| Archive | Bibliothèque Mazarine, Paris, France (F-Pm) |
|---|---|
| Shelfmark | MS Réserve 30345 A |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 155 x 200 mm |
| Other Identifiers |
|
| Notations |
|
| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Relationships | |
| Provenance |
|
| Contents | Contains 6 uninventoried works or miscellaneous sections. |
Unique exemplars of the Attaingnant prints RISM 1535/7, 1536/4, 1536/5, 1536/2, 1536/3, and 1536/6 (= HearA #74, 69, 72, 70, 71, and 73, respectively), with manuscript additions at end. Printed music comprises ff. 1-165, manuscript additions on ff. 165'-176'. Manuscript section copied by one or two scribes. Probably copied in Paris. Later became part of personal library of Cardinal Jules Mazarin (1602-61); collection under direction of Institut de France since 1945.
Rebound in modern covers of red morocco leather, with gilded inscription 'Chansons musicales.'
black void mensural
printed staves.
Modern pencil foliation, 1-176, on lower right rectos
Space left for ornamental initials, but only a few initials actually inscribed.
paper
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 motet (incomplete), 8 French secular pieces (2 incomplete), 1 instrumental dance = 10
Briant [Denis Brument]-1, (Cadéac/Lupus)-1, Certon-2, (Crecquillon/Sandrin/Sermisy)-1, Gonory-1, Sermisy-4
iii + 176 + ii paper folios, 155 x 200, consisting of unique exemplars of the Attaingnant prints RISM 1535/7, 1536/4, 1536/5, 1536/2, 1536/3, and 1536/6 (= HearA #74, 69, 72, 70, 71, and 73, respectively), with manuscript additions at end. Modern pencil foliation, 1-176, on lower right rectos; printed music comprises ff. 1-165, manuscript additions on ff. 165'-176'. Rebound in modern covers of red morocco leather, with gilded inscription "Chansons musicales." Manuscript section copied by one or two scribes; printed staves. Space left for ornamental initials, but only a few initials actually inscribed.
Ca. 1536-40. Probably copied in Paris. Later became part of personal library of Cardinal Jules Mazarin (1602-61); collection under direction of Institut de France since 1945.
This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.
| Composers (? Uncertain) | Folios / Pages | Item title | Attribution in Source |
|---|---|---|---|
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
‡ denotes primary source study
Diehl, George Karl. 1974. The Partbooks of a Renaissance Merchant. Cambrai: Bibliothèque municipale, MSS 125-128. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 646-9. Notes: contents list (partial); concordances (partial); incipits (partial).
Allaire, Gaston Georges, and Isabelle Anne-Marie Cazeaux (editors). 1970. Claudin de Sermisy: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xii, xiv, 98-9. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Bernstein, Lawrence F. 1969. The Cantus-Firmus Chansons of Tylman Susato. Journal of the American Musicological Society, 197-240. Pages: 204. Notes: contents list (partial); concordances (partial).
Heartz, Daniel. 1969. Pierre Attaingnant, Royal Printer of Music: A Historical Study and Bibliographical Catalogue. Berkeley and Los Angeles. Pages: 286. Notes: physical description; contents list; concordances.
Bridgman, Nanie. 1967. Manuscrits Clandestins: A propos du Ms. Rés. 862 de la Bibliothèque nationale de Paris, fonds du Conservatoire. Revue de Musicologie, 21-7. Pages: 23. Notes: mention of MS; contents list (partial).
Expert, Henry (editor). 1966-. Mahres Anciens de la Musique Française. Paris. Pages: II, xi. Notes: contents list (partial); concordances (partial).
Cazeaux, Isabelle Anne-Marie. 1961. The Secular Music of Claudin de Sermisy. Columbia University, Unpublished Ph.D. dissertation. Pages: I, 281, 294, 323, 358. Notes: contents list (partial); concordances (partial).
Ktobukowska, Jadwiga. 1961. Repertuar Rçkopisu 4003 z Biblioteki Pan w Gdansku I Jego Znaczenie Historyczne. Muzyka, 74-80. Pages: 76. Notes: mention of MS.
Gastoué, Amédée. 1934. La Musique française du moyen âge à la Révolution. Paris. Pages: 55. Notes: physical description (partial).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description