Copied by a single scribe, possibly 'Garssias Ximenez de Alfaro,' whose name appears in banner on f. 1. Copied in Spain; probably of monastic origin (GasBC).
F-Pn Rés. F. 967
Bibliothèque nationale de France, Département de la Musique, Paris, France
manuscript of polyphony: Late 15th-early 16th century
| Archive | Bibliothèque nationale de France, Département de la Musique, Paris, France (F-Pn) |
|---|---|
| Shelfmark | Rés. F. 967 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 370 x 275 mm |
| Other Identifiers |
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| Notations |
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| Copyists | |
| Provenance |
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| Contents | Contains 5 compositions, 5 are anonymous. |
General Description
Notation
black void mensural; tenor of one piece in square chant notation. Monophonic contents in square chant notation
Ruling
red 5-line staves
Foliation
Modern pencil foliation, 1-33
Decoration
Inked Gothic coloured initials, some decorated with vine/floral motifs. Last section of litany ('Mortem autem crucis') copied in red ink.
Surface
Parchment
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Liturgical book, with polyphony:
2 settings of Lamentations or other Lesson texts for Holy Week, 1 troped litany = 3
Anonymous
33 parchment folios, 370 x 275. Modern pencil foliation, 1-33. Monophonic contents in square chant notation on red 5-line staves; polyphony (ff. 23'-30) in white mensural notation (tenor of one piece in square chant notation). Copied by a single scribe, possibly "Garssias Ximenez de Alfaro," whose name appears in banner on f. 1. Inked Gothic colored initials, some decorated with vine/floral motifs. Last section of litany ("Mortem autem crucis") copied in red ink.
Late 15th-early 16th century. Copied in Spain; probably of monastic origin (GasBC).
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‡ denotes primary source study
Corbin, Solange, and Madeleine Bernard. 1965-. Repertoire de Manuscrits Médiévaux Contenant des Notations Musicales. Paris. Pages: III, 114, Plate LI. Notes: physical description; contents list; facsimile (partial).
Massenkeil, Günther. 1961. Zur Lamentationskomposition des 15. Jahrhunderts. Archiv für Musikwissenschaft, 18: 103-14. Pages: 106-14. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VI, 6*, 140-1. Notes: contents list (partial); transcription (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: X, 801. Notes: physical description (partial).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 117. Notes: physical description (partial); contents list.
Gastoué, Amédée. 1932. Manuscrits et Fragments de Musique Liturgique, à la Bibliothèque du Conservatoire, à Paris. Revue de Musicologie, 16: 1-9. Pages: 4-7. Notes: physical description (partial); contents list; transcription (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description