US-NYhsa **HC 380/871

Hispanic Society Library, New York, United States

manuscript of polyphony: Before 1616

Archive	Hispanic Society Library, New York, United States (US-NYhsa)
Shelfmark	**HC 380/871
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	562 x 400 mm
Other Identifiers	CCM: NYorkH 871
Notations	black void mensural
Copyists	? Estremera, Pedro de (–1632) Music
Relationships	Hiersemann Antiquariat (owner) The Hispanic Society (owner) Olmeda de San Jose, Federico (1865–1909) (owner) Palace and Monastery of El Escorial (copied at)
Provenance	Palace and Monastery of El Escorial , San Lorenzo de El Escorial, Spain
Contents	Contains 15 compositions from 2 composers.

General Description

Scribal concordance with NYorkH 869 (Charles Manns). Copied at the Escorial (Charles Manns), possibly bt Fray Pedro de Estremera. Brought to collegial church of S. Pedro at Lerma by 1616. Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society c. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.

DIAMM, 2017

Binding

Original covers of dark brown leather on boards, tooled in gold with ornamental designs.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original foliation, irregular.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses

Morales-2, Palestrina-l

87 paper folios, 590 x 410. Original foliation, irregular. Original covers of dark brown leather on boards, tooled in gold with ornamental designs. Scribal concordance with NYorkH 869 (Charles Manns).

Early 17th Century. Copied at the Escorial (Charles Manns). Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society ca. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1v–33r	Missa Ut re mi fa sol la: Kyrie	6v	Palestrina	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Ut re mi fa sol la: Kyrie Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 1v–33r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Palestrina Number of voices: 6v
1v–33r	Missa Ut re mi fa sol la: Gloria	-	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Ut re mi fa sol la: Gloria Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 1v–33r Genres: Gloria (et in terra pax), Mass Ordinary
1v–33r	Missa Ut re mi fa sol la: Credo	-	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Ut re mi fa sol la: Credo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 1v–33r Genres: Credo (patrem omnipotentem), Mass Ordinary
1v–33r	Missa Ut re mi fa sol la: Sanctus	-	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Ut re mi fa sol la: Sanctus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 1v–33r Genres: Mass Ordinary, Sanctus [& Benedictus]
1v–33r	Missa Ut re mi fa sol la: Agnus Dei	-	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Ut re mi fa sol la: Agnus Dei Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 1v–33r Genres: Agnus Dei, Mass Ordinary
33v–55r	Missa L’homme armé quarti toni (5vv): Kyrie.	5	Christophorus Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa L’homme armé quarti toni (5vv): Kyrie. Morales, Cristóbal de (ca. 1500–1553) Appears on: 33v–55r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Christophorus Morales Number of voices: 5 General Note Lacks Agnus II/III
33v–55r	Missa L’homme armé quarti toni (5vv): Gloria: 2 partes.	-	-	Morales, Cristóbal de (ca. 1500–1553)
Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. Morales, Cristóbal de (ca. 1500–1553) Appears on: 33v–55r Genres: Gloria (et in terra pax), Mass Ordinary
33v–55r	Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces.	-	-	Morales, Cristóbal de (ca. 1500–1553)
Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces. Morales, Cristóbal de (ca. 1500–1553) Appears on: 33v–55r Genres: Credo (patrem omnipotentem), Mass Ordinary
33v–55r	Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus.	-	-	Morales, Cristóbal de (ca. 1500–1553)
Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. Morales, Cristóbal de (ca. 1500–1553) Appears on: 33v–55r Genres: Mass Ordinary, Sanctus [& Benedictus]
33v–55r	Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II.	-	-	Morales, Cristóbal de (ca. 1500–1553)
Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. Morales, Cristóbal de (ca. 1500–1553) Appears on: 33v–55r Genres: Agnus Dei, Mass Ordinary
55v–87r	Missa Mille regrets: Kyrie	6	Christophorus Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 55v–87r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Christophorus Morales Number of voices: 6
55v–87r	Missa Mille regrets: Gloria	6	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Gloria Morales, Cristóbal de (ca. 1500–1553) Appears on: 55v–87r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 6
55v–87r	Missa Mille regrets: Credo	6	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Credo Morales, Cristóbal de (ca. 1500–1553) Appears on: 55v–87r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 6
55v–87r	Missa Mille regrets: Sanctus	6	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 55v–87r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 6 General Note lacks second Osanna
55v–87r	Missa Mille regrets: Agnus Dei	6	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Agnus Dei Morales, Cristóbal de (ca. 1500–1553) Appears on: 55v–87r Genres: Agnus Dei, Mass Ordinary Number of voices: 6 General Note Lacks Agnus I/II

Composer	Compositions
Morales, Cristóbal de (ca. 1500-1553)	Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. – 33v–55r Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces. – 33v–55r Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. – 33v–55r Missa L’homme armé quarti toni (5vv): Kyrie. – 33v–55r Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. – 33v–55r Missa Mille regrets: Agnus Dei – 55v–87r Missa Mille regrets: Credo – 55v–87r Missa Mille regrets: Gloria – 55v–87r Missa Mille regrets: Kyrie – 55v–87r Missa Mille regrets: Sanctus – 55v–87r
Palestrina, Giovanni Pierluigi da (1525-1594)	Missa Ut re mi fa sol la: Agnus Dei – 1v–33r Missa Ut re mi fa sol la: Credo – 1v–33r Missa Ut re mi fa sol la: Gloria – 1v–33r Missa Ut re mi fa sol la: Kyrie – 1v–33r Missa Ut re mi fa sol la: Sanctus – 1v–33r

Composer

Compositions

Morales, Cristóbal de (ca. 1500-1553)

Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. – 33v–55r
Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces. – 33v–55r
Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. – 33v–55r
Missa L’homme armé quarti toni (5vv): Kyrie. – 33v–55r
Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. – 33v–55r
Missa Mille regrets: Agnus Dei – 55v–87r
Missa Mille regrets: Credo – 55v–87r
Missa Mille regrets: Gloria – 55v–87r
Missa Mille regrets: Kyrie – 55v–87r
Missa Mille regrets: Sanctus – 55v–87r

Palestrina, Giovanni Pierluigi da (1525-1594)

Missa Ut re mi fa sol la: Agnus Dei – 1v–33r
Missa Ut re mi fa sol la: Credo – 1v–33r
Missa Ut re mi fa sol la: Gloria – 1v–33r
Missa Ut re mi fa sol la: Kyrie – 1v–33r
Missa Ut re mi fa sol la: Sanctus – 1v–33r

Composition	Composers (? Uncertain)	Folios / Pages
Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II.	Morales, Cristóbal de (ca. 1500–1553)	33v–55r
Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces.	Morales, Cristóbal de (ca. 1500–1553)	33v–55r
Missa L’homme armé quarti toni (5vv): Gloria: 2 partes.	Morales, Cristóbal de (ca. 1500–1553)	33v–55r
Missa L’homme armé quarti toni (5vv): Kyrie.	Morales, Cristóbal de (ca. 1500–1553)	33v–55r
Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus.	Morales, Cristóbal de (ca. 1500–1553)	33v–55r
Missa Mille regrets: Agnus Dei	Morales, Cristóbal de (ca. 1500–1553)	55v–87r
Missa Mille regrets: Credo	Morales, Cristóbal de (ca. 1500–1553)	55v–87r
Missa Mille regrets: Gloria	Morales, Cristóbal de (ca. 1500–1553)	55v–87r
Missa Mille regrets: Kyrie	Morales, Cristóbal de (ca. 1500–1553)	55v–87r
Missa Mille regrets: Sanctus	Morales, Cristóbal de (ca. 1500–1553)	55v–87r
Missa Ut re mi fa sol la: Agnus Dei	Palestrina, Giovanni Pierluigi da (1525–1594)	1v–33r
Missa Ut re mi fa sol la: Credo	Palestrina, Giovanni Pierluigi da (1525–1594)	1v–33r
Missa Ut re mi fa sol la: Gloria	Palestrina, Giovanni Pierluigi da (1525–1594)	1v–33r
Missa Ut re mi fa sol la: Kyrie	Palestrina, Giovanni Pierluigi da (1525–1594)	1v–33r
Missa Ut re mi fa sol la: Sanctus	Palestrina, Giovanni Pierluigi da (1525–1594)	1v–33r

‡ denotes primary source study

‡ Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, 17: p.278-282.

Kirk, D. 1993. Churching the Shawms in Renaissance Spain: Lerma, Archivo de San Pedro Ms. Mus. 1. McGill University, PhD. Pages: 55, 64, 83, 89-90, 105-6.

Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss.

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 126. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description