1, (Gombert)-4, (Hellinck/Senfl/Verdelot)-1, (Jaquet of Mantua)-5, (Jaquet of Mantua/Lupus)-2, (Jhan of Ferrara)-4, (Josquin/Verdelot)-1, (F. Layolle)-1, (Lhéritier)-3, (Mouton)-2, (Sermisy)-1, (Silva)-1, (Silva/Werrecore)-1, (Verdelot)-4 +1?, (Verdelot/Willaert)-1, (Willaert)-8, anon-51

1 paper partbook (Q-viii + 117 + i folios), 185 x 202 (front flyleaves of varying sizes, ranging from ca. 155-200 x 140-205). Original ink foliation, 1-107 ("76" omitted; last 11 folios not numbered). Blank staves: f. 94 and last 11 folios. Original covers of cardboard covered with parchment cut from missal. Original index on front flyleaves groups pieces alphabetically by first letter of text or title, with subgrouping under each letter by order of appearance (some inconsistencies). Copied by one main scribe and four additional scribes; scribal concordances with PiacD (1), (2), (3), and (4). Staff height 11. A few small inked calligraphic initials; no other decoration. Watermarks: (1) ox head with five-petalled flower (not in Briquet); (2) generally resembles Briquet #6603; (3) anchor in circle with six-pointed star (not in Briquet). All three marks also appear in PiacD (4), first two in PiacD (3).

Mid 16th century. Probably copied in Piacenza.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Regnum mundi et omnem ornatum saeculi (2p. Quem vidi quem amavi in quem credidi) [Lhéritier]
Appears on: 1
Genres: Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: [R]egnum mundi et omni II. Quem vidi
1v Confiteor deo omnipotenti Anon. Anonymous
Appears on: 1v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor deo omnipotenti
2–2v Salve, Rex pater misericordiae II: Eya ergo, advocate noster [Verdelot?] SlimGM
Appears on: 2–2v
Genres: Motet
Source Attribution: [Verdelot?] SlimGM
Voice: [no designation]
Languages: Latin
Voice Text: Salve rex pater misericordie II. Eia ergo
2v–3 Ecce lignum crucis II. Crux fidelis [Willaert]
Appears on: 2v–3
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce lignum crucis II. Crux fidelis
3v–6 Missa K-G-C-S-A Anon. Anonymous

Missa K-G-C-S-A

Anonymous
Appears on: 3v–6
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] (K-G-C-S-A)
6–6v Moriens lux amantissima qui in cruce [Mouton]
Appears on: 6–6v
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Moriens lux amantissima
6v–8 Congregati sunt inimici nostri et gloriantur II: Disperge illos in virtute tua [Verdelot]
Appears on: 6v–8
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici II. Disperge illos in virtute
8v–9 Sancta Maria virgo virginum 25.7 [Josquin/Verdelot]
Appears on: 8v–9
Genres: Motet
Source Attribution: [Josquin/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo virginum [MA 42]
9v–10 Ecce Dominus veniet et omnes sancti eius [Willaert]
Appears on: 9v–10
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet
10v–11 Ave Maria gratia plena Dominus tecum Anon. Anonymous
Appears on: 10v–11
Genres: Ave Maria, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena
11–11v Salve regina II. Et Jesum benedictum Anon. Anonymous
Appears on: 11–11v
Genres: Motet, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina II. Et Jesum benedictum
11v–12v Cantemus Domino Anon. Anonymous

Cantemus Domino

Anonymous
Appears on: 11v–12v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cantemus domino
12v Adoramus te Domine Anon. Anonymous

Adoramus te Domine

Anonymous
Appears on: 12v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Adoramus te domine
13 Hei mihi Domine Anon. Anonymous

Hei mihi Domine

Anonymous
Appears on: 13
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Hei mihi domine
13v–14 Regina caeli laetare II. Resurrexit sicut dixit Anon. Anonymous
Appears on: 13v–14
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare II. Resurrexit sicut dixit
14–15 Surrexit pastor bonus qui animam suam (2p. Ecce crucem Domini fugite partes) [Silva/Werrecore]
Appears on: 14–15
Genres: Motet
Source Attribution: [Silva/Werrecore]
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit pastor bonus II. Ecce crucem domini
15 Concurrit...Pie Jesu Domine Anon. Anonymous
Appears on: 15
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Concurrit...Pie Jesu domine
15 Nigra sum sed formosa Anon (not Silva) Anonymous
Appears on: 15
Genres: Motet
Source Attribution: Anon (not Silva)
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa
15v–20v Missa octava = Missa Se congie pris K-G-C-S-A [C. Festa]
Appears on: 15v–20v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [C. Festa]
Voice: [no designation]
Languages: Latin
Voice Text: Missa octava [= Missa Se congie pris] K-G-C-S-A
20v Supplicantes Cipriano Anon. Anonymous
Appears on: 20v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Supplicantes Cipriano
21 Gaudeamus omnes in Domino Anon. Anonymous
Appears on: 21
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Gaudeamus] Omnes in domino
21v–22 Gaude felix martir II. Oremus omnes Anon. Anonymous
Appears on: 21v–22
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gaude felix martir II. Oremus omnes
22 Da pacem Domine in diebus nostris Anon. Anonymous
Appears on: 22
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine
22v–23 Ave maris stella, Sumens illud ave, Monstra te esse, Vitam presta puram Anon. Anonymous
Appears on: 22v–23
Genres: Ave maris stella, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Ave maris stella], Sumens illud ave, Monstra te esse, Vitam presta puram (4v in choirbook arrangement, all three verses underlaid to same music)
23v–24 Missa cum sex vocibus: K-S-A Anon. Anonymous
Appears on: 23v–24
Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa cum sex vocibus (K-S-A)
24v Sicut rosa inter spinas ... Salve clarissima Anon. Anonymous
Appears on: 24v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sicut rosa inter spinas...Salve clarissima
24v–25 In die tribulationis meae renuit consolari [Conseil/Jaquet of Mantua]
Appears on: 24v–25
Genres: Motet
Source Attribution: [Conseil/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: In die tribulationis [= NugentJ #59]
25v Infirmitatem nostram quaesumus Domine [Verdelot/Willaert]
Appears on: 25v
Genres: Motet
Source Attribution: [Verdelot/Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Infirmitatem nostram
25v–26v In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) [Hellinck/Senfl/Verdelot]
Appears on: 25v–26v
Genres: Motet
Source Attribution: [Hellinck/Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi II. Et propter nomen
26v–27 Repleatur os meum laude tua ut hymnum [Berchem/Jaquet of Mantua]
Appears on: 26v–27
Genres: Motet
Source Attribution: [Berchem/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Repleatur os meum [= NugentJ #124]
27 Crux clavis corone spinarum flagellis [Silva]
Appears on: 27
Genres: Motet
Source Attribution: [Silva]
Voice: [no designation]
Languages: Latin
Voice Text: Crux clavis
27v–28 Recordare Domine II. Adjuva nos Deus [Verdelot]
Appears on: 27v–28
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Recordare domine II. Adiuva nos deus
28 Adoramus te Domine Anon. Anonymous

Adoramus te Domine

Anonymous
Appears on: 28
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Adoramus te domine
28v–29 A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus Anon. Anonymous
Appears on: 28v–29
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [A solis ortus cardine], Beatus auctor, Domus pudici (4v in choirbook arrangement, both verses underlaid to same music)
29v–30 Regnum mundi et omnem ornatum saeculi II: Quem vidi quem amavi in quem credidi III: Eructavit cor meum verbum bonum Anon. Anonymous
Appears on: 29v–30
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Regnum mundi
30v Nolitem soliciti esse Anon. Anonymous
Appears on: 30v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nolitem soliciti esse
30v–31 Memento mei Domine Anon. Anonymous

Memento mei Domine

Anonymous
Appears on: 30v–31
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Memento mei domine
31 Nativitas tua Anon. Anonymous

Nativitas tua

Anonymous
Appears on: 31
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nativitas tua
31v Ave gratia plena [Verdelot]
Appears on: 31v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Ave gratia plena
32–32v Creverunt a quam usque Anon. Anonymous
Appears on: 32–32v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Creverunt a quam usque
32v–33 Aspice Domine quia facta est desolata [Jaquet of Mantua/Lupus]
Appears on: 32v–33
Genres: Motet
Source Attribution: [Jaquet of Mantua/Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine quia facta [= NugentJ #7]
33 Te decet laus Anon. Anonymous

Te decet laus

Anonymous
Appears on: 33
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Te decet laus
33v Nigra sum sed formosa filia Jerusalem [Lhéritier]
Appears on: 33v
Genres: Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa
34–35 Si quis diligit me II. Pacem relinquo III. Jam non multa [Jhan of Ferrara]
Appears on: 34–35
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Si quis diligit me II. Pacem relinquo III. Jam non multa
35 Panis angelicus Anon. Anonymous

Panis angelicus

Anonymous
Appears on: 35
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Panis angelicus
35v–36 O mater alma redemptoris II. Virgo salvatrix Anon. Anonymous
Appears on: 35v–36
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O mater alma redemptoris II. Virgo salvatrix
36v–37 Ascendo ad patrem meum II. Viri galilei Anon. Anonymous
Appears on: 36v–37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum II. Viri galilei
37 Ave et gaude gloriosa virgo Anon.
Appears on: 37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave et gaude gloriosa virgo
37v–38 Sancta Trinitas Incorporates superius of the A. Févin setting, but is otherwise different, the additional voice does not match either of the two additional voices which Bruck composed for the Févin setting. Anon. (not by Jaquet of Mantua or Phinot) Anonymous
Appears on: 37v–38
Genres: Motet
Source Attribution: Anon. (not by Jaquet of Mantua or Phinot)
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Trinitas (Incorporates superius of the A. Févin setting, but is otherwise different, the additional voice does not match either of the two additional voices which Bruck composed for the Févin setting).
38v O veneranda martirum II. Isti sunt qui venerunt Anon. Anonymous
Appears on: 38v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O veneranda martirum II. Isti sunt qui venerunt
39 Laudem dicite deo Omnes sancte II. Beati estis Omnes sancte Anon. Anonymous
Appears on: 39
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Laudem dicite deo] Omnes sancte [II. Beati estis] Omnes sancte
39–39v Miles mire probitatis II. Innotescis toti mondo Anon. Anonymous
Appears on: 39–39v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Miles mire probitatis II. Innotescis toti mondo
39v–40 Deus qui nostri tantis Anon. Anonymous
Appears on: 39v–40
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Deus qui nostri tantis
40–40v Mundi Christo redemptoris II. Sancti mártires Dei omnes quem caeliri [Jhan of Ferrara]
Appears on: 40–40v
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Mundi Christo redemptoris II. Sancti dei martires
40v–41 Descendi in ortum meum ut viderem poma [Jaquet of Mantua]
Appears on: 40v–41
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Descendi inortum meum [= NugentJ #36]
41v–42 Deus venerunt Posuerunt exemplum II. Inignitatum nostram [C. Festa]
Appears on: 41v–42
Genres: Motet
Source Attribution: [C. Festa]
Voice: [no designation]
Languages: Latin
Voice Text: [Deus venerunt] Posuerunt exemplum II. Inignitatum nostram
42 Congregati sunt gentes [F. Layolle]
Appears on: 42
Genres: Motet
Source Attribution: [F. Layolle]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt gentes
42v–56 Missa pro defunctis: Introit Requiem aeternam, Kyrie, Tract Absolve Domine, Sequence Dies ire, Offertory Domine Jesu Christe, Sanctus, Agnus Dei, Communion Lux eterna luceat eis 4v in choirbook arrangement F.R.F.
FRF
Appears on: 42v–56
Genres: Agnus Dei, Communion, Introit, Kyrie eleison, Offertory, Requiem, Sanctus [& Benedictus], Sequence
Source Attribution: F.R.F.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa pro defunctis: [Introit] [Requiem] eternam, Kyrie, [Tract] Absolve domine, [Sequence] Dies ire, [Offertory] Domine Jesu Christe, Sanctus, Agnus dei, [Communion] [Lux eterna] luceat eis (4v in choirbook arrangement)
56v–61 Dies irae dies illa solvet saeculum F.R.F.
FRF
Appears on: 56v–61
Genres: Motet, Requiem
Source Attribution: F.R.F.
Voice: [no designation]
Languages: Latin
Voice Text: Dies ire dies illa
61v–62 Laetemur omnes et exultemus II. Gaude mater beatissima Tacet III. Adoremus ergo verbum [C. Festa]
Appears on: 61v–62
Genres: Motet
Source Attribution: [C. Festa]
Voice: [no designation]
Languages: Latin
Voice Text: Letemur omnes et exultemus II. [Gaude mater beatissima] [Tacet] III. Adoremus ergo verbum
62v–63 Verbum iniquum (I) (2p. Duo rogavi te) [Willaert]
Appears on: 62v–63
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum iniquum II. Duo rogavi
63–64 Si ignoras o pulcra II Pulcre sunt [Jaquet of Mantua]
Appears on: 63–64
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [Si ignoras]...O pulcra II. Pulcre sunt [= NugentJ #134]
64–64v Regina caeli laetare (5vv - canonic) [C. Festa]
Appears on: 64–64v
Genres: Motet, Regina caeli laetare
Source Attribution: [C. Festa]
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare
64v–65 Tota pulchra es amica mea et macula (5vv) [Gombert]
Appears on: 64v–65
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulcra es amica mea
65–65v Victimae paschali laudes II. Spes nostra Anon. Anonymous
Appears on: 65–65v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Victime pascali laudes II. Spes nostra
65v–66 Congratulamini mihi omnes II. Et dum flerem [Willaert]
Appears on: 65v–66
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes II. Et dum flerem
66v–67 Ave Maria ... virgo serena (2p. Tu mater regis) [Mouton]
Appears on: 66v–67
Genres: Ave Maria, Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena II. Tu mater regis
67–67v Regina caeli laetare alleluia II. Resurrexit sicut dixit (5vv) [B145] [Willaert]
Appears on: 67–67v
Genres: Regina caeli laetare
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare II. Resurrexit sicut dixit

Item Bibliography

Kidger, David M. 2005. Adrian Willaert: A Guide to Research. Routledge Music Bibliographies.  New York and London: Routledge. Pages: 225.

67v–68 Gratias ago tibi Anon. Anonymous

Gratias ago tibi

Anonymous
Appears on: 67v–68
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gratias ago tibi
68–68v Michael arcangelus venit II. Michael princeps bone Anon. Anonymous
Appears on: 68–68v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Michael arcangelus venit II. Michael princeps bone
69 Virgo Dei mater II. Ad caelum gressus [Jhan of Ferrara]
Appears on: 69
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo dei mater II. Ad celum gressus
69v Te laudamus Deum Anon. Anonymous

Te laudamus Deum

Anonymous
Appears on: 69v
Genres: Liturgical work, Te Deum
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Te laudamus deum
69v–70v Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) [Conseil]
Appears on: 69v–70v
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum qui sum II. Stetit iesus in medio
70v–71 O dulcissime Domine Jesu Christe respicere [Verdelot]
Appears on: 70v–71
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: O dulcissime domine
71v–75 Missa Prima K-G-C-S-A Anon. Anonymous
Appears on: 71v–75
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa prima (K-G-C-S-A)
75–80* Missa Dites-moi m'avés pensé [Divitis/A. Févin]
Appears on: 75–80*
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Divitis/A. Févin]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa 2a [= Missa Dictes moy] (K-G-C-S-A)
80v–82 Missa O quam glorifica luce [A. Févin]
Appears on: 80v–82
Genres: Mass Ordinary
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa tertia [= Missa O quam glorifica] (K-G-C-S-A)
82–84 Missa Quarta "lasqui my confertera" K-G-C-S-A Anon. Anonymous
Appears on: 82–84
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa quarta "lasqui my confertera" (K-G-C-S-A)
84–86v Missa Quinta K-G-C-S-A Anon. Anonymous
Appears on: 84–86v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa quinta (K-G-C-S-A)
86v–87 Crucem tuam adoramus Anon. Anonymous
Appears on: 86v–87
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Crucem tuam adoramus
87v–88 Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) [Caen/Lupus/Richafort]
Appears on: 87v–88
Genres: Motet
Source Attribution: [Caen/Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Hyerusalem luge II. Deduc quasi torrentem
88v–89 Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis [Sermisy]
Appears on: 88v–89
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: [Deus misereatur nostri]...Et benedicat II. Et exultent gentes
89v–90 Obsecro Domine mitte quem missurus es II: Qui regis Israel intende qui deducis [Willaert]
Appears on: 89v–90
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Obsecro domine II. Qui regis Israel
90v–91 Osculetur me II. Sicut tabernacula Anon. Anonymous
Appears on: 90v–91
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Osculetur me II. Sicut tabernacula
91–91v Sub tuum praesidium confugimus Domine [Lhéritier]
Appears on: 91–91v
Genres: Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Sub tuum presidium
91v–93v Missa sexta K-G-C-S-A Anon. Anonymous
Appears on: 91v–93v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa sexta (K-G-C-S-A)
94v–95 Alma caeli virgo II. Diligat orbis eam Anon. Anonymous
Appears on: 94v–95
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Italian
Voice Text: Alma celi virgo II. Diligat orbis eam
95v Virgo parens Christi Anon. Anonymous
Appears on: 95v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Virgo parens Christi
95v–96v Ambulans Jesus II. At illi continuo [Jhan of Ferrara]
Appears on: 95v–96v
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Ambulans Jesus II. At illi continuo
96v–97 Audi filia - 1a pars (of 2): Audi filia et vide [Gombert]
Appears on: 96v–97
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Audi filia et vide II. Specie tua et pulchritudine
97v–98 Laus Deo pax vivis (2p. Et beata viscera) [Gombert]
Appears on: 97v–98
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Laus deo pax II. Et beata viscera
98–98v Locutus est Dominus ad Moisen dicens II: Stetit Moises coram Pharaone et dixit [Jaquet of Mantua/Lupus]
Appears on: 98–98v
Genres: Motet
Source Attribution: [Jaquet of Mantua/Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Locutus est dominus II. Stetit Moyses [= NugentJ #83]
99–99v Salvum me fac Domine quoniam intraverunt II: Veni in altitudinem maris nec tamen [Jaquet of Mantua]
Appears on: 99–99v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Salvum meum fac II. Veni in altitudinem [= NugentJ #129]
99v–100 Sancte Stephanem martyr Dei II. Stephanus caelos apertos Anon. Anonymous
Appears on: 99v–100
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sancte Stephanem martyr dei II. Stephanus celos apertos
100v–101 Hodie Christus natus est nobis hodie (2p. Quem vidistis pastores dicite) [Conseil/Lupi]
Appears on: 100v–101
Genres: Motet
Source Attribution: [Conseil/Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est II. Quem vidistis pastores
101–101v Beatus vir qui non abiit II. Non sic impii Anon. Anonymous
Appears on: 101–101v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir qui non abiit II. Non sic impii
101v–102v Estote fortes in bello II Vos qui reliquistisa [Jaquet of Mantua]
Appears on: 101v–102v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Estote fortes in bello II. Vos qui reliquistis [= NugentJ #114]
103–103v Vias tuas Domine demonstra mihi et semitas (2p. Trahe nos ad portum maris) [Gombert]
Appears on: 103–103v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Vias tuas domine II. Trahe me ad portum
103v–104 Non que super terram Anon. Anonymous
Appears on: 103v–104
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Non que super terram
104–104v In excelso throno Vidi sedere virum [Willaert]
Appears on: 104–104v
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: [In excelso throno] Vidi sedere virum
104v–105 Plorabant sacerdotes II Parce Domine [Jaquet of Mantua]
Appears on: 104v–105
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Plorabant sacerdotes II. Parce domine [= NugentJ #114]
105–105v Ne proiicias nos in tempore senectutis nostre [Willaert]
Appears on: 105–105v
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ne proicias nos
105v–106v O gloriosa domina II. Et quasi cipressus Anon. (not Willaert) Anonymous
Appears on: 105v–106v
Genres: Motet
Source Attribution: Anon. (not Willaert)
Voice: [no designation]
Languages: Latin
Voice Text: O gloriosa domina II. Et quasi cipressus
106v–107 Sufficiebat paupertas nostra II. Nunquam fuisset Anon. (not Jaquet) Anonymous
Appears on: 106v–107
Genres: Motet
Source Attribution: Anon. (not Jaquet)
Voice: [no designation]
Languages: Latin
Voice Text: Sufficiebat paupertas nostra II. Nunquam fuisset
Composer Compositions
Anonymous
Berchem, Jacques (ca. 1505–1567)
Caen, Arnold
Conseil, Jean (ca. 1498–1534)
Despres, Josquin (ca. 1450–1521)
FRF
Ferrara, Maistre Jhan of (ca. 1485–1538)
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hollander, Christian
Layolle, Francesco de
Lheritier, Jean (ca. 1480–ca. 1551)
Lupi, Johannes (ca. 1506–1539)
Mantua, Jacquet de (1483–1559)
Mouton, Jean (ca. 1459–1522)
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Silva, Andreas de (ca. 1475–ca. 1522)
Verdelot, Philippe (ca. 1480–ca. 1532)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus Anonymous 28v–29
Adoramus te Domine Anonymous 12v
Adoramus te Domine Anonymous 28
Alma caeli virgo II. Diligat orbis eam Anonymous 94v–95
Ambulans Jesus II. At illi continuo 95v–96v
Ascendo ad patrem meum II. Viri galilei Anonymous 36v–37
Aspice Domine quia facta est desolata 32v–33
Audi filia - 1a pars (of 2): Audi filia et vide 96v–97
Ave et gaude gloriosa virgo 37
Ave gratia plena 31v
Ave Maria ... virgo serena (2p. Tu mater regis) 66v–67
Ave Maria gratia plena Dominus tecum Anonymous 10v–11
Ave maris stella, Sumens illud ave, Monstra te esse, Vitam presta puram Anonymous 22v–23
Beatus vir qui non abiit II. Non sic impii Anonymous 101–101v
Cantemus Domino Anonymous 11v–12v
Concurrit...Pie Jesu Domine Anonymous 15
Confiteor deo omnipotenti Anonymous 1v
Congratulamini mihi omnes II. Et dum flerem 65v–66
Congregati sunt gentes 42
Congregati sunt inimici nostri et gloriantur II: Disperge illos in virtute tua 6v–8
Creverunt a quam usque Anonymous 32–32v
Crucem tuam adoramus Anonymous 86v–87
Crux clavis corone spinarum flagellis 27
Da pacem Domine in diebus nostris Anonymous 22
Descendi in ortum meum ut viderem poma 40v–41
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis 88v–89
Deus qui nostri tantis Anonymous 39v–40
Deus venerunt Posuerunt exemplum II. Inignitatum nostram 41v–42
Dies irae dies illa solvet saeculum
FRF
56v–61
Ecce Dominus veniet et omnes sancti eius 9v–10
Ecce lignum crucis II. Crux fidelis 2v–3
Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) 69v–70v
Estote fortes in bello II Vos qui reliquistisa 101v–102v
Gaude felix martir II. Oremus omnes Anonymous 21v–22
Gaudeamus omnes in Domino Anonymous 21
Gratias ago tibi Anonymous 67v–68
Hei mihi Domine Anonymous 13
Hodie Christus natus est nobis hodie (2p. Quem vidistis pastores dicite) 100v–101
In die tribulationis meae renuit consolari 24v–25
In excelso throno Vidi sedere virum 104–104v
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) 25v–26v
Infirmitatem nostram quaesumus Domine 25v
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) 87v–88
Laetemur omnes et exultemus II. Gaude mater beatissima Tacet III. Adoremus ergo verbum 61v–62
Laudem dicite deo Omnes sancte II. Beati estis Omnes sancte Anonymous 39
Laus Deo pax vivis (2p. Et beata viscera) 97v–98
Locutus est Dominus ad Moisen dicens II: Stetit Moises coram Pharaone et dixit 98–98v
Memento mei Domine Anonymous 30v–31
Michael arcangelus venit II. Michael princeps bone Anonymous 68–68v
Miles mire probitatis II. Innotescis toti mondo Anonymous 39–39v
Missa cum sex vocibus: K-S-A Anonymous 23v–24
Missa Dites-moi m'avés pensé 75–80*
Missa K-G-C-S-A Anonymous 3v–6
Missa O quam glorifica luce 80v–82
Missa octava = Missa Se congie pris K-G-C-S-A 15v–20v
Missa Prima K-G-C-S-A Anonymous 71v–75
Missa pro defunctis: Introit Requiem aeternam, Kyrie, Tract Absolve Domine, Sequence Dies ire, Offertory Domine Jesu Christe, Sanctus, Agnus Dei, Communion Lux eterna luceat eis 4v in choirbook arrangement
FRF
42v–56
Missa Quarta "lasqui my confertera" K-G-C-S-A Anonymous 82–84
Missa Quinta K-G-C-S-A Anonymous 84–86v
Missa sexta K-G-C-S-A Anonymous 91v–93v
Moriens lux amantissima qui in cruce 6–6v
Mundi Christo redemptoris II. Sancti mártires Dei omnes quem caeliri 40–40v
Nativitas tua Anonymous 31
Ne proiicias nos in tempore senectutis nostre 105–105v
Nigra sum sed formosa Anonymous 15
Nigra sum sed formosa filia Jerusalem 33v
Nolitem soliciti esse Anonymous 30v
Non que super terram Anonymous 103v–104
O dulcissime Domine Jesu Christe respicere 70v–71
O gloriosa domina II. Et quasi cipressus Anonymous 105v–106v
O mater alma redemptoris II. Virgo salvatrix Anonymous 35v–36
O veneranda martirum II. Isti sunt qui venerunt Anonymous 38v
Obsecro Domine mitte quem missurus es II: Qui regis Israel intende qui deducis 89v–90
Osculetur me II. Sicut tabernacula Anonymous 90v–91
Panis angelicus Anonymous 35
Plorabant sacerdotes II Parce Domine 104v–105
Recordare Domine II. Adjuva nos Deus 27v–28
Regina caeli laetare (5vv - canonic) 64–64v
Regina caeli laetare alleluia II. Resurrexit sicut dixit (5vv) [B145] 67–67v
Regina caeli laetare II. Resurrexit sicut dixit Anonymous 13v–14
Regnum mundi et omnem ornatum saeculi (2p. Quem vidi quem amavi in quem credidi) 1
Regnum mundi et omnem ornatum saeculi II: Quem vidi quem amavi in quem credidi III: Eructavit cor meum verbum bonum Anonymous 29v–30
Repleatur os meum laude tua ut hymnum 26v–27
Salve regina II. Et Jesum benedictum Anonymous 11–11v
Salve, Rex pater misericordiae II: Eya ergo, advocate noster 2–2v
Salvum me fac Domine quoniam intraverunt II: Veni in altitudinem maris nec tamen 99–99v
Sancta Maria virgo virginum 25.7 8v–9
Sancta Trinitas Incorporates superius of the A. Févin setting, but is otherwise different, the additional voice does not match either of the two additional voices which Bruck composed for the Févin setting. Anonymous 37v–38
Sancte Stephanem martyr Dei II. Stephanus caelos apertos Anonymous 99v–100
Si ignoras o pulcra II Pulcre sunt 63–64
Si quis diligit me II. Pacem relinquo III. Jam non multa 34–35
Sicut rosa inter spinas ... Salve clarissima Anonymous 24v
Sub tuum praesidium confugimus Domine 91–91v
Sufficiebat paupertas nostra II. Nunquam fuisset Anonymous 106v–107
Supplicantes Cipriano Anonymous 20v
Surrexit pastor bonus qui animam suam (2p. Ecce crucem Domini fugite partes) 14–15
Te decet laus Anonymous 33
Te laudamus Deum Anonymous 69v
Tota pulchra es amica mea et macula (5vv) 64v–65
Verbum iniquum (I) (2p. Duo rogavi te) 62v–63
Vias tuas Domine demonstra mihi et semitas (2p. Trahe nos ad portum maris) 103–103v
Victimae paschali laudes II. Spes nostra Anonymous 65–65v
Virgo Dei mater II. Ad caelum gressus 69
Virgo parens Christi Anonymous 95v

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 335-7, 348-50, 369-70, 372, 388-90, 513, 515, 518 [referred to as PiacD ss[4]]. Notes: contents list (partial); concordances (partial).

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation. Pages: 167. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft.  Tutzing. Pages: 40, 47, 82-6, 142-3,161-3,170, 381-7, 424, 437, 441, 449-50, 456. Notes: contents list (partial); concordances (partial); incipits (partial); texts (partial); mention of MS; discussion.

Silbiger, Alexander. 1977. An Unknown Partbook of Early Sixteenth Century Polyphony. Studi Musicali, 43-67. Pages: 57, 59. Notes: contents list (partial); concordances (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 86, 92, 209-10, 213, 217, 220. Notes: contents list (partial); concordances (partial); incipits (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 137, 139. Notes: contents list (partial); concordances (partial); incipits (partial).

Weidensaul, Jane Bennett. 1973. Early 16th-Century Manuscripts at Piacenza: A Progress Report. Current Musicology, 41-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: I, 224. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried (editor). 1970-. Andreas de Silva: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xiii. Notes: contents list (partial); concordances (partial).

Bussi, Francesco. 1967. Piacenza Archivio del Duomo: Catalogo del Fondo Musicale. Bibliotheca Musicae.  Milan. Pages: 142-7. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description